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Category: Role Playing Games

Guns and Gears in Pathfinder Second Edition

Guns and Gears in Pathfinder Second Edition

I recently covered Pathfinder‘s exploration of the magical arts in my review of their Secrets of Magic rulebook. At the more physical end of the spectrum, the Guns and Gears supplement explores the role of firearms, clockwork devices, and other forms of impressive technology from the Pathfinder world, including the introduction of rarer classes into Pathfinder Second Edition: the Inventor and an update on the Pathfinder classic Gunslinger class.

With this book, they’ve definitely recognized that these two mechanical systems are in many ways very different, and might have very different audiences. While some might want a character to walk around with a gun, they aren’t interested in going full steampunk (or even clockwork punk) by incorporating this level of technology into the game setting on a regular basis. On the other hand, a player might want the technological aspects of steampunk, but feel that the firearms themselves don’t fit with their play style. As such, they book really splits these two sets of rule systems apart, so you can use the portion of the book you want to as see fit, or adopt all of these rules for your game.

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Diving Deeper into Pathfinder‘s Secrets of Magic

Diving Deeper into Pathfinder‘s Secrets of Magic

Magic is the cornerstone of a fantasy roleplaying game (although a good strong sword and armor usually helps). While over the years since it’s release Pathfinder Second Edition has had no shortage of emphasis on magic, from the classes, spells, and items contained in the Core Rulebook to those in the Gods & Magic supplement and the Advanced Player’s Guide, their release of Secrets of Magic really represents the most significant exploration of magical systems within Second Edition Pathfinder to date. In addition to the various magical systems and spells, this book provides two Pathfinder classes from First Edition, reworked for Second Edition: the Magus and the Summoner.

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Twilight: 2000 Reflections

Twilight: 2000 Reflections

For Black Gate, I spent much of 2021 re-visiting Twilight: 2000‘s first edition adventures and sourcebooks. Twilight: 2000, published by GDW in the mid 1980s, absorbed into its setting much of the worries and fears of the late Cold War — but turned it into a game. The Soviet Union and China begin a war that eventually brings in the rest of the world. While the war is starts out as conventional, the temptation to use tactical nuclear weapons cannot be held back. The world inches across into nuclear Armageddon.

While Twilight: 2000 was not unique in suggesting a nuclear apocalypse, it did have a compelling twist that differentiated it from things like Mad Max or By Dawn’s Early Light: it happens in the immediate aftermath. Armageddon is happening — society is breaking down. National governments like the US or USSR exercise very little control. Environmental devastation is in the early stages. Yet people continue to live. Some even continue to fight the war. Most try to simply survive.

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Learn RuneQuest by playing an Online Solo Adventure: The Battle of Dangerford

Learn RuneQuest by playing an Online Solo Adventure: The Battle of Dangerford

The Battle of Dangerford (Chaosium, 2021)

Happy New Year, fantasy gamers! If you’re like me, all your resolutions this year involve trying new games. At least two dozen. And maybe a truckload of snack foods.

Yeah, but which games? There’s a ton to choose from. Fortunately Chaosium has made it a little bit easier — by publishing their newest RuneQuest solo adventure online completely free. And also structuring it so that you can learn the rules as you play! The title is The Battle of Dangerford, and it really is a simple as it sounds:

Learn to play RuneQuest in the best way possible — by playing! The Battle of Dangerford is a single-player scenario designed to teach you the rules of the game as you play. Take on the role of Vasana as she joins her Sartarite brothers and sisters in an epic clash against the invading Lunar Empire.

Get all the details below — or jump right in here!

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Five Reasons Hades Deserved that Hugo

Five Reasons Hades Deserved that Hugo

Hades (Supergiant Games, 2021)

When I looked at the list of Hugo winners this past week, I was thrilled to see one of my favorite video games had won for Best Video Game.

(And then I froze and said, “Wait, there’s a Hugo for video games??” Answer: yes! This was the first year an award was given for Best Video Game, and it was proposed as a special award category. The last two years have seen a sharp rise in the video game market as first time gamers and previously casual gamers suddenly found themselves with a lot more time and a need for both entertainment and a new way to connect with others. Hopefully, this will be established as a continuing award category for the WSFS, but time will tell.)

Hades, developed and published by Supergiant Games, now carries the honor of being either the first or the sole winner of this category, and it solidly deserves it. Is it the best game in the last twenty years? No. There are bigger, grander, more ambitious games out there. Dragon Age comes to mind (Origins or Inquisition, anyway), as do Skyrim and Call of Duty. But with that conceded, Hades is absolutely a worthy Hugo-bearer. Why?

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The State of the Unions: Twilight: 2000

The State of the Unions: Twilight: 2000

In this journey exploring the Twilight: 2000’s first edition adventures and supplements, we have two remaining items (other than the supplements of weapons and vehicles) that address the state of the United States and United Kingdom. Both are supplemental releases that allow players and referees (gamemasters) to conduct adventures and campaigns.

The Survivor’s Guide to the United Kingdom is the only official supplement by the late GDW that covers the isles. And the situation is not good in the old country.

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Surviving World War III in Iran– Twilight: 2000

Surviving World War III in Iran– Twilight: 2000

In the RPG by GDW released in 1984, Twilight: 2000, the action starts in Europe, specifically Poland. The players, members of the US Army’s 5th Mechanized Division, find themselves stranded in enemy territory when the last major offensive of World War III flounders and then implodes. The world inched across the line of nuclear holocaust. The American, Soviet, German, and Polish governments are hardly worthy of the name “government.”

The adventures and setting information that GDW published in subsequent releases favor heavily game play in Eastern Europe and then the war-shattered United States. While excursions to Greece and Norway are to be found, for the most part, players wander Poland, Czechoslovakia, and perhaps Ukraine in an effort to simply survive and find a way home — even if that is making a new home.

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Explore Jack Vance’s Rich and Dangerous Universe in The Gaean Reach from Pelgrane Press

Explore Jack Vance’s Rich and Dangerous Universe in The Gaean Reach from Pelgrane Press


The Gaean Reach
and The Gaean Reach Gazetteer (Pelgrane Press, 2014). Covers by Chris Huth

The great Jack Vance doesn’t get a lot of love from role players. Despite his huge influence on the field (Gygax based the fundamental cast-and-forget spellcasting system of Dungeons and Dragons on the Vancian magic system the author developed for his Dying Earth tales, just as an example), there aren’t a lot of ways to use dice to explore the wonderful worlds Vance created.

Twenty years ago Pelgrane Press released The Dying Earth Roleplaying Game by Robin D. Laws, which went a long to rectifying this artistic injustice. More recently Laws and Pelgrane Press took the versatile Gumshoe System, designed for running investigative games like Trail of Cthulhu and Ashen Stars, and used it as the basis for The Gaean Reach, a science fiction RPG set in the lusciously detailed setting for much of Vance’s best science fiction, including The Demon Princes novels, the Cadwal Chronicles, the Alastor Cluster trilogy, and the Ports of Call novels.

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Starfinder: Galaxy Exploration Guide and Tech Revolution

Starfinder: Galaxy Exploration Guide and Tech Revolution

Back in September, I made it back to Gen Con. It was different in so many ways after the year off from last year. First, and perhaps least significant, it was in mid-September instead of the beginning of August. On the personal level, it was extremely different because I was there as a game designer, playtesting my new card game design, Eureka Science Academy, in the First Exposure Playtest Hall (a profoundly unfortunately-named place to hang out during a global pandemic). Normally, I’m there on a press pass, and my goal is to get exposed to as much new material as I can to share with the Black Gate readership.

On top of all of that, though, it was profoundly different because most of my favorite game companies weren’t even there. No Paizo. No Privateer Press. No Fantasy Flight Games. No Asmodee. No Looney Labs. No IELLO. Instead, these companies took their Gen Con presence online this year, and Paizo had a particularly robust selection of online content.

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The Cold and Encroaching Doom of Death in Space

The Cold and Encroaching Doom of Death in Space

Player and gamemasters (GMs) of tabletop roleplaying games often refer to “crunch.” This is in reference to how the mechanics of the game work, and generally (though I suspect some folks will fight me on this), a crunchier game has more context-based rules. For example, the least crunchiest game is someone roles a 20-sided die and no matter what, if it rolls above 10, it is always a success. You start adding crunch to it when the rules start to say, “okay, not modify that roll by +2 for attempting to break a grapple or -1 if doing the task in the dark.” Games can get crunchy in a whole lot of ways (lots of rules for various situations–looking at you Starfinder). Some go way crunchy (an example of an extreme crunchy game is Dystopia 23, see my article here).

In the early 2000s, games tended to get more complex and crunchier and a “movement” referred to as the OSR, or old-school revival (sometimes old-school renaissance), crept into the tabletop gaming community. Originally hearkening back to the supposed simpler days of tabletop RPGs in the early 70s (okay, the early days of Dungeons & Dragons), the movement’s core can best be summed up in “rulings over rules.”

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