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Birthday Reviews: Alex Bledsoe’s “Shall We Gather”

Birthday Reviews: Alex Bledsoe’s “Shall We Gather”

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Cover by Jonathan Bartlett
Cover by Jonathan Bartlett

Alex Bledsoe was born on February 3, 1963. His story “The Big Finish” appeared in the June 1998 issue of Crossroads and his first novel, The Sword-Edged Blonde, which kicked off the Eddie LaCrosse series, was published in 2007. To date, the series includes five novels and a short story. He co-wrote the novel Sword Sisters with Tara Cardinal.

“Shall We Gather” was purchased by Paul Stevens for Tor.com, appearing on May 14, 2013. At the same time, it was released as an e-chapbook by Tor.com, and would later be included in the e-anthology The Stories: Five Years of Original Fiction. It is part of his Tufa series, which began with the novel The Hum and the Shiver and continued through five additional novels, with The Fairies of Sadieville scheduled for an April release.

“Shall We Gather” is set in eastern Tennessee in Bledsoe’s mythical Cloud County, where a fantastic race, the Tufa, have lived since before the coming of the Native Americans. Akin to Celtic fairies, the Tufa do not permit any churches to be built in the county, where most inhabitants have at least some Tufa blood.

When Old Man Foyt, one of the few humans who lives in Cloud County, is dying, he requests that Methodist minister Craig Chess attend to him to help him pass to the other side. After checking with his girlfriend, a Tufa, to ensure that his presence won’t offend the Tufa, Chess travels to help ease Foyt. Before he can enter the house, however, he is approached by Mandalay Harris, a powerful Tufa, who wants him to find out from Foyt whether the Tufa will face the same God as Christians upon their death. She believes that since Foyt has lived his entire life in Cloud County, something of the Tufa has infiltrated him and he might be able to share the answer with Chess at the moment of his death.

Despite Chess’s trepidation about entering Cloud County to perform in his capacity as a minister, all of the interactions between him and the Tufa or humans are completely amicable. The way Harris phrases her question for Foyt is interesting and seems Christiancentric rather than assuming a central place of her own race in her worldview.

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Birthday Review: Selina Rosen’s “Food Quart”

Birthday Review: Selina Rosen’s “Food Quart”

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Cover by Clyde Caldwell
Cover by Clyde Caldwell

Selina Rosen was born on Groundhog’s Day in 1960. Her first story, “Closet Enlightenment” was published in Marion Zimmer Bradley’s Fantasy Magazine in the Summer 1989 issue. She founded Yard Dog Press in 1995. Through Yard Dog, she published the Bubba series of anthologies as well as novels written by a variety of beginning and mid-list authors. Rosen published her first novels in 1999 through Meisha Merlin. In 2011 Rosen received the Phoenix Award for Lifetime Achievement for the work she did at Yard Dog Press and for supporting and encouraging up and coming authors.

“Food Quart” was purchased by Esther Friesner for Fangs for the Mammaries, a 2010 anthology of humorous vampire stories set in suburbia. It has not been reprinted.

Mark has been working as a nighttime security guard at a suburban mall for three years when he’s called into his boss’s office over an incident the security cameras caught. A body had been found at the mall and while reviewing the evidence, Mark’s boss, Walt, and a local police officer began wondering why Mark didn’t appear in any of the security footage.

Having lived a long time, Rosen’s vampire is unconcerned being discovered. Rather than wait for his interrogators to come to their own conclusions about his nature, Mark admits it. Rosen’s story explores the response the three have to the revelation, from complete disbelief to acceptance to Mark’s plan to quickly leave the area and set up someone else, even as he comes to realize that he had been working at the mall longer than he had stayed in one place since becoming a vampire.

Rosen’s take on vampires is also quite mundane and she looks at what might be important to an immortal being and how they would view the world and protect their own existence. Mark is a long way from the vampires of Bram Stoker or F.W. Murnau or even Stephanie Meyer, offering instead the worldview of a working class version of Chelsea Quinn Yarbro’s Saint-Germain. A final encounter between Mark and Walt provides an unexpected ending for Mark as he prepares to leave for newer pastures.

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Birthday Review: Yevgeny Zamyatin’s “The Cave”

Birthday Review: Yevgeny Zamyatin’s “The Cave”

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Fantasy and Science Fiction February 1969-small Fantasy and Science Fiction February 1969 TOC-small

Cover by Russell Fitzgerald

Yevgeny Zamyatin (originally Евгений Замятин) was born in Levedyan, Russia on February 1, 1884. He was an early supporter of the Bolshevik Party, joining them before the Russian Revolution of 1917, but he grew disillusioned with their policies following the October Revolution. In 1921 he wrote the essay “I Am Afraid” and also published his major science fiction novel, We (Мы), which became the first work of fiction banned by the Goskomizdat, the Soviet censorship bureau.

The novel was first published in English in 1924 and received a Prometheus Hall of Fame Award in 1994. In 1931, Zamyatin appealed to Joseph Stalin, the General Secretary of the Communist Party and was granted permission to emigrate to Paris, where he died in poverty from an heart attack on March 10, 1937.

Zamyatin’s story “The Cave” (“Пещера”) was originally published in Russian in 1922, and reprinted in English in the February 1969 issue of The Magazine of Fantasy and Science Fiction. In Russian the work was seen as focusing attention on the everyday man when they were still trying to establish the Communist State. The story was also seen as a direct challenge to the ideals of the Revolution which Zamyatin has supported only five years before.

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Birthday Reviews: January Index

Birthday Reviews: January Index

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Cover by Ho Che Anderson Cover by Howard V. Brown

One twelfth of the way through the year, here’s a listing of the birthday reviews that appeared at Black Gate in January.

January 1, E.M. Forster: “The Machine Stops”
January 2, Isaac Asimov: “Buy Jupiter”
January 3, Patricia Anthony: “Lunch with Daddy”
January 4, Ramsey Campbell: “No End of Fun”
January 5, Tananarive Due: “Suffer the Little Children”
January 6, Eric Frank Russell: “A Great Deal of Power”
January 7, Hayford Peirce: “Mail Supremacy”
January 8, Jack Womack: “Audience”

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Birthday Reviews: Gene DeWeese’s “The Man in Cell 91”

Birthday Reviews: Gene DeWeese’s “The Man in Cell 91”

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Time Twisters
Time Twisters, cover artist unknown

Gene DeWeese was born on January 31, 1934 and died on March 19, 2012. DeWeese wrote several television and gaming tie-in novels, including work in the Lost in Space, Ravenloft, Star Trek, and Man from U.N.C.L.E. universes as well as original YA novels.

DeWeese has collaborated with Robert Coulson and has used pseudonyms including Jean DeWeese, Thomas Stratton, and Victoria Thomas. His novel The Adventures of the Two-Minute Werewolf was adapted into a television film. He served as a technical writer on the Apollo program.

“The Man in Cell 91” was published in Time Twisters, edited by Jean Rabe and Martin H. Greenberg and released in January 2007.

The title of the story, “The Man in Cell 91” provides a certain expectation for the reader as an unnamed man, alone in a cell, is suddenly visited by dreams or visions, each one showing people in despair at the moments of their deaths. Without any agency or understanding why, the man sees people starving to death, being killed in battle, and eventually a priest committing suicide because his sexual transgressions have been discovered, and one of the priest’s victims committing suicide.

As the man comes to an understanding, DeWeese begins to reveal his identity, providing the reader with their own sense of understanding. The story isn’t quite an alternate history, nor a secret history, but does offer a look at a potential alternative to our own timeline.

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Birthday Reviews: Monte Cook’s “Born in Secrets”

Birthday Reviews: Monte Cook’s “Born in Secrets”

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Cover by Cliff Nielsen
Cover by Cliff Nielsen

Monte Cook was born on January 29, 1968. Cook has mostly focused his attention on the gaming sector, working for Iron Crown Enterprises on Rolemaster and Champions before moving to TSR, where he designed the game Dark•Matter.

After TSR was purchased by Wizards of the Coast, he was put in charge of the 3rd edition of Dungeons and Dragons. He left Wizards of the Coast and eventually started Malhavoc Press and published game supplements. Cook eventually founded another gaming company, Monte Cook Games.

“Born in Secrets” was published in the January 2000 issue of Amazing Stories, edited by Kim Mohan. The story is set in the world of Dark•Matter and the magazine had an essay about the game published alongside the story. Cook would publish a novel, Of Aged Angels, set in the same world the next year.

“Born in Secrets” tells the story of Jessie Campbell and Lewis McAndrews, two hydrogeologists working on a lengthy assignment in South Dakota when they stumble across an old sod house in the desert. Taking a break from their more pedestrian duties, and at Jessie’s urging, they explore the building and find some rusted tools and an old engraving metal platter.

Intrigued by their discovery, Lewis uses the internet to try to figure out what the German engraving means. Although he isn’t able to translate the entire thing, he does come across a reference to “Ministers of the Mind” and tries to learn what he can, sending e-mails to various websites. The few responses he receives are anything but enlightening and he shares them with Jessie before they abandon the mystery to return to their work.

Eventually, they are contacted by people who are tied to the Minsters of the Mind and learn that most of their wild speculations were true. They are now hosts to a second consciousness, which the Ministers believe is the next step in evolution.

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Birthday Reviews: Parke Godwin’s “The Night You Could Hear Forever”

Birthday Reviews: Parke Godwin’s “The Night You Could Hear Forever”

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Cover by Kent Bash
Cover by Kent Bash

Parke Godwin was born on January 28, 1929 and died on June 19, 2013. He received the World Fantasy Award in 1982 for his novella The Fire When It Comes. Godwin published the Arthurian novels Firelord, Beloved Exile, and The Last Rainbow as well as the Robin Hood novels Sherwood and Robin and the King. His Snake Oil series was a religious satire. He co-wrote the novels The Masters of Solitude and Wintermind with Marvin Kaye.

“The Night You Could Hear Forever” has only appeared in its original publication, the September/October 1992 issue of Pulphouse: A Fiction Magazine, edited by Dean Wesley Smith.

“The Night You Could Hear Forever” isn’t really a science fiction story, except in the way it describes the way people use technology. Its viewpoint character is located in Truckee, California and when he can’t sleep at night, he signs onto his ham radio equipment.

On the night Godwin describes, the atmospheric conditions are perfect and he is able to connect with other ham operators located in New Jersey, Utah, and Mississippi, each of whom are known to each other on the radio, but not in person, and only by the names of their states. In many ways, their relationship mirrors many relationships people now have online. Although the characters all have very different political views and backgrounds, they are able to remain friends, even as they disagree.

Unlike the online medium, using their voices allows them to get additional context and humanizes them. As they discuss the problems with the state of the country, they are joined by a new voice, from Maryland, who has not joined their nightly rap sessions, although Utah thinks the voice is familiar. Today’s world is mirrored in this story, although the technology has changed tremendously. The internet, however, causes anonymity without the sound of voices and inflection, so the friendship Godwin’s characters have managed to build despite their differences seems rarer in the modern era.

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Birthday Reviews: K.D. Wentworth’s “Her Fair and Unpolluted Flesh”

Birthday Reviews: K.D. Wentworth’s “Her Fair and Unpolluted Flesh”

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Treachery and Treason-small Treachery and Treason-back-small

K.D. (Kathy Diane) Wentworth was born on January 27, 1951 and died on April 18, 2012. Wentworth was nominated for the Nebula Award four times, for the short stories “Burning Bright,” “Tall One,” and “Born Again” and for the novelette “Kaleidoscope.” Wentworth published two novels in the Heyoka Blackeagle series and two novels in the House of Moons Chronicles. She also co-wrote two of the novels in the Jao Empire series in collaboration with Eric Flint and two stand-alone novels.

“Her Fair and Unpolluted Flesh” was published in Treachery and Treason, edited by Laura Anne Gilman for Roc in 2000. It has never been reprinted.

K.D. Wentworth creates a religion which based on the holy scripture of the play Hamlet in “Her Fair and Unpolluted Flesh.” Based on what Father Benedicto and Father Frederick say, the religion is extremely misogynistic, claiming that women are soulless and have no reason to learn to read or do anything useful.

Set in a nunnery of ophelias, the women are trained to follow in her tragic footsteps to honor the glory that was the character of Hamlet. One of the sisters is to be selected to participate in a ritualistic drowning and is placed into the care of the young, and unsure Father Frederick.

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Birthday Reviews: Philip José Farmer’s “The Rise Gotten”

Birthday Reviews: Philip José Farmer’s “The Rise Gotten”

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Cover by Keith Howell and Charles Berlin
Cover by Keith Howell and Charles Berlin

Philip José Farmer was born on January 26, 1918 (Happy Centennial, Phil!) and died on February 25, 2009. In 1953, he received one of the inaugural Hugo Awards for Best New Author or Artist (a forerunner to the John W. Campbell, Jr. Award). He would win the Hugo again in 1968 for his novella “Riders of the Purple Wage” and in 1972 for his novel To Your Scattered Bodies Go. Farmer was the Guest of Honor at Baycon, the 1968 Worldcon in Oakland.

His lifetime achievement awards include the World Fantasy Award and the SFWA Grand Master Award, both awarded in 2001. In 2003, he received the Forry Award and the First Fandom Hall of Fame Award. Farmer was known for expanding the science fiction field to include frank portrayals of sex with his novel The Lovers (Ballantine, 1961, expanded from the 1952 novella of the same title).

His story “The Rise Gotten” was written for an anthology Robert Bloch planned, but never published. The story saws its first publication in 2006 in the collection Pearls from Peoria, which collected previously published and unpublished works by Farmer.

“The Rise Gotten” is the story of a long-married couple who have fallen out of love, and merely survive in each other’s presence. Roger Baird’s impotence is a major sticking point for his wife, Rey, who either ignores him or denigrates him. Roger is just as happy ignoring his wife, whose alcoholic stupors make her less attractive to him even if he weren’t suffering impotence.

Their relationship, while sad, is completely mundane. Roger retreats to his study to get away from his wife and her sister’s drinking binge and turns his attention to the newspapers, which he reads and finds just as much horror as in the magazines, like Weird Tales, which form his pleasure reading. After his sister-in-law leaves and his wife suggests a cure for his impotence that worked for her brother-in-law, the story takes a decidedly dark turn. While part of the power of Farmer’s story comes from its ending, most of it comes from the sudden switch from a very mundane tale to Roger’s reaction to his years of humiliation by his wife.

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Birthday Reviews: Greg van Eekhout’s “Native Aliens”

Birthday Reviews: Greg van Eekhout’s “Native Aliens”

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Cover by Ho Che Anderson
Cover by Ho Che Anderson

Greg van Eekhout was born on January 25. His first story appeared in the anthology Starlight 3 and his first novel, Norse Code, in 2009. Van Eekhout was nominated for a Nebula Award for Best Short Story in 2005 for “In the Late December,” and received a Golden Duck nomination in 2011 for Kid Vs. Squid. In 2012, his novel The Boy at the End of the World was nominated for the Andre Norton Award.

“Native Aliens” was originally published in 2004 in the anthology So Long Been Dreaming: Postcolonial Science Fiction and Fantasy, edited by Nalo Hopkinson and Uppinder Mehan. Van Eekhout included it in his collection Show and Tell and Other Stories two years later and it was reprinted again in 2013 in Aliens: Recent Encounters, edited by Alex Daily MacFarlane.

“Native Aliens” tells two stories in parallel. One focuses on a Dutch colonial family living in Indonesia in the 1940s. Although the family has been there for generations and has intermarried with the Indonesians, they still consider themselves Dutch even though Indonesia is the only home they’ve ever known. As a result the father is forced to run a gauntlet after the Indonesian Revolution in the second half of the 1940s.

The other story looks at a group of humans who have colonized the world of Breva and who are about to be sent back to Earth. While the Dutch family looks like Indonesians and only know life there, the humans on Breva have been genetically modified to resemble the Brevans, making their return to their native world that much more problematic.

While van Eekhout explores the Brevan-Terran plans to repatriate themselves to the planet of the ancestors, he simultaneously shows us the Dutch family’s attempts to assimilate into Dutch, and later American, culture. Van Eekhout offers an intriguing view of colonization and its effects by focusing on those who are native to the land but still identify with, or are identified as, the colonizing power, without having any experience with the land from which their ancestors came.

Perhaps most poignant is the tale of the son of the character who experienced upheaval in Indonesia and the Netherlands, whose attitude directly leads to the issue facing the Brevan-Terrans centuries later. Fourteen years after its initial publication, when the US government is discussing, or refusing to discuss, the plight of the “Dreamers,” the van Eekhout’s story seems more pertinent than ever.

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