Vintage Treasures: Songs of Stars and Shadows by George R.R. Martin

Vintage Treasures: Songs of Stars and Shadows by George R.R. Martin

Songs of Stars and Shadows George RR Martin-small Songs of Stars and Shadows George RR Martin-back-small

George R.R. Martin is the most popular fantasy writer in the English language, and indeed one of the most popular fantasy writers of all time. I know a great many aspiring young twenty-something writers who aspire to be him, or at the very least aspire to his career. Most have read his magnum opus, the Game of Thrones novels, but few seem to be aware that not so very long ago GRRM was also a struggling twenty-something writer. If you’re serious about studying his career, the place to start is his early short story collections, which gather the best work of a gifted young writer who even then was obviously destined for great things.

George’s second collection Songs of Stars and Shadows was published in paperback by Pocket Books in 1977. It contains nine tales, including four in his Thousand Worlds milieu, his Hugo-nominated “And Seven Times Never Kill Man,” his space dogfight story “Night of the Vampyres,” and “This Tower of Ashes,” which he calls in his Introduction “in my estimation the best short story I have ever written.”

George’s lengthy intro, in fact, is one of the best things about the book, especially for modern fans. It’s a delightful peek behind the scenes at the life of a young science fiction writer in the early 70s, enduring writing slumps, half-heartedly accepting thick research packets on lasers from new Analog editor Ben Bova, sleeping on the floor at science fiction conventions (with his boots as a pillow), and sneaking into the Playboy Club with Howard Waldrop. Here’s a colorful snippet that talks about how his first collaboration with Waldrop, “Men of Greywater Station,” came to be.

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The Complete Carpenter: Vampires (1998)

The Complete Carpenter: Vampires (1998)

vampires-1999-one-sheet-posterEscape from L.A. was almost the final film in John Carpenter’s career. He wasn’t enjoying filmmaking as much as he once did, and retirement was looking more attractive. There was also a depressing feeling that movie trends were passing him by — the master’s students had started to take over genre filmmaking. But when Largo Entertainment approached him about directing an adaptation of John Steakley’s 1990 novel Vampire$, the director couldn’t resist the chance to take another crack at making a Western using another genre. The popularity of vampire films had surged in the late 1980s and through the ‘90s. One of the biggest vampire movie hits and a significant influence on the approaching superhero boom of the 2000s, Blade, came out the same year as Vampires.

Blade is arguably one of the problems Vampires ran into when it was released the day before Halloween. Although opening strong at #1, Vampires suffered an enormous second week drop and barely made back its production budget in the US. Younger audiences apparently wanted to see the slick black trenchcoat vampire-hunting heroics of Wesley Snipes in a modern city rather than a grungy ode to Italian Westerns starring James Woods. (The CinemaScore rating of audience reactions to Vampires was a dismal D+. Blade got an A-.) The film that horror magazines had touted throughout the year as John Carpenter’s comeback ended up hastening his retirement.

The Story

Jack Crow (James Woods) is the leader of a vampire-slaying squad working for the Vatican to eradicate the plague of bloodsuckers across the southwestern US. After his team wipes out a vamp nest in New Mexico, the master vampire (Thomas Ian Griffith) slaughters all of Crow’s team while they’re boozing it up at a nearby motel. Only Crow and Montoya (Daniel Baldwin) escape. They take along Katrina (Sheryl Lee), a prostitute who was bitten by the vampire. Crow plans to use Katrina to track down the master and kill him. The Vatican assigns a new priest to work with Crow, Father Adam Guiteau (Tim Guinee), as they hunt for the powerful vampire, who is none other than Jan Valek, the first vampire ever created. Valek is seeking for an object hidden somewhere in the Southwest that will allow him to complete his original reverse exorcism and become the first vampire capable of walking during the day. Crow and Guiteau hunt desperately while Montoya becomes ensnared by Katrina.

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Birthday Reviews: S.N. Lewitt’s “Festival”

Birthday Reviews: S.N. Lewitt’s “Festival”

Cover by Nicholas Jainschigg
Cover by Nicholas Jainschigg

S.N. (Shariann) Lewitt was born on September 29, 1954. She has also published as Rick North and Gordon Kendall, the latter in collaboration with Susan Shwartz.

Lewis has published under her full name as well as her initials. Her novels include original works such as Angels at Apogee, Rebel Sutra, and Memento Mori, as well as the Star Trek novel Cybersong. She collaborated with Shwartz on the novel White Wing and has written two books in The Young Astronauts series as Rick North.

“Festival” appeared in the Summer 1994 issue of Pirate Writings, edited by Edward J. McFadden. It was reprinted in The Best of Pirate Writings: Tales of Fantasy, Mystery & Science Fiction, also edited by McFadden.

Lewitt has set “Festival” on an alien world settled by humans. The early settlers found the world to be an inhospitable place with a jungle that seemed practically sentient and intent on destroying the colony. Eventually, technological means were invented to keep the jungle from encroaching on the colony and at the same time a raucous annual festival emerged, which invariably resulted in the deaths of some of the revelers. Secret Societies sprung up to find those who died in the revels and take their bodies outside as a tribute to the jungle.

Sandro is preparing not only for the festival, donning a costume like all the other revelers, but also for his induction into the Red Men’s Society. The story talks about his preparations and then goes into a lengthy flashback to give the reader the history, intentionally vague, of the planet and the festival, before connecting Sandro to his sponsor for membership in the Red Men’s Society, his co-worker Chema. The two men go out on patrol, looking for the bodies of the dead to drag out into the jungle while wearing full environmental suits so they won’t have to worry about their own exposure.

The short length of the story combined with its flashback nature gives it a disjointed feel. Lewitt is not able to give sufficient coverage to either the origins of the colony’s culture nor to Sandro and his desire to become part of the Red Men’s Society or his reaction to the secrets he is exposed to. While his reaction to those secrets is one which seems completely human and normal, it doesn’t seem to take the colony’s values into consideration.

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New Treasures: The Centenal Cycle by Malka Older

New Treasures: The Centenal Cycle by Malka Older

Infomocracy-small Null States-small State Tectonics-small

Every time the final novel in a trilogy is published, we bake a cake in the Black Gate offices. (And yes, we do eat a lot of cake. What’s your point?)

Malka Older’s debut novel Infomocracy made a huge splash in 2016 — The Huffington Post called it “one of the greatest literary debuts in recent history,” and it was named one of the best books of the year by The Washington PostThe VergeFlavorwireKirkus, and Book Riot. The sequel Null States arrived last year, and was not a disappointment. Liz Bourke at Tor.com labeled it “wondrously strange,” and The Chicago Review of Books called it “A riveting science fiction thriller that brings the future of democracy to vivid, divisive life… a hell of a good story.”

The third and final novel in the series, State Tectonics, is one of the most anticipated books of the year, and it finally arrived in hardcover from Tor earlier this month. Here’s the description.

The future of democracy must evolve or die.

The last time Information held an election, a global network outage, two counts of sabotage by major world governments, and a devastating earthquake almost shook micro-democracy apart. Five years later, it’s time to vote again, and the system that has ensured global peace for 25 years is more vulnerable than ever.

Unknown enemies are attacking Information’s network infrastructure. Spies, former superpowers, and revolutionaries sharpen their knives in the shadows. And Information’s best agents question whether the data monopoly they’ve served all their lives is worth saving, or whether it’s time to burn the world down and start anew.

State Tectonics was published by Tor.com Publishing on September 11, 2018. It is 432 pages, priced at $27.99 in hardcover and $14.99 for the digital editions. The cover is by Will Staehle. Read the first five chapters of Infomocracy here, and see our previous coverage here. See all our coverage of the best new SF and fantasy here.

The Princess Bride: What’s Not To Love?

The Princess Bride: What’s Not To Love?

the-princess-brideIt would have been about this time of year, thirty years ago, that we first watched The Princess Bride. Anyone who knows me knows this is one of my favourite movies, it’s in my top 10 list of favourite sword-fighting movies, and it’s one that gets re-watched on a regular basis. However, I confess I was a bit concerned when I was first introduced to it: I found the title worrying. What could this be about? What kind of movie was it? All I could be sure of was it wouldn’t be some romantic nonsense, because of the friend who recommended it.

But that was all I could be sure of. This particular friend’s recommendations were either wildly successful, or horrible misfires – nothing in between. What was this one going to be?

You know the answer to that already.

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Birthday Reviews: Michael G. Coney’s “The Byrds”

Birthday Reviews: Michael G. Coney’s “The Byrds”

Changes
Changes

Michael G. Coney was born on September 28, 1932 and died on November 4, 2005.

Coney won the 1977 British SF Association Award for his novel Brontomek! and was also nominated in 1984 for his novel Cat Karina. In 1996, his story “Tea and Hamsters” made the ballot for the Nebula Award for Best Novelette and two of his stories, “Die, Lorelei” and “The Sharks of Pentreath” were nominated for Seiun Awards.

“The Byrds” first appeared in the 1983 anthology Changes, edited by Michael Bishop and Ian Watson. In 1985 Judith Merril selected it for inclusion in the inaugural volume of the Tesseracts anthology series of Canadian science fiction. Ursula K. Le Guin and Brian Attebery also included the story in The Norton Book of Science Fiction: North American Science Fiction, 1960-1990. The story appeared the following year in David G. Hartwell and Glenn Grant’s Northern Stars: The Anthology of Canadian Science Fiction. It made its most recent appearance in Mike Ashley’s The Mammoth Book of Awesome Comic Fantasy.

Michael Coney takes a look at mass hysteria in “The Byrds,” in which a Canada which is struggling with population problems sends out questionnaires to the elderly which encourage them to choose euthanasia. In one family, as Gran gets on in years, she refuses to kill herself and instead strips naked, paints herself like a bird, and straps on an anti-gravity belt before taking to the trees to the mortification of her family.

The family calls in a psychiatrist, Dr. Pratt, who seems more intent on writing papers, appearing on television, and generally making a name for himself than helping the family. As the word spreads about what Gran did, others begin doing the same and Gran becomes an unwilling and uncooperative guru for the movement following her lead.

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Goth Chick News: Visiting Great America’s Fright Fest, I Mean Hell Fest… Well Neither Actually

Goth Chick News: Visiting Great America’s Fright Fest, I Mean Hell Fest… Well Neither Actually

Six Flags Fright Fest

It was in my second year of writing for Black Gate, that I was invited to my very first Halloween press event, which was to cover our local Six Flags Amusement Park’s Fright Fest. Launched in 1993, the Gurnee, IL attraction, Six Flags Great America, is hosting its 25th Fright Fest this year, and the Friday prior to its opening Saturday night has traditionally been used as a “dress rehearsal” for the staff while also hosting corporate outings and press. Attendance is held to 2000 people which is awesome for a park that reportedly has a capacity of 30K. This means lines are short and its actually possible to hit up all the rides as well as the special “haunted attractions” in the five hours the park is open that evening.

Over the years Fright Fest has had its ups and downs which seems to have loosely followed the mood of America itself. In 1999, Six Flags licensed and opened Alice Cooper’s Brutal Planet “haunted house,” featuring music from the album and using leather-clad go-go dancers as entertainment while you waited in line – assuming, I can only suppose, that something called “Fright Fest” was meant to be more of an “adult” event. Six Flags also licensed other intellectual properties for mazes and scare zones over the years, including the Saw films. Décor in the park back then pulled no punches, with elaborate and sometimes very gory scenes set up in the grassy areas, and impressive, movie-quality makeup on the actors.

Following the real-life horror of 2001, Great America pulled way back. That year and for several years after, Fright Fest became family friendly in the extreme with almost no decorations and the scares confined to a corn maze and lots of creepy clowns. I didn’t mind. We’d seen enough stuff on the news to last us awhile.

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July-August 2018 Magazine of Fantasy and Science Fiction: A Review

July-August 2018 Magazine of Fantasy and Science Fiction: A Review

Magazine of Fantasy and Science Fiction July August 2018-small

Having just come out of the 1969 Retro-Reviews, AND Black Gate Book Club’s 1981 Downbelow Station, I wanted to dip into the modern SF/F scene a bit before starting the 1979 Retro-Reviews. I delved into Fantasy & Science Fiction, July/August 2018. I’ll be talking about the fiction and poetry in this review, spoiler-free, but skipping book review columns and such.

This is a somewhat special issue, with stories inspired by (or matching) the excellent Bob Eggleton cover art “Big Mars.”

“The Phobos Experience” by Mary Robinette Kowal

 
Darlene Ritika works on the Bradbury Space Center, orbiting Mars, in this alternate history tale. She is hiding a severe case of vertigo from her superiors and co-workers and gets called out by the Man to go to Phobos and find an entrance to a series of secret caves. They find a cave, but discover they are not the first people to be there. A slow-motion chase/fight ensues in the low gravity. With the heart of the story being such a slow scene, the story in its entirety seemed really rushed to me.

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Birthday Reviews: Willard E. Hawkins’s “The Dwindling Sphere”

Birthday Reviews: Willard E. Hawkins’s “The Dwindling Sphere”

Cover by Gilmore
Cover by Gilmore

Willard E. Hawkins was born on September 27, 1887 and died on April 17, 1970.

Hawkins only published eleven short stories of genre interest over a span of nearly thirty years, although he published his first story as early as 1912. In addition to writing various genres, he established World Press, for which he was the publisher and editor of mostly non-fiction books about the West. He also worked as a newspaper editor for various Colorado papers, including Denver Times and the Rocky Mountain News. His first genre story, “The Dead Man’s Tale,” appeared in the debut issue of Weird Tales.

“The Dwindling Sphere” was originally published in the March 1940 issue of Astounding Science-Fiction, edited by John W. Campbell, Jr. Laurence Janiver reprinted it in his 1966 anthology Masters’ Choice (a.k.a. 18 Greatest Science Fiction Stories). The story was picked up by Isaac Asimov and Martin H. Greenberg for their anthology The Great Science Fiction Stories Volume 2: 1940 (a.k.a. Isaac Asimov Presents the Golden Years of Science Fiction), which caused it to be translated into German in 1980. In 2017, Hank Davis used the story in his anthology If This Goes Wrong…

Hawkins explores several generations of a single family in “The Dwindling Sphere.” The first section, set in 1945, discusses how Frank Baxter accidentally created the Plastocene process while attempting to find a way to create atomic energy. He was partially successful in creating a reaction, but the energy he was seeking completely dissipated, leaving behind a product which would revolutionize manufacturing. Subsequent sections focus on his descendants who discover Baxter’s journals and add on to them as they deal with the long-term repercussions of his discovery.

Hawkins deals with a society in which the working class has been turned into a luxury class since only a small number of people are needed to supply the world with plastocene, and therefore everything it needs, although food production hasn’t (yet) been switched to plastocene. In this period, the new luxury class is discovering that work provides them with a raison d’etre. Several hundred years later, society has evolved more and the early Baxters have been all but forgotten until a distant relation finds their diary, which corrects many historical misconceptions. By that time, plastocene production is beginning to threaten the livability of Earth, leading to the final sections of the story in which the Baxters’ descendants are forced off Earth by the long-term success of plastocene.

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Mage: The Hero Denied 12

Mage: The Hero Denied 12

Mage 12Before we begin this review, you might still be on the fence about whether or not to even start reading this series. If so, there’s a list of eight great reasons to start the series, with number 7 being the very best of them.

The way this last mini-series has been set up is that Matt Wagner will release four monthly issues, take a one-month break, release four more monthly issues, then another one-month break, four more monthly issues, a one-month break, then the final three issues. While this process allows everyone involved a bit more breathing room when putting out a regular series, it also ends up creating three extra-special cliffhangers. What that means for issue 12 is that we’re getting to the last special cliffhanger of the series before Matt Wagner finally powers through to the big finale.

It opens with Magda and Hugo stuck on a platform, being attacked by snake women. Last issue, we saw Magda’s Mary Poppins umbrella trick. This issue, we see her Penguin umbrella trick as she uses it as a gun to melt two of them before another one destroys it.

Meanwhile, the Umbra Sprite takes a dip in her pool of darkness in order to gather even more power, stating that “The Three” MUST be united for the plan to work. Of course, she still has no idea about who exactly composes “The Three,” although she’s fairly sure that Kevin and the Fisher King are two of them. Before submerging, she essentially places Karol in charge, warning her that “Sasha is a vain and vapid creature” and “Zophia (is) a slave to her own cruelty.” She then informs her most trusted daughter that all four of the remaining Gracklethorns must be prepared to fight and likely to die in the coming struggle. Given that she murdered one of her daughters in the previous issue, there’s no doubt that the Umbra Sprite is prepared to sacrifice all of them to achieve her goals. It’s also clear that the daughters so fear the Umbra Sprite that they’re willing to die rather than defy her.

Elsewhere, Kevin and Miranda are pursuing the mysterious imp. Despite knocking down some trees, Kevin loses not only the imp, but also the Questing Beast, who slips through a magic portal, sealing the portal behind itself. Even worse than losing their quarry, the magic mirror that Isis gave Kevin to stay in touch with Magda has been cracked.

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