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Weird Tales Deep Read: July 1933

Weird Tales Deep Read: July 1933

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Somewhat fanciful Brundage cover for “Hand of Glory”

This is the first in a series of posts I’ve wanted to do for awhile now, a detailed look at a single issue of Weird Tales magazine where I do a short analysis of each story, the famous, the infamous, and the forgotten. Just to make things a little confusing, I rate these stories, unlike movies, on a 1-5 scale, with the lower the number, the better the story. You can look at these ratings as A-B-C-D-F, or Excellent – Good – Mediocre – Below Average – Poor.

I wanted to start with a memorable issue, so I chose the July 1933 entry, one of the best I’ve read so far. I’ll start with a short overview and then get into the specifics of each story.

This issue is at the beginning of the Unique Magazine’s (as it sometimes called itself) Golden Age (roughly the early to late 1930’s) with a total of four of the nine stories penned by what I like to think of as the Holy Trinity of Weird Tales writers, Robert E. Howard, H. P. Lovecraft, and Clark Ashton Smith. The ubiquitous Seabury Quinn is also present with one of his ninety-three Jules de Grandin stories, along with tales by early giants of science fiction Edmond Hamilton and Jack Williamson. Sheridan Le Fanu contributes a classic reprint. The final story is by Harold Ward, a fairly prolific pulp writer noted for complicated plots often bordering on the incoherent.

The Howard story is one of his slightest, but moderately effective. The Smith, set in what is probably the first shared-world universe in science fiction — the Cthulhu Mythos — is also rather slight, but vastly more imaginative. The Lovecraft story under his byline is one of his classic Cthulhu Mythos tales. His second story in this issue appears under the name of Hazel Heald, which requires a bit of explanation.

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The Case of the Missing Magazines

The Case of the Missing Magazines

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Every month for roughly the past 40 years I’ve made a pilgrimage to the nearest newsstand to purchase my favorite fiction magazines. The newsstands have changed over the years, and the mix of magazines has too. But it’s a tradition I’ve come to cherish.

Well, this is a time of broken traditions. All the local bookstores are closed (not that there were many to begin with), and I find myself at a loss. New issues of Asimov’s SF, Analog, and The Magazine of Fantasy and Science Fiction are now available, at least in theory. In practice, I have no way to buy them. And according to their various websites this batch is particularly enticing, packed with new stories by Ian R. MacLeod, Eleanor Arnason, Ian Watson, Bruce McAllister, R. Garcia y Robertson, Dominica Phetteplace, Neal Asher, Derek Kunsken, Richard Bowes, M. Rickert, Bruce Sterling, Robert Reed, and many others. And for the first time in decades, it looks like I’ll miss out.

When I griped about this on Facebook today, there were plenty of sympathetic suggestions. Mark Tiedemann endorsed an independent bookstore that mailed ordered single issues… but it has abruptly stopped carrying magazines. Mark Shainblum suggested digital issues… but I have nearly nine solid decades of print issues of Astounding/Analog, and it sure doesn’t feel right to give up now. Adrian Simmons shared my pain, and suggested he might subscribe, even if sub copies do come with an ugly mailing label. And Darrell Schweitzer shared the hard-won secret of removing those damn mailing labels with a damp cloth.

It was comforting to have so many folks commiserate. And I suppose, in the end, the right thing to do in these tough times is to support the magazines with a subscription. And that’s what I’ll do. If you love — or are curious about — short fiction, I hope you’ll consider doing the same. You can shop for digital and print subscriptions at the Asimov’s SF, Analog, and F&SF websites. Check out the editorial descriptions for each issue below.

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Stories That Work: “Beyond the Tattered Veil of Stars” by Mercurio D. Rivera, and “The Million-Mile Sniper” by SL Huang

Stories That Work: “Beyond the Tattered Veil of Stars” by Mercurio D. Rivera, and “The Million-Mile Sniper” by SL Huang

Asimov's Science Fiction March April 2020-small Magazine of Fantasy and Science Fiction March April 2020-small

The March/April 2020 issues of Asimov’s Science Fiction and The Magazine of Fantasy and Science Fiction
Covers by John Picacio and Mondolithic Studios

I’ve always liked big-idea fiction. That’s the stuff whose premise is so mind-boggling that even if I forget the characters and plot, I keep thinking about the story’s implications.

H.P. Lovecraft struck me that way. I started reading him in my 20s, and once I got past the prose (I used to think of him as Edgar Allen Poe on steroids and methamphetamines), the big ideas behind his stories weaseled their way into my head. Imagine the universe we know as a thin veneer over a cauldron of omnipotent indifference. Brrr! Lovecraft’s creation encouraged me to picture every cave as endless, and every unfathomable shadow at night to be a part of the pupil of a great old one’s eye, staring.

Other writers did a similar trick. Edgar Rice Burroughs gave me ancient civilizations of strange creatures on Mars (and the ability of get there if my desire was as strong as John Carter’s); Larry Niven built a ring structure around a planet so vast that it contained three million times the area of Earth; Alfred Bester imagined personal-teleportation so powerful that “the stars, my destination” was practical, not aspirational; and Douglas Adams relegated Earth to a role so small that it is destroyed to make way for a hyper-spatial express route.

See? Big ideas.

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When We Catch It, Let’s Chase It Again: An Interview with Tales of the Mongoose and Meerkat Author Jim Breyfogle

When We Catch It, Let’s Chase It Again: An Interview with Tales of the Mongoose and Meerkat Author Jim Breyfogle

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Cover Art by Anton Oxenuk

Cirsova Publishing has been putting out its flagship magazine focusing on action, adventure, and romance in science fiction and fantasy since 2016. Last year Cirsova began branching out, with the two-author anthology, Duel Visions by Misha Burnett and Louise Sorensen, their fully illustrated 70th Anniversary Edition of Leigh Brackett’s Eric John Stark Planet Stories [which we covered at Black Gate last year], and the 35th Anniversary Edition of Michael Tierney’s Wild Stars.

Cirsova’s newest upcoming release is an anthology of Jim Breyfogle’s Mongoose & Meerkat adventures, lavishly illustrated by up-and-coming artist DarkFilly. Tales of the Mongoose and Meerkat Volume 1: Pursuit Without Asking collects all of the stories published in the pages of Cirsova Magazine through 2019.

Mangos is a bit of a bravo, ready to knock a few heads for some coin. Kat is a mysterious wanderer with more than her share of street-smarts and a head for ancient history. Together, the Mongoose and the Meerkat are a pair of rogues looking to keep their bellies and wine skins filled. Fitting in a comfy mid-point somewhere between Slayers and Fafhrd & The Gray Mouser, this duo is sure to appeal to fans of classic Sword & Sorcery.

We had a chance to talk with Mongoose & Meerkat author Jim Breyfogle about this thrilling new project.

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Reading in Transit

Reading in Transit

Locus March 2020

I’m currently in Washington Dulles airport, waiting for my connecting flight back to Chicago. I flew to Tampa on Friday to help my parents, who snowbird in Florida every winter, to pack up and return to Canada a month early. They weren’t happy about it, but given the rate COVID-19 is upending things around the globe, they didn’t have much choice.

Mission Accomplished. But because of flight cancellations, I’m stuck in Dulles with an 11-hour layover before I can get home. Thank God for Locus magazine, which I grabbed on my way out the door on Friday. As usual, the March 2020 issue is packed with reviews, columns, photos and articles of keen interest to science fiction and fantasy readers. There’s even an excerpt from Kit Rocha’s upcoming Tor novel Deal With the Devil. But the feature that I found most fascinating was the interview with Nina Allen, author of The Rift and The Dollmaker. She talks about Doctor Who, Vladimir Nabokov, and Graham Joyce, and delivers perhaps the most on-point description of writing a novel I’ve ever read:

That’s what writing should entail — the fear and the terror and the joy of knowing that this problem is solvable, and there is only one person who can solve it, and it’s me…. I am in competition primarily with myself, because other writers’ talent should be nothing but a joy. When I see writers doing well and being better than me, that’s a joy and a goad and a challenge — not in any way negative. It’s wonderful. Nothing pleases me more than seeing people write brilliantly.

The March 2020 issue of Locus is still available at finer bookstores, and on the Locus website. Individual copies are $8.99. If you haven’t tried the magazine yet, you don’t know what you’re missing. Check it out.

Stories That Work: “The Valley of the Speaking Flames” by B. Pladek, and “Where a Good Town May Take Us” by Andi C. Buchanan, in Abyss & Apex

Stories That Work: “The Valley of the Speaking Flames” by B. Pladek, and “Where a Good Town May Take Us” by Andi C. Buchanan, in Abyss & Apex

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Eccentric stories stick with me better than classifiable ones. Robert Heinlein’s great time travel piece, “All You Zombies,” for example, was eccentric within the category of time travel stories, so much so that it felt like an outlier. It didn’t fit. Even now, where time travel as a premise is way more prevalent, “All You Zombies” startles.

I like teaching that story to high schoolers. It’s a great in-class science fiction IQ piece. I have them read it silently. The kids who can do the sideways thinking that the best science fiction asks of us all gasp at the same place in the story (really! They react physically). They want to turn around in their seats to talk to a neighbor. “Do you get it?” they ask. “What a mind trip!”

Here’s a one-question quiz to test whether a first time reader of “All You Zombies” understood the story: What do the bartender, the unwed mother, the city slicker and Jane have in common?

The eccentric stuff is better. Harlan Ellison’s “Croatoan,” Connie Willis’s Lincoln’s Dreams, Kelly Link’s “The Faery Handbag,” Neil Gaiman’s Neverwhere, and just about anything by Howard Waldrop are hard to lump in with their peers.

So, when I want a straight dose of the eccentric, the memorable, I often turn to a small-press magazine, the Hugo finalist Abyss & Apex, edited by Wendy S. Delmater.

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Best of the Small Magazines: The Digest Enthusiast #11, Pulp Modern: Tech Noir, and Weird Fiction Review #9

Best of the Small Magazines: The Digest Enthusiast #11, Pulp Modern: Tech Noir, and Weird Fiction Review #9

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Covers by Rick McCollum, Ran Scott, and Colin Nitta

One of the great pleasures of the science fiction and fantasy genre is the fine selection of small magazines, covering a wide range of specialty interests. It’s only the sheer size of SFF fandom that allows these magazines to exist, and for like-minded communities to form around them. Here’s a few of my recent favorites.

The Digest Enthusiast was founded by Arkay Olgar in 2014, and has been published every six months by Larque Press since. It’s now edited by Richard Krauss, who does a fine job, and in fact issues have been getting bigger and more ambitious every year. Book Eleven, cover dated January 2020, is a whopping 159 pages in full color, and they look gorgeous.

The Digest Enthusiast is dedicated to the world of 20th Century digest magazines, and this issue includes a lengthy feature on Astounding by Ward Smith, Black Gate blogger Steve Carper looks at the time when the cover to Journey to Murder was accidentally overprinted on Terror by Twilight in 1945, and Richard Krauss pens a 32-page retropsective and checklist of one of the best known pulps editors in the 1930s and 1940s, a man who edited more than 70 publications and bought two millions words a month, in “Leo Margulies: Giant of the Digests.” The issue also contains interviews with writer and artist Janice Law, writer Paul D. Marks, and Manhunt editor Jeff Vorzimmer, plus fiction by Joe Wehrle, Vince Nowell, Sr., and John Kuharik.

The Digest Enthusiast interiors, rich with high-detail scans of magazine covers on nearly every page, greatly benefit from the full-color treatment. Here’s a few samples.

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Write Your Legislators: Dell Science Fiction Reviews

Write Your Legislators: Dell Science Fiction Reviews

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Warning: Minor Spoilers Ahead!

My copies of Asimov’s Science Fiction and Analog Science Fact & Science Fiction arrived in the mail on the same day. Consequently, I wondered what to read first. I perceived that Black Gate’s very own Derek Kunsken had something in Asimov’s, but he also did in Analog. In Analog, his contribution was much longer, a serial, the beginning of a novel.

For whatever reason, or none, I began with Asimov’s. I noticed that the topic of the guest editorial serendipitously is what I myself wrote about last review: the sometimes tense relationship between science fiction and fantasy (though David D. Levine’s “Thoughts on a Definition of Science Fiction” deemphasizes this tension while addressing it, briefly, at the very end of the article). It’s well worth reading. In short, Levine arrestingly says that (to compress the entire discussion) “Technology [science fiction] depends on what you have; magic [fantasy] depends on who you are.” I’ve never before encountered the differences between the two genres explained in quite this way.

I’d say that there were two standout stories in this Asimov’s. Since I’m still fairly new to reviewing these, I should remind readers that my callouts are contingent on my idiosyncratic interests and sensibilities. If I were to characterize what science fiction stories most often excite me, I’d settle on those that (in addition to all of the qualities that make for all good writing, fictional or otherwise) contain philosophical or metaphysical concepts that startle my presumptions.

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Heroic Fantasy Quarterly, Good News in Three Acts

Heroic Fantasy Quarterly, Good News in Three Acts

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Act I — A Year In Review

Heroic Fantasy Quarterly punches well above its weight in the Tangent Online 2019 Recommended Reading List with SEVEN stories. Don’t want to search through their list? I got ya!

Then, Stars” by Michael Meyerhofer (Heroic Fantasy Quarterly #41, 8/19)
Echo of the Siren” by Richard Zwicker (Heroic Fantasy Quarterly #42, 11/19)
A Stone’s Throw” by Howard Andrew Jones, (Heroic Fantasy Quarterly #40, 5/19)
Trail of Ashes” by Caleb Williams (Heroic Fantasy Quarterly #40, 5/19)
The Song of Black Mountain” by Darrell Schweitzer (Heroic Fantasy Quarterly #40, 5/19)
Demons from the Deep” by Adrian Cole (Heroic Fantasy Quarterly #40, 5/19)
The Gatekeeper” by Marlane Quade Cook (Heroic Fantasy Quarterly #39, 2/19)

Now, some of you with good memories may be saying to yourself “Well sure, Simmons, #40 was the special 10-year anniversary issue. You brought in big guns and it is no surprise that the likes of Howard Andrew Jones, or Darrell Schweitzer, or Adrian Cole should end up on the recommended list.” First off, you’re welcome. Secondly, hats off to Caleb Williams who not only stood in that august company, but stood out!

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Stories That Work: “Log Entry” by Kevin J. Anderson, and “Sweetly the Dragon Dreams” by David Farland

Stories That Work: “Log Entry” by Kevin J. Anderson, and “Sweetly the Dragon Dreams” by David Farland

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Space-based science fiction drew me into reading hard when I started. The fact that my dad was an aeronautical engineer who worked at Martin Marietta, designing the first rockets in America’s space program, probably helped. Copies of Sky and Telescope were scattered about the house, and Dad’s amateur astronomy often became a part of dinner conversation. He ground his own mirror for a reflecting telescope he built and mounted in the backyard, and several times he invited my class at the elementary school over for hot chocolate and star gazing.

Tom Corbett, Robert Heinlein’s Space Cadet, and E.E. Doc Smith’s Skylark of Space started my fascination with space travel. When I was young I thought “space fiction” and “science fiction” were interchangeable terms. Hooray for Buck Rogers and Forbidden Planet, War of the Worlds, When Worlds Collide, and, especially, This Island Earth.

However, science fiction contains way more than space-based stories even as it continues to tell them in film in Star Wars, The Expanse, Battlestar Galactica, Star Trek, and others.

Still, what is a reader to do when looking for short, space-based science fiction? Analog almost always features a space story or two, as do the other major magazines. But what if you want to mainline the stuff? What if you just want to strap into a ship and blast to the stars?

What if you want to feed your inner twelve-year-old space jockey?

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