What Sword and Sorcery Means to Me
The masterminds at SF Signal have asked the contributors and editors of Swords & Dark Magic: The New Sword & Sorcery — including some of the biggest names in fantasy — to define Sword and Sorcery, as part of their Mind Meld series.
They’ve published responses from Michael Moorcock, Glen Cook, C.J. Cherryh, James Enge, Lou Anders, Garth Nix, Joe Abercrombie, Bill Willingham, Tanith Lee, Tim Lebbon, and others.
Here’s what Moorcock said, in part:
I didn’t get this the first time around; I wrote a whole book on supernatural adventure fiction called Wizardry and Wild Romance which still probably didn’t answer the question. Basically I see it as a good old-fashioned sword and sandal or cloak and dagger drama with strong supernatural elements. Captain Blood meets Cthulhu. It seems, in fact, to have replaced the old historical melodrama in most of its aspects. Or returned to them if you look at those origins in the late Peninsula Romances which were the big news circa 1450.
You can read the complete article here, and SF Signal’s prior article on the best sword and sorcery stories — with lists from Martha Wells, Steven Brust, Brandon Sanderson, Lou Anders, James Enge, Mark Chadbourn, Mercedes Lackey, Mary Robinette Kowal and others — here.
Luke Forney wraps up his detailed, three-part examination of Black Gate 14 with a look back at Part II:
On Monday Amazon.com
As previously announced, Black Gate subscriptions will increase from $29.95 to $39.95 for four issues, starting August 15.
Over at Tor.com, bloggers Bill Capossere and Amanda Rutter have commenced an epic re-read of all ten volumes of The Malazan Book of the Fallen, starting with the first novel, Gardens of the Moon.
Matthew Maestri writes:
Luke Forney. who
Lou Anders
It’s hard to be a modern hero. Especially when the author can’t make up his mind.
The 2010 Locus Awards winners were announced today, at the annual Science Fiction Awards Weekend in Seattle. The winners include: