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Styrbiorn the Strong, a review

Styrbiorn the Strong, a review

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styrbiorn1“There is but one way for a man, and that is to remember that none may avoid his fate. This is to a man as the due ballast to the ship, which maketh the vessel indeed loom somewhat deeper, but keepeth it from tossing too lightly upon the uncertain waters.”

–E.R. Eddison, Styrbiorn the Strong

As a youth, E.R. Eddison (1882-1945) so loved William Morris’ translations of the Old Norse sagas that he taught himself Old Icelandic, desiring the pure injection of North Sea ice water into his veins that the stories in their original tongue delivered. He carried that love of the Sagas with him as a writer of fantasy fiction. Their echoes can be felt in Eddison’s best known work, The Worm Ouroboros (1922), but four years after the Worm Eddison set to work on the real thing, trying his hand at his own saga Styrbiorn the Strong (1926).

Styrbiorn the Strong tells the story of Styrbiorn Olaffson, teenage heir to the throne of Sweden. Denied his birthright and exiled from Sweden, Styrbiorn spends three years a-viking, during which his power and influence waxes mightily. Three years later he returns to claim his share of the kingdom. Except for a few minor characters everyone in the story is an historical figure. The main facts of the tale are also historical, including the concluding bloody Battle of Fýrisvellir, but the details and characterizations are of Eddison’s own making.

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Josh Wimmer Reviews Shades of Milk and Honey

Josh Wimmer Reviews Shades of Milk and Honey

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milkhoney_fnlcoverShades of Milk and Honey
Mary Robinette Kowal
Tor (304 pp, $14.99, trade edition June 2011)
Reviewed by Josh Wimmer

If you have read anything about Shades of Milk and Honey, then you have seen it described as “Jane Austen, but with magic” or something along those lines. That is pretty much unavoidable. The novel, the first by Hugo nominee Mary Robinette Kowal, isn’t just written in a style and voice resembling that of the British author’s Regency-era romances, but also features sisters – one pretty, one smart – yearning for suitable suitors; a low-key but loving father who wants to see his girls married because he can’t provide for them forever; a cavalcade of potential husbands of various sorts; and a lot of house parties. In other words, the book takes plenty from Pride and Prejudice and the rest of Austen’s oeuvre.

What it adds is a mild but meaningful undercurrent of fantasy, and a slightly more modern-day message than might be found in the early-19th-century works that inspired it. Jane Ellsworth is unmarried and, at age 28, likely to remain that way. To recommend her, she has her wits, her emotional steadiness, and her skill with glamour – the magical crafting of visual and audible illusions, typically for aesthetic purposes. All fine qualities, but perhaps not enough to make up for her plain appearance (which Jane resolutely and admirably refuses to enhance with glamour).

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Edgar Rice Burroughs’s Mars, Part 4: Thuvia, Maid of Mars

Edgar Rice Burroughs’s Mars, Part 4: Thuvia, Maid of Mars

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thuvia-maid-of-mars-mcclurg-coverJohn Carter’s story appeared finished with The Warlord of Mars. But readers wanted more, and Burroughs was fired with productive energy. Less than a year after “ending” the Martian novels, he launched into the second phase of the series, with a new hero, new heroine, and new point-of-view style.

Our Saga: The adventures of earthman John Carter, his progeny, and sundry other native and visitors, on the planet Mars, known to its inhabitants as Barsoom. A dry and slowly dying world, Barsoom contains four different human civilizations, one non-human one, a scattering of science among swashbuckling, and a plethora of religions, mystery cities, and strange beasts. The series spans 1912 to 1964 with nine novels, one volume of linked novellas, and two unrelated novellas.

Today’s Installment: Thuvia, Maid of Mars (1916)

Previous Installments: A Princess of Mars (1912), The Gods of Mars (1913), The Warlord of Mars (1913-14)

The Backstory

Burroughs wrote the fourth Barsoom novel in April–June of 1914 under the stunningly uninspired working title of “A Carthoris Story.” But it wouldn’t appear in magazine form until two years later, where it ran in All-Story in three installments in April 1916. Burroughs was deep in the middle of the busiest period of his life, and he spent most of 1915 trying to sell his new properties to Hollywood, all without success. The delay getting Thuvia, Maid of Mars to market may reflect how crazy the author’s life was getting — and that he realized that Tarzan was going to be his big franchise.

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It’s a World of Slaughter: Small World Board Game

It’s a World of Slaughter: Small World Board Game

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smallworldSmall World (Amazon)
Days of Wonder ($49.99)
2 to 5 players
Recommended ages: 8+
Playtime: Around 1 hour

Reviewed by Andrew Zimmerman Jones

Small World is a game where various fantasy races get to fight over a world that’s just too small for them all to coexist. The intriguing gameplay mechanic ultimately drives your races into decline, forcing you to select new races to sweep in and take their place. The victor is the one with the most Victory Points at the end of the game.

Each Race has special powers which are randomly chosen each game, resulting in a total of 280 different possible Race & Special Power combinations, from Swamp Giants to Dragon Master Skeletons to Seafaring Dwarves. (Or, in another permutation, Dragon Master Giants, Seafaring Skeletons, and Swamp Dwarves.)

The set-up can be a bit overwhelming when you first open the game, but once you’ve played it once, it’s a quick, fun game for the whole family. One nice feature is that there’s nothing hidden about the game, so this is excellent for introducing younger players to gaming. Though the recommended age is 8+, my precocious 6-year-old son and I have played this game multiple times. He often has questions about the way certain powers work, so the game lasts longer than an hour, but it’s loads of fun.

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Don Lee Reviews The Adventures of Huckleberry Finn and Zombie Jim and The Adventures of Tom Sawyer and the Undead

Don Lee Reviews The Adventures of Huckleberry Finn and Zombie Jim and The Adventures of Tom Sawyer and the Undead

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huckleberry_finn_and_zombie_jimThe Adventures of Huckleberry Finn and Zombie Jim: Mark Twain’s Classic with Crazy Zombie Goodness
Mark Twain and W. Bill Czolgosz
Coscom Entertainment (206 pp, $15.99, 2009)

The Adventures of Tom Sawyer and the Undead
Mark Twain and Don Borchert
Tor (304 pp, $13.99, 2010)
Reviewed by Don Lee

I like zombies better than vampires. It is a lot harder to prettify zombies. They shamble. They eat brains. You blow their brains out. In origin, of course, the Romero-esque brain-eating zombies have about as much to do with “real” Haitian zombies as the sexy noble vampires of Twilight have to do with the monster that is Dracula, much less the original walking bags-of-blood from whose folklore the modern literary vampire descends.

The Adventures of Huckleberry Finn and Zombie Jim: Mark Twain’s Classic with Crazy Zombie Goodness, and The Adventures of Tom Sawyer and The Undead are, of course, part of the recent trend of Classic Novel plus fill-in-the-blank-monster that has brought us such gems as Little Vampire Women, Queen Victoria: Demon Hunter, Sense and Sensibility and Sea Monsters, Android Karenina, Robin Hood and Friar Tuck: Zombie Killers, The Undead World of Oz, Mansfield Park and Mummies, Jane Slayre, Alice in Zombieland, and Emma and the Werewolves. So far. …

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Goth Chick News: When Goth Chicks Attack

Goth Chick News: When Goth Chicks Attack

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image002Vampire Fashionistas, Flesh-Eating Ogres, Paranoid Werewolves and Sugar-Addicted Zombies…

Welcome to Gothopolis.

As I stare at the cover of Blood Feud: The Saga of Pandora Zwieback, Book 1 which was just delivered by the spotty intern handling the Black Gate mailroom this semester, several thoughts are competing for top billing; like “Where is this ‘Gothopolis’?” and “Someone get my travel agent on the horn,” and “Would Steven Roman mind if I developed a crush on him?”

Finally, someone who understands…

The cover of this magnificent work of art is reminiscent of looking in a mirror. Okay, not so much. But still I’m mesmerized. Is this really a novel about a zombie shooting, werewolf booting Goth chick?

It looks too good to be true really.

So I fire up the blender and with fine adult beverage in hand, I climb into my comfy chair (the big leather one just under the life-size stand up of Bela Lugosi) to have a nice, long, get-to-know-you session with Pandora Zwieback.

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Chris Braak Reviews First Lord’s Fury

Chris Braak Reviews First Lord’s Fury

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first-lords-fury
First Lord’s Fury
Jim Butcher
Ace Books (784 pp, $9.99, paperback November 2010)
Reviewed by Chris Braak

Despite the phenomenal success of his better known Dresden Files, the steady-hand and breakneck pace of First Lord’s Fury suggests that maybe Jim Butcher’s heart lies in epic fantasy.

First Lord’s Fury is the sixth, and presumably final, book in Butcher’s Codex Alera series. It brings to conclusion the long war that the Alerans and their sometimes-enemies, sometimes-allies, the Canim, have been fighting against the Vord. As in previous novels, the action is split: first between Tavi’s family who, along with the survivors of Alera Imperia (which was destroyed when a volcano erupted under it) fight a holding action across what remains of Alera, pursued to its edge by the relentless insectoid Vord. Meanwhile, Tavi – Gaius Octavian himself, the new First Lord of Alera – his band of merry men, and his new army of gigantic lycanthropes, struggle to develop increasingly improbable means to cross an entire continent in time to save the last remnants of his civilization.

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The Woman in Black Is Good-Old Hammer, And That’s All Right with Me

The Woman in Black Is Good-Old Hammer, And That’s All Right with Me

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the-woman-in-black-poster-3The Woman in Black (2012)
Directed by James Watkins. Starring Daniel Radcliffe, Ciarán Hinds, Janet McTeer.

Watching The Woman in Black was the first time in my life that I got to see a Hammer Horror movie first run in a theater. That is just kind of totally amazing. Hammer Film Productions is responsible for nearly half of the horror movies I would list as my favorites, and just the name of the studio summons up delicious visions of Gothic wonder the likes of which live in a distant realm, a dream-state, along with the great Universal monster classics.

Hammer was a studio of the past: it released its last horror film, To the Devil, A Daughter, in 1976, and its final theatrical film, a re-make of The Lady Vanishes, in 1979. But Hammer resurrected itself as a working production company in 2007, and with The Woman in Black it returns to the genre that made it famous: Gothic Victorian horror.

The giants walk the Earth once more!

Oh, how’s the film? It’s fairly good.

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Steampunk Spotlight: Cherie Priest’s Dreadnought

Steampunk Spotlight: Cherie Priest’s Dreadnought

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dreadnoughtDreadnought (Amazon, B&N)
Cherie Priest
Tor (400 pp., $14.99, 2010)

Reviewed by Andrew Zimmerman Jones

Cherie Priest returns to her “Clockwork Century” in full force in this third novel. In some ways, I would recommend that readers begin with Dreadought, even though it’s the third book in the series. Basically, the plot twist at the end of Dreadnought is the entire premise of Boneshaker, as I’ll explain later in the review. (Spoiler-ish alert!)

The book focuses on Mercy Lynch, a Confederate nurse whose husband has just died fighting for the Union. (Gotta love those border state romances!) She receives word from her father – who left her as a child – that he is dying, and he would like her to visit him in the Washington territory. That father is Jeremiah Swankhammer, who readers of Boneshaker will recognize as one of the key characters in that story.

With nothing really to keep her in Virginia, she sets off on a cross-country journey by airship and train to reach Tacoma and, ultimately, Seattle.  Unfortunately, the only train that can get her from St. Louis to Tacoma is the Union steam engine Dreadnought, and the train is carrying some bizarre cargo … cargo which makes the train trip into a harrowing ride that brings Mercy and the other passengers into conflict with bushwackers, a mad scientist, and even zombies!

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Mark Rigney Reviews The Holler

Mark Rigney Reviews The Holler

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the-hollerThe Holler
Marge Fulton
BlackWyrm Press (87pp, $11.95, 2010; kindle edition $2.99)
Reviewed by Mark Rigney

Brevity, observed Shakespeare in the ghost story known as Hamlet, is the soul of wit. Does it follow that it is also the soul of horror fiction? Writers as diverse as Shirley Jackson (“The Lottery”) and Jeffrey Ford (“The Night Whiskey”) rise at once to make the case for the sharp, jabbing effects of short-form terrors. Now enter Marge Fulton with The Holler: Tales of horror from Appalachia. Fulton’s arsenal starts with brevity in the extreme. The book’s eighty-seven pages pack twenty-four separate stories.

“Black Santa” opens the set with a deaf dreamer trying to regain the toy she lost as a child, getting it, and discovering that once you have Santa for a toy, the gifts just keep on giving. Hardly a horrific opener, except for the tawdry semi-Southern Gothic feel, and the next in line, “Preying Hands,” turns out to be science fiction (of the murderous fat camp variety). A haywire ATM spurts blood in “Blood Bank,” for reasons as yet undivulged, but we know this is Appalachia because leading lady Bree frequents the Boone Ridge Mini-Mart and the Nearly New Shop while, in another tale, a character slurps Mountain Dew.

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