New Treasures: Down and Out in Purgatory: The Collected Stories of Tim Powers

New Treasures: Down and Out in Purgatory: The Collected Stories of Tim Powers

Down and Out in Purgatory The Collected Stories of Tim Powers-smallTim Powers is certainly best known as a novelist. His novels include two World Fantasy Award Winners, Last Call (1992) and Declare (2001), as well as the Philip K. Dick Award winners The Anubis Gates (1983) and Dinner at Deviant’s Palace (1985). He’s also the author of six collections, most published in limited edition hardcovers through William Schafer’s Subterranean Press.

His newest collection, Down and Out in Purgatory: The Collected Stories of Tim Powers, is his first major short fiction retrospective and, at 488 pages, is more than twice the size of any of his previous collections. It contains twenty tales of science fiction and fantasy, including half a dozen previously uncollected novellas and stories originally published as limited edition hardcovers or chapbooks from places like Subterranean Press, Charnel House, Axolotl Press, and others. Most are now priced out of reach of any but the most determined collector, so finally having them in a mass market hardcover is a godsend to Powers fans.

Here’s the description.

Twenty pulse-pounding, mind-bending tales of science fiction, twisted metaphysics, and supernatural wonder from the two-time World Fantasy and Philip K. Dick Award winning author of The Anubis Gates and On Stranger Tides.

A complete palette of story-telling colors from Powers, including acclaimed tale “The Bible Repairman,” where a psychic handyman who supernaturally eliminates troublesome passages of the Bible for paying clients finds the remains of his own broken soul on the line when tasked with rescuing the kidnapped ghost of a rich man’s daughter. Time travel takes a savage twist in “Salvage and Demolition,” where the chance discovery of a long-lost manuscript throws a down-and-out book collector back in time to 1950s San Francisco where he must prevent an ancient Sumeric inscription from dooming millions in the future. Humor and horror mix in “Sufficient unto the Day,” when a raucous Thanksgiving feast takes a dark turn as the invited ghosts of relatives past accidentally draw soul-stealing demons into the family television set. And obsession and vengeance survive on the other side of death in “Down and Out in Purgatory,” where the soul of a man lusting for revenge attempts to eternally eliminate the killer who murdered the love of his life. Wide-ranging, wonder-inducing, mind-bending — these and other tales make up the complete shorter works of a modern-day master of science fiction and fantasy.

Here’s the complete Table of Contents.

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Birthday Reviews: Joseph H. Delaney’s “Survival Course”

Birthday Reviews: Joseph H. Delaney’s “Survival Course”

Cover by Ed Soyka
Cover by Ed Soyka

Joseph H. Delaney was born on February 5, 1932 and died on December 21, 1999. He worked as an attorney before he began publishing in 1982 with the story “Brainchild.” Delaney was a nominee for the John W. Campbell Award for Best New Writer in 1983 and 1984.

He was nominated for the Hugo Award for Best Novella three years in a row, beginning in 1983 for “Brainchild,” “In the Face of My Enemy” the following year, and finally for “Valentina,” written with Marc Stiegler, in 1985.

“Survival Course” was purchased for Analog by Stanley Schmidt and appeared in the June 1989 issue. It has not been republished.

“Survival Course” is a pretty typical time safari story, reminiscent of L. Sprague de Camp’s A Gun for Dinosaur and subsequent stories. What sets Delaney’s version apart is that his characters, Clint Mineau and Cletus Running Wolf, have been sent back to the Tertiary period to confirm the cause of the destruction of dinosaurs. Their mission was spurred on by a glancing blow by an asteroid which wiped out millions of people.

Delaney spends quite a bit of the story providing a travelogue of the period, allowing Clint and Cletus to see the local megafauna while they worry that their timing is off. There aren’t as many dinosaurs then they would have expected to find.

Unfortunately, this section runs a little long. Although it sets the scene, it also has a feel of Delaney wanting to share his homework with the reader, catching them up on the most recent (and now thirty years out of date) understanding of dinosaurs. When he finally gets around to the cause of saurian extinction, it almost feels like an afterthought, coming a little too late and a little too slight, and it feels like it lacks originality.

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Vintage Treasures: Mystery Walk by Robert R. McCammon

Vintage Treasures: Mystery Walk by Robert R. McCammon

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I’m still making my way through a collection of vintage paperbacks I bought a few weeks ago, which included several delightful finds, including Bruce Fergusson’s The Mace of Souls and John Deakins’s Barrow. But it was neither of those that caused me to pull the trigger on the online auction. It was the 1989 Ballantine paperback of Robert R. McCammon’s fifth novel, Mystery Walk.

I read McCammon’s 1991 novel Boy’s Life (which Bob Byrne reviewed for us here), and I loved it. It won both the Bram Stoker and World Fantasy Awards, and deservedly so. But I never went back and read any of McCammon’s earlier horror novels, including The Night Boat (1980), They Thirst (1981), or the Stoker and World Fantasy Award nominee Swan Song (1987). Or Mystery Walk, the first of McCammon’s novels to be published in hardcover.

Yeah, I know. That was an oversight. I’m trying to rectify it now. And in particular, I’m enjoying tracking down the 80s paperback editions, with their delightfully macabre covers. They’re not expensive, or particularly hard to find, and they also pack a fine dose of 80s nostalgia, especially for anyone who used to hang around the horror section at the supermarket rack.

Mystery Walk was published by Ballantine Books in October 1989. It is 419 pages, priced at $4.95. The cover is by J. Thiessen. It has been reprinted multiple times, most recently in trade paperback by Pocket Books in 2010. It is still in print.

The Time of Woe is Upon Us: Warhammer: Chaos in the Old World

The Time of Woe is Upon Us: Warhammer: Chaos in the Old World

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I was shopping for fantasy board games online last week, as one does, and I came across a user review of a recent title. It was glowing, and it said “This is my favorite new board game since Chaos in the Old World.”

That reminded me that I’d always intended to take a closer look at Fantasy Flight’s Chaos. It’s a Warhammer game, and I’ve been familiar with the setting for decades. But these days I spent most of my gaming dollars on the far-future version, Warhammer 40,000, and games like Warhammer 40k: Relic and the terrific Forbidden Stars. Now that Fantasy Flight has lost the Warhammer license though, Chaos in the Old World was out of print, and prices were probably starting to creep up. I made up my mind at that point to spend my weekly gaming dollars on a copy, provided I could find one at a reasonable price.

That turned out to be a lot easier said than done. The cheapest copies I could find at Amazon were $279. eBay wasn’t much better — new copies were selling for as much as $300 and up. I gritted my teeth and setting in for a long search.

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Deep Pockets, Abyssal Regions: Kong – Skull Island (2017)

Deep Pockets, Abyssal Regions: Kong – Skull Island (2017)

Kong – Skull Island-small

Who among us is so tired at heart, so bereft of purpose, so bored with life, that we would not want to risk our lives shooting at enormous monsters with high-powered guns? Not me, for sure, and I’m sure you feel the same way. This vicarious pleasure is certainly part of the appeal of watching the giant-monster films that began with King Kong in 1933, and that really got going in the 1950s with The Beast from 20,000 Fathoms, Them!, and Godzilla.

I began watching these films as a young boy; as a boy, because of these iconic works, I felt that all that I needed to speed up my passage to manhood was a rampaging tyrannosaurus rex, and a bazooka. Fortunately, manhood eventually came to me through other means. Other boys, however, have grown up to make movies – in a handful of cases, to remake the favorite monster movies of their youths into multi-million dollar blockbusters.

Unfortunately, we’ve found that there are few films more disappointing than blockbuster remakes of modestly-budgeted originals. The 2010 Wolf Man doesn’t hold a candle to the 1941 original, the 2005 King Kong, like all Peter Jackson films, seems to go on forever, and although the makers of the 2014 Godzilla doubtless revere the 1954 original, their efforts will certainly never replace it as an iconic work that resonates for its time, and afterwards. What is needed is not to remake these now-classic stories, but to reconstruct them, to create something original out of them, that will force their familiar narratives into new and unexpected shapes.

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Birthday Reviews: Neal Asher’s “Owner Space”

Birthday Reviews: Neal Asher’s “Owner Space”

Galactic Empires Dozois-back-small Galactic Empires Dozois Galactic Empires Dozois-flap-small

Cover by Vincent di Fate

Neal Asher was born on February 4, 1961. His first published story was “Another England” in 1989. He began his long-running Polity series in 2001 with the appearance of the novel Gridlinked. His 2006 novel, Cowl was a finalist for the Philip K. Dick Award.

“Owner Space” was published in 2008 in Gardner Dozois’ anthology Galactic Empires. The story is the fourth Asher wrote about the Owner, following “Proctors,” “The Owner,” and “Tiger Tiger.” Three years later, he would publish the Owner trilogy, beginning with The Departure, in which he explored the Owner’s origins. For the purposes of “Owner Space,” however, the details of who the Owner is and how he got to where he is are unimportant, making him something of a deus ex machina in the story.

Neal Asher introduces a complex world in “Owner Space,” offering readers three separate groups to follow. He opens the story with refugees fleeing about the spaceship Breznev and quickly introduces the crew of the spaceship Lenin, chasing after them. With these two assemblages, Asher provides the context of an doctrinaire culture which tries to control all aspects of its people.

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Bridging the Cultural Gap between Canada and the USA

Bridging the Cultural Gap between Canada and the USA

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I’ve lived in Latin America, visited Asia, parts of Europe, and even been part of the Canadian Foreign Service. I can’t say I understand our neighbors to the south. (I only recently discovered that ‘Bless your heart’ is an insult.) But I’m doing my best to cross the cultural barriers between Canada and the States because as my writing career continues, more and more of my social and professional group is in the US. Writers. Agents. Editors. Friends.

Recently, when Mishell Baker was visiting, I demonstrated how Canadian milk works and when the time came to open a new bag, gave her the chance to try. When Analog editor Trevor Quachri was visiting, I made sure to show him the bear sculpture and show him beaver tails.

But on an ongoing basis, now that I have a New York literary agent, I do my best to provide her with as much information as possible about how to best handle a Canadian client. I’m aware that what is normal for me might not be normal for her, so I send her videos and articles.

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Future Treasures: Warhammer 40k: The Magos by Dan Abnett

Future Treasures: Warhammer 40k: The Magos by Dan Abnett

The Magos Dan Abnett-smallThree years ago, as I was commuting three hours a day to a job I hated, I found a way to add a little joy to my tedious morning drive. I started listening to the Warhammer Audio Books produced by Heavy Entertainment for Black Library.

And man, what a delight they were. Not just readings, these were full-cast audio dramas, with wonderfully produced sound effects and professional voice actors like Toby Longworth, Gareth Armstrong, Jonathan Keeble, and many others. I’d pull into the parking lot with the sound of ricocheting bolter fire and space marine battle cries echoing in my ear, and it made getting out of the car and starting the long walk into work a little easier.

I enjoyed virtually all of those action-packed audio dramas, but I think my favorite was Dan Abnett’s Thorn and Talon: From the Case Files of Eisenhorn and Ravenor, an anthology of tales of the dedicated Imperial Inquisitor Eisenhorn and his apprentice Ravenor, as they came up again Chaos plots, strange warp artifacts, and more dangerous things.

That was my introduction to the tales of Inquisitor Eisenhorn. Although truthfully, if I’d just listened to my friends Howard Andrew Jones and John DeNardo, I could have saved myself a lot of time. Way back in 2009 Howard raved about Abnett’s Eisenhorn omnibus, a fat volume collecting all three novels of the Eisenhorn trilogy and a handful of shorter works:

Dan Abnett wasn’t satisfied with creating a fabulous lead character in an action-packed space opera; he sent him to fantastic places and provides a series of detective/investigative stories full of logical turns, surprises, and plenty of action.

And in his 2016 article ‘In Defense of Media Tie-Ins,” John wrote:

One of the best set of books I’ve ever read — in any genre — was the Eisenhorn trilogy by Dan Abnett. The books are set in the richly-imagined Warhammer 40K universe… Abnett is a one of the most skilled master storytellers you’ve never heard of. This is the series that I point to when anyone is quick to dismiss tie-in fiction… I don’t play the game, but that didn’t stop me from losing sleep because I couldn’t stop turning page after action-packed page, or cheering when a bad guy finally got his comeuppance.

The long-awaited fourth book in the Eisenhorn series finally arrives next month. The Magos, a fat 720-page volume, collects a dozen Eisenhorn short stories and a brand new novel. Here’s the description.

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Birthday Reviews: Alex Bledsoe’s “Shall We Gather”

Birthday Reviews: Alex Bledsoe’s “Shall We Gather”

Cover by Jonathan Bartlett
Cover by Jonathan Bartlett

Alex Bledsoe was born on February 3, 1963. His story “The Big Finish” appeared in the June 1998 issue of Crossroads and his first novel, The Sword-Edged Blonde, which kicked off the Eddie LaCrosse series, was published in 2007. To date, the series includes five novels and a short story. He co-wrote the novel Sword Sisters with Tara Cardinal.

“Shall We Gather” was purchased by Paul Stevens for Tor.com, appearing on May 14, 2013. At the same time, it was released as an e-chapbook by Tor.com, and would later be included in the e-anthology The Stories: Five Years of Original Fiction. It is part of his Tufa series, which began with the novel The Hum and the Shiver and continued through five additional novels, with The Fairies of Sadieville scheduled for an April release.

“Shall We Gather” is set in eastern Tennessee in Bledsoe’s mythical Cloud County, where a fantastic race, the Tufa, have lived since before the coming of the Native Americans. Akin to Celtic fairies, the Tufa do not permit any churches to be built in the county, where most inhabitants have at least some Tufa blood.

When Old Man Foyt, one of the few humans who lives in Cloud County, is dying, he requests that Methodist minister Craig Chess attend to him to help him pass to the other side. After checking with his girlfriend, a Tufa, to ensure that his presence won’t offend the Tufa, Chess travels to help ease Foyt. Before he can enter the house, however, he is approached by Mandalay Harris, a powerful Tufa, who wants him to find out from Foyt whether the Tufa will face the same God as Christians upon their death. She believes that since Foyt has lived his entire life in Cloud County, something of the Tufa has infiltrated him and he might be able to share the answer with Chess at the moment of his death.

Despite Chess’s trepidation about entering Cloud County to perform in his capacity as a minister, all of the interactions between him and the Tufa or humans are completely amicable. The way Harris phrases her question for Foyt is interesting and seems Christiancentric rather than assuming a central place of her own race in her worldview.

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Unbound Worlds on a Century of Sword and Planet

Unbound Worlds on a Century of Sword and Planet

A Princess of Mars Penguin Classics-small Planet of Adventure Jack Vance-small Old Venus-small

Who doesn’t love Sword & Planet? No, don’t send me a bunch of declarative e-mail; it was a rhetorical question. Anyway, there’s only one kind of person who doesn’t love Sword & Planet: someone with no joy in their life.

But it’s perfectly okay to not know where to start. Despite celebrating its 100th birthday last year, Sword & Planet is not as popular as its sister genres (Sword & Sorcery, Sword & Six-Gun, Sword and Sandal, Sword & Sextant, Sword & Slupree….). And that’s okay, we love it just the same. But what is Sword & Planet? Matt Staggs does a fine job recapping the rich history of this venerable sub-genre at Unbound Worlds.

Mash together fantasy’s sword-swinging heroes, and the far-out alien civilizations of early science-fiction, and you’ve got Sword and Planet fiction. Arguably the brainchild of Tarzan creator Edgar Rice Burroughs, Sword and Planet tales usually features human protagonists adventuring on a planet teeming with life, intelligent or otherwise. Science takes a backseat to romance and derring-do… Where Sword and Planet can really be seen today is in the influence it has had on popular culture. The lightsabers, blasters, and planet-hopping heroics of Star Wars probably wouldn’t exist were it not for Sword and Planet. Neither would Avatar or Stargate.

Interested? Matt also recommends some classic titles by Edgar Rice Burroughs, Jack Vance, Leigh Brackett, Kenneth Bulmer, Chris Roberson, and others. Here’s a few of his recs.

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