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Year: 2010

The Spider vs. The Empire State

The Spider vs. The Empire State

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Layout 2The Spider Revival: Part III

The Spider vs. The Empire State
Norvell Page (Ace of Aces Books, 2009)

I have previously written about the revival in trade paperback of the adventures of The Spider, the bloodiest of all 1930s pulp heroes. My reviews of The Spider: Robot Titans of Gotham and The Spider: City of Doom, both published by Baen, contain plenty of background about the character and his main author, Norvell Page, so if you’re unfamiliar with the blood-soaked vigilante insanity of this region of the pulp universe, I’d advise that you start there.

This third collection of Spider adventures comes from a new publisher (Ace of Aces Books) and presents for the first time three connected novels that were originally published consecutively in The Spider Magazine. These three novels, which ran in the September, October, and November 1938 issues, form “The Black Police Trilogy,” one of the darkest episodes in the character’s history. Norvell Page and his editor Harry Steeger decided to put newspaper headlines and national fears into their pulp adventures: an allegory for Nazism, viewed as it might arise in the middle of contemporary New York State. It Does Happen Here might serve a good alternate title.

The first book of the trilogy, The City That Paid to Die, came out exactly a year before the Nazi invasion of Poland. The U.S. and the rest of the world were in an uneasy position with the seemingly unstoppable rise of fascism in Europe and the apparent weakness of the liberal democracies. A few small fascist sympathetic groups bubbled up in the U.S., but by 1938 the isolationist nation was becoming concerned about the ambitions of the regimes of Adolf Hitler and Benito Mussolini. It was an era ripe for terror and panic—and Norvell Page seized those feelings to create a pulp adventure uncomfortably close to 1938 concerns.

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Black Gate 14 now available in PDF

Black Gate 14 now available in PDF

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bg-14-cover3Black Gate 14 is now available in PDF format for just $4.95. 

Black Gate 14 is a landmark issue ­ and at 384 pages, it’s also the largest in our history. The print version retails for $15.95, but now you can order the complete magazine — including the wraparound cover — for the same price as all our PDFs: $4.95/copy, or as part of a 4-issue PDF subscription for just $17.95.

Existing subscribers can purchase the issue for just $2.95.

Here’s what  Grasping for the Wind has to say about our latest issue:

One of the best collections of fiction on the market – whether books, magazines, or online. The latest edition has just been released, and Black Gate 14 is massive, topping out at 384 pages …  this massive collection of fiction shows why, even with their irregular publishing schedule, Black Gate is one of the most popular magazines (print or online) available today.

The issue includes a Morlock novella from James Enge, and new fiction from John C. Hocking, Michael Jasper & Jay Lake, Pete Butler, Robert J Howe, Martin Owton, Chris Braak, Matthew David Surridge,  and much more — including an 8-page Knights of the Dinner Table strip!

The complete Table of Contents, with artwork and brief story excerpts, is here, and you can read the complete reviews from Grasping for the Wind and Locus Online here.

Order the magazine on our Subscription page here.

Cover art by the great Bruce Pennington.

Short Fiction Roundup: Serialization

Short Fiction Roundup: Serialization

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apex-blogReturn with us now to those thrilling days of yesterday, when publishers employed serials as a way to keep reader interest in wondering what happens next.  Apex is presenting a 20 part serial of “Jesus and the Eightfold Path” by Lavie Tidhar.  You can start reading here.

Locus Online reviews Black Gate 14

Locus Online reviews Black Gate 14

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wine_dark_sea1Following the excellent review at Grasping at the Wind, Lois Tilton at Locus Online has weighed in on Black Gate 14. 

Here’s what she said about Matthew David Surridge’s “The Word of Azrael”:

Enough adventures to fill many books. Here might well be the ultimate sword and sorcery, in that it both epitomizes and deconstructs the form with a subtle irony…The author is compressing all possible adventures into one, and eventually the threads begin to come together. The tale illustrates how much of what we recognize as S&S lies in certain tropes and themes, and in particular the tone of its prose. RECOMMENDED

She also had kind words for “The Wine-Dark Sea” by Isabel Pelech:

Very dark fantasy. Newyn was disfigured as a child by the local magic called lohan; now she is a masked assassin. She is hired by an old woman to rescue her son from a lohan-filled submerged city, fallen long ago to some malevolent magic. The lohan haunting the place makes it possible to breathe the water, but persons who venture there rarely return… There is nothing commonplace about the setting. The submerged city is filled with wondrous horrors. RECOMMENDED

She also gave a RECOMMENDED rating for “Devil on the Wind” by Michael Jasper and Jay Lake, calling it:

All fireworks, as the authors have pulled out their purpurean pyrotechnics in depiction of Lena and her sorcerous battles.

You can read the complete review here.

Art by Mark Evans for “The Wine-Dark Sea.”

Goth Chick News: A Long, Weird Journey

Goth Chick News: A Long, Weird Journey

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weird-illinoisWeirdness surrounds you, trust me.

I know that’s a bold statement considering the only thing I know about you is that you’re a Black Gate fan, but then again, one might argue that information alone is enough.

But I can go one step further; I can actually prove it.

Just head over to www.weirdus.com and click on “stories by state.” OK, you won’t find anything there yet, as this part of the website isn’t completely finished. But if you click on “stories by category” you’ll find the categories broken up by state and you’ll see what I’m talking about.

What you have just discovered is that no matter where you live in the good old US of A, there are stories about your hometown that will likely curl your hair. If you’re very lucky, enough stories have been gathered by the research team of Mark Moran and Mark Sceurman to create an entire book. So far there are thirty in all with new ones being released every six months or so.

Weird Illinois hit the book stores in 2005, and when I picked up my copy I hunkered down on a Sunday afternoon and didn’t get up until I had turned the last page. The stories ran the gambit from urban legend to documented hauntings, to real events grotesque enough to barely be believable. The local editor Troy Taylor (each book has someone from that state doing the heavy lifting) says the stories are all chosen for being a little “left of center.”

That’s an understatement.

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ORC STAIN: Update

ORC STAIN: Update

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The first five issues under one cover...it's Orc-tastic!
The first five issues under one cover...it's Orc-tastic!

ORC STAIN Volume 1 collection coming in July…

ORC STAIN, VOL. 1 TP
story JAMES STOKOE
art & cover JAMES STOKOE
JULY 28
168 PAGES / FC
$17.99
For a million millennia the world has cracked and convulsed under the indomitable mob of the orc. Savage, bloodthirsty creatures, they are without number, staining nearly every corner of the globe. The mighty Orc Tzar, newest leader of the mob, marches ever north to find the lost organ of a forgotten god. Only a lone one-eyed orc with a mysterious gift can find the key to breaking the cycle forever.
Collects ORC STAIN #1-5
RETAILER WARNING: MAY NOT BE SUITABLE FOR ALL AGES

Tanith Lee’s LIONWOLF Trilogy

Tanith Lee’s LIONWOLF Trilogy

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A Masterwork of Transcendent High Fantasylionwolf16

“Is she Weird? Is she White? Is she promised to the Night?”
 — The Pixies, Bossanova 1990

“When I was nine, about a year after I learned how to read, I started to write.”
 — Tanith Lee, LOCUS, April 1998

 

Introducing Tanith Lee is seldom necessary.

The majority of fantasy fans already know her name. After 77 novels and 300 short stories, among them such seminal fantasy classics as the Birthgrave trilogy, the Wars of Vis trilogy, the Tales From the Flat Earth quintology, the Secret Books of Paradys quadrology, and the Secret Books of Venus quadrology, her storytelling powers are still in full effect.

In a publishing world that does not always honor its Great Ones, it is often possible to miss out on the latest and greatest works of the field’s most gifted writers. Even a writer as established and lauded as Lee can get lost in the desperate shuffle to market and promote “hot-sellers.” Quality often takes a back seat to what the marketing department thinks will sell…and some amazing works of fantasy get less than the attention they deserve.

Case in Point: Tanith Lee’s latest masterpiece The LIONWOLF Trilogy. The series consists of three books that chronicle the birth, life, death, rebirth, and redemption of a rampaging man-god who strides red-handed across a world of endless winter and primordial savagery. The books are: Cast a Bright Shadow, Here in Cold Hell, and No Flame But Mine. Chances are you’ve missed seeing these books on your local bookstore’s shelves…which is a tragedy in and of itself. Like much of Lee’s previous work, this is a trilogy that no self-respecting fantasy fan can afford to miss. In today’s world of online booksellers — led by the grandaddy of them all, www.amazon.com — you no longer have to settle for what shows up on your local bookstore’s shelves. Thank the Gods for that…

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Because One Frederick Faust Post Isn’t Enough: The Sacking of El Dorado

Because One Frederick Faust Post Isn’t Enough: The Sacking of El Dorado

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frederick-faust-in-brentwood“So it will be when we are dead that perhaps our lives will stand for something.”

“A typewriter is almost like a human being to me.”

“Have recently sent thirty-eight poems to our leading magazines and received thirty-eight poems back from our leading magazines.”

“All that can save fiction is enormous verve, a real sweep, plus richness of character, blood that can be seen shining through.”

“Why is my verse so difficult, so dead, so dull to other people?”

—Frederick Faust, from various letters

I was surprised but pleased to see the positive reaction that my post about Frederick Faust, a.k.a. Max Brand, received last week. It was enough for me to want to spend an extra week on the author, specifically to take a closer look at an individual volume of his work. Faust has rarely received this sort of attention, as John C. Hocking pointed out in the comments last week, and so I’ll spend another Tuesday of your time talking about a man who was not only the most prolific of the pulpsters, but one of the most skilled and literary.

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Black Gate 14 Sneak Peek: “On a Pale Horse” by Sylvia Volk

Black Gate 14 Sneak Peek: “On a Pale Horse” by Sylvia Volk

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on-a-pale-horse-277Once a Bedouin girl tamed a crooked stallion — and the Arabian breed was born. A tale of legend and desert war.

     Behind her, Salsabil heard the drumming of hooves. At the awning of the family tent, with her pursuer thundering after her, she whirled. Sand sprayed under her heels. She stood tall, flinging up her arms.
      The mare came charging downhill at full speed, head tucked close against her chest and hooves crashing through the loose scree. Straight at her. Salsabil stood like a rock. Her sight grew dim. Her outstretched fingers trembled. But she did not move.
     At the last instant, with her nose barely an inch from the girl’s breast, the war-mare stopped. She flung her elegant head high, danced before Salsabil upon hooves smaller than the feet of a girl-child. And Salsabil gazed up and up at the rider on the mare’s back.
      She looked into his bearded face, and fear struck her in the heart — for it was the face of a skeleton. But she could not allow him to pass.

Sylvia Volk was born in western Canada. This is her first published story.

 “On a Pale Horse” appears in Black Gate 14. You can read a more complete excerpt here. The complete Black Gate 14 Sneak Peek is available here.

Art by Aaron Starr.

On Reviewing

On Reviewing

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sh_headJustina Robson’s review of Greer Gilman’s Cloud & Ashes in Strange Horizons struck a number of resonating chords for me. For one, her ambiguous feelings about reviewing echo my own. It’s not only wondering if you’re getting it right, it’s how one offhand sentence can be taken to mean something entirely more than what you intended. I, too, had my problems with Bold as Love (which you can read about here and here and here).

I also share with Robson that Gilman is undoubtedly an interesting and possibly profound writer, but it’s much too much work to appreciate it (“This brings us to the real doorstop of the collection, both in terms of page count and prose density. “A Crowd of Bone” by Greer Gillman invokes Celtic myth concerning…this is the longest story here; it is also the hardest to read… English majors who’ve ploughed through Beowulf in the original Old English may find the language fascinating. This English major found it tedious, and at one point just stopped reading it and went on to the next story. I did eventually go back to finish it, but still considered it rough going”).

Finally, I too struggle with balancing mixed feelings about books I actually like, or should like more, at certain levels, as, for instance, my review of Robson’s latest novel.