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Supernatural Reality: Stoker’s Dracula Hidden in Plain Sight

Supernatural Reality: Stoker’s Dracula Hidden in Plain Sight

stoker1Most literary criticism of Bram Stoker’s Dracula is limited to treating the work as one of the more blatant examples of Victorian sexual repression. A few more adventurous critics are eager to play Freudian detective and speculate what the book reveals about the author’s possible sexual feelings for Sir Henry Irving or his alleged serial infidelity with East End prostitutes.

Rare is the literary critic who looks at the recurring theme throughout the book of the difficulty modern man faces in accepting the supernatural as reality.

From its first page to its last, this is what Stoker is most interested in shaping his story around. The book has become so ingrained in our culture that millions who have never read it have absorbed the gist of the plot from the past century of adaptations, rip-off’s, and parodies in film, television, theater, and books.

This is part of the reason why the concept is missed, but the greater reason is the one Stoker illustrates time and again in his book – we deliberately ignore what we can’t comfortably explain.

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Bram Stoker’s Dracula in Comics, Part One – The Novel Adaptations

Bram Stoker’s Dracula in Comics, Part One – The Novel Adaptations

compdracWhile Bram Stoker’s infamous vampire count has been prevalent in comic books whenever the prevailing bluenoses of each generation have deigned to allow horror books to be printed, there have been surprisingly few attempts to faithfully adapt the classic novel in comic book form.

Classics Illustrated tackled the book shortly before Dr. Frederick Wertham got his dirty little hands on the comic business and did his best to keep the children of the world safe from twisted people just like himself. The Classics Illustrated adaptation was professionally produced, if somewhat anemic.

Marvel Comics would later reprint it in the 1970s with new cover art to make it appear consistent with Gene Colan’s magnificent portrayal of the character for Marvel’s long-running Tomb of Dracula title. Happily, a superior adaptation was brewing in Marvel’s companion magazine, Dracula Lives.

Roy Thomas and Dick Giordano teamed up to provide a faithful, elegant, and leisurely-paced adaptation of the Stoker novel as an ongoing feature in the black & white comic magazine.

Unfortunately, sales were not on their side and the title was cancelled. The one unpublished chapter they had completed turned up in the pages of another magazine title, Legion of Monsters, before it too was cancelled. Their masterful adaptation was left incomplete for nearly thirty years.

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Dracula: From Script to Screen

Dracula: From Script to Screen

dracula_1931aDracula by Bram Stoker frequently vies with The Maltese Falcon by Dashiell Hammett as my favorite book.

Both stories are archetypes of their genres and despite endless imitations, almost every attempt to emulate the originals falls wide of the margin.

The current vogue for Twilight and its many imitations may be the worst misinterpretation of Stoker’s classic yet, despite its enviable success among pre-pubescent girls (and their emotional equals). The ignorance of most Twilight fans as to how their heroine earned her first name led me to revisit the seminal Universal Horror, Tod Browning’s Dracula (1931) starring Bela Lugosi in an iconic performance that did much to secure Stoker’s novel its hard-won place of acceptance as a literary classic.

The resulting film owed much to the stage plays which took the West End and Broadway by storm during the Roaring Twenties.

Film historian David Skal has gifted the world with several excellent books and DVD bonus features and commentaries chronicling this once untapped goldmine’s transition from page to stage to screen.

Film buff Philip J. Riley has done one better (actually twice better) by sharing with film lovers not one, but two volumes collecting the various story treatments and screenplay drafts that were languishing in Universal’s files for decades.

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The Ultimate Halloween Party Movie: House of Frankenstein

The Ultimate Halloween Party Movie: House of Frankenstein

house_of_frankenstein_movie_poster1House of Frankenstein (1944)

Directed by Erle C. Kenton. Starring Boris Karloff, Lon Chaney Jr., John Carradine, J. Carrol Naish, Glenn Strange, Anne Gwynne, Elena Verdugo, George Zucco, Lionel Atwill.

I was working in the lab, late one night…

Ah, October. My favorite month. No other time is so ideal for exploring dark fantasy, the Gothic, the classic ghost story … and of course, Universal horror films. The monsters of Universal’s 1930s and ‘40s films have given the Halloween season its mascots, creatures as closely identified with the holiday as Santa Claus is with Christmas. So there’s no better Halloween party flick than the wall-to-wall monster epic that was the original “The Monster Mash”…

In seventy-one minutes, House of Frankenstein brings you:

  • Dracula
  • The Wolf Man
  • Frankenstein’s Monster
  • A mad scientist
  • A hunchback
  • A torch-wielding mob of angry villagers
  • A laboratory full of Kenneth Strickfaden-influenced sizzling equipment
  • Brain transplants!

All this, plus the hat trick of Boris Karloff, Lon Chaney Jr., and John Carradine in the same film; roles for classic supporting actors Lionel Atwill and George Zucco; and sexy Anne Gwynne. Now how much would you pay?

I paid $8.99 for my DVD, and I got Frankenstein Meets the Wolf Man on the same disc!

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