Review of Imaro 2: The Quest For Cush

Review of Imaro 2: The Quest For Cush

Imaro ranks among the all-time great fantasy heroes, a warrior stalking through a fantasticated, prehistoric Africa brimming with sword-and-sorcery pleasures. The character’s creator, Charles Saunders, is legendary in the field as the first black author to make a splash in the genre, ingeniously playing off of the work and headlong style of past masters like Robert E. Howard while creating a startling new fantasy world with all the quasi-historical verisimilitude of Tolkien’s Middle-earth. The result is sui generis, a brilliant evocation of S&S that hasn’t been seen before or since.

Black Gate regular Ryan Harvey takes a look at the new reprinting of the second Imaro book, The Quest For Cush, and tells us what has changed since it was first published back in 1984. It’s a series that no reader who claims to be a fantasy fan should miss.

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The Return of Flashing Swords

The Return of Flashing Swords

So life has been busy. I guess it usually is for most of us. I’ve hunkered down with the rest of the e-subs and a few things I’ve been handed in person, and I’m gearing up for more book and game reviews. Outside the Black Gate world I’ve been applying for adjunct positions with my new Master’s degree in hand and steaming ahead on the rewrite of my fantasy novel. And look at that — I got a good review in Locus, which made my day, and it was for one of my Dabir and Asim stories, no less.

Things are a little bittersweet, though, because Flashing Swords is re-launching. I came from Flashing Swords, of course. Daniel Blackston asked me to run a mag for his company, and I did so, and I poured my heart and soul into the thing to build it up and keep it running. I was very proud of my work, but it drained me, and there were certain attendant difficulties that made the project more challenging than it might have been in ideal circumstances. I reluctantly handed it over to Daniel when I joined the Black Gate staff after the sixth issue of FS. Daniel’s publishing company dissolved shortly thereafter, alas, and Flashing Swords folded along with it.

Now Flashing Swords has risen, again, under new management, and they were kind enough to ask if I wanted to be involved in any way. I wish I could be, I want to be, but I’m here, now, with Black Gate, and it’s more important to me than jumping back into something I’ve left, and so I had to reluctantly decline. And so I must reconcile myself to the fact that Flashing Swords wasn’t ever really mine to begin with, and that it will go on in a different way — the important choices are no longer mine to make. But it will live. The authors and contributors and my fellow editors and I did not work in vain.

I’m pleased that the zine must have meant something to somebody if they’re wanting to pick up the torch. May they fly further and higher. I wish them all the best. I’m honored that they credit me on the home page as a founder, and I’m even more honored, as strange as it seems, that they’re continuing to use the little quote I invented at the top of their pages. It’s a tiny little element in the bigger picture, I know, but I don’t think they know it came from me, which means they must just have liked the sound of it. Sometimes it’s the little things that mean the most.

Read David Soyka’s 2006 review of a recent issue of Flashing Swords, with stories by James Enge, Steve Goble, Paul Jessup, Howard Lamb, Trey Causey, S. C. Bryce, and Robert Burke Richardson.

Black Gate Short Fiction Reviews

Black Gate Short Fiction Reviews

Time and History are on the agenda in David Soyka’s latest fiction reviews for Black Gate readers.

In Paradox Magazine #10, Soyka tells how author C. Kevin Barrett succeeds where so many others fail in their depictions of alternate history, and delves into new tales from Sarah Monette and Danny Adams, among others.

Meanwhile, Interzone 210 offers compelling new fiction by Rachel Swirsky and Tim Akers. . . but is the magazine’s cover more misleading than matter-of-fact? Dive into David’s review and find out.

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Save a Sword-and-Sorcery Legend

Save a Sword-and-Sorcery Legend

Rescue Imaro

I just got word that Nightshade Books is going to be cancelling its reprint of the Imaro series. The sales have been disappointing — I can only assume that’s because word, somehow, didn’t get out about the books. Charles Saunders’ Imaro is one of the most important sword-and-sorcery characters to walk onto the scene after Conan himself.

Here’s what I said about him in a recent history of sword-and-sorcery article I wrote with some help from Robert Rhodes:

Imaro was the first important black hero of sword and sorcery. The three Imaro novels and a set of related short stories breathe with atmosphere, so much so that the setting is a character unto itself. The customs, people, and places feel real. While the supernatural and fantastic stalk this world, Saunders’ storytelling skills present even the ordinary features of his setting, from savanna to jungle, as vivid and new. Tie in Saunders’ skilful world-building with his taut action and suspense scenes and you have an explosive mix, one that Lin Carter was quick to recognize, printing Imaro tales in several volumes of The Year’s Best Fantasy and Horror anthology series.

Born the son of mixed parentage in a warrior society, Imaro longs always for acceptance, although when he finally earns it his own pride sets him on another path. A mighty warrior, at heart Imaro is a decent, loving man who hides behind a wall of stoicism he’s built both to protect himself during his troubled upbringing and to endure the horrors he’s faced. Most other sword-and-sorcery heroes are rogues born with wanderlust. They’re fascinating to see in action but aren’t necessarily people we’d care to meet. Imaro, however, is honestly likable.

Disastrous marketing decisions killed the Imaro series back in the ’80s. Now it looks like poor market penetration is going to kill it again, and may already have done so. And that means that two never-before-published Imaro novels and any kind of collection of Imaro short stories won’t be seen.

Now I can’t speak for all of Black Gate on this particular issue, but speaking for a moment simply as Howard Andrew Jones minus his editing hat, GO BUY THESE BOOKS. If you like sword-and-sorcery, GO TO NIGHT SHADE AND BUY THESE BOOKS. Maybe we can still save Imaro!!! Do NOT delay!!!

Archon/Nasfic

So here’s what I’d been planning to post about before I got the bad news this morning. I didn’t get to do this sooner because I’ve frankly been trying to re-earn some spousal goodwill points after being gone for four days.

The convention was fun as usual: John and I had a good time. A steady stream of visitors dropped by the booth to look over the magazine, and most of them picked up at least one issue — many more subscribed, and some even purchased entire runs of the previous issues! We showed interested parties the unbound copy of issue 11.

In between various panels Steven Silver and Rich Horton dropped by and helped out at the table. Both men have contributed to the magazine and it was a pleasure getting to know them. The little shop at the convention center sold surprisingly good soup, which I lived on during the day, and then John and I would head out with whoever was around in the evenings to grab dinner. The first night we drove into Collinsville, away from the crowded restaurants near the con, and stumbled upon a nice Chinese place — the only open restaurant in town, so far as we could see. The next day the nearby places were even more crowded, and John and Steven and I were joined by Gordon van Gelder and David Marusek, who didn’t actually complain about my awful direction sense as I tried to find my way back to the Chinese restaurant.

Saturday I snuck away from the booth long enough to try out Richard Hatch’s new role-playing game, The Great War of Magellan. His Captain Apollo had been one of my childhood heroes, so it was pretty nifty when he sat down beside me and joined the game.

There was a flurry of sales at the last minute on Sunday, so I hung around later than I’d planned (I couldn’t abandon John when the booth was so busy). Thank goodness Steven was there to help out as well.

I’m a relatively recent convention attender. It still strikes me as pretty amazing how approachable most of the industry professionals are. I’ve looked up to many of these people for years, and it can feel a little surreal to find yourself in casual conversation with them.

A Review of The Spriggan Mirror

A Review of The Spriggan Mirror

Lawrence Watt-Evans utilized the Internet in novel fashion to bring the latest entry in his Ethshar series to readers. Black Gate‘s Rich Horton tells you all about how he did it, what it may hint about the future of publishing, and whether the book itself lives up to the previous volumes in Watt-Evans’ fantasy saga.

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Black Gate 11 is Off to the Printer! Woo-Hoo!

Black Gate 11 is Off to the Printer! Woo-Hoo!

It should return in a couple of weeks, and then the zombie minions will start stuffing envelopes and get them in the post.

This week John O’Neill and I will be heading to Archon/Nasfic, which is in St. Louis for those too bored to click the link. We should both be there at the Black Gate table by Thursday afternoon, and will be staying until Sunday. I hope that we’ll see some of you there. If the Black Gate hydrofoil hadn’t been damaged during my last encounter with the Zeppelin Master I’d be there even faster, but I’m falling back on the utility van.

This last weekend John put a sneak preview of the issue on the Black Gate web site, so drop by and take a look.  If you haven’t subscribed, why not? Waste no time! 

I know it’s been said a million times, but it bears saying again, so pardon me if I sound repetitious. You can’t look on markets ONLY as places to get published. Support those markets that publish the kinds of stories you like to read so that they’ll keep going. I’m not saying this because Black Gate is in any sort of trouble (in truth we’re stronger than ever) but partly because it’s so clear, from the kinds of slush I get, that around 75% of the subs I receive are from people who’ve never read a copy of the magazine. I’m probably preaching to the choir, as the folks who are crazy enough to read this blog surely know what Black Gate is about. Hopefully you’re subscribers as well. Your support can only mean there’s more money to buy more stories with. And that’s a good thing, right? With even more support I could spare even more of my time editing the mag, and then response times would be even faster, and who wouldn’t want that! Plus I could afford more sushi. In summary, if you want more good adventure fiction and want to ensure that I can afford sushi lunches, be sure to subscribe.

Next week I will dive straight back into the submissions pile, and so will John.

Best,
Howard

Black Gate 11

Black Gate 11

Black Gate 11 is now at the printers — and it promises to be our best issue yet, as Martha Wells, James Enge, Iain Rowan, and Mark Sumner all return with big new installments building on the action in Black Gate 10. Join us for the first meeting of Giliead & Ilias, as Morlock the Maker assists a small fraternity of warriors in desperate battle against the dreaded Boneless One, Dao Shi the exorcist comes face to face with an unkillable demon deep in the Underworld, and The Naturalist returns to civilization to warn of the approach of the terror from the interior.

That’s not all — Maria V. Snyder, Peadar Ó Guilín, William I. Lengeman III and many others offer exciting new stories. A dead wizard hires a thief to break into his tower and uncover a deadly secret, a man fights to save his son from a woman whose charms are literally irresistible, and a modern father is inducted into Valhalla after a particularly challenging roller coaster ride. All that plus four pages of Knights of the Dinner Table. It’s 224 pages of the best in modern adventure fantasy!

Follow the link to a sneak peek of Black Gate 11, with story excerpts, artwork, and even a look at “Neglected Stories from the SF Magazines” from Rich Horton. Subscribe Now so you don’t miss out!

Reading Black Gate 11

Reading Black Gate 11

I’m more than halfway through the new Black Gate, and I can honestly say that, if anything, it’s even better than Black Gate 10. I’m not just saying that — (anyone who knows me knows that I’m neither a shill nor much of a salesman) — the writing from the regulars is even stronger than it’s been in the past. Much as I liked previous entries from Enge and Wells and Rowan, their entries this time had me so spellbound I had to constantly remember that I was supposed to be proofreading, not just devouring prose. I’ve been equally impressed with work from newcomers, and it is all I can do to put time aside for other duties rather than continuing my read.

A lot of people may not realize that I haven’t seen this fiction — indeed, it may still be a bit before anything I’ve sent on to John appears between Black Gate pages. All this is stockpiled from before I came aboard, so I feel a little like the ultimate fan, getting to open the Christmas presents before the rest of you. Some have crowned me with unearned laurels, saying that the adventure fiction quotient was higher than ever before in BG 10 due to me. It’s just not true. I was hired on because of the direction John was growing Black Gate and I have surely helped with the magazine; I have not, however, changed that direction myself.

I’m starting to see some art trickle in for the contents of Black Gate 12, and it looks pretty exciting.

Lastly, we have some new advertisers. One of them, Dark City Games, has had products reviewed twice by us (one product in issue 10 and one in issue 11) and between those reviews, their full-page ad, and the web site, I’m going to break down and try some of these. First John, then Todd McAulty, then Andrew Zimmerman Jones have been raving about these cool games, and I’m just going to have to try them out for myself.

More soon,

Howard

Black Gate 11

Black Gate 11

…will be ready for my once over today, and shortly thereafter off to the printer. It appears unlikely that it will be in our hands by the time of Archon, unfortunately, although John and I hope to have a mock-up with us. But it should shortly thereafter be available to all

I returned from my secret mission. You can see me in action in a picture below, fending off space aliens. Note the intent look of concentration. I’m told I look very similar when I’m writing or editing, and, indeed, that my expression was nearly identical when I proposed to my wife. You can understand, then, why she married me.

I turned 39 while I was away at Disney and Epcot. I’ve had few birthdays as pleasant, despite the crowds. My wife and kids were very sweet all day and night.

I hope soon to be back at the slush reading. John will be right there with me.

Howard

2007 Halloween, Costume and Party Show and the 12th National Haunt and Attractions Show

2007 Halloween, Costume and Party Show and the 12th National Haunt and Attractions Show

Ever wonder where the masters of horror go shopping? Look no further — Black Gate correspondent Sue Granquist takes you on an exclusive behind-the-scenes look at the premier event in the country for all of the new costumes, masks, animatronics and gadgets set to take horror films, haunted houses, and goth parties by storm.

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