Black Gate – Page 424 – Adventures in Fantasy Literature

Black Gate Book Club, Downbelow Station, Third Discussion

Wednesday, June 20, 2018 Adrian Simmons Comments 6 comments

Welcome to the second round of discussion on C.J. Cherryh’s classic 1981 novel Downbelow Station. New to the program? Check out the first and second rounds. We lose Chris on this one, perhaps a casualty of a bad Jump from the Beyond. Fletcher and myself carry the standard of the Black Gate Book Club as best we can!

Adrian S.

Third round! And it is appropriate that I just started book 3 of DbS. I’m on page 190, so I have surpassed my previous record of 169.

What can I say at this point? Well, my guess that conspicuously-absent Admiral Mazian was, in fact, behind the destruction of several company/neutral stations has borne out to be true! I guess the big game is to try to force the Union to take control of these damaged stations and spread themselves too thin? And to put all their resources at a station called Viking—the only 100% working station in Union space, I guess? And to attack/destroy/cripple it and thus break the Union.

Of course, Union seems to be playing the same trick — forcing the refugees all to Downbelow Station, which has now become the one 100% working station in Company space.

So that’s what the power-players are doing, and everyone else is just running around between their feet.

I like how Cherryh illuminates parts of the plot, then occludes other parts. The sudden retreat of Mazian’s fleet from the Viking attack — was it due to Ambassador Ayer’s orders, or some other factor?

But again, I have to say that Jon Lukas, who does the right things for the wrong reasons, is still coming off as one of the only active people in the book. Honestly, how hard is it to get on the goddam PA system and say “Yes, the fleet is coming, no we are not all gonna die, keep calm and carry on.” Hard enough that only Jon Lucas can do it and keep Downbelow Station from tearing itself apart in a panic!

Satin, the Downer now working on Downbelow Station, is also active in that she is following her vision-quest thing regardless of what the older Downers and the Lukas-men and everyone else thinks.

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Explore the Vast and Mysterious Universe in The Final Frontier, edited by Neil Clarke

Wednesday, June 20, 2018 John ONeill Comments 0 Comment

Neil Clarke is the editor of the acclaimed Clarkesworld magazine, as well as the Best Science Fiction of the Year series from Night Shade Books, now in its third year. He also dabbles in themed anthologies, and they have been excellent. They include Galactic Empires and a splendid collection of robot stories, More Human Than Human.

His anthologies pretty rigorously exclude any classic SF, and in fact tend to focus almost exclusively on stories published after 2002 (which I assume is when he began reading the magazines regularly). This laser focus on modern writers makes him almost unique among modern genre anthologists and — for me at least — means that his books have been an invaluable tool for discovering great new writers. If, like me, your exposure to science fiction skews pretty heavily towards the 20th Century, Neil’s fine books may be just the antidote you need to bring you up to date on where SF is headed today.

So I was very excited to see Night Shade announce a brand new reprint anthology from Neil. The Final Frontier arrives in three weeks and includes tales from Nancy Kress, Ken Liu, James Patrick Kelly, Carrie Vaughn, Peter Watts, Greg Egan, Vandana Singh, Michael Swanwick, Tobias S. Buckell, and many others. Here’s the description.

The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).

The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them.

Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe.

The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

Here’s the complete Table of Contents.

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Birthday Reviews: Lloyd Arthur Eshbach’s “The Valley of Titans”

Wednesday, June 20, 2018 Steven H Silver Comments 2 comments

Lloyd Arthur Eshbach was born on June 20, 1910 and died on October 29, 2003.

Eshbach founded Fantasy Press in 1946 and ran it for 9 years, publishing nearly fifty books, including titles by Doc Smith, Stanley Weinbaum, Jack Williamson, A.E. van Vogt, Robert A. Heinlein, L. Sprague de Camp, and others.

Eshbach’s novel The Land Beyond the Gate was nominated for the Compton Crook Stephen Tall Memorial Award. In 1988, he received the Milford Award for Lifetime Achievement, the Gallun Award for contributions to science fiction, and the First Fandom Hall of Fame Award. In 1949, he was the pro Guest of Honor at the Cinvention, the 1949 Worldcon in Cincinnati and in 1995, he was the Publisher Guest of Honor at the World Fantasy Convention.

Originally published as by “L.A. Eshbach,” “The Valley of Titans” originally appeared in the March 1931 issue of Amazing Stories, edited by T. O’Conor Sloane. It was Eshbach’s fourth published story. Interestingly, underneath his byline, the magazine touted him as “Author of ‘A Voice from the Ether’,” which wouldn’t appear until the May issue of the magazine. In 1968, Ralph Adris reprinted the story in the March issue of Science Fiction Classics.

“The Valley of Titans” is less a story and more a travelogue. Eshbach’s narrator, James Newton, has been sent to fly over the Himalayas to discover what has happened to several missing airplanes. His own plane is forced down in an horrific storm and he discovers a lost valley high in the mountains. This valley has less in common with the Himalayan Shangri-La (and actually pre-dates Hilton’s novel by two years) and more in common with the Plateau of Arthur Conan Doyle’s The Lost World.

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Origins Game Fair: Origins Awards

Tuesday, June 19, 2018 Andrew Zimmerman Jones Comments 1 comment

Last week and weekend, gamers descended upon the city of Columbus, OH, for Origins Game Fair. Running from June 13 to 17 – Wednesday through Sunday – the event is five solid days focused on playing some of the best games out there. And this year was my first time attending.

I have pretty extensive experience with smaller literary conventions, and I’ve gone to GenCon every year for about a decade at this point, so Origins felt pretty familiar to me. It filled the Columbus Convention Center, but had a smaller and less commercial feel than GenCon, on some level. There is more emphasis on playing games than on big marketing pushes, new releases, or even really game sales. The exhibit hall is a fraction the size of that at GenCon, and many major publishers don’t even have a sales presence at the convention.

My son turned 13 on Friday and the trip to Origins was part of his birthday present. Turns out that he wanted to spend all day on Saturday playing through three Starfinder sessions … which I suppose explains why the game won the Fan Favorite Best Roleplaying Game category in the Origins Awards.

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Future Treasures: Gate Crashers by Patrick S Tomlinson

Tuesday, June 19, 2018 John ONeill Comments 1 comment

Patrick S. Tomlinson’s debut novel was The Ark, a murder mystery set on a generation ship just before it arrived at its destination. Publishers Weekly called it “Impressive,” saying “Tomlinson’s pacing is beyond reproach, as he deftly crafts an ever more elaborate web of intrigue within the self-contained setting.” The Ark was published by Angry Robot, and it became the opening book in the Children of a Dead Earth trilogy, which wrapped up last year.

Tomlinson’s newest book arrives next week, and it looks like a standalone novel — an easier bite to chew if your reading time is as precious as mine this month. Joel Cunningham at the Barnes & Noble Sci-Fi & Fantasy Blog says “Gate Crashers is a story of space exploration and humanity’s first contact with aliens, plus a healthy dose of irreverent humor.”

The only thing as infinite and expansive as the universe is humanity’s unquestionable ability to make bad decisions.

Humankind ventures further into the galaxy than ever before… and immediately causes an intergalactic incident. In their infinite wisdom, the crew of the exploration vessel Magellan, or as she prefers “Maggie,” decides to bring the alien structure they just found back to Earth. The only problem? The aliens are awfully fond of that structure.

A planet full of bumbling, highly evolved primates has just put itself on a collision course with a far wider, and more hostile, galaxy that is stranger than anyone can possibly imagine.

Gate Crashers will be published by Tor Books on June 26, 2018. It is 416 pages, priced at $18.99 in trade paperback and $9.99 for the digital edition. The cover art is uncredited. Read Chapter One here.

See all our recent coverage of the best upcoming SF & fantasy here.

On to Khatovar: Shadow Games by Glen Cook

Tuesday, June 19, 2018 Fletcher Vredenburgh Comments 2 comments

If the previous book, The Silver Spike, told of endings, Shadow Games (1989) is about beginnings.

Picking up at the end of The White Rose (and taking place at the same time as The Silver Spike), Croaker, newly elected captain of the Black Company, decided he and any remaining members would return to Khatovar. With only six soldiers and Lady, it’s the only thing Croaker can think of doing: return the Company to its home. Unfortunately, neither Croaker nor anybody else knows precisely where Khatovar is (other than two continents away to the south) nor what it is. The Company’s annals describe it as one of the Free Companies of Khatovar, but the volumes from the first of the Company’s four centuries of existence were lost somewhere along the way. Trouble magnet that it is, and with a lost history brimming with evil deeds, the Black Company is certain to have a difficult path to Khatovar.

Shadow Games is the fifth of The Black Company books I’ve revisited, and so far my favorite. I suspect some will cry “Heretic!” So be it. Again be warned, there be spoilers below.

Even more than in the earlier books, Croaker is the lead character. As Captain, it’s he who is now responsible for the Company’s actions. Before, he was only an observer of the goings on of great men and women, now he is one of them. Cook presents him as the same snarky romantic from the previous volumes, but now he’s constrained by his position as the face and brains of the Company. The reader also gets to see the various levels of military preparation, only alluded to before, that go on in the Black Company.

As given to introspection as he’s always been, several of Croaker’s ruminations are deeper, and underline his separation from the world beyond the Company.

I ordered a day of rest at the vast caravan camp outside the city wall, along the westward road, while I went into town and indulged myself, walking streets I had run as a kid. Like Otto said about Rebosa, the same and yet dramatically changed. The difference, of course, was inside me.

I stalked through the old neighborhood, past the old tenement. I saw no one I knew — unless a woman glimpsed briefly, who looked like my grandmother, was my sister. I did not confront her, nor ask. To those people I am dead.

A return as imperial legate would not change that.

Something Croaker has mentioned several times over the series is that the Company is constantly changing. At one point in past centuries, the men of the Black Company were actually all black. By the time of the original trilogy, the only such member is One-Eye. As Croaker and friends go south, they slowly enroll new members. The greatest find are the Nar in the city of Gea-Xle. They are the descendants of members of the original Company who put the city’s reigning dynasty in power and stayed on as a hereditary caste of warriors. Croaker describes their leader, Mogaba, as the “the best pure soldier” he ever met. Gradually, Croaker builds on his pitiful remnant and something resembling a real fighting force, able to at least protect itself from the dangers of the road, is reborn.

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Birthday Reviews: Robert Moore Williams’s “Quest on Io”

Tuesday, June 19, 2018 Steven H Silver Comments 3 comments

Robert Moore Williams was born on June 19, 1907 and died on May 12, 1977. He published under his own name as well as the pseudonyms Robert Moore, John S. Browning, H.H. Harmon, Russel Storm, and the house name E.K. Jarvis. He may have been best known for his Jongor series.

Moore’s story “Quest on Io” appeared in the Fall 1940 issue of Planet Stories, edited by Malcolm Reiss. The story was never picked up for publication elsewhere, but in 2011, that issue of Planet Stories was reprinted as a trade paperback anthology.

Despite the title of Williams’s “Quest on Io,” there isn’t really a quest. Andy Horn is a navigator who is spending some downtime while his spaceship is being repaired prospecting on Io with his talking Ganymedian honey bear companion, Oscar. The two come under attack from another prospector who believes they are claimjumpers and when Andy confronts the other prospector, he discovers it is a woman, Frieda Dahlem. While the two of them quickly straighten out their differences, it becomes apparent that there are three claimjumpers who are out to kill both of them (plus Oscar) in order to keep their activities secret.

The story is essentially a western, although the action has been moved to Io. It feels written for an audience of young boys who know women exist, but think there are gross, only around to get in the way. Andy’s relationship with Frieda is very basic. Frieda appears to be a competent woman until a man is around, whether Andy, who becomes her hero, or the three claimjumpers, who turn her into a puddle of incompetence. Oscar seems to exist in the story purely for comic relief, although the humor misfires repeatedly.

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Bloody Court Intrigue: Ash Princess by Laura Sebastian

Monday, June 18, 2018 Elizabeth Galewski Comments 0 Comment

Theodosia just wants to survive.

Ten years ago, the Kaiser’s forces invaded and slit her mother the Queen’s throat. Theo’s been the Kaiser’s prisoner ever since. She tries to forget she was once heir to the throne, rather than a princess of nothing but ashes. She tries to forget the magical powers the old gods used to give humans, now that their temples lie in ruins. She tries to forget that her best friend’s father was the one who murdered her mother.

Whatever it takes to survive, Theo does. As long as she doesn’t look at her countrypeople, she won’t have to see their suffering. As long as she censors her speech, her three Shadows won’t guess what she really thinks. As long as she does whatever the Kaiser wants, he’ll keep her alive. Someday, one of the rebels will save her.

But ten years of playing it safe, of hiding and assimilating, come to an abrupt end in the opening chapter of Ash Princess.

It all starts when the Kaiser sends for her. The only time he ever does that is when he’s going to punish her. It doesn’t matter that Theo hasn’t misbehaved. The Kaiser whips her in public whenever he catches a rebel.

This time, he’s caught the head of all the rebels, the one she always dreamed would lead her rescue – her father.

And this time, the Kaiser commands Theo to kill her father in order to prove her loyalty.

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A (Black) Gat in the Hand: Black Mask — January, 1935

Monday, June 18, 2018 Bob Byrne Comments 2 comments

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandlers’ The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Joseph ‘Cap’ Shaw was still at the helm of Black Mask in January of 1935, when Raymond Chandler’s “Killer in the Rain” scored the cover. But this issue also included stories by Frederick Nebel, Erle Stanley Gardner, George Harmon Coxe and Roger Torrey. All that for fifteen cents!

“Killer in the Rain” featured Carmady. I’m in the camp that feels all of Chandler’s PIs: Carmady, Ted Carmady, Ted Malvern and John Dalmas were all essentially Philip Marlowe with slight differences. Carmady appeared in six stories – all in Black Mask.

The story was heavily cannibalized for Chandler’s first novel, The Big Sleep. Carmen Dravec became Carmen Sternwood, played memorably by Martha Vickers in the HumphreyBogart film. Two other Carmady stories, “The Curtain” and “Finger Man,” were also used. I think that “Killer in the Rain” is a strong story on its own and is definitely worth reading. I’m tinkering with ideas for a separate post on this story.

Frederick Nebel, whose Tough Dick Donahue (subject of an earlier post in the series) would replace The Continental Op when Dashiell Hammett left the pulps, provided Black Mask readers with the twenty-eighth adventure featuring Captain Steve MacBride of the Richmond City Police and newsman Kennedy of the Free Press. MacBride is a tough, by-the-book cop, while Kennedy is a hard-drinking smart aleck reporter. However, both are committed to justice and cleaning up corrupt Richmond City.

Except for one story (“Hell on Wheels” – Dime Detective), the entire series appeared in Black Mask. The collection has been reprinted in a three-volume series from Altus Press.

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Birthday Reviews: Vivian Vande Velde’s “The Granddaughter”

Monday, June 18, 2018 Steven H Silver Comments 1 comment

Cover by Bran Weinman — Cover by Brad Weinman

Vivian Vande Velde was born on June 18, 1951.

Her novel Never Trust a Dead Man received the Edgar Award for Best YA Novel in 2000 and Heir Apparent was nominated for the Mythopoeic Award for Children’s literature in 2003.

Vande Velde initially published “The Granddaughter” in her 1995 collection Tales from the Brothers Grimm and the Sisters Weird. The story was selected by Terri Windling for inclusion in The Year’s Best Fantasy and Horror: Ninth Annual Collection, edited with Ellen Datlow. Asdide from those appearances, the story has not been reprinted.

Retellings of fairy tales have a long established role, in fact the earliest version of fairy tales are often just the first version of a retelling of an oral tradition. Vivian Vande Velde has targeted the story of “Little Red Riding Hood,” which dates back at least as far as the tenth century and has been retold by both Charles Perrault and the Brothers Grimm. In “The Granddaughter,” Vande Velde’s focus is on the wolf, who can speak and is good friends with the title character’s grandmother.

Little Red Riding Hood, who is also known as Lucinda in this version, although she prefers the nickname, is an aspiring actress, almost completely self-centered, and horrified that her grandmother would be friends with a wolf, even one who can speak. The wolf, for his part, is equally horrified at Lucinda’s attitudes and inability to allow anyone else speak during a “conversation.” Not, at first understanding the grandmother’s reluctance to have Lucinda visit, the wolf quickly comes around to her point of view and works to rescue the woman from her granddaughter’s visit.

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