Black Gate

Cover by Elinor Mavor

Coming in after Asimov’s, Amazing Stories is a svelte 130 pages. One thing that really stood out to me in this issue was that almost everyone in it was a novice writer — many of the stories were first sales. It isn’t the ‘theme’ of the magazine, or of this issue or anything, but it is a thing I noticed. There is something refreshing about a quality amateur story, a certain unpolished plunging-ahead that can sweep the reader along.

That said, there are some of the stories that are, honestly, not that good. Others have said it better, but if you had picked up this issue back in the day (or pretty much any day), and thought to yourself “Hell, I could do this!”, you’d be right.

Here’s a look at the contents.

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Interzone 279, January-February 2019; cover by Richard Wagner

When I was young, books addicted me. I read incessantly, imprudently, and in an unhealthy manner. My mother used to come into my room to check on me after bedtime by putting her hand on my reading light to see if it was warm (what she never knew was that I could read by my closet light that she didn’t check).

I finished novels in uninterrupted binges, starting one when I came home from school, and then reading until dawn. One year for Christmas, I asked for the Tom Corbett: Space Cadet books, which I had just discovered. Two weeks before the holiday, my parents left the house for an all-day outing. I hunted and hunted and hunted until I found the wrapped books, carefully unwrapped them, read them, and then rewrapped and returned them to the hiding place.

When I was in college, I found a dog-eared copy of The Fellowship of the Ring on a table in the student union. Four days of missed class later, I finished The Return of the King and then to my delight discovered that there was a prequel, The Hobbit, which is why I missed the fifth day too.

I was a sick puppy, drunk on story.

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My main apprehension in agreeing with John O’Neill to write regular reviews for Dell Magazines appears to have been realized. This bi-month, for stories published in these issues in particular, I don’t have much — if anything — to say. In regards to the overall discourse, however, I have a few thoughts, and those thoughts might drive this article out of the bounds of a “review” into that of an “essay.”

So here it is: a number of the stories put me in mind of the sometimes-adversarial relationship between the science fiction and fantasy genres.

This time around, my rumination on this topic might have begun with Norman Spinrad’s review of books for the final 2019 issue of Asimov’s. Spinrad has little sympathy for fantasy, particularly when it — in his view — masquerades itself as science fiction.

Therefore, when I read the first of a series of decade-specific reprints of “best” science fiction stories published in Analog, I was sensitive to a bit of dialectic about the science/fantasy disparity, one, admittedly, that is twenty years old now. Moreover, in this same issue of Analog, in the present, some mitigation is brought to this topic through Sarina Dorie’s satire “The Shocking Truth About the Scientific Method that Privatized Schools Don’t Want You to Know,” though it, too, has much to say about a post-Enlightenment ideology that appears to somehow have lost its ability to Reason.

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Cover by Iuliia Kovalova

2018 was a good year for Weirdbook, with three big issues. 2019 was a little more modest, with just one issue in June. (Although editor Doug Draa reports another one is in the pipeline…. possibly a John Shirley issue.)

Issue #41 contained stories by Darrell Schweitzer, Adrian Cole, K.G. Anderson, Steve Dilks, S. L. Edwards, and many others, plus poetry by Ashley Dioses, K.A. Opperman, and others. The cover is by Iuliia Kovalova, with interior art by the great Allen Koszowski. The issue is dedicated to two contributors who passed away in the last year, whom editor Doug Draa salutes in his editorial.

On a very sad note, we lost two giants of the field over the last four months.

Paul Dake Anderson left us on the 13th December 2018, and Wilum Hopfrog Pugmire crossed over on the March 26th, 2019. Both were Weirdbook contributors to whom I will forever be indebted. Knowing them has enriched my life. Both were great writers and ever greater human beings. They will be sorely missed by their fans, friends and families, The world is a lesser place without them.

Jason McGregor has a lot to say in his lengthy and detailed Tangent Online review, which looks at every single one of the 29 stories. Here’s a few excerpts.

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