August 2016 Asimov’s Science Fiction Now on Sale

August 2016 Asimov’s Science Fiction Now on Sale

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Asimovs Science Fiction August 2016-smallTangent Online continues to provide very timely and thoughtful reviews of the latest SF magazines while they’re still on the stands. Here’s a fine example: Michelle Ristuccia’s insightful commentary on James Alan Gardner’s cover story in the August Asimov’s, “The Mutants Men Don’t See.”

Ellie Lee fears that her son will accidentally kill himself in an attempt to activate a mutant gene that he might not even have in “The Mutants Men Don’t See” by James Alan Gardner. Gardner’s engaging urban fantasy inverts a trope or two to focus on an often invisible segment of the population, menopausal women. The title is an homage to the James Tiptree, Jr. (Alice Sheldon) novelette “The Women Men Don’t See” from the December 1973 issue of F&SF. Gardner’s story, because of its subject matter (menopause, and its being the end of the menstrual cycle), also recalls — though in a very different fashion — Connie Willis’s Hugo winning short story “Even the Queen” from the April 1992 issue of Isaac Asimov’s Science Fiction Magazine, which dealt with menstruation in a future where one young woman opted not to have the procedure that would eliminate her cycle, as most others of her age and part of a feminist movement have. “Even the Queen” and “The Mutants Men Don’t See” make interesting bookends, for both address issues surrounding a woman’s child-bearing years, the former at the beginning, the latter at the end. All three stories, though wildly different, also deal with the empowerment of women.

Read Michelle’s complete review here.

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Future Treasures: Storm King’s Thunder

Future Treasures: Storm King’s Thunder

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Dungeons and Dragons Storm King's Thunder-smallIn 2013 I wrote an article about introducing my kids to the classic Dungeons and Dragons adventure modules of my childhood — including The Temple of Homlet, Steading of the Hill Giant Chief, and Glacial Rift of the Frost Giant Jarl. Last week we wrapped up the climatic Hall of the Fire Giant King with a white-knuckle battle, topping off three years of rousing adventure.

Being the old man that I am, I immediately began to grouse that they don’t make fast-paced, epic adventures like that any more. So I was surprised (and slightly mollified) to see that Wizards of the Coast is releasing a new giant-themed epic adventure for Fifth Edition D&D next month. Just in time for my young adventurers!

Take a stand against the giants in this adventure for the world’s greatest roleplaying game

Giants have emerged from their strongholds to threaten civilization as never before. Hill giants are stealing all the grain and livestock they can while stone giants have been scouring settlements that have been around forever. Fire giants are press-ganging the smallfolk into the desert, while frost giant longships have been pillaging along the Sword Coast. Even the elusive cloud giants have been witnessed, their wondrous floating cities appearing above Waterdeep and Baldur’s Gate. Where is the storm giant King Hekaton, who is tasked with keeping order among the giants?

The humans, dwarves, elves, and other small folk of the Sword Coast will be crushed underfoot from the onslaught of these giant foes. The only chance at survival is for the small folk to work together to investigate this invasion and harness the power of rune magic, the giants’ weapon against their ancient enemy the dragons. The only way the people of Faerun can restore order is to use the giants’ own power against them.

To defeat giants, you need to be giant!

Storm King’s Thunder will be published by Wizards of the Coast on September 6, 2016. It is a 256-page adventure, suitable for characters level 1-11. It is priced at $49.95.

I Want to Believe: A Review of A Vision of Fire by Gillian Anderson & Jeff Rovin

I Want to Believe: A Review of A Vision of Fire by Gillian Anderson & Jeff Rovin

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A Vision of Fire-small A Vision of Fire-back-small

We have this long history of actors trying to make a name for themselves through other creative endeavors, and it seems to be getting popular. Actors jumping into the music industry, like Kiefer Sutherland, David Duchovney and Malin Akerman. Actors exploring the world of visual art (Anthony Hopkins is an avid painter, I learned recently). And there are a lot of actors who try their hand at writing. And I don’t mean cookbooks (no disrespect to Gwyneth Paltrow) but writing fiction, which takes a little more talent and skill.

As my inaugural post here at Black Gate I want to talk about Gillian Anderson, specifically her debut novel A Vision of Fire, which she co-wrote with NYT-bestselling author Jeff Rovin. As the blurbs on the back of the book jacket say (click the image above right to sample them), the idea of Agent Dana Scully writing speculative fiction is enough to get our attention, even if expectations aren’t particularly high. But luckily for us, it turns out Anderson knows what she’s doing.

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Goth Chick News: More Stranger Things – Yes Please!

Goth Chick News: More Stranger Things – Yes Please!

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Stranger Things video gameIn a Goth Chick News first, I am hitting this same topic two weeks in a row. But from the comments last week, I’m pretty sure you won’t mind.

It appears many of us went face down into the new Netflix sci-fi / horror offering Stranger Things and did not come up for air until all eight episodes of season one had been well and truly binged. Sticky-fingered and woozy, some of you even did a convenience store run then came back for a second go to be sure you hadn’t missed anything.

The creators of our latest obsession, Matt and Ross Duffer (aka “The Duffer Brothers”) have made no secret of the fact that they’re hungry to create a season two and speaking with IGN last week (if by chance you haven’t binged, there’s mild spoilers there), they revealed that the next season will likely take place a year after the events of the finale, in order for them to tell the story the way they want to tell it.

And please Netflix, leave them alone and let them do their thing.

But what about that one-year gap, you ask? What will become of us after the third or fourth go through season one, when the air is thick with Aquanet and the withdraw symptoms make us believe we might be able to fit back into those leather pants?

Oh the humanity!

But fear not – the Duffers and Netflix have foreseen this horror and provided for it.

Now gather round…

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How to Write a Dungeon Crawl (in Actual Fiction and Not a Tabletop Game!)

How to Write a Dungeon Crawl (in Actual Fiction and Not a Tabletop Game!)

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dungeon map 2
Extended dungeon crawls are rare in genre fiction.

It’s still a goto for roleplayers, you see the equivalent in movies, but extended dungeon crawls are rare in genre fiction.

Even when you go back to Dungeon and Dragons‘ literary roots, you don’t really find proper dungeon stories!

Conan generally offers up 1-2 room complexes, e.g. in Robert E. Howard’s classic tale “God in the Bowl.” Tolkien uses mega dungeons, but with narrative summary and — unless they are really just an underground battlefield — only limited denizens. Clark Ashton Smith’s Seven Geases  is close to a dungeon in setting, but in form is a quest story that happens to be underground.

Dungeonland
What makes a dungeon fun to play through doesn’t automatically make it fun to read about.

What makes a dungeon fun to play through — a series of puzzles and tactical or diplomatic challenges — just doesn’t automatically make it fun to read about, or easy to write. And the physical drama that works on screen — Indiana Jones stuff with narrow escapes and trundling rocks — doesn’t generate enough wordcount, and can only be visceral for so long.

Even so, it can be done, and modern writers do it and — of course — I’ve been pulling apart good examples to see how and why they work…

Several modern writers have pulled off extended dungeons crawls or similar. Just to name a few random examples: Paul S Kemp’s exquisite Egil and Nix stories are actually about professional dungeoneers in a Sword and Sorcery world. The climax to  Michael J Sullivan’s wonderful Riyria Chronicles entails an underground adventure.  And Kenneth Oppel’s wonderful Steampunk YA Skybreaker takes us exploring a drifting mega-zeppelin.

Taking them and others together, and without spoilers, here’s what makes a literary dungeon adventure work.

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John DeNardo on the Best Books of August

John DeNardo on the Best Books of August

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The Hike by Drew Magary-small

Over at Kirkus Reviews, the tireless John DeNardo checks in with his regular monthly report on the Science Fiction and Fantasy Books You’ll Want to Read. This month’s list includes Ghost Talkers by Mary Robinette Kowal, An Accident of Stars by Foz Meadows, Behind the Throne by K. B. Wagers, Early Days: More Tales from the Pulp Era edited by Robert Silverberg, Spellbreaker by Blake Charlton — and the latest novel by Drew Magary, The Hike. Here’s John’s take on The Hike.

WHAT IT’S ABOUT: Ben, a suburban family man, sets out for a walk but finds himself on an impossible journey in a fantastical world populated by strange demons, man-eating giants, colossal insects and magic.

WHY YOU MIGHT LIKE IT: Magary’s surreal fantasy novel integrates folk tales and video games into something quirky and fun.

See the complete list here.

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The Groundbreaking SF Anthologies of Athena Andreadis

The Groundbreaking SF Anthologies of Athena Andreadis

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The Other Half of the Sky-small To Shape the Dark-small

It takes no small courage to break into this industry editing genre anthologies these days, but that’s exactly what Athena Andreadis has done. Her first book, The Other Half of the Sky — co-edited by Kay Holt — features tales of hard SF with female protagonists. It was released by Candlemark & Gleam in 2013, and proclaimed by Locus as “One of the best SF anthologies of the year.” It contains new fiction by Black Gate fan favorite Martha Wells, plus Aliette de Bodard, Ken Liu, Alex Dally MacFarlane, Melissa Scott, Nisi Shawl, Joan Slonczewski, Cat Rambo, Jack McDevitt, and many more.

Athena followed up with To Shape the Dark in May of this year, featuring 15 brand new tales of daring women scientists by BG author Constance Cooper (“The Wily Thing”), plus Aliette de Bodard, Shariann Lewitt, Vandana Singh, Melissa Scott, Jack McDevitt, Gwyneth Jones, and may others. Publishers Weekly calls it “Extraordinary… [these] imaginative stories feature diverse cultures, intriguing settings, and intelligent plots… will remind readers why they love science fiction.” And the flagship magazine of Hard SF, Analog, said, “Resurrected dinosaurs, philosophical cetaceans, alien invasion, parallel worlds. There’s not a bad story in this bunch… you can’t afford to miss this one.”

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Images of Captain Scott’s Final Expedition

Images of Captain Scott’s Final Expedition

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Herbert George Ponting - the Terra Nova held up in the Pack

One of Ponting’s iconic images from the expedition is the Terra Nova stuck in ice.
The crew had to cut away the ice immediately around the ship every day so that
it wouldn’t crush the ship, a fate suffered by several other Polar expeditions.

When I’m in London I love to catch the shows at the big galleries, but I also like to check out the auction houses. Although I can’t afford to buy anything, places like Christie’s, Sotheby’s, and Bonhams often have free exhibitions of great art that, because it’s in private hands, you’ve never seen before and will probably never see again.

They sometimes have more traditional exhibitions of art that isn’t for sale. One such show this season is Visions of the Great White South at Bonhams. This brings together photography and paintings made on Captain Robert Falcon Scott’s ill-fated Terra Nova expedition to Antarctica from 1910 to 1913. While Scott and his forward team made it to the South Pole, they were narrowly beaten by Roald Amundsen and his Norwegian team. As they tried to return to base camp, the men were caught in a blizzard and Scott and the entire forward team perished.

While the expedition could be considered a failure, it accomplished some important scientific research as well as some magnificent artistic achievements. With the expedition were two artists. Dr. Edward Wilson was a physician, naturalist, and painter who sadly died with Scott. Herbert Ponting was a photographer. Both made some gripping images of the Antarctic that form the centerpieces of the show.

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Future Treasures: Waking Up Dead by Nigel Williams

Future Treasures: Waking Up Dead by Nigel Williams

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Waking Up Dead-small Waking Up Dead-back-small

Nigel Williams is the author of over sixteen novels, including the bestselling The Wimbledon Poisoner and its sequels. His latest novel is the tale of a ghost who hangs around, trying to unravel the suspicious circumstances of his death…. and in the process, learns a few surprising secrets about his family. The Saturday Times says ““This has the best opening chapter of the year, if not the decade…. This black comedy is Williams’s best since The Wimbledon Poisoner.” And Country Life magazines calls it “A very funny work… Under this master of suburban comedy we have a breathtakingly hilarious hybrid of Blithe Spirit, Noises Off and Miss Marple… will have you falling off your deckchair with mirth.”

Retired bank manager George Pearmain is, apparently, dead. According to the behavior of everyone around him, it would seem that he is no more. Not only that, but his mother has also passed away too — and on the eve of her 99th year, poor dear. Not only that, it could be that they were both murdered.

He feels fine otherwise.

As George’s family gather for the birthday-celebration-that-never-was, he hovers around the house, watching and listening, entirely unseen. As a result, he makes all sorts of discoveries about himself, his wife Esmeralda, and his supposedly happy family…

One of internationally bestselling author Nigel Williams’ best books to date, Waking Up Dead is both a screamingly funny cozy mystery and startlingly strange ghost story asking the question: What would you do if you could bear witness to your own demise?

Waking Up Dead will be published by Thomas Dunne Books on August 23, 2016. It is 332 pages, priced at $26.99 in hardcover, and $12.99 for the digital edition. The cover was designed by David Baldensingh Rotstein.

Fantasia 2016, Day 2: Some Monsterism (Guillermo del Toro press conference and master class, The Dark Side of the Moon, Creature Designers — The Frankenstein Complex, and Rupture)

Fantasia 2016, Day 2: Some Monsterism (Guillermo del Toro press conference and master class, The Dark Side of the Moon, Creature Designers — The Frankenstein Complex, and Rupture)

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Blade 2Friday, July 15, began early for me. I headed down to Fantasia’s De Sève Theatre to watch a 2 PM press conference with the winner of this year’s Cheval Noir Award, Guillermo del Toro. I’d already decided that afterwards I’d head to the festival’s screening room and watch one of the movies I’d be unable to attend due to a scheduling conflict, a German suspense thriller called The Dark Side of the Moon. Then I’d go to the Hall Theatre to watch Creature Designers — The Frankenstein Complex, a documentary about the makers of movie monsters in the 1980s and 1990s. That was to be followed by a master class on monsters given by del Toro to the Creature Designers audience. I’d wrap up my night with Rupture, a suspense movie with science-fiction elements.

You can watch the hour-long press conference with del Toro here. A few things struck me, then and also now as I look back in the light of hindsight and of other movies I’d see at Fantasia this year.

As del Toro recalled his start as “part of a monster-kit geekdom,” I found him remarkably and indeed touchingly open about his love for monsters. From his discussion of learning English by reading issues of Famous Monsters of Filmland with a dictionary, to his analysis of Frankenstein’s monster as a holy figure (and it’s worth noting that he never simply said “Frankenstein,” but always “Frankenstein’s monster”), del Toro emphasised the power and meaning of the monstrous and how the idea of the monster has inspired him and his filmmaking voice. He recalled making Blade 2 where he told star Wesley Snipes that he didn’t understand Blade or why Blade was killing vampires — Snipes should take care of Blade, and del Toro would handle everything else.

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