Black Gate

This is one of the best issues of Cele Goldsmith’s Amazing I’ve encountered. Only four stories, but all decent, one really good.

The cover is by Ray Kalfus, illustrating Henry Slesar’s “Jobo” in a fashion that gives away one of the story’s secrets (not that it’s that big of a secret). Interiors are by Leo Summers, George Schelling, and Virgil Finlay.

Norman Lobsenz’ Editorial opens thusly:

The New Yorker magazine, which normally does not care to admit of the existence of such a literary form as science fiction (probably because sf stories have plots with beginnings, middles, and ends, which the New Yorker fiction editors abhor)…

Plus ça change! The occasion is an approving New Yorker review of Arthur C. Clarke’s Tales of Ten Worlds, and in particular their praise for the story “Before Eden,” which was first published in Amazing in 1961.

“… Or So You Say”, the letter column, is mostly occupied with complaints about a letter in the January issue from Lorne Yacuk, which apparently complained about the “new” type of stories published in those days, particularly that they featured dull “common men” instead of “supermen.” The writers are James C. Pierce, W. D. Shephard, and Gil Lamont. In addition, Paul Gilster (from St. Louis!) praises Albert Teichner’s “Cerebrum” (mentioned in these reviews some time ago).

The Spectroscope, S. E. Cotts’ book review column, covers The Space Child’s Mother Goose, by Frederick Winsor; Moon Missing, by Edward Gorey; They Walked Like Men, by Clifford Simak; and Anything You Can Do…, by Darrel T. Langart (Randall Garrett). The only one he really approves of is the Simak.

There are two “fact” articles. One is called “A Soviet View of American SF,” by Alexander Kazantsev. It’s a reprint (translated by John Isaac) of the introduction to an anthology of American SF published in the Soviet Union. The author (Kazantsev) is said to be famous for suggesting that the Tunguska event was caused by the explosion of a Martian spaceship. His views of the stories mentioned are politically tinged to the point of parody. The other article is by Ben Bova, “Where is Everybody?”, and it’s a look at the Fermi Paradox.

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Here’s a bit of a curiosity — a magazine I had not heard of until quite recently.

Gamma was a short lived digest magazine published out of North Hollywood, CA, between 1963 and 1965. Five issues total were published, the first three edited by William Nolan (best known, probably, for writing Logan’s Run with the recently late George Clayton Johnson, but an active writer since 1956 and still publishing new stuff now, age 88). Because of its location*, perhaps, they attracted some writers associated with the movie business, and in general published a mix of SF and Fantasy, and of writers both from within and without the genre, that reminded me of F&SF, especially in its first few years.

*(Indeed, of the 9 writers in this issue, 7 (as far as I can tell) were based in California, and those who weren’t (Malamud and Highsmith) are the most prominent and the only “non-genre” writers.) The interior art is by Luan Meatheringham, an LA artist active in the ad industry and as a freelancer, who seems to have disappeared from notice.

The cover is called “Expedition to Jupiter,” by Morris Scott Dollens, and it depicts a spaceship and a couple of astronauts on what I take to be Ganymede or Callisto, with Jupiter in the sky.

There is one feature, an interview with the editor (using a false name) of a Soviet publishing house, discussing the state of Soviet SF. (By coincidence, I just read a similar piece in Amazing.)

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My most recent forays into Cele Goldsmith Lalli’s editing career have concentrated on Amazing, so here’s a look at a couple of issues of Fantastic. These two issues include a complete John Jakes serial, so I’ll consider them together.

During this period Fantastic was subtitled “Stories of Imagination,” and though it concentrated on fantasy it also published some SF. (The letter column, when one existed, occasionally included complaints about this, to which the response was “sometimes there just isn’t enough good fantasy.”) Fantastic was also thin on features, usually the only one being an editorial from Norman Lobsenz and a brief Coming Next Month blurb. The August editorial is about psychic research, particularly that of the Greek scientist Angelos Tanagras. I thought Lobsenz was a bit too credulous. The September issue’s editorial complains about the quality of SF on TV: instead of adaptations of Isaac Asimov’s robot stories we got Living Doll, and instead of The Martian Chronicles we got My Favorite Martian.

August’s cover is by Ed Emshwiller, with interiors by Emsh, Virgil Finlay, and George Schelling. Robert Adragna does the September cover, and the interiors are by Adragna, Finlay, Emsh, and Schelling.

The stories, then.

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Back to Cele Goldsmith’s Amazing. This is a minor issue in context.

The cover is by an artist I’m not familiar with, Bill Conlon. The interiors are by Virgil Finlay, Austin Briggs, George Schelling, Lloyd Birmingham, and Dan Adkins. Norman Lobsenz’ editorial is about science vs. the humanities. The science fact article is called “The Nuclear Putt-Putt,” by Frank Tinsley, and it’s about Project Orion (the notion of propelling a spacecraft by nuclear bombs). Sam Moskowitz contributes a profile of the late Henry Kuttner, reflecting the view that much of what he wrote under his own name was garbage, so no one could believe he was behind the Lewis Padgett stories.

S. E. Cotts’ book review column covers Great Science Fiction by Scientists, edited by Groff Conklin; The Long Tomorrow, by Leigh Brackett; Return to Otherness, by Henry Kuttner; Telepath, by Arthur Sellings; and The Super Barbarians, by John Brunner. He praises the Conklin anthology for its off-center focus — the fiction of actual working scientists — less than for the quality of the actual stories. The review of The Long Tomorrow is an out and out rave (with an apology for having taken so long to get around to it).

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