Art of the Genre: Inteview with Daniel R. Horne
It’s Autumn here in L.A. which means a bit of rain slips into the forecast and the temperature falls to a frigid 55 degrees. Ryan Harvey likes to roll into our Redondo offices with a large coat, collection of Blu-ray discs in this arms and a smile on his face. It’s a good work if you can get it, and as I sat relishing the sun warming me from my beach-side window I got an all too familiar buzz from my receptionist’s desk.
Somehow, someway, there is a different kind of sound when Kandy transfers a call from John O’Neill to my office. I’d like to say it comes off more urgent, but instead I’m going to confess it feels more like evil…
Nonetheless, I picked up that phone and was greeted by the all too familiar vocal styling of our displaced Canadian Editor-in-Chief. After a handful of sentences, all finished with ‘aye’, I was directed to LAX for a flight to Philadelphia.
Normally I’d protest such an abrupt departure from sunny southern California for the northeast in November, but John always has a carrot well worth the trip. This time, I was crossing the Delaware River in reverse to George Washington’s famous sneak-attack as I slipped into New Jersey for a meeting with fantasy artist extraordinaire Daniel R. Horne.

I’ve known 

Sohaib Awan at Fictional Frontiers interviews Black Gate Managing Editor Howard Andrew Jones on his first novel The Desert of Souls, non-Western fantasy, juggling modern expectations in historical fiction, and much more:
Sunday was the fiftieth anniversary of the death of Clark Ashton Smith. We morbid fans of a writer with a delectable taste for morbidity love to celebrate death anniversaries as much as birth ones, and the seduction of the half-century mark is too great to dismiss.



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