We’ve just about wrapped up the Best of the Year season, the summer/fall period when eight publishers and a dozen editors collaborate to produce ten volumes gathering the best short science fiction, fantasy, and horror of the year. We’ve had eight so far, from Neil Clarke, Jonathan Strahan, Gardner Dozois, Rich Horton, David Afsharirad, N.K. Jemisin and John Joseph Adams, and others.
But we’re not done yet — and in fact, this week two of my favorites landed on the same day. I’ll deal with Robert Shearman and Michael Kelly’s The Year’s Best Weird Fiction Volume Five in a future post, but today I want to talk about the latest installment in Paula Guran’s long-running Year’s Best Dark Fantasy & Horror.
This is the ninth volume in the series, which has been continuously published since 2010. While Paula has been enormously productive in the last decade, this is her sole anthology in 2018, which she laments a little in her Acknowledgments.
This is, if she’s counted correctly, the forty-fifth anthology Guran has edited. Instead of what had become the usual multiple titles per calendar year, it is the only anthology that will appear from her in 2018. That’s probably a refreshing break for most people. She’s got mixed feelings about it herself. After more than a decade of full-time editing, she now freelancing. Guran enjoys the variety but regrets the lack of a monthly paycheck.
This year’s edition includes much of the most talked-about horror and dark fantasy of the year, including Rebecca Roanhorse’s “Welcome to Your Authentic Indian Experience™,” Laird Barron’s “Swift to Chase,” Priya Sharma’s “The Crow Palace,” M. Rickert’s “Everything Beautiful Is Terrifying,” Robert Shearman’s “The Swimming Pool Party,” and Stephen Graham Jones’s complete Tor.com novella Mapping the Interior, published at $10.99. Another reason why The Year’s Best Fantasy & Horror is one of the best values on the shelves.
Altogether there are 26 stories in the latest volume, plus an introduction by Paula and a 7-page About the Authors section. Here’s the complete Table of Contents.
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