A Masterfully Crafted Dark Tale: Shadows of the Short Days by Alexander Dan Vilhjálmsson

A Masterfully Crafted Dark Tale: Shadows of the Short Days by Alexander Dan Vilhjálmsson

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I’ve been trying to expand my reading diet recently, and I was drawn to the debut novel from Icelandic author Alexander Dan Vilhjálmsson, Shadows of the Short Days, when I read Rachel Cordasco’s review at Strange Horizons, in which she called it “a vibrant mix of urban fantasy, New Weird, and Icelandic folklore… Vilhjálmsson virtuosically weaves together Icelandic folklore and fantasy/cosmic horror… to create a unique reading experience.” That sounds like just what I’ve been looking for.

It was James Tivendale’s review at GrimDark Magazine that sealed the deal for me. Here’s the interesting bits.

Vilhjálmsson’s debut is a masterfully crafted dark tale that fuses elements of alternative history, steampunk, science fiction, urban fantasy, and grimdark. It is a strikingly original and often complex narrative that mainly follows two well-crafted protagonists. Sæmundur is a sorcerer who has recently been expelled from the magic university of Svartiskóli for being too ambitious, being intrigued by gaining absolute knowledge of the esoteric source of magic galdur which is forbidden and borderline heresy. He has been nicknamed Sæmundur the Mad, is now a drug and alcohol-fuelled reprobate in the eyes of the majority of his peers but he wishes to prove them wrong. The other major player is Garún who is a talented graffiti artist and she wears headphones which contain a noisefiend…

Shadows of the Short Days was a similar reading experience to the one that I enjoyed with The Gutter Prayer by Gareth Hanrahan. It takes certain fantasy tropes and turns them on their heads… This story is brimming with interesting original races, magic and monstrosities including the winged and intimidating Náskárar, the art of seiour, and a cloth-golem… [it] features parallel worlds, demons, jellyfish that aid breathing underwater, huge airships, rebellious factions, grotesque torture segments, mind-reading, complex incantations, and magical rituals, and a loveable pet cat…

It’s superbly well written, thrilling, and the pacing is exquisite… Vilhjálmsson has presented us with one of the most ambitious, intense, original and thrilling debuts that I’ve read in a long time… this is highly [recommended] and should be a big deal in the fantasy scene.

Shadows of the Short Days was published by Titan Books on October 20, 2020. It is 464 pages, priced at $14.95 in trade paperback and $9.99 in digital formats. Read the complete first chapter (8 pages) at Fantasy Book Reviews.

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Twilight: 2000‘s Polish Campaign, Part II

Twilight: 2000‘s Polish Campaign, Part II

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Pirates of the Vistula (GDW, 1985), part 3 of The Polish Campaign for Twilight: 2000

This is Part II of a detailed review of The Polish Campaign, a 6-part adventure sequence published by GDW in 1985 for their Twilight 2000 role playing game. The campaign covers Escape from Kalisz, The Free City of Krakow, Pirates of the Vistula, The Ruins of Warsaw, The Black Madonna, and Going Home. Part I, which looks at The Free City of Krakow and touches upon Escape from Kalisz, is here.

As I re-read Twilight: 2000‘s Polish Campaign, the set of adventure supplements that take place in the immediate aftermath of what starts the players on their adventures in the desolated landscape of World War III and Poland, I’m struck by how much world-building and detail the writers put into the world. For the Polish campaign is a rich sandbox for players and game masters (GM) to play around in. Encounters, towns, villages, NPCs, and mysteries galore fill the pages of Pirates of Vistula and The Ruins of Warsaw, parts 3 and 4 of the Polish Campaign.

The players, surviving US soldiers of the US 5th Mechanized Infantry Division, will have fought their way to safety, escaping the Soviet armies that crushed them. If they made their way from Kalisz to Krakow in the core rulebook’s opening scenario, Escape from Kalisz, they probably found some respite and have managed to resupply to a degree. They may have even made some friends. The overall, presumed player motive in Twilight: 2000 is that they want to return home, that Poland is but a stop over. Now, this could change, and it may not even be the case initially depending on the players. Nonetheless, the players need to find a way to survive in this aftermath of a world collapsing from the creeping nuclear holocaust. 

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Nero Wolfe’s Brownstone: 2020 Stay at Home – Day 30

Nero Wolfe’s Brownstone: 2020 Stay at Home – Day 30

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So, last year, as the Pandemic settled in like an unwanted relative who just came for a week and is still tying up the bathroom, I did a series of posts for the FB Page of the Nero Wolfe fan club, The Wolfe Pack. I speculated on what Stay at Home would be like for Archie, living in the Brownstone with Nero Wolfe, Fritz Brenner, and Theodore Hortsmann. I have already re-posted days one through twenty-nine. Here is day thirty (April 19). It helps if you read the series in order, so I’ve included links to the earlier entries.

DAY THIRTY– 2020 Stay at Home

Saul called after dinner. I took my coffee into the front room and talked to him from there. I made a mental note to ask him about the online poker game. “Need a professional to step in and bail you out on that bank job? My rates are very reasonable.”

“I’ll keep you in mind if I need to farm out any work to the minors.”

“Phsaw. Fred can handle those. What are you up to? Done with the bank thing?”

“That wasn’t too tough. I’ve taken this week off and stayed in the house. Good thing I don’t have to tail anybody. There’s not much cover out there.

I laughed. The current environment would definitely challenge his tailing skills, which were better than anybody else’s that I knew.

“How is Mister Wolfe doing?”

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Marvel TV’s Buddy-Cop Entry: Falcon and the Winter Soldier

Marvel TV’s Buddy-Cop Entry: Falcon and the Winter Soldier

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My son is *super* excited about the MCU’s latest TV venture, The Falcon and the Winter Soldier. I thought Marvel did spectacular work with WandaVision (see my reviews here and here) which was a real stylistic and tonal departure from the movies. I came to Falcon and the Winter Soldier with less excitement in part because sometimes I feel just saturated with cape and cowl stories. Luckily, the first two episodes of Falcon and the Winter Soldier delivered in a way that really worked for me.

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Vintage Treasures: Where Do We Go From Here? edited by Isaac Asimov

Vintage Treasures: Where Do We Go From Here? edited by Isaac Asimov

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There are prolific anthologists, and there are very prolific anthologists, and there’s Isaac Asimov. The Internet Science Fiction database lists nearly 200 anthologies with his name on them, averaging around seven per year between 1963 and his death in 1992. (If you’re thinking, Geez that seems like a lot, let me clarify for you. Yes. It’s a lot.)

Of course, the vast majority of those were produced later in his career and in partnership with a team of editors, especially Martin H. Greenberg and Charles G. Waugh. In the early days Asimov compiled anthologies the old-fashioned way: by himself. It was the enduring, decades-long success of those books that paved the way for the massive literary-industrial complex to spring up around Asimov in the 80s and 90s. And he may have had no original anthology more successful or popular than Where Do We Go From Here?

Where Do We Go From Here? was published in hardcover by Doubleday in 1971, reprinted by Fawcett Crest in 1972, and kept in print in paperback for nearly ten years. It was one of the most popular and discussed SF anthologies of the decade, by a wide margin, and cemented Asimov’s reputation for curating — and selling — top-notch short fiction collections. It gathers stories by Stanley G. Weinbaum, John W. Campbell, Jr., Lester del Rey, Robert A. Heinlein, Hal Clement, James Blish, Jerome Bixby, Arthur C. Clarke, James E. Gunn, H. Beam Piper, Walter Tevis, Larry Niven, and others. Here’s the complete Table of Contents.

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A Tale of Finlay, Part 2

A Tale of Finlay, Part 2

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“The Conditioned Captain” illustration by Virgil Finlay
(from Startling Stories, May 1953)

In last week’s Finlay post, I told the tale of how, back in the last week of March 2005, I’d acquired 15 Virgil Finlay originals from A Midsummer Night’s Dream. It was an incredible purchase, but within six weeks it led to my acquisition of five more Finlay originals. Needless to say, that six week period was the greatest Finlay run of my collecting career.

I’d bought the Midsummer Night’s illos from California bookseller Peter Howard of Serendipity Books. At the time I bought them, he told me that his consignor on these had a few other Finlay originals which he thought he’d be handling for him. A week later, on April Fools’ Day, I received an email from Howard offering three more Finlay originals.

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New Treasures: The Swimmers by Marian Womack

New Treasures: The Swimmers by Marian Womack

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Marian Womack’s debut The Golden Key was published last year — bad year for a debut novel, I must say — but it still managed to get a lot of attention. Booklist called it a mix of “Spiritualism, the suffragette movement, and the fairy tales of Lewis Carroll and George MacDonald… an elegant sense of mystery and otherworldliness. This gothic fantasy will captive fans of historical fiction.”

Her second novel The Swimmers, set in an Earth ravaged by climate change, imagines a world in which the rich live in the Upper Settlement rings high in orbit, and the rest of humanity struggles to survive in a dangerously transformed world, a place of deep jungles and monstrous animals. Publishers Weekly calls it a “meticulously detailed sophomore novel set in a vivid, believable eco-dystopia… Readers will be captivated.”

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Humans Are the Real Horror; GCN Interviews Lt. Joe Kenda, Star of Homicide Hunter and Author of New Release, Killer Triggers

Humans Are the Real Horror; GCN Interviews Lt. Joe Kenda, Star of Homicide Hunter and Author of New Release, Killer Triggers

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When the crew at one of my favorite publishing houses, Wunderkind, contacted me about interviewing a former homicide detective about his new book, I had to give it some thought. Long before Black Gate and my current day job, I was working on a master’s degree in criminal psychology with a view to become a criminal profiler. As an undergraduate I became fascinated with the question of what happens in the human mind that tips a person from contemplating violence to committing violence? I wanted to look for patterns and to discover if violent behavior could by typecast.

At the master’s degree level, the weight of what I was studying started to hit me – hard. This was no longer theory, but a pursuit that was bringing me eyeball to eyeball with real violence. As a 22-year-old from a very small Midwestern town, I was in no way mentally prepared for what I was seeing and learning about. I left the program for what I thought was a brief break, but I never went back, changing careers entirely. I feel lucky to have made that decision before my interest in ghosts and made-up monsters was forever ruined by real horrors.

So, when Wunderkind reached out, sending me an advanced copy of Lt. Joe Kenda’s new book Killer Triggers, I thought about whether I wanted these two worlds to cross again. I decided I would read a couple chapters of the book before making a decision. Hours later, with the Killer Triggers completely consumed, the decision was made. Yes, this is a departure from the pretend worlds I normally write about, but the book is just – well – very good. It’s not uncomfortably graphic and Lt. Kendra has a sense of humor that I couldn’t help but fall in love with a little.

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A Year in Quarantine With the Criterion Channel

A Year in Quarantine With the Criterion Channel

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A year ago, a global pandemic forced me into quarantine. I don’t know what these last twelve months would’ve looked like without my subscription to the Criterion Channel. It wouldn’t be a catastrophe, of course — no worse than the actual catastrophe occurring outside my apartment walls. But the grind of dullness would’ve been far worse. I wouldn’t have the cinematic delights of dog revolutionaries, noir Westerns, a spiritual debate resolved in a gory barroom brawl, or a quality Christmas stalker film.

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Isaac Asimov’s Fantastic Voyage from Film to Novel

Isaac Asimov’s Fantastic Voyage from Film to Novel

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Fantastic Voyage by Isaac Asimov
First Edition: Houghton Mifflin, March 1966, Cover art Dale Hennesy
(Book Club edition shown)

Fantastic Voyage
by Isaac Asimov
Houghton Mifflin (239 pages, $3.95, Hardcover, March 1966)
Cover art Dale Hennesy

Isaac Asimov’s early novels were published over a period of just eight years, from Pebble In the Sky in 1950 to The Naked Sun in 1957, with linked collections like I, Robot and the Foundation “novels” along the way. Some of his early short stories, published in magazines as early as 1939, weren’t collected into books until the 1960s, but for the most part Asimov had stopped writing science fiction by the late 1950s, perhaps because of the collapse of the SF magazine market, or perhaps because he’d discovered that writing nonfiction books was more lucrative and easier. As Asimov fans were painfully aware of at the time, a spell of some 15 years went by before he published his next original novel, The Gods Themselves in 1972, to great acclaim and awards recognition. (And then yet another decade went by before Asimov returned to regular novel writing, with Foundation’s Edge and a string of following novels derived from his Foundation and Robot universes.)

—Except for a book called Fantastic Voyage, in 1966, which was a novelization of a movie script.
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