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No Mere Nostalgia: The Original Clash of the Titans

No Mere Nostalgia: The Original Clash of the Titans

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medusa-defeatedOn April 2nd, “Titans Will Clash!” Which is perhaps the worst tag-line I’ve seen since “The Story That Won’t Go Away” for JFK. I wonder why the tag-line on director Louis Lettier’s previous film wasn’t “This Summer, The Hulk Is Incredible!”

And the Titans will also clash in 3D. But not real 3D; this is a post-production fix designed to cash-in on the success of another 3D movie. Clash ‘10 wasn’t shot with the extra dimension in mind, so don’t expect me to shell out extra cash for the polarized goggles.

I would feel a bit easier about the upcoming re-make of Clash of the Titans if it weren’t for the attitude of some online movie sites and critics who seem to take pleasure in putting down the 1981 original in their anticipation of the new film. I should feel nothing but excitement; who am I to object to Greek myth and big beasts on the silver screen? But I have this discomfort with those critics who normally object to re-makes but somehow feel that the Ray Harryhausen classic is going to get improved in a re-do because the original is only “cheesy nostalgia.”

No. It’s. Not.

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The ABC’s of DNA and Other Thorny Themes: Daryl Gregory’s “The Devil’s Alphabet”

The ABC’s of DNA and Other Thorny Themes: Daryl Gregory’s “The Devil’s Alphabet”

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the-devils-alphabetPaxton Martin has come home to Switchcreek, Tennessee, to attend the funeral of a childhood friend. He drove in from Chicago, pulling an all-nighter, because he could not decide until the last minute if he wanted to go back. He’d been living in Chicago since running away from Switchcreek, 13 years ago, after everything changed.

The opening of any number of novels, classic in its prodigal simplicity, promising Faulknerian brambles with a dash of Wolf (Thomas that is) and a thread of O’Connor. The returning son of the local preacher, reconnecting, abrading old scabs, stirring nearly-dead ashes, the stuff of Americana along gothic lines. The changes, of course, mask how much everything has remained pretty much the same. After a time, one can even overlook those changes…

Not in Daryl Gregory’s second novel, The Devil’s Alphabet. The changes in this case cannot be ignored. By anyone.

Switchcreek has undergone a profound experience in the form of mutations which swept through the small population, transforming many residents into distinctly divergent species. The genetic instructions for these people have been rewritten by some unknown process, which did not strike all people. When the changes worked their way through, Switchcreek was home to populations of what became known as Argos, Betas, and Charlies, as well as the untouched population.

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The Historian, or An Excuse Not to Read Dracula, the Un-Dead

The Historian, or An Excuse Not to Read Dracula, the Un-Dead

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historianI don’t have a dislike for the vampire in general. I’ve repeatedly reminded myself about this  even as I cringe at the saturation in our culture of mediocre work based on supernatural bloodsuckers. (Do I really have to name the book and movie series at the center of this creative blood drain? Of course I don’t.) Vampires are everywhere today, and this visibility has reduced their effectiveness for me, no matter what “new” spin the artists claim they’re putting on the legend. Exceptions are out there—for example the action-packed novels of certain contributor to Black Gate—but today I actively avoid horror and dark fantasy and especially parodies using vampires. I want more werewolves and phantasms and cosmic weirdness. Specifically werewolves. I love werewolves.

I wasn’t always this apathetic about vampires. I had a great interest in vampire legendry and literature when I was in college, right at the time that Bram Stoker’s Dracula was an enormous hit in theaters. I was always focused on Dracula, and not as interested in other vampires. This is still true today; while I shrug at most vampire offerings, I’ll still pick up something about the King of the Undead. Perhaps it’s the history major in me, or my love of the Victorian Gothic, that pulls me back to the vampiric Transylvanian noble. Literary Dracula excursions I’ve taken over the past few years include Fred Saberhagen’s The Dracula Tape (an intriguing piece of literary criticism, but his heroic and misunderstood Dracula isn’t my flavor of garlic seasoning), the anthology Dracula in London (answering the question, “So what else was the Count doing in London Town when not desanguinizing Lucy and Mina?”), the history volume Dracula: Prince of Many Faces, and Kim Newman’s wonderful “Anno-Dracula” series. If you haven’t read these three novels and wonder if there’s anything out there that might make you feel a bit better about vampires in general, seek out the nearest used book service posthaste.

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The Wolfman

The Wolfman

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wolfman-poster-mainThe Wolfman (2010)
Directed by Joe Johnston. Written by Andrew Kevin Walker and David Self from the Screenplay by Curt Siodmak. Starring Benicio Del Toro, Anthony Hopkins, Emily Blunt, Hugo Weaving.

The re-make of the 1941 Universal horror classic The Wolf Man had a hellaciously crazy time getting to you this weekend. Original director Mark Romanek was removed from the film right before shooting commenced, giving replacement director Joe Johnston only two weeks of prep time. The studio rejected Danny Elfman’s classically-toned orchestral music and hired Pauls Haslinger from Tangerine Dream to re-score the picture . . . only to reject his music a month before the release date and put Elfman’s music back in. The movie, shot in the summer of 2008, was pushed back repeatedly, with new editors brought on in what seemed like a flurry of desperation to save a troubled, messy film.

All this caused considerable concern among old school horror fans like myself, for whom the George Waggner/Lon Chaney Jr. The Wolf Man is a primary text. (Read my thoughts on the original here.) Maybe the movie was in serious trouble; or perhaps Universal wanted to get it just right. We all wanted this film to work; we feared it would not.

I can now confidently report, as a Universal-and-Hammer Horror geek, that the compound word 2010 The Wolfman most definitely does work. It shows evidence of breaks and tears and furious hammering to cover construction difficulties. It has pacing trouble (for once, a movie that goes too fast), character and plot loose ends, and a female lead who doesn’t bring much to the film. It’s flawed, when you come down to silver tacks (not brass tacks; this is a werewolf film). But The Wolfman is also bloody furious fun of a kind that contemporary horror films just haven’t given to somebody with my tastes in a long time. Terence Fisher fans, James Whale fans, Jack Pierce fans, Lon Chaney Jr. Fans, werewolf fans, Victorian London fans, steampunk fans, go see this movie . . . warts and bare patches and all, this is your film.

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Dark Adventure Radio Theatre’s The Shadow Over Innsmouth

Dark Adventure Radio Theatre’s The Shadow Over Innsmouth

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shadow-innsmouthI work for a small software company in Champaign, Illinois.  I live in St. Charles, about three hours away. I spend a lot of time in the car. I’ve learned to love audio books.

In the past three years I’ve listened to The Old Man and the Sea, To Kill a Mockingbird, all seven Harry Potter novels, Stephen King’s Dreamcatcher, Isabel Allende’s Zorro, and dozens more.

It’s how I get the bulk of my reading done these days. If I had someone to read fiction submissions to me in the car, I swear we could publish Black Gate weekly.

Late last month, as Highway 47 was smothered in fog and I made my way carefully through a desolate winter landscape, I popped an adaption of H.P. Lovecraft’s  “The Shadow Over Innsmouth” into the CD player. It was, hands down, one of the best audio experiences I’ve ever had.

“Innsmouth” is one of Lovecraft’s most well-known stories, a creepy and wonderfully atmospheric tale of a young tourist stumbling off the beaten path into a shadowy New England fishing village with a dark history and a rather nasty aversion to visitors — especially those who ask too many questions. It originally appeared in a minuscule edition of 200 copies in 1936, the only book Lovecraft published in his lifetime.

Dark Adventure Radio Theatre has transformed the story into a 77-minute radio play just as it might have been broadcast in the 1930s, with a large cast of talented actors, terrific sound effects, and original music. You’ll hear the creak of doors, ominous footsteps, the muttering of hostile crowds, and the sounds of a frantic rooftop escape  from an unknown something, pounding through the walls.

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Short Fiction Review #25: Interzone #226

Short Fiction Review #25: Interzone #226

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213The January/February Interzone features a very cool, magna-like cover by Warwick Fraser-Coombe; he’ll be doing the cover art for all six issues in 2010, which are intended to be put together to form a larger image. Collect them all and assemble the collage to see exactly what’s up with this. As far as I can tell, it has nothing to do with the contents of the magazine, which, by the way, has  returned to a color interior; it’s a very attractive package, as you’d expect from the folks at TTA Press.

The retro-look does reflect the fiction, however, in the sense that, for the most, part the fiction could have been ripped right out of a 1950s/1960s pulp magazine. A swashbuckling fantasy, space adventure, post-nuclear holocaust dystopia. It’s  déjà vu all over again.

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Heroscape Wave 10: Valkrill’s Gambit

Heroscape Wave 10: Valkrill’s Gambit

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heroscape-wave-101One of the things I most enjoy about Heroscape is the great variety of figures in the expansions. Because I was introduced to the game years after it first debuted, I’ve missed out on a number of the earlier sets. I’ve been trying out all of the recent expansion sets, though. What I didn’t know when Wave 10 arrived was that half of it was a reprint from Wave 5t — now very hard to find — that another quarter of it reprinted some hard-to-find special release figures, and that the final quarter recast earlier molds with different colors and rules. I don’t mean that to sound like a complaint, because 3/4 of those figures are nearly impossible to lay hands on and the other quarter, those recasts, are now among my favorite squads.

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Short Fiction Review #24: Realms of Fantasy February 2010

Short Fiction Review #24: Realms of Fantasy February 2010

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currentissue-feb2010The new Realms of Fantasy coincides with the relaunch (as of December 11, 2009) of an actually informative website since Warren Lapine took over as publisher beginning with the August 2009 issue (and perhaps the fact that  the website of previous owner Sovereign Media was essentially just a placeholder was indicative of the company’s general lack of interest in the magazine that eventually led to its sale). There was a free PDF version of this bimonthly available for a time, but the link seems to have been taken down. Fans of Black Gate magazine in particular will no doubt appreciate the largely sword and sorcery, high fantasy type fiction, as well as the related non-fiction gaming, illustration and book genre reviews. Black Gate fans may also appreciate that their favorite magazine dispenses with high gloss interior color; for some reason the graphic designer(s) of the current RoF think that red and yellow headlines and callouts on a white background  make the magazine more visually interesting; I find it not only ugly, but in certain lighting, difficult to read.

Of interest to the broader science fiction and fantasy audience, however, is a Harlan Ellision® short story  featuring a curmudgeonly character undoubtedly intended to remind you of the copyrighted author. This is another in the genre’s seemingly endless fascination with the Frankenstein trope of the responsibilities between the creator and the created.  Ellison’s spin is to introduce the notion of the stupidity and bigotry of political correctness while tacking on two alternate endings reminiscent of classic Golden Age treatments of this theme from the 1950s/1960s. Actually, I thought the story worked well enough if it ended with “But I had been ignorant of the laws of human nature, and we both knew it was all my responsibility. The beginning,the term of the adventure, and now, the ending” (31) before it branches off to present conclusions from two different perspectives. The second has deeper philosophical implications, but for whatever visceral reasons I prefer the first one. No spoilers here — decide and discuss among  yourselves.

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Robert Low’s The Wolf Sea

Robert Low’s The Wolf Sea

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wolf-seaThe Wolf Sea
Robert Low
Thomas Dunne Books — St. Martin’s Press (340 pages, Hardback, June 2008, First published in Great Britain by HarperCollins, $24.95)
Reviewed by Bill Ward

This follow-up to 2007’s The Whale Road, Robert Low’s debut novel of grim Viking adventurers questing for the lost horde of Attila the Hun, is a continuation of the story of the Oathsworn and their new and untested leader, Orm Rurisksson. Orm, still a teenager, earned a reputation as a ‘deep thinker’ amongst his Viking crew and was their choice for leader with the death of Einar the Black — the man who had led them on a doomed expedition to the very ends of the earth in the first book of this series.

The Wolf Sea begins in Miklagard — the Norse-termed ‘Great City’ of Constantinople — with the theft of the jeweled saber Orm rescued from the Volsung horde in The Whale Road.  Valuable in and of itself, perhaps even magical, the saber is also the key to finding Attila’s silver because Orm has carved its hilt with runes that will act as a guide should the Oathsworn ever return to the steppe. It turns out the saber has fallen into the hands of their old enemy, Starkad, who also seeks the fabulous treasure but has no idea that he possesses the key to finding it. Starkad is convinced that Martin, the venal priest that journeyed with the Oathsworn in their quest for Attila’s tomb, knows the way to the treasure and he sets off to the Holy Land to find him — with Orm and the Oathsworn in pursuit.
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Goth Chick News: Fractured Fairytales – A Review of Isis by Douglas Clegg

Goth Chick News: Fractured Fairytales – A Review of Isis by Douglas Clegg

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isisDon’t talk to a wolf in your Grandma’s nighty, don’t take an apple from a creepy old lady and when in doubt, trust the house mice.

These are the very important lessons taught to us by fairytales, normally animated by Walt Disney and all with happy endings. However, when you read Isis, you’ll learn one more bit of indispensable wisdom: sometimes dead is better, and knowledge can come too late for a happy ending.

This seems to be the year for returning to old-fashioned scares, the kind that get into your head, and Douglas Clegg has done a masterful job at taking the horror story back to the campfire, or in this case, the Victorian mansion. Isis is the story of what appears to be, on the surface, a perfect and wealthy 19th century British family complete with doting mother, war-hero father, and precocious but loving children tended to by domestic servants. Belerion Hall is not a frightening but instead postcard-like stone manor house surrounded by lush gardens in which Iris and her beloved brother Harvey pass enchanted, summer afternoons.

However, things are never quite as they appear.

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