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Category: New Treasures

Rebecca Diem on The New Golden Age of the SFF Novella

Rebecca Diem on The New Golden Age of the SFF Novella

The Lights Go Out in Lychford-small Riot Baby-small Prosper's Demon-small Upright Women Wanted-small

I complain frequently about modern publishing (where did mass market anthologies go, damn it!?) but  really, there’s a lot to like. One of the most positive recent trends has been the resurgence of the novella. We’ve spent a lot of time at Black Gate covering popular new novellas like Amal El-Mohtar and Max Gladstone’s This Is How You Lose the Time War and Tor.com‘s exciting release schedule (in Intergalactic Wars, Ancient Gods, and Living Ships: New Novellas from Tor.com, among others), but we’re not the only ones who have noticed.

Over at Tor.com Rebecca Diem, author of the 4-volume Tales of the Captain Duke novella series, salutes the modern age of the novella. She touches on many truths in her article; here’s a small taste.

With a good novella, I’m able to dip my toes into an adventure, especially when a busy schedule prevents me from dedicating time to longer works. Short stories pair well with your morning coffee; novels are best for long stretches of uninterrupted time on evenings or weekends. Novellas fit nicely into a tote bag for your commute and all those spare moments collected over the course of the day, but can also be finished in a couple hours for a satisfying and immersive reading experience.

When I was researching market opportunities in 2014 after finishing my first novella, I stumbled on a lot of advice similar to this 2008 Writer’s Digest piece advising novella writers to “stick it in a drawer” or pad it out to a full-length work… But novellas are now being actively solicited by all major publishers, and early adopters of the trend toward shorter works (including Tor.com) are leading the field with awards and accolades.

The novella’s comeback can be attributed to the emergence and increasingly popularity of e-books, print-on-demand publishing, and alternative distribution models, making them a more attractive, lucrative option in the digital age. There are rich opportunities here for both writers and readers of concise, efficient storytelling.

Rebecca’s article is Long Live Short Fiction: The New Golden Age of the SFF Novella; it’s well worth the read. And while we’re on the topic, here’s a handful of Tor.com‘s upcoming releases that caught my eye, including Sarah Gailey’s “good old-fashioned horse opera for the 22nd century” (Charles Stross) Upright Women Wanted.

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Future Treasures: The Lost Future of Pepperharrow by Natasha Pulley

Future Treasures: The Lost Future of Pepperharrow by Natasha Pulley

The Watchmaker of Filigree Street-small The Lost Future of Pepperharrow-small

Cover design by David Mann 

Natasha Pulley reunites the heroes from her breakout fantasy The Watchmaker of Filigree Street in a brand new novel, The Lost Future of Pepperharrow, on sale next week. In his review of the first book for us, Damien Moore was enchanted by Pulley’s narrative gifts.

Pulley’s descriptions of High Society London burst from the pages. The exquisite portrait she paints of the interior of a quiet tea shop will linger in your mind long after you’ve read about it. So, too will Pulley’s descriptions of the watchmaker’s wondrous creations. If they don’t enchant you, well, then I guess you’re not into the whole gorgeous automaton craze. Hopefully, Pulley succeeds in getting you to fall in love with Mori’s creations.

The sequel switches up the setting, moving the action to 19th-Century Japan. It’s being enthusiastically received; Kirkus Reviews says “Pulley’s witty writing and enthusiastically deployed steampunk motifs — clockwork, owls, a mechanical pet, Tesla-inspired electrical drama — enliven [the] plot.” Here’s a look at the back covers for both books, and an excerpt from the starred review at Publisher’s Weekly.

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New Treasures: The Unwilling by Kelly Braffet

New Treasures: The Unwilling by Kelly Braffet

The Unwilling-smallIt’s tough publishing a debut fantasy. You’re such a blank slate to genre readers that every little notice and review carries enormous weight, and can tilt the trajectory of your entire career.

Take the case of Kelly Braffet, who began her career with thrillers like Last Seen Leaving and Save Yourself, before turning to fantasy with The Unwilling, which arrives in hardcover from MIRA on Tuesday. It’s had enviable early notices; Ellen Datlow called it “Something wonderful. I love it,” and Erin Morgenstern (The Night Circus) said it’s “Extraordinary… Fantasy at its most sublime.” Something like that will usually guarantee a fantastic launch.

Unfortunately a handful of readers have expressed their displeasure with the ending, and their one-star reviews are currently the highest-ranked at Amazon. Kitten Kisser wrote “Oh my. The end. For that the book gets 1 star. I’m sorry I spent 10 days reading this #*!@#% book for that total crock,” and QueenKatieMae said “After 572 pages… I threw this book down and simply said, “No”.”

That’s an unlucky and painful turn of events for any writer, though it’s especially hard on someone trying a new genre. I remain quite intrigued by The Unwilling; the complaints haven’t done much to dampen my enthusiasm, and I doubt I’m alone. The major review sites haven’t been silent either; I found this starred review at Bookist this morning.

Judah is foster sister to Gavin, next in line to be Lord of the City. Judah, who was adopted as an infant by Gavin’s late mother, is hated by Gavin’s father, Lord Elban. He and others call her “foundling,” “witchbred,” and worse. It does not help that in a land of pale-skinned, lithe blondes, Judah is short and has dark, almost purple hair. Luckily, Gavin; his brother Theron; and Gavin’s betrothed, Elly, love her. She and Gavin share an even more special bond. Any hurt she experiences, Gavin does as well, and she experiences all of Gavin’s pain. No matter how Elban and his Seneschal try to break this bond, they fail. This mysterious magic that binds them is no accident… Suspenseful, magical, wonderfully written, and never predictable… an essential addition to all epic-fantasy collections.

The Unwilling will be published by HarperCollins/MIRA on February 11. It is 571 pages, priced at $27.99 in hardcover, $12.99 in digital, and $42 in audio formats. The cover was designed by Micaela Alcaino. See all of our recent New Treasures here.

Women and Magic in an Unfair Society: The Women’s War by Jenna Glass

Women and Magic in an Unfair Society: The Women’s War by Jenna Glass

The Women's War-small Queen of the Unwanted-small

Covers by Jonathan Bartlett

One thing I love about modern fantasy is how different it is. There’s something for every reader, every mood, and every taste. For example, I’ve never read any of Jenna Black’s fantasy novels, such as her Faeriewalker trilogy, her Nikki Glass series, or her more recent Nightstruck novels for Tor teen. But she’s recently taken to writing more serious fantasy under the name Jenna Glass, starting with The Women’s War, and I find these books very intriguing indeed.

The Women’s War is the tale of a patriarchal society, and a revolutionary spell that abruptly gives women control over their own fertility — and the predictable (and unpredictable) events that follow. Here’s an excerpt from Sabaa Tahir’s review in The New York Times Book Review.

The Women’s War is an epic feminist fantasy for the #MeToo era. . . . The Women’s War does what so many classic adult fantasy books do not: It gives us a nuanced portrayal of grown women dealing with a wretchedly unfair society. It is rare to read a fantasy novel with a middle-aged mother as a main character. And it is refreshing to see women becoming heroes in a world that wishes to keep them muzzled.

The Women’s War was published by Del Rey in March of last year. The sequel, Queen of the Unwanted, is due in May. Here’s all the details.

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New Treasures: Warhammer 40,000: Lord of the Dark Millennium: The Dan Abnett Collection

New Treasures: Warhammer 40,000: Lord of the Dark Millennium: The Dan Abnett Collection

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Cover by Ignacio Bazan-Lazcano

Recently I’ve been listening to a host of audiobooks on Amazon’s Audible service. I’ve enjoyed Craig Davidson’s The Saturday Night Ghost Club, Martha Wells’ All Systems Red, Richard Kadrey’s Sandman Slim, and the first two volumes of S.K. Dunstall’s terrific Linesman trilogy. But the best one so far, an audio drama that kept me absolutely riveted for four days, was Dan Abnett’s Warhammer 40,000 novel The Magos, narrated by the great Toby Longworth. Half story collection, half novel, that damn thing absolutely transported me to into a future of superstition, terror, and dark sorcery.

Naturally, it also spurred my interest in the career of Dan Abnett. He’s written dozens of Warhammer 40,000 books, including 16 novels in the Gaunt’s Ghost military adventure series, the Eisenhorn and Ravenor Inquisitor trilogies, several novels in the bestselling Horus Heresy series, and others.

During that time he’s produced numerous short stories set in the war-torn galaxy of the 41st millenium. And now Black Library has issued Lord of the Dark Millennium: The Dan Abnett Collection, a massive 668-page hardcover containing all of his Warhammer 40K short fiction. It’s a gorgeous feast of a book, continuing 37 stories and a brand new introduction. Some of them, including “Regia Occulta,” “The Curiosity,” and “Thorn Wishes Talon,” are some of my favorite science fiction stories of the past two decades.

Lord of the Dark Millennium: The Dan Abnett Collection was published by Black Library on January 21, 2020. It is 668 pages, priced at $27 in hardcover and $16.99 in digital formats. The cover is by Ignacio Bazan-Lazcano. Get the complete details — and download free digital samples — at the Black Library website.

New Treasures: The Ember Blade by Chris Wooding

New Treasures: The Ember Blade by Chris Wooding

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Cover by Blacksheep-UK

Chris Wooding is the author of the 4-volume steampunk adventure series Tales of the Ketty Jay, the Braided Path trilogy, The Fade, and a healthy number of young adult novels from Scholastic, including Malice and Poison. His latest, The Ember Blade, is the opening novel in The Darkwater Legacy, a new epic fantasy series. It’s been well received, but my favorite review was a grumpy article by Mark Yon at SFF World, who points out that the book treads a lot of familiar territory before taking an unexpected shift about halfway through:

Though undeniably well-written, the initial set up felt like typically Tolkien-esque fare. So much of it was similar to things I’ve read many, many times before… Like many other plots, there’s a quest, but this time for a legendary sword, the Ember Blade, not a ring, where the heroes and heroines of our story have to get the sword. As the story develops we meet others that seem familiar – rebel leader Garrick could be Aragorn, a fighter with a secret past, and there’s a degree of mystical flim-flam with Vika-Who-Walks-the Barrows, a druidess with connections to ‘the old ways’…. a female Gandalf, albeit with a loveable and faithful canine companion….

Once the reader is pretty much resigned into expecting the expected, about half-way through the book – remember, this is after about 400 pages – there’s an abrupt left-turn. Where Tolkien’s story moved from the bucolic rural environment of The Shire to etherial Lothlorien and then the extremes in the mountains of Mordor, here Aren, Cade and the rest of our heroes and heroines have escaped to the Ossian city of Morgenholme, where… we’re into an urban environment, with dark, dirty streets, poverty, disease and original inventions…

The last part of the book is a heist story, with the eclectic group attempting to get The Ember Blade from the hands of the Krodans and generate a revolution amongst the oppressed Ossians.

The Embler Blade was published by Gollancz on July 30, 2019. It is 824 pages, priced at $26.99 in hardcover, $15.99 in trade paperback, and just $2.99 in digital formats. The cover is by Blacksheep-UK. See all of our coverage of the best new Science Fiction and Fantasy here.

New Treasures: The Heart of the Circle by Keren Landsman

New Treasures: The Heart of the Circle by Keren Landsman

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Cover by Francesca Corsini

There’s lots of shortcuts you can take while deciding where to spend your precious book dollars. If you’re lucky enough to have friends who read — and read the same things you do — you can trust their recommendations. You can trust reviewers. Or if you’ve been around long enough, you can come to trust editors. I’ve been around long enough now that I’ve learned to trust the editorial team at Angry Robot, who’ve taken a lot of chances on new and emerging writers. Those bets have paid off over the years, and Angry Robot has gradually developed a reputation for both a keen editorial eye and cutting edge taste.

They’ve published some very fine books in the last 12 months from Kameron Hurley, Christopher Hinz, Tim Pratt, Tyler Hayes, Anna Kashina , Cameron Johnston, and many others. So when they introduce an author I’ve never heard of, I pay attention. That was the case with The Heart of the Circle, the first English language release by Israeli author Keren Landsman, which just won the 2019 Geffen Award. Here’s Dr. Dann Lewis from his review at Grimdark Magazine.

Set in an alternate reality whereby magical users (sorcerers) exist, The Heart of the Circle follows the protagonist Reed, an empath, who becomes the next target of the religious extremist group, the Sons of Simeon after a brutal march for equal rights. This is further complicated by a burgeoning romance and the lackadaisical efforts of protection by the government… Landsman not only delicately reinforces the state in which her sorcerers live, but the merciless conditions in which they are treated. I was enthralled with this line and of course, this is indicative of Landsman’s writing throughout. Her skill with the world-building of this alternate reality is masterful…

Landsman’s novel is exceptionally paced and full of intriguing characters and concepts. I do appreciate that this is situated in a vastly different part of the world… Landsman expertly weaves social and political commentary.

The Heart of the Circle was published by Angry Robot on August 13, 2019. It is 391 pages, priced at $14.99 in trade paperback and $9.99 in digital formats. The cover is by Francesca Corsini. Read the complete first three chapters (36 pages) at Issuu, and see all our recent New Treasures here.

Orbiting Colonies, Giant Mechs, and Child Soldiers: War Girls by Tochi Onyebuchi

Orbiting Colonies, Giant Mechs, and Child Soldiers: War Girls by Tochi Onyebuchi

War Girls-smallWar Girls (Razorbill, 450 pages, $18.99, October 15, 2019)
By Tochi Onyebuchi
Cover by Nekro

The facts that war is brutal, savage, and harms the innocent together with the guilty are no new revelations. Nor is it news that children in the 20th and 21st centuries have been suborned into brutal combat across the globe. Finally, no one is ignorant that technology continues, as it always has, to make war exponentially deadlier in its efficiency. What Tochi Oneybuchi has done with his powerful new novel War Girls is to combine these knowns into a story of love and sisterhood that together cross political and social divides and battlefields alike, and where traumatized soldiers dream of a true peace in a thriving, reborn nation. War Girls is a novel of intense, determined hope in the face of overwhelming obstacles; in this current historical moment it’s exactly the book we need.

In 2172, the world is a damaged place. Climate change and war have destroyed much of the Earth, and millions have fled the planet to live in orbiting Colonies. Nigeria is a country rent by turmoil, where the breakaway southeastern province of Biafra has formed its own nation (as it did in real life between 1967-1970) and battles Nigeria to secure its independence. The war has left much of the area saturated in radioactivity that kills or mutates the local wildlife, and battles are fought using unmanned drones, human-piloted mechs, and augmented soldiers refitted with bionic limbs.

Onyii is such a soldier, a young woman and war hero who lives to protect both her new nation and her adopted orphaned sister Ify. When the two become separated through the usual vagaries of war, they find themselves on opposite sides of the conflict. Much of the novel shows the ways in which the two sisters see the war from different angles – Onyii as an embattled Biafran war hero who must realize the consequences of her past actions, and Ify having to face her own traumatic past while embedded deep within the Nigerian military establishment.

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An Alien Mystery in the Heart of an Ancient Space Object: The Embers of War Trilogy by Gareth L. Powell

An Alien Mystery in the Heart of an Ancient Space Object: The Embers of War Trilogy by Gareth L. Powell

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Covers by Julia Lloyd

Gareth L. Powell is the author of the popular Ack-Ack Macaque series, and two short story collections, The Last Reef (2008) and Entropic Angel and Other Stories (2017). His new space opera trilogy began with Embers of War (Titan Books, 2018), and folks took notice immediately. Here’s Joel Cunningham at The Barnes & Noble Sci-Fi and Fantasy Blog.

Gareth L. Powell’s Embers of War is a space opera that does everything right: it’s expansive in scope, but character-focused. It nods to genre tropes, but interrogates them too, considering the real-world ramifications of the lasting trauma of war. Oh, also: it has a great sentient starship. It quickly became a favorite of ours — not to mention the voters who handed it this year’s British Science Fiction Award for Best Novel — and our enthusiasm was not at all muted by the recent release of the just-as-good sequel Fleet of Knives.

Powell’s series is one of the more popular space operas on the market (and you all know how I feel about space opera). I was intrigued by the first two books immediately, but hesitant to jump in until the third one arrived. So this week I was delighted to receive a review copy of Light of Impossible Stars, the third installment in Embers of War, which formally goes on sale February 18 from Titan.

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A YA Novel that Violates Contemporary Writing Conventions: How Rory Thorne Destroyed the Multiverse by K. Eason

A YA Novel that Violates Contemporary Writing Conventions: How Rory Thorne Destroyed the Multiverse by K. Eason

How Rory Thorne Destroyed the Multiverse CoverYoung Adult fiction is populated with fast-paced novels that sweep readers into adventure from the very first page, only letting up when the final page reads The End. Their prose shows in gorgeous detail, transporting readers into whole new universes, rather than merely telling what’s going on. Novels that feature heroines begin when they are old enough to be the targets of romance; starting when they are younger not only provokes no interest, but also threatens to confuse booksellers, who must decide where to shelve them. According to many writing experts, passive voice must be scoured from the pages. The first chapter should be comprised exclusively of action; exposition kept to a minimum, and sentences clipped short. The author must avoid entire discursive paragraphs like, say, this one.

Eason’s How Rory Thorne Destroyed the Multiverse is marketed as a Young Adult Hardcover. But it violates these contemporary writing conventions.

We begin before Princess Rory Thorne is born. Indeed, while she is still in the womb. Our heroine, who will cause many kerfluffles throughout her childhood, creates her first by being born a girl, when everyone had planned for her to be a boy.

Shortly after Rory’s birth, thirteen fairies descend onto the palace for Rory’s Naming Ceremony, even though no one really believes in fairies anymore, and the only reason they were invited was as a nod to tradition, silly as it may be. But still, the thirteen fairies suddenly appear in the ballroom, coming from out of nowhere. The first eleven give Rory various gifts, some of which are obviously quite useless, like playing the harp.

The thirteenth fairy gives Rory the ability not just to tell when people are lying, but also to hear the truths they are covering up.

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