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Category: Conan

Hither Came Conan: Fletcher Vredenburgh – “The Frost Giant’s Daughter”

Hither Came Conan: Fletcher Vredenburgh – “The Frost Giant’s Daughter”

Frank Frazetta's famous work
Frank Frazetta’s famous work

Submitted in 1932 to Weird Tales, “The Frost Giant’s Daughter” is possibly the first Conan story of entirely new material (read Keith West on the story’s publication history), and it is also unique in its style. It is stripped down to the bare, primal essences of sword & sorcery, and exists on the lip between reality and nightmare. There’s more of myth and dream to “The Frost Giant’s Daughter” than to any other Conan yarn. When I first encountered it in my younger days, I wasn’t quite sure what to make of it, but since then, I’ve come to appreciate it on several levels.

The lone survivor from a band of Aesir, Conan the Cimmerian finds himself facing Heimdul, the sole survivor from a Vanir war party, on a corpse-littered field of snow. As soon as Conan defeats and kills the Vanir warrior, he finds himself overcome by the blinding sunlight reflected off the blood-stained snow.

He is raised from his stupor by the arrival of an ivory-skinned, red-haired woman of surpassing beauty. She is barefoot and naked, save for a filmy gown. Soon she is taunting him and he is chasing her. Both rage and mad lust drive him after her into increasingly mountainous terrain with a sky streaked by the colors of the borealis. As he finally nears her, two armored giants rise up from the snow and the woman reveals herself to be their sister. She has lured the Cimmerian northward to his doom.

He proves too powerful, though and, driven by a primal urgency, dispatches them quickly. Unable to ward off Conan any longer, the woman calls on her father, the terrible god, Ymir, and in response to her cries a cascade of blinding blue lights from the heavens strike Conan, leaving him unconscious again. He next finds himself shaken awake by some of his comrades from another war band.

A debate follows whether Conan’s experience was real or just the result of the blow to his head that dented his helmet. One old soldier, Gorm, claims to have seen her in his youth. She is Atali, daughter of Ymir, and has lured men to their deaths for ages. Only Gorm’s wounds kept him from following her himself. Despite the tale, Conan is still unsure of what really happened – until he realizes he still clutches a gossamer gown in his hand.

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Hither Came Conan: Bobby Derie – “The Phoenix on the Sword”

Hither Came Conan: Bobby Derie – “The Phoenix on the Sword”

Hither_PhoenixFightOur Hither Came Conan series gets well and truly underway this week with Bobby Derie presenting the case for “The Phoenix on the Sword.” Grab your loin cloth and tulwar (or zhaibar knife, if you prefer…)  and tread upon some jeweled thrones!

“Know, oh prince…”

The Texas pulpster sat at his typewriter, pounding away at the keys, talking the story out loud as he typed. The long novella of King Kull, “By This Axe I Rule!” written some years earlier remained unsold, rejected by Argosy and Adventure. Already the Texan was working over the history in his mind, weaving together bits of fact and legend of the “Age undreamed of.”

Thinking back to just months ago when he had been down south, in a dusty little border town of the Rio Grande valley, and a character had come into his mind…a raw conception with an old Celtic name, and…

“Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”

The opening to “The Phoenix on the Sword” is the greatest incipit in pulp fiction, an invocation to the muse of artificial mythology, a sketch of a world and a character all at once. It ran as the banner across the Marvel Conan comics for decades, and an abbreviated version opened the 1982 film which introduced the Cimmerian to a whole new audience. It almost didn’t happen.

“But “The Phoenix on the Sword” has points of real excellence. I hope you will see your way clear to touch it up and resubmit it. It is the first two chapters that do not click. The story opens rather uninterestingly, it seems to me, and the reader has difficulty in orienting himself. The first chapter ends well, and the second chapter begins superbly; but after King Conan’s personality is well established, the chapter sags from too much writing.”
—Farnsworth Wright to Robert E. Howard, 10 Mar 1932

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Hither Came Conan: The Best Conan Story Written by REH Was….?

Hither Came Conan: The Best Conan Story Written by REH Was….?

Conan_FrazettaFrostGiants

Welcome to a brand new, Monday morning series here at Black Gate. Join us as a star-studded cast of contributors examine every original Conan story written by Robert E. Howard: and tell you why THAT is the best of the bunch. Read on!

“KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed,sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.”—The Nemedian Chronicles

And so it began. In the December, 1932 issue of Weird Tales (a good month for pulps! Black Mask included stories by Frederick Nebel, John Carroll Daly and Erle Stanley Gardner), Conan of Cimmeria, a barbarian who had wrested the kingship of the mighty kingdom of Aquilonia with his sword, struggles mightily with…paperwork! Truly, heavy is the crown…

But Robert E. Howard, creator of Kull, Solomon Kane, El Borak and others, had come up with what would become the most recognizable character in the Fantasy genre. No silly Hobbitses here!

It wasn’t all mead and concubines from the get go, however. Farnsworth Wright, editor of Weird Tales, and who remained intertwined in Howard’s life to the end, rejected two (“The Frost Giant’s Daughter” and “The God in the Bowl”) of the first three tales. Not exactly a stellar start.

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Hither Came Conan: The New Weekly Robert E. Howard Series at Black Gate!

Hither Came Conan: The New Weekly Robert E. Howard Series at Black Gate!

frank-frazetta-conan-the-barbarian1_small


Hither Came Conan. Indeed. The iron-thewed Cimmerian trod the thrones of the earth under his sandaled feet. Usually, while wearing nothing more than a loincloth…

Robert E. Howard completed twenty-one tales of Conan, as well as a few more fragments. Of course, some stories were better than others, but even those generally considered among ‘the worst’ offer evidence of Howard’s expertise as a story teller. “The God in the Bowl” rarely makes anybody’s Favorites List, but I wrote an essay, positing that it was a very early example of a police procedural; before the term even existed.

Which might leave the average reader wondering, “What are the best stories in the Conan Canon?” Black Gate is here to tell you… ALL OF THEM! in a brand new weekly series.

Black Gate was proud to round up some of the best Howard scholars, and biggest fans (hey, there’s no shame in that sobriquet – I’m one!), for our award-nominated Discovering Robert E Howard series.

Reaching far beyond the stories of the sword (and axe, and dirk, and torch, and furniture, and…) swinging northern barbarian, almost two-dozen essays delved into the works and life of the pride of Cross Plains. It was a fantastic series that truly paid tribute to the man I consider to be the best fantasy writer I’ve yet read.

Well, Black Gate sure as heck didn’t win a World Fantasy Award for my posts on Sherlock Holmes and hard boiled pulp! Swords and sorcery, epic fantasy, and imagined worlds are what the visitor comes here for. And until they change the password and I can’t log in anymore, I’m going to do my best to keep the Robert E. Howard content flowing. And this time, it’s all about Conan!

Beginning on Monday morning, January 7th, an absolutely All Star roster of guest contributors and Black Gaters (and me. Hey, it’s my series!) is going to be presenting you a cogent argument on why that week’s story is the best Conan tale written by Robert E. Howard.

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Conan and the Philosopher of Swords: Damon Young at the Edinburgh Book Festival and in Island Magazine

Conan and the Philosopher of Swords: Damon Young at the Edinburgh Book Festival and in Island Magazine

Let teachers and priests and philosophers brood over questions of reality and illusion.
Let teachers and priests and philosophers brood over questions of reality and illusion.
Art by Brom for "Queen of the Black Coast"
Conan the Id-barian…

A dozen of us sit in the round, beards bushing, long hair flowing over metalesque T-shirts. An energetic 40-something bloke hands out sheets and clipboards. Each bears a picture of Conan the Barbarian.

We’re at the super highbrow Edinburgh International Book Festival, but it feels like an over-stuffed old-school D&D group.

It’s a mostly male ensemble. My teen-aged son is the the youngest, I’m probably the least cool, and there are faces I recognise from the monthly Event Horizon SciFi gig.

However, we’re not actually here to roll dice. Rather, it’s one of the Book Festival’s Reading Workshops: intimate symposiums on reading a particular author or book. In this case — you guessed it — Damon Young, academic philosopher and Australian progressive public intellectual, is about lead a discussion on the Conan stories by the very late, but — by Crom he was too young when he died! — still lamented Robert E Howard:

Damon Young is an award-winning writer and philosopher. Join him for today’s workshop exploring Robert E Howard’s lovingly crafted sword and sorcery hero. Howard created Conan the Barbarian for a magazine in the 1930s and it has since spawned countless books, comics, video games and films. Expect an open discussion from the start; you can read the stories ahead of the event or be inspired to pick them up afterwards.

Take a moment to savour that.

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Here They Are — The Brand New 1957 Titles from Gnome Press

Here They Are — The Brand New 1957 Titles from Gnome Press

Gnome Press 1957 brand new titles announcement-small

For tonight, I thought I’d post a rare bit of Robert E. Howard Conan ephemera I’ve been meaning to post for awhile, but hadn’t gotten around to yet. This is the front page of the 1957 Gnome Press catalog — the catalog is four pages long, printed on an 11″ x 17″ sheet of paper folded in half (click the image above for a legible version).

Among other books, it advertises “The Fabulous Conan Series,” stating

CONAN, the very-human splendid barbarian, who found high adventure and fought both men or demon in his climb to kingship in the magical pre-dawn lands of Hyboria.

And then followed by a quote on the Conan stories from a professor in the History Department at SMU.

Inside was a one-sided sheet offering their Christmas Discount Offer, 10 books for $12, which I’ll post below. I’d gladly pay that!

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The Top 50 Black Gate Posts in March

The Top 50 Black Gate Posts in March

Pathfinder by the Pound at the Frog God booth at Gary Con 2018-small

The most popular topic at Black Gate last month was the Gary Con gaming convention in Lake Geneva, Wisconsin, Gary Gygax’s home town. Part 1 of my convention report, in which I detailed the angry fallout among Pathfinder licensees to Paizo’s announcement of an impending Second Edition — including the “Pathfinder by the POUND!!” liquidation at the Frog God booth — was our most popular post for the month, by a pretty wide margin. Part 2 of my report, a 17-photo pictorial walkaround of the gorgeously well-stocked Goodman Games/Black Blade booth, came in at #3.

Gary Con wasn’t the only topic of interest in March, however. The second most-trafficked article for the month was Rich Horton’s commentary on the Hugo nominations, and our look at Unbound Worlds’ suggestions on where to start with Gothic Space Opera came in at #4. Rounding out the Top Five was Bob Byrne’s recap of his epic adventures with Gabe Dybing, Martin Page and his son Xander, and the new Conan RPG from Modiphius Entertainment.

Thomas Parker got into the spirit of our recent Ace Double reviews with “Doubling Down, or Just How Bad Are Ace Doubles, Anyway?” and that was good enough to win him the #6 slot for March. Joe Bonadonna claimed #7 with his review of Tempus With His Right-Side Companion Niko, by Janet Morris. Sean McLachlan picked up on the vintage paperback theme nicely with “STRANGE! WEIRD! EERIE! The Odd, Unusual, and Uncanny Biography of Lionel Fanthorpe,” placing at #8.

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Black Gate on the list for the 2018 REH Foundation Awards

Black Gate on the list for the 2018 REH Foundation Awards

REHaward_ShanksIf you were to take a poll at Black Gate World Headquarters, asking for the staff’s favorite author, I’d put my money on Robert E. Howard coming in at the top spot. ‘Conan’ appeared in a Black Gate headline over a decade ago (thank you, Charles Rutledge!). Ryan Harvey, John Fultz, Bill Ward, William Patrick Maynard, Brian Murphy, Howard Andrew Jones, Barbra Barrett and more have written about Howard and his works under the Black Gate banner.

And the respect and love of Howard’s work has only increased over the past few years. All with the standard Black Gate quality. For the third year in a row, there is a solid Black Gate presence on the Robert E. Howard Foundation Preliminary Awards List. Our nominees for 2018:

The Cimmerian—Outstanding Achievement, Essay (Online)

(Essays must have made their first public published appearance in the previous calendar year and be substantive scholarly essays on the life and/or work of REH. Short blog posts, speeches, reviews, trip reports, and other minor works do not count.)

BOB BYRNE – “Robert E. Howard Wrote a Police Procedural? With Conan?? Crom!!!”

JAMES McGLOTHLIN – “A Tale of Two Robert E. Howard Biographies”

M. HAROLD PAGE – “Why Isn’t Conan a Mary Sue?”

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Modular: My Favorite “Do It Yourself” Products for Roleplaying Games

Modular: My Favorite “Do It Yourself” Products for Roleplaying Games

MERPThose who know me a little more than as an infrequent contributor to Black Gate Magazine might be aware that I once aspired to be a writer of fantasy stories and novels, even publishing (for a short time but longer than average life expectancy) a small press magazine with co-editor and lifelong friend Nick Ozment. A few years into my forties, however, roleplaying games have utterly subsumed my creative life. I’m currently gamemastering four games: my home game, the very first roleplaying game I ever ran in my young life, Middle-Earth Role Playing (MERP); another MERP game, this one using full Rolemaster rules (2nd edition), via play-by-post (PbP) in a G+ community; and two Modiphius Conan 2d20 games, one via PbP in a G+ community and one (same format) in a Facebook group. This last one is being conducted with Bob Byrne and Martin and Xander Page and is the subject of a new Modular series helmed by Mr. Byrne. In preparing my observations on Modiphius’s licensed Conan property, I have been thinking deeply about various… I suppose I shall call them “styles” of play. Using what I consider two fairly representative rules sets of what I mean by play “styles,” I have done a pretty extensive breakdown here. I expect I also shall have occasion to write about different styles of play in the midst of my experience with the 2d20 playtest. Right now, though, I want to talk about what can be termed the OSR (Old School Revival) — perhaps more accurately referred to as DIY (Do It Yourself) — resources that I most appreciate and are the most often used in my MERP games. Specifically, these resources help me come up with content and develop my fantasy world.

There are a number of “adventure generators” — perhaps more accurately described as “idea machines” — out there. I’m sure all of them are fantastic. You can download one for free from Astonishing Swordsmen & Sorcerers of Hyperborea at its website Hyperborea.tv. Nearly all of the products and producers that I’m going to mention in this article offer one. Even Conan 2d20 has one, though the focus of that generator, due to the nature of play that Conan encourages, is a bit different, and I expect I will analyze this at length when I get to that portion of the official playtest series. These “adventure generators” almost certainly are evolved from the “story creators” that Ozment once told me that the early pulp writers used, sometimes flicking spinners rather than throwing dice. Hey, modern GMs are under almost the same kind of pressure as those pulp writers were, though instead of needing to churn out words for pennies to put meat on the table they need to come up with an idea quick, tonight, before the players come over expecting to be wowed and entertained. Pre-made modules can do the same thing, of course, but they have to be studied first, details have to be remembered, and sometimes they just don’t work with the ongoing campaign in the way that a few randomly generated elements can result in truly inspired serendipity. All of the products I’m about to profile I own and use in PDF.

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Modular: Conan’s Adventuring in an Age Undreamed of

Modular: Conan’s Adventuring in an Age Undreamed of

Conan Adventures in an Age Undreamed Of-smallAnd so begins a Play by Post in the world of Conan!

OPENING SCENE

Vultures spiral above the battlefield. Blood soaks into the rocky ground from hundreds of dying men and their horses, a grim reminder from the desperate hours prior.

For those who fought and died, the battle was as purposeless as any. Prince Satabus of Khoraja was tricked into bringing an army to aid King Ulam-Khala of Akbitana in a war against his cousin, King Nezurab of Shumir, another of Shem’s eastern city-states. So confident of the outcome was Satabus that… he brought with him his bride-to-be, a Stygian noblewoman named Neferet, along with her closest handmaiden.

With them also was a small delegation — envoys and court officials. They bore princely gifts to cement the deep and everlasting friendship with Khoraja and Akbitana: a chest containing fistfuls of gems; urns of precious oil; bolts of Turanian and Khitan silks and other fine cloth; ingots of precious metal; and measures of rare and fragrant wood… a sumptuous collection of finery befitting a royal visit.

The battle was over before it could even begin. In the days prior to Satabus’s arrival, Ulam-Khala and Nezurab had made peace with one another, messages traveling via messenger bird. The two Shemitish kings agreed to unite and destroy Satabus’s army as a show of solidarity, an act of betrayal that would serve to weaken Khorajan resolve against further incursions into Shem.

Seeing that the day was lost, Satabus sounded the order to flee, and as horns echoed across the desert, his mercenary army scattered across the dry plains and into the nearby foothills and hard-baked gullies. They were pursued by the asshuri, picked off one-by-one. Satabus and his cadre of knights fought valiantly to protect his beloved Neferet, but the caravan with her litter was cut off in the retreat. Their fates are unknown.

Each of you was part of Satabus’s army. You’re here now. Somehow, the last wave of Asshuri and footmen missed you. Everyone else is dead.

WHAT ROLE DID YOU PLAY IN THE BATTLE, AND WHAT ARE YOU DOING NOW?

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