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Some Writing Advice That’s Mostly Useless (And Why)

Some Writing Advice That’s Mostly Useless (And Why)

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The Sword is Mightier-small
“Brilliant, an excuse to play online warrior all day!” — NOT

I’ve been spending time on writing forums — a substitute for actual work while convalescing from an operation  — and… well, I’ve noticed embedded in the culture are several pieces of advice that aren’t very useful for novice writers.

Rather than stringing them out into a series, I’m going to blast through them here:

“Work on Your Motivation” — Mostly Useless

Listen. I had a gig writing novels tieing into video games.

Great games. Great gig. But rather than going, “Brilliant, an excuse to play online warrior all day!“, I had a go at them, then handed each off to my son for a thorough exploration (a chore he greatly enjoyed, though being something of a sniper, he got regularly kicked from servers).

I like video games — I’m playing through Mass Effect at the moment — but I like writing better.

See where I’m going with this?

Nobody ever posts online, “How do I motivate myself to complete Halo 3?”

Video games are automatically fun out-of-the-box, because the challenge is the game itself, not the business of getting around inside the virtual world; most games even have similar key bindings (e.g. awsd). So if writing is not as much fun as gaming, then it’s probably because you’re still struggling with the basics of writing rather than wrestling with storytelling.

Therefore  if motivation is a problem for you, work on your craft. Success breeds success.

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Dave Gross on Pitching and Pinching

Dave Gross on Pitching and Pinching

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Pathfinder Tales Lord of Runes-smallYou know, of course, we love us some Pathfinder (the role playing game, not the Viking-American Indian movie) here at Black Gate. And I don’t just say that because Managing Editor Howard Andrew Jones has written two novels (with a third coming in October) for their excellent fiction line, Pathfinder Tales.

There have been 30 novels in the series so far. The first (Prince of Wolves), the most recent (The Lord of Runes) and three in between (Master of Devils, Queen of Thorns, King of Chaos) have come from the prolific pen of Dave Gross.

With his tales of half-elven Pathfinder Varian Jeggare and his devil-blooded bodyguard Radovan, Gross has successfully blended the fantasy and mystery genres. Dave has taken some time out of his busy schedule to share some thoughts. Of course, I love the ‘Holmes and Watson’ references.

You can find more info on the Pathfinder Tales line here, including free web fiction. And here’s a link to some Black Gate coverage of the line, including The Lord of Runes. Check out the fine fantasy writing that’s taking place in Pathfinder’s world of Golarion. Take it away, Dave…

As a writer, I hate throwing what Hollywood calls elevator pitches — you know, those snappy “X meets Y” descriptions of a screenplay. We do the same thing in publishing, often still referencing movies rather than books. “It’s Star Wars meets Sixteen Candles,” or “Ocean’s Eleven meets Ghostbusters,” or “Casablanca with orcs as the Nazis.”

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Things Your Writing Teacher Never Told You: Ignore the Market Guidelines at Your Peril – How (Not) to Build a Career

Things Your Writing Teacher Never Told You: Ignore the Market Guidelines at Your Peril – How (Not) to Build a Career

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Book of Dead Things edited by Tina Jens and Eric Cherry-smallI was the editor of a small press that published genre anthologies and short story collections for about 13 years, and I’ve been writing, submitting, and selling my fiction for about 25 years. So, I’ve been on both sides of the editorial desk, at least in a small way. I now teach fantasy fiction writing at Columbia College — Chicago.

One of the questions that comes up every semester is, “What should I put in my cover letter?” Students, and many new writers, are afraid of cover letters.

What they don’t know is, that many editors are afraid of cover letters, too.

Way too many writers torpedo their chances at making a sale by saying ridiculous things in their cover letters – things so out of bounds that the editor has no choice but to reject the story without even reading it, or risk losing all self-respect if they don’t. Getting ready in the morning is hard enough without having to avoid meeting your own eyes in the mirror.

The small press that I ran was tied to Twilight Tales: a weekly reading series in Chicago. We also ran the reading track or open mics at many local and national genre conventions, and published national and international authors monthly on our website. The point of that was to make it possible for authors out of Chicago to participate in a Twilight Tales event. To submit to our anthologies, you had to have taken part in at least one of those activities. In the 17 years that the show ran, through those combined projects, we estimated that we dealt with more than 1,000 authors, from pretty close to all 50 states, seven countries, and across the full spectrum of genres.

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On Becoming a Full-Time Writer

On Becoming a Full-Time Writer

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23121915In five days, on Thursday, June 25th, I’m very happy to be making a life transition. I’m taking a 2-year leave from my job to spend more time with my son. And while he’s in school, I’m going to write. I know more than a few people who have become full-time writers. For some it has worked. So I did a lot of thinking about how to make this work for me, and also why now is the right time.

Stage of Life

I turned 44 a few months ago. My son is 10 years old now. He loves being with me and vice versa. That may not be the case in a few years, so I’ve now got the next three summers to skip rocks with him, go camping yard-saling, bike-riding, tree climbing, fort-building ad exhaustium. During the school year, I’ll pick him up every day after school to go sledding or swimming or play MTG or video games or do homework or go to museums or science centers whatever is right. That’s a good plan for where I am in life.

And there’s the writing. I’ve been dreaming of being a writer since I was ten. When I was twenty-five, I dreamed of being a best-selling author by the time I was twenty-eight. Since that super-realistic dream, I’ve mused about different ways to write full-time, including retiring early. But really my choice is doing this while I’m young or doing this much later.

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Is the Grail a Force For Evil? Understanding Indiana Jones and the Last Crusade

Is the Grail a Force For Evil? Understanding Indiana Jones and the Last Crusade

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Indiana_Jones_and_the_Last_Crusade_A
What better quest story to unpick than this classic Indy adventure?

The Holy Grail – purportedly the last cup that Christ drank from, echo of the zombie-making Cauldron of Rebirth – is it actually a force for evil?

Until the 20th century, its main fictional outing was in the King Arthur cycle when its effect on the Round Table is akin to introducing the knights to crack-cocaine: the fellowship scatters, those who achieve the quest – the best knights – go straight to Heaven (read, die), Lancelot gets badly injured, and Britain ends up littered with the graves of knights who would be more useful protecting the realm from the King’s enemies.

Then we come to Indiana Jones and the Last Crusade.

I’m looking at Pulp and Pulp-inspired stores because I’m working on a retro-Space Opera, provisional title “The Eternal Dome of the Unknowable” (Sarah, this is ALL your fault). What better quest story to unpack than this classic Indy adventure?

What I found is rather odd.

Here’s the plot — I’ve added story questions in the form Question Answer But Now…

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Your Greatest Fan

Your Greatest Fan

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John C. WrightJohn C. Wright, the author of the Children of Chaos and Count to Eschaton series (among others), recently put up a post on his blog which contains the most sublime encouragement I’ve ever seen offered from one writer to another. I’ll admit that I felt a mist of manly tears come to my eyes while I read through his words.

If you’ve ever written, or considered writing, you owe it to yourself to read his post: “The Brazen Author of the Book of Gold.”

Wright includes some musings on the Muse at the end, but the beating heart of the post is the offset section.

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“Help! I Want to Write a Novel But Don’t Have Any Ideas!!!”

“Help! I Want to Write a Novel But Don’t Have Any Ideas!!!”

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Pulp-O-Mizer_Cover_Image
Their problem, then, is how to Be Creative.

“How do I come up with an Idea for writing a novel?” comes up sooooo very often on the writing forums that… well, that I am writing this.

On the face of it, the question sounds silly; how can you aspire to write if you don’t have any ideas?

Actually, the questioner usually does have ideas. However, they are (1) expecting a Novel Idea to stand out because it has a choir of angels flying around it singing Vode An or (2) sense that their ideas are too vague to lend themselves to story building.

However, let’s assume the rare case #3, that the wannabe writer’s mind is actually blank. They love the idea of telling a story, think they would enjoy the process, but can’t think of what to write about.

Their problem, then, is how to Be Creative.

There are, of courses, lots of workshops on freeing your creativity. You can also buy all sorts of self help books. Most of them come down to, Stop Self Editing/ Switch off your internal editor.

There is truth in this. The book The Midnight Disease shows that there really is both an Internal Editor and an Internal Mad-as-a-Hatter-Creative. The idea is that you tell the Editor to shut up and just let the Creative splurge out whatever falls out of your brain. Only once you have a whiteboard/notebook/screen full of jottings do you unmuzzle the Editor and pick the ideas that have legs.

In this model of creativity, only this filtering process is what distinguishes professional creatives from people… well, in need of a different sort of professional help.

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Clarkesworld Magazine Now Accepting Novelettes

Clarkesworld Magazine Now Accepting Novelettes

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Clarkesworld 84-smallNeil Clarke has had quite a year. His magazine Clarkesworld published its 100th issue in January — an extraordinary milestone for any fiction magazine, let alone one of the earliest online venues — and in November he and fellow Clarkesworld folks Sean Wallace and Kate Baker received a Special Award from the World Fantasy Convention. And at the Nebulas this past weekend, Neil had no less than three stories he’d edited up for awards — more than any other editor. But I think the biggest news from Neil was this low-key announcement on his blog on June 2:

For several years now, I’ve capped the upper limit on Clarkesworld’s original fiction at 8,000 words. There were several good reasons for doing that, but they were mostly financial. This past week, we passed our latest Patreon goal and secured funding for a fourth original story in every issue… Assuming the Patreon pledge levels hold, this puts us in a situation that provides me with some flexibility.

I’m considering raising our upper limit to 16,000 words. That would take us firmly into novelette territory. (Right now, we barely scrape it.) Each issue would feature no more than one novelette… We would also accompany this change with an increase in pay rate on the 4000+ side of our scale.

And in a very brief post the next day, Neil confirmed that Clarkesworld would now publish fiction up to 16,000 words. Its rates have changed as well: it now pays 10¢ per word for the first 5,000 words, and 8¢ for each word over 5,000.

This is very good news for fantasy writers of all kinds. Clarkesworld is one of the most acclaimed publications in the industry, and the fact that it published exclusively short fiction was a source of continued frustration for many writers. So if your great fantasy novelette has been languishing in your desk drawer for years without a home, now’s the time to take it out and polish it up. Clarkesworld‘s submission page is here, and we covered the May issue here.

Neil Gaiman and Kazuo Ishiguro on Sword & Sorcery

Neil Gaiman and Kazuo Ishiguro on Sword & Sorcery

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Neil Gaiman in The New Republic-small

The New Republic has posted a lengthy conversation on fantasy, titled Breaking the Boundaries Between Fantasy and Literary Fiction, between Neil Gaiman (The Graveyard Book, American Gods) and Kazuo Ishiguro (The Remains of the Day, The Buried Giant). Among other fascinating topics, the two discuss sword & sorcery, and the different cultural approaches to swordfights.

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R.A. MacAvoy’s The Book of Kells

R.A. MacAvoy’s The Book of Kells

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MacAvoy KellsLately I’ve been exploring portal fantasies, and last time I talked about Charles de Lint’s The Little Country. This week I’d like to take a look at R.A. MacAvoy’s The Book of Kells.

John Thornburn is a Canadian artist living and teaching in Dublin. He’s a bit of a klutz socially and emotionally, and has a tendency to focus on his work to the exclusion of everything else. His friend and sometime lover Derval O’Keane is an academic historian. The story begins when a young, injured girl suddenly appears in  John’s bathroom, having come through a portal  he inadvertently opened while working on the tracing of an old Gaelic pattern. It takes a bit of doing, but John and Derval finally figure out that Ailesh is the survivor of a Viking attack on her village in the Ireland of 985, saved by her father’s throwing her through the portal.

John and Derval take Ailesh back to her own time, and find the injured poet Labres MacCullen among the dead. John doesn’t know how to open the portal from this side, or even if it can be opened, so they accompany Ailesh and Labres to Dublin, where they hope to get help and justice from the King. Though the King in Dublin is himself a Dane at this point in history, they also want to warn him that the Vikings seem to have come as invaders, not as mere raiders who, having struck, will now go away.

Unknown to them, however, these same Vikings offered the lives of all the villagers to Odin, and the fact that Ailesh and Labres escaped puts them in a bit of a quandary. The leader decides that they must find and kill those who escaped, or forfeit their own lives – and the success of their expedition – to Odin’s displeasure.

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