Black Gate

June has some great SF and fantasy headed our way, but the title that’s grabbed my attention this month has already arrived: Ada Hoffman’s debut novel The Outside. Karin Tidbeck calls it “a fresh and mind-bending mix of cosmic horror and space opera,” and Publishers Weekly says it’s “a breezily told adventure that bursts with sheer fun… [a] beautifully smart, uncynical space opera.”

But my favorite review was a rave from Kate Sherrod at The Skiffy and Fanty blog. Here’s a snippet.

With a boffo combination of hard science fiction, cosmic Lovecraftian horror, both cyber- and god-punk, some ridiculously charismatic aliens, and a fascinating female protagonist somewhere on the autism spectrum, Ada Hoffman’s The Outside feels like it was made to order for us here at Skiffy and Fanty!…

In The Outside, Humanity has colonized the galaxy, but it hasn’t done it alone: our first step to the stars involved creating a dozen or so artificial intelligences so vastly powerful that they’ve come to be regarded as gods. These gods are served by a hierarchy of cybernetically-enhanced human “angels” who help them run the teeming variety of human-inhabited planets… Dr. Yasira Shien is a scientist-engineer, the finest student of a famous physicist who disappeared after the pair laid most of the groundwork for a new kind of reactor… Before we know it, disaster strikes on the station. In the chaotic and tragic aftermath, Yasira is torn from the small island of comfort she’s created for herself… haunted by a hundred deaths from her reactor’s mysterious failure, Yasira is whisked away by a stern batch of angels to go find her erstwhile mentor, Dr. Evianna Talirr, whose dimension-bending heresies may be a threat to Reality Itself™…

I enjoyed the roller coaster ride that is the plot, the feast of challenging ideas, and the fascinating characters. I also relished the mystery of the Outside, which could easily have become just another alternate space teeming with monsters but here balances on the more abstract and cerebral side even as it entertainingly warps reality… The Outside is quite possibly the best book I’ve read so far this year. Mad respect, Ms. Hoffman!

The Outside was published by Angry Robot on June 11, 2019. It is 400 pages, priced at $14.99 in trade paperback and $9.99 in digital formats. The cover is by Lee Gibbons.

See all our recent New Treasures here.

I’ve been a fan of Jack McDevitt since his second novel, the SF mystery A Talent for War (1989), the first of his long-running Alex Benedict series.

His latest is #8 in the series. Ricky L. Brown at Amazing Stories calls it “a blueprint for mystery writers”:

Alex’s uncle Gabe returns after being lost in space for over a decade, but time aboard the ship elapsed only a few weeks. In addition to dealing with his life awkwardly warping ahead eleven years, Gabe believes he is in position of an artifact that may lead to answers to the missing Octavia station. With the help of Alex and Chase, the search for answers launches into a fast-paced mystery with galactic proportions… Though this story ties into some of the elements following Coming Home, it is a stand-alone story with just enough backstory to keep the new reader involved. If this is your first introduction to McDevitt’s world of galactic archaeology, it is a great jumping in point…

Octavia Gone is a blueprint for mystery writers. Smart characters not only looking for answers, but growing from what they discover is satisfying, even if we might not like what they find.

Here’s the complete description.

After being lost in space for eleven years, Gabe finally makes his triumphant return to reunite with Alex and Chase and retrieve a possibly alien artifact — which may lead them to solve the greatest archaeological mystery of their careers, in the eighth installment of the Alex Benedict series.

After his return from space, Gabe is trying to find a new life for himself after being presumed dead—just as Alex and Chase are trying to relearn how to live and work without him. But when a seemingly alien artifact goes missing from Gabe’s old collection, it grants the group a chance to dive into solving the mystery of its origins as a team, once again.

When a lead on the artifact is tied to a dead pilot’s sole unrecorded trip, another clue seems to lead to one of the greatest lingering mysteries of the age: the infamous disappearance of a team of scientists aboard a space station orbiting a black hole—the Amelia Earhart of their time. With any luck, Alex, Chase, and Gabe may be on the trail of the greatest archaeological discovery of their careers…

In Octavia Gone, Nebula Award winner McDevitt, who Stephen King has called “the logical heir to Isaac Asimov and Arthur C. Clarke,” has created another terrific science fiction mystery in his beloved Alex Benedict series.

Octavia Gone was published by Saga Press on May 7, 2019. It is 384 pages, priced at $27.99 in hardcover and $7.99 in digital formats. The cover is by Stephen Youll.

See all our latest New Treasures here.

Titanshade
By Dan Stout
DAW Books (416 pages, $26.00 hardcover, $7.99 paperback, $12.99 eBook, March 12, 2019)
Cover by Chris McGrath

Jake Peralta and I have something in common: a deep love for Die Hard. That was what got me into cop-centered stories (moving on from Pokemon and Power Rangers), leading me to the likes of Lethal Weapon, Nash Bridges and more. The reason I still love those stories is because of the focus on a dysfunctional, imperfect hero trying to grapple with internal and external pressures, and sometimes not handling them very well. That’s part of why one of my favorites shows of all time is Fringe – none of the characters are perfect, they all have demons, there’s a procedural element, and it’s a weird-frightening-amazing science fiction show.

Dan Stout manages to give the procedural a fresh twist with Titanshade, which centers on police detectives in a northern town trying to transition from oil to renewable energy, in a world populated by humans and other races. The cover looks like a rehash of Bright, which is just unfortunate timing, apparently, since this novel sold to DAW earlier. More importantly, Stout’s story is way more original and engaging (though I actually enjoyed Bright). It’s not just orcs and elves running around with humans; it’s Mollencampi, with multiple mouths and an array of expressions using their pincers, and Gillmyn, sort of like bipedal whales who more easily adapt to Titanshade’s cold. Oh, and they aren’t running around what’s basically present-day Los Angeles with fantasy creatures thrown in; Titanshade is built around a mountain formed from a dying god whose lifeblood gives the community heat, which is good since the material component for magic is running out even faster than the old oil reserves.

Between the 8-track players, disco music and pagers, the rampant police politics and focus on a detective past his prime paired with a young go-getter, Titanshade reads a lot like a love letter to shows like Miami Vice or Hawaii Five-0. But at the same time there’s a ton of nuance and breaking of traditional molds. Carter, our past-his-prime detective, is far from a carbon copy of Martin Riggs or Sonny Crockett, and the problems he and his partner Jax deal with are more X-Files than Blue Bloods. Limiting magic makes it a subtle tool throughout this novel, but a crucial component for the story, and the focus on moving away from oil makes me wonder if we can classify this as a solarpunk story (or maybe solarpunk-adjacent?).

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