Black Gate

I order a lot of books online, and I’m pretty procedural about it. I make regular orders from my favorite sellers, but I have a limited budget and — between novels, anthologies, video games, board games, graphic novels, and blu-rays — a lot of things that catch my eye every month. So I debate long and hard before pulling that new Andy Duncan collection out of my cart to make room for that discounted copy of Dark Souls II.

On the other hand, my bi-weekly trip to Barnes & Noble is a lot more fun, because it’s all about the impulse buy. I’ve brought home a lot of exciting discoveries that way, simply because I give myself the freedom to buy those books that leap off the shelves into my hands.

I usually make a beeline for the SF books. But last month I parked myself in the Young Adult section, three huge and very colorful bookcases, and took the time to browse the latest. Because I already had a decent stack of magazines, I limited my take to a single book.

It was tougher than I expected. When you really take the time to browse, there’s a whole lot to interest the SF and fantasy fan in the YA section, believe me. In the end, my selection surprised me. The book that won out over all the others was an instant New York Times bestseller by two popular YA writers, a tale of an all-girl crew of space privateers getting caught up in “a dark and complex sci-fi drama” (Library Journal), and it just screamed fun. Young Adult it may be (and a romance, to boot), but this book is currently on the top of my TBR pile. Way to go, space girls.

Zenith, the first novel in The Androma Saga, was published by Harlequin Teen on July 31, 2018. It is 556 pages, priced at $9.99 in trade paperback and $1.99 in digital format. The cover was designed by Mark Luna. Read an excerpt at USA Today.

Newcomer Vic James scored some enviable attention with the first two novels in her Dark Gifts trilogy, Gilded Cage (which we covered here), and Tarnished City (covered here), set in a modern England where magically gifted aristocrats rule and commoners are forced to serve. Andrew Liptak at The Verge included the first in his list of the top SF and fantasy novels of February 2017, saying,

Gilded Cage is the start to a new series by debut author Vic James. The world belongs to a class of gifted magical aristocrats, and commoners must serve them for a decade. A woman named Abi is a servant to a powerful family and discovers a secret that can upend the power in society, all while her brother toils away in a factory town, building a revolution.

Kirkus Reviews said Gilded Cage “Conjures up the specters of Les Misérables and Downton Abbey… an intriguing new fantasy series,” and Aliette de Bodard called it “A dark and intriguing vision of an alternate, magic-drenched Britain… kept me up long into the night.”

The third and final volume Bright Ruin, in which the people of Britain rise up against their magically gifted masters, was published in October, and was a Pick of the Month from Library Journal. Bookreporter calls it “A triumphant conclusion to this outstanding fantasy series,” and Publishers Weekly said “Rebellion comes to a deadly boil in the final chapter… [An] intricate tale of ruthless scheming and bloody betrayals.” All three volumes are now available from Del Rey. I bought the first, and I’m well tempted to complete the set.

I’m off work for the holidays. Sixteen long days of Christmas food and home improvement tasks. It’s my longest break of the year, and also the time when I can get a little more ambitious with my reading. 

You know what that means. It means I procrastinate big reading projects until the end of the year. And here at the end of 2018 I find myself with several large stacks of unfinished fat fantasies, trilogies, and longer series.

Well, they’re all going to have to wait. Because I want to start with Tom Toner’s Amaranthine Spectrum, an ambitious trilogy set in the far-distant 147th Century (How ambitious? The third volume has a 19-page glossary). The series just concluded with The Tropic of Eternity, published by Night Shade in August, and it has been one of the most acclaimed space operas on the market. Tor.com called “Among the most significant works of science fiction released in recent years,” and Locus proclaimed it “Marvelous…. a space opera of surpassing gracefulness, depth, complexity, and well, all-round weirdness.”

Here’s the description for the third volume, and all the publishing details. Now don’t bother me, I’m headed to my big green chair with some hot chocolate and a warm lap cat.

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When I first saw Edward Lazellari’s Awakenings back in 2011, I was struck by Chris McGrath’s cover. I’d never seen anything quite like it. Featuring a creepy-eyed dude in a hoodie and a square-jawed street cop, it looked like a cross between dark fantasy and a modern police procedural. Maybe? It sure made me pick up a copy, anyway, and the name Edward Lazellari stuck in my mind.

That doesn’t mean I’m top of things, of course. When I received a review copy of Blood of Ten Chiefs from Tor last week, it took a few days for me to realize it was part of the same series. In fact, I didn’t even knew it was a series. Probably because I missed the second book, The Lost Prince, released in 2013.

All three are part of what’s now being called the Guardians of Aandor. Without getting into specifics (because I’m too lazy to read all three book blurbs), a cop and a photographer who don’t know each other get stalked by interdimensional beings, find out they’re from an alternate reality with castles and knights and stuff, who came across to our world to hide an infant royal, but ended up with lost memories and no knowledge of the current whereabouts of the young prince. The first novel earned praise from fantasy master Glen Cook (“Read Awakenings and get in on the ground floor with a great new writer,”) and Library Journal (“Urban fantasy reminiscent of Jim Butcher in a hard knocks action tale,”) but I dunno, I think they had me with McGrath’s cover. I dug Awakenings out of limbo in the basement, and hope to settle down with it this weekend.

Here’s the back covers of the first two books, because they’ll do a better job explaining all this than I’m doing right now.

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When Molly Tanzer’s novel Creatures of Will and Temper was published last year, I confidently predicted that it would be huge.

Molly Tanzer’s Creatures of Will and Temper looks like a breakout book. It’s got all the classic elements — fabulous setting, swordplay, and the supernatural — while also being totally original. And there’s no doubt in my mind that Molly is poised for a break-out. Her first novel Vermilion received rave reviews (“A splendid page-turner of a Weird West adventure… hugely entertaining” — Publishers Weekly), and her most recent book was the anthology Swords vs Cthulhu, co-edited with Jesse Bullington. How cool is that?

I’m pleased to see that the book was very warmly received — it was nominated for the Locus Award for Best Fantasy Novel, and critics praised it widely. Jeff VanderMeer said it was “A delightful, dark, and entertaining romp,” and Outlander author Diana Gabaldon called it “An artful, witty, Oscar Wilde pastiche with the heart of a paranormal thriller.”

Molly’s follow up, Creatures of Want & Ruin, arrived from John Joseph Adams Books last month, and was selected as a Barnes & Noble Best Science Fiction Fantasy Book of November 2018. Tor.com‘s Liz Bourke calls it “A measured, atmospheric novel, with compelling characters and a deeply disturbing undercurrent of horror,” and the B&N Sci-Fi Blog says “Molly Tanzer does it all; from her debut novel, named best book of 2015 by i09, to the “thoughtful erotica” she edits at her magazine, Congress, she’s proven to be one of the most distinct voices in contemporary SFF.”

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