Joyce Carol Oates’ Gothic Quintet, Part I: Bellefleur

Joyce Carol Oates’ Gothic Quintet, Part I: Bellefleur

BellefleurPublished in 1980, Joyce Carol Oates’ novel Bellefleur is an astonishing gothic tour-de-force, a breathtaking and phantasmagoric book that whirls through generations of an aristocratic New England family. It deals in almost every kind of traditional horror-story trope: a sprawling, crumbling, haunted house; angered spirits of the land; men who take the shape of beasts; at least one innocent heiress who develops a peculiar case of anemia after being courted by a sinister European nobleman. All these things are folded into an overarching tale of greed, power, sex, and tragedy, told in a wild style that almost hides a precise structure of event, theme, and imagery.

The book was the first in a set of five projected ‘gothic’ novels. Oates has published three more since: A Bloodsmoor Romance in 1982, The Mysteries of Winterthurn in 1984, and My Heart Laid Bare in 1998. The last of the novels, The Accursed (originally to be titled The Crosswicks Horror), is set to come out in late March of 2013. To get ready for its appearance, I want to take a look at each of the first four novels, all of which play with genre in different ways. I’ll start this week with Bellefleur, which I think is a tremendous accomplishment, and a great work of the fantastic.

Before getting into the book, a bit of background on Oates: born in 1938, her first book, a collection of short stories called By the North Gate, was published in 1963. The next year, her first novel followed, With Shuddering Fall. Bellefleur was her twelfth novel; she’s written almost 50 novels for adults, as well as plays, poetry, short stories, and Young Adult fiction. Among the long list of literary awards she’s won are the National Book Award for Fiction (for them in 1970) and the 2012 PEN Center USA Award for Lifetime Achievement. Genre awards of note include two Bram Stoker Awards — in 1996 for Superior Achievement in a Novel, for Zombie, and in 2011 for Superior Achievement in a Fiction Collection for The Corn Maiden and Other Nightmares — as well as a World Fantasy Award in 2011 for her short story “Fossil-Figures.” Her stories have appeared in ten of the Year’s Best Fantasy and Horror Stories anthologies.

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In Defense of Red Sonja: Not the Female Conan

In Defense of Red Sonja: Not the Female Conan

red-sonja-0-cover2Red Sonja is nearing forty and, even if you don’t recognize the name, you know her. She’s the original girl in the chain mail bikini. There have been warrior women before (Jirel of Joiry) and since (Xena). But when you imagine sexist cheesecake portrayals of women in fantasy, the sort of thing modern creators try to avoid at all costs, you imagine Red Sonja, She-Devil with a Sword. And, frankly, she’s gotten a bad rap.

She’s a bit of an accidental icon, the sort of strong female character that could only be imagined by men in the midst of the Sexual Revolution.

The Shadow of the Vulture

Red Sonja was originally created by Roy Thomas (though based heavily on Robert E. Howard’s Red Sonya from “Shadow of the Vulture”) as a supporting character in the Conan the Barbarian series. The idea was to present a recurring female character who wasn’t just rescue bait for the Cimmerian, someone who could handle herself in a fight and win his respect as well as an appreciative leer. The iconic red hair was chosen simply because the only two prominent female adventurers in Howard’s original Conan stories were Belit (black hair) and Valeria (blond hair) and Thomas wanted an easy way to differentiate her from them.

Red Sonja first appeared in Conan the Barbarian 23 (February 1973) in a story also titled, “Shadow of the Vulture” (a loose adaptation transposing the setting from the 16th century Ottoman Empire to the Hyborian Age). Conan first encounters her as he races to the gates of Makkalet, a hundred raiders following behind him. As the gates open and Conan is running in, we see Red Sonja running out to meet the raiders, with sword drawn and her own mercenary army at her back. Within five panels of her first appearance, we get the classic description of Red Sonja as “a she-devil more beautiful than the flames of Hell.”

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New Treasures: Albert of Adelaide by Howard L. Anderson

New Treasures: Albert of Adelaide by Howard L. Anderson

albert-of-adelaideI’m a sucker for anthropomorphic fantasy. You know, stories that feature animals with human speech and personalities. Some of the best fantasy ever created has been in this fine tradition.

Watership Down. Carl Barks’ Uncle Scrooge. The Secret of Nimh. The Wind in the Willows. The Redwall books. The Lion King. Ratatouille. 101 Dalmatians. Joyce Maxner and William Joyce’s Nicholas Cricket.

Is there anything new in anthropomorphic fantasy? Anything that doesn’t come from Disney and Pixar, anyway? Yes there is. Exhibit A: the debut novel from Howard L. Anderson, about which Mary Doria Russell says: “If Larry McMurtry had written Wind in the Willows, he might have come up with something almost as wonderful and moving… This is a novel that defies analysis and summaries.”

Having escaped from Australia’s Adelaide Zoo, an orphaned platypus named Albert embarks on a journey through the outback in search of “Old Australia,” a rumored land of liberty, promise, and peace. What he will find there, however, away from the safe confinement of his enclosure for the first time since his earliest memories, proves to be a good deal more than he anticipated.

Alone in the outback, with an empty soft drink bottle as his sole possession, Albert stumbles upon pyromaniacal wombat Jack, and together they spend a night drinking and gambling in Ponsby Station, a rough-and-tumble mining town. Accused of burning down the local mercantile, the duo flees into menacing dingo territory and quickly go their separate ways — Albert to pursue his destiny in the wastelands, Jack to reconcile his past.

Encountering a motley assortment of characters along the way — a pair of invariably drunk bandicoots, a militia of kangaroos, hordes of the mercurial dingoes, and a former prize-fighting Tasmanian devil — our unlikely hero will discover a strength and skill for survival he never suspected he possessed.

Any reading experience featuring a Tasmanian devil, drunk bandicoots, and a “pyromaniacal wombat” gets my immediate attention. Albert of Adelaide was published in July by Twelve/Hachette Book Group. It is 223 pages for $24.99 in hardcover, or $12.99 for the digital edition.

See all of our featured New Treasures here.

Art of the Genre: Top 10 ‘Hawt’ Fantasy Artists

Art of the Genre: Top 10 ‘Hawt’ Fantasy Artists

These are my people, and I love them dearly, but when Neil Gaiman is our beauty 'ringer', we've got problems!
These are my people, and I love them dearly, but when Neil Gaiman is our beauty 'ringer', we've got problems!

In a bout of good humor, I bring to you today a topic that has been on my mind for some time and finally reached a writable level whilst viewing an image of this year’s winners of the Hugo Awards for writing.

What could have gotten you so motivated by said picture, you might ask? Well, it drove home the point that I have a theory artists are prettier than writers, and by a large margin. I mean, kudos to writers like China Mieville and Joe Abercrombie for swinging for the fences of rugged or charming beauty, but sadly two home runs can’t bring up the collective batting average of an entire team.

Now surely your hackles are up at such a broad brush [yes, pun intended!] and callously superficial statement, but remember this before you go finding a rope and a solid branch of a tree, I’m also writer!

Therefore, I attest this whole line of thought has to be like Chris Rock blasting African Americans, or Foxworthy busting Rednecks, right?

Well, I’m going with it, so just try to have some fun along the way because that is all this is really about!

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Black Gate Online Fiction: “The Duelist” by Jason E. Thummel

Black Gate Online Fiction: “The Duelist” by Jason E. Thummel

jason-e-thummelA master swordsman finds himself caught in a web of deceit and intrigue in Jason E. Thummel’s fast-paced tale of action in a violent city.

Androi Karpelov watched with detached calm the youngster’s cool and confident demeanor slowly erode, and felt a certain amount of empathy. But not much.

“Do you yield, Sir, and admit that the insult which your patron directed at my liege was incorrect and entirely without merit?” It was a formulaic question which Androi had asked times beyond count.

“Sir?” his opponent wheezed, keeping up a respectable guard despite the obvious signs of fatigue. “I fear I cannot. It is to the death.”

“Ah, then… ” Androi paused. “I suppose your last lesson will be that it is foolish indeed to undertake such a contract when you will be matched against your superior. Shall we?”

The boy nodded in acknowledgement. He took one deep and lasting breath, glanced over his right shoulder to where a young woman watched, striving to quench her great heaving sobs with a small silk kerchief, gave her a short curt bow that almost broke Androi’s heart, and then came at him.

Androi allowed him some ground, parrying and dodging with a show of far more concentration than he felt. The swordsmanship was truly uninspired and his muse had abandoned him. It was all for the best, he supposed, for it gave the lad some time to make an impression on the young woman. Perhaps she would remember him, but most likely would find herself another to whom she would attach her dreams in short order. Such always seemed to be the way.

Jason E. Thummel’s fiction has appeared in Rage of the Behemoth, Flashing Swords magazine, and Magic and Mechanica. His first novel, The Spear of Destiny, was published in 2011 and his short story collection In Savage Lands appeared earlier this year.

“The Duelist” is a complete novelette of adventure fantasy offered at no cost. You can read the complete story here.

September/October Fantasy & Science Fiction Magazine now on Sale

September/October Fantasy & Science Fiction Magazine now on Sale

fantasy-and-science-fiction-sept-oct-2012Andy Duncan gets the cover this issue for “Close Encounters,” a rural tale of alien abduction. Here’s what Lois Tilton says about it in her review at Locus Online:

Old Buck Nelson claims he doesn’t want to be bothered by reporters, even pretty girl reporters, sniffing around after the stories he used to tell about the alien who took him up to Mars and Venus and the dog he brought back with him. No one cares anymore, no one believes him. But now they’re making a movie and people are interested…

A really strong character, a narrative voice with strong authenticity, a strongly-realized setting. And a perfect ending to it all – RECOMMENDED.

Here’s the complete Table of Contents:

NOVELETS

  • “Close Encounters” – Andy Duncan
  • “The Sheriff”  – Chet Arthur
  • “12:03 P.M.” – Richard A. Lupoff
  • “The Goddess” – Albert E. Cowdrey
  • “Arc” – Ken Liu
  • “Troll Blood” – Peter Dickinson

SHORT STORIES

  • “Give Up” – Richard Butner
  • “A Diary from Deimos” – Michael Alexander
  • “Where the Summer Dwells” – Lynda E. Rucker
  • “Theobroma Valentine” – Rand B. Lee

POEMS

  • “Contact – Sophie M. White

The cover price is $7.50, for a generous 258 pages. Additional free content at the F&SF website includes book and film reviews by Charles de Lint, Chris Moriarty, and Kathi Maio; Paul Di Filippo’s Plumage From Pegasus column, “Call Me Ishmael”; and the “Curiosities” column by Chris De Vito. Cover artist this issue is Kent Bash. We last covered F&SF here with the July/August issue.

The Top 40 Black Gate Posts in August

The Top 40 Black Gate Posts in August

fifty-shades-of-greyAugust was a busy month here at the Black Gate rooftop headquarters. Theo Beale observed that 50 Shades of Grey, “according to its description it is little more than John Norman’s Gor brought back to Earth, minus the sword battles and the awesome tarn birds.” Brian Murphy reported on the debate surrounding breaking The Hobbit into three films, and Andrew Zimmerman Jones, live at the scene for the Dungeons & Dragons Next keynote at GenCon 2012, checked in with all the details.

I covered the controversy at Weird Tales magazine as the editorial team abruptly aborted plans to publish an excerpt of Victoria Foyt’s Saving the Pearls: Revealing Eden, and Scott Taylor brought us several more installments of his popular Art of the Genre column. Howard Andrew Jones explored the pleasures of the classic Jungle Stories pulp, and C.S.E. Cooney reviewed William Alexander’s novel Goblin Secrets. And that’s just a sample of the Top 10 articles.

Missed any of the news and updates when they were hot off the press? Not to worry — here’s your chance to catch up. What follows are the 40 most popular articles on the Black Gate blog in August. Don’t thank us, it’s our job.

  1. 50 shades of Paedo?
  2. Weird-Tales Pulls Novel Excerpt Following Fan Uproar
  3. Category: New Treasures
  4. Three Hobbit films for the LOTR fans =Trouble
  5. GenCon 2012: Dungeons & Dragons Next keynote Liveblog
  6. Vintage Treasures: The Barbarians Anthology Series
  7. Art of the Genre: The Art of Steampunk Couture
  8. Art of the Genre: When Music and Gaming mix
  9. Escape to the Jungle
  10. Goblin Secrets: A Review
  11. A Brick-and-Mortar bookstore score
  12. The thrill of the Unexpected: Why I Edit Clockwork Phoenix
  13. Black Gate Goes to the Summer Movies: Total Recall 2012
  14. Black Gate Goes to the Summer Movies: The Bourne Legacy
  15. Solomon Kane Crosses the Atlantic to U.S. Movie Theaters in September
  16. Category: Comics
  17. Read More Read More

Black Gate to Publish Online Fiction Starting Sunday, September 30

Black Gate to Publish Online Fiction Starting Sunday, September 30

black-gate-4-smallWe are very pleased to announce that Black Gate magazine, your home for the finest in adventure fantasy, will begin publishing original online fiction starting Sunday, September 30.

Holy crap, that’s tomorrow.

Wow. Uh, well, into the breach. Best way to do this is to jump right in, and figure it out as we go.

New fiction will be published right here on our website every Sunday, starting tomorrow. Here’s what’s coming in the next two months:

  • “The Duelist,” by Jason Thummel
  • “The Quintessence of Absence,” by Sean McLachlan
  • “The Daughter’s Dowry,” by Aaron Bradford Starr
  • “A Phoenix in Darkness,” by Donald S. Crankshaw
  • Novel excerpt: Queen of Thorns, by Dave Gross
  • “Godmother Lizard,” by C.S.E. Cooney
  • “The Poison Well” by Judith Berman
  • Novel excerpt: Bones of the Old Ones, by Howard Andrew Jones
  • Novel excerpt: The Black Fire Concerto, by Mike Allen

What can you expect from online fiction at Black Gate? We will be presenting original fiction from some of our most popular contributors, as well as exciting new authors and many of the best writers in the industry. All stories are presented completely free of charge.

We will be offering fiction at all lengths, including short stories, novellas, and novel excerpts. It’s just like reading an issue of Black Gate, except you can do it from the comfort of your couch. Or that uncomfortable chair in front of the computer, whatever.

Join us tomorrow as Jason Thummel brings us a riveting tale of a talented swordsman who finds himself caught up in a web of deceit and far-reaching ambition in a fast-paced tale of action in a violent city, “The Duelist.”

Solomon Kane Movie Needs More Solomon Kane

Solomon Kane Movie Needs More Solomon Kane

solomonkaneposterThe sixteenth- and early seventeenth-century Puritan adventurer Solomon Kane is my favorite of Robert E. Howard’s serial characters: a fascinating mixture of obsession, religion, righteousness, history, and dark fantasy awesomeness. However, it’s the character I love, not necessarily the stories in which he appeared. With the exception of “Wings in the Night,” the Solomon Kane stories are mid-range pieces in Howard’s canon, not at the consistent level he delivered later with Conan, King Kull, or many of his one-shots. Solomon Kane appeared early in Howard’s short professional pulp career, with the first published story in the August 1928 issue of Weird Tales. Perhaps if Howard stayed longer with the Puritan hero while his storytelling skills increased, he might have equaled the Conan series in quality.

But a great character is always an excellent starting point to make a great movie, and in concept a Solomon Kane film should be an easy third-base hit for any talented filmmaker. The 2009 British-French-Czech Solomon Kane, which finally received its limited U.S. theatrical release today (also on VOD if you can’t find a local theater), showed many hints of not only getting on third, but possibly stealing home. Tonally, it captures the 1930s version of Weird Tales. The violence is graphic and bloody without falling into the slapstick idiocy of Marcus Nispel’s Conan the Barbarian. The production design is top-tier for a mid-budget movie and feels saturated with the benighted European dreariness of Kane stories such as “Skulls in the Stars” and “Rattle of Bones.”

What the movie does not have: Solomon Kane. This tends to undermine most of the right steps the filmmakers take, as you might imagine.

It makes no difference if audiences know the first thing about the character of Kane or even know the name Robert E. Howard. The film’s failure to exploit what makes Solomon Kane so fascinating spills over into the story and pacing. Solomon Kane is an origin tale that stretches out for a hundred minutes — an origin for a character who doesn’t even need an origin. As James Purefoy’s voiceover at last declares Solomon Kane’s intentions to battle evil wherever it lies, and the hero leaps onto his horse decked with the swirling black coat and the wide-brimmed slouch hat, the audience will be primed to see this strange avenger work his bloody craft. But then the director’s name appears and the end credits start. Sorry folks, movie is over.

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New Treasures: Chrysanthe by Yves Meynard

New Treasures: Chrysanthe by Yves Meynard

chrysantheI first met Yves Meynard at the World Fantasy Convention in Montreal in 2001. Yes, that was the year of 9/11, when the entire country stopped flying for weeks. I still remember my flight into Montreal… it was scarcely a month after the attacks and the cabin was virtually empty. You could wander around and take whatever seat you wanted.

Sadly, the same was more or less true of the convention. The World Fantasy Convention typically sells somewhere around 1,000 memberships, but a lot more were sold than used that year. Some estimates put the number of attendees at around 200. Whatever the case, it was the smallest and most intimate convention I’ve ever attended.

Which wasn’t wholly a bad thing. I remember the convention chiefly for the many great conversations I had. I’d lived in Ottawa — less than two hours away — until 1987, and this was a chance to re-connect with Canadian friends, including Mark Shainblum, Don Bassingthwaite, Claude Lalumiere, Rodger Turner, and Charles de Lint. In short order, I found myself introduced to some of the best French Canadian fantasy writers on the scene, including Jean-Louis Trudel and Yves Meynard.

I hit it off with Yves immediately. He was a fellow editor, the literary editor for French Canadian SF magazine Solaris, and his widely-praised first novel, The Book of Knights, had been published by Tor in 1999.

He was already being recognized as a major talent. Ursula K. Le Guin called The Book of Knights “An unpredictable, brilliantly imaginative, and very engaging fantasy,” and Locus magazine, commenting on editor David Hartwell’s annual accomplishments, said:

In terms of both mature craft and originality of imagination, Hartwell’s major discovery this year has to be the French-Canadian writer Yves Meynard.

Yves turned out to be a fascinating guy with a deep appreciation of Canadian fantasy in both French and English. He wrote fluently in both languages, a skill I envied, and we had several great talks.

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