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Take Me Home! A Princess of Mars by Edgar Rice Burroughs

Take Me Home! A Princess of Mars by Edgar Rice Burroughs

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I opened my eyes upon a strange and weird landscape. I knew that I was on Mars; not once did I question either my sanity or my wakefulness. I was not asleep, no need for pinching here; my inner consciousness told me as plainly that I was upon Mars as your conscious mind tells you that you are upon Earth. You do not question the fact; neither did I.

So reacts John Carter, ex-cavalryman of the Army of Northern Virginia, when he transmigrates to the red planet in A Princess of Mars (1917). Chased by torture-minded Apaches, Carter secrets himself in a cave. By unknown means, he finds his spirit severed from his body and transported to Mars.

On Mars, a dying, barren world littered with the ruins of millennia-gone civilizations, he finds his great love and becomes the greatest hero that Barsoom, as its inhabitants call Mars, has ever known. Along that path to glory, thousands of miles are traveled and thousands of foes slain. A Princess of Mars is pure escapist fantasy, where the protagonist, standing in for the increasingly civilized American man Burroughs was writing for, fights and defeats all foes, outwits every enemy, and wins the hand of the most beautiful woman in the world. To some, that might sound juvenile, but they are wrong. A Princess of Mars is absolutely deserving of the mind-blowingly pulpy cover illustrations of Frank Frazetta.

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Goth Chick News: If I Could Buy One, I Too Would Be a (Sort Of) 2021 Bram Stoker Award Nominee

Goth Chick News: If I Could Buy One, I Too Would Be a (Sort Of) 2021 Bram Stoker Award Nominee

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Well, you can’t blame me for trying.

Every year around this time, The Horror Writers Association announces the nominees for the annual Bram Stoker Awards, which recognize superior achievement in horror and dark fiction. Also, every year, I go on an Internet search for one of these amazing awards for sale somewhere.

I mean come on, people have sold their Oscars, which admittedly are not this cool and are probably not this difficult to get. A general search got my heart racing a couple of times, only to discover the link sent me to a page where I could buy a Stoker award-winning book. eBay? Nope. Etsy? Someone has to have duplicated it on Etsy right? No joy, though I did find quite a lot of cool Dracula-related art, such as a bracelet with a quote from the book which reads, “I have crossed oceans of time to find you…”

Nice.

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Random Reviews: “BAXBR/DAXBR” by Evelyn E. Smith

Random Reviews: “BAXBR/DAXBR” by Evelyn E. Smith

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Time to Come, Edited by August Derleth
Time to Come, Edited by August Derleth, Cover artist unknown

Evelyn E. Smith was born in 1922 and in addition to her career as a science fiction author, which spanned from approximately 1952 until 1985, she also wrote romance novels using the name Delphine C. Lyons and also worked as a crossword puzzle writer. This latter job is very much evidenced in her 1954 story “BAXBR/DAXBR” (also “DAXBR/BAXBR,” its title should appear as two words that cross at the X).

The basic gist of the story is that George, Smith’s main character, often finds himself commuting in proximity to a man he doesn’t know, but things of as “the little man from the Planetarium,” since that is where their pathways often converge.  On rare occasions they greet each other and the man has a strange accent that George can’t place, but that is generally the extent of their interaction.

On the day the story takes place, fate and a crowded subway car throw the two men together. While the little man reads some letters, George tries to ignore him, playing mental games with words in which he ideates a crossword puzzle based on the words he sees. During this time, his eyes happen to fall on one of the man’s letters and he sees a word he is unfamiliar with, “BAXBR.” Rather than assume the word was gibberish, a private joke, or something in code, George obsesses over it.

As it happens, both men find their way to the main branch of the New York Public Library, where their paths diverge. George finds himself searching for the word in the dictionary and, when he can’t find it there, tries to find it in dictionaries for several foreign languages, trying to get a clue for the word’s origin from the man’s incomprehensible accent. Even the reference librarian who tried to help George was unable to find the word.

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New Treasures: The Best Science Fiction of the Year: Volume Six edited by Neil Clarke

New Treasures: The Best Science Fiction of the Year: Volume Six edited by Neil Clarke

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The Best Science Fiction of the Year: Volume Six (Night Shade, January 25, 2022). Cover by Pascal Blanché

It’s here at last! The sixth volume of Neil Clarke’s Best Science Fiction of the Year, long-delayed by supply chain disruptions, pandemic publishing panic, and maybe Pacific pirates — I honestly have no idea. But it’s here. And packed full of stories from the long-ago era of 2020, when the pandemic was fresh and new, everyone was ordering their first masks, and looking forward to returning to work in two weeks. Ah, the good old days.

I’m glad to finally have this book in my hot little hands, anyway. Even if it did take so long to arrive that I ended up accidently ordering a second copy from the Science Fiction Book Club six months after I ordered the first one. If anyone out there is in the market for a copy, we should talk.

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One From the Bucket List: The Year’s Top Robot and AI Stories: Second Annual Collection edited by Allan Kaster

One From the Bucket List: The Year’s Top Robot and AI Stories: Second Annual Collection edited by Allan Kaster

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The Year’s Top Robot and AI Stories: Second Annual Collection (Infinivox, November 21, 2021). Cover by Maurizio Manzieri

I’ve been reading and writing about Year’s Best volumes for decades, and I’ve covered a lot of them, including anthologies by Terry Carr, Don Wollheim, Harry Harrison and Brian Aldiss, Gardner Dozois, Jonathan Strahan, Rich Horton, Neil Clarke, and many others.

So I hope you can appreciate what a pleasure it was to receive a copy of Allan Kaster’s The Year’s Top Robot and AI Stories: Second Annual Collection in the mail in December, a book that fulfilled a long-held dream. It’s the first Year’s Best to include a story of mine: “The Ambient Intelligence,” originally published in the October 2020 issue of John Joseph Adams’ Lightspeed magazine.

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Close to the Borders of Fairyland: Dark Breakers by C.S.E. Cooney

Close to the Borders of Fairyland: Dark Breakers by C.S.E. Cooney

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Dark Breakers by CSE Cooney (Mythic Delirium, February 15, 2022). Cover by Brett Massé

It’s been a delight watching the meteoric career of C.S.E. Cooney, Black Gate‘s first Website Editor. Her short fiction has been reprinted in Jonathan Strahan’s The Best Science Fiction and Fantasy of the Year and Rich Horton’s Year’s Best Science Fiction and Fantasy (five times); her novella “The Bone Swans of Amandale” was nominated for a Nebula Award in 2015, and in 2016 she won a World Fantasy Award for her collection Bone Swans.

Somewhere in there she also found the time to release three albums (Alecto! Alecto!, The Headless Bride, and Corbeau Blanc, Corbeau Noir), and a poetry collection, How to Flirt in Faerieland and Other Wild Rhymes, containing her 2011 Rhysling Award-winning “The Sea King’s Second Bride.” More recently she published a Tor.com novella (Desdemona and the Deep, 2019), and in April of this year Solaris releases her long-awaited first novel, Saint Death’s Daughter.

Last week Mythic Delirium Books published her newest book Dark Breakers, a collection of five linked stories — including three never before published — all set in the same world as Desdemona and the Deep. ZZ Claybourne calls it “an art deco mural under the guidance of Galadriel, Zora Neale Hurston and the Brothers Grimm,” and Publishers Weekly proclaims it “Extravagant and gorgeous.”

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Vintage Treasures: Dinner at Deviant’s Palace by Tim Powers

Vintage Treasures: Dinner at Deviant’s Palace by Tim Powers

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Dinner at Deviant’s Palace (Ace, 1985). Cover by John Berkey

Tim Powers is a much beloved figure among American fantasy fans. As Gabe Dybing pointed out here in 2020:

He has a strange sort of fame. The most obvious cause for his celebrity is that twice he has won the World Fantasy Award for best novel (Last Call, 1992, and Declare, 2000). He also has been credited with inventing, with The Anubis Gates (1983), the steampunk genre… Finally, for whatever reasons, Disney Studios optioned his 1987 novel On Stranger Tides for its Pirates of the Caribbean movie.

In my own reading circle in the mid-80s however, it wasn’t The Anubis Gates that generated the most excited chatter about Powers, nor his (considerable) steampunk cred. No, it was his Mad Max-inspired novel of a scavenger culture in post-apocalyptic LA, Dinner at Deviant’s Palace, which was nominated for a Nebula and won the Philip K. Dick award for best original paperback in 1986.

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The Eclectic 1965 Ace Catalog: Avram Davidson, Philip K. Dick, Samuel R. Delany, and Andre Norton

The Eclectic 1965 Ace Catalog: Avram Davidson, Philip K. Dick, Samuel R. Delany, and Andre Norton

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Rogue Dragon (Ace Books, 1965, cover by Jack Gaughan) and the back-page Ace paperback catalog

As ludicrous as it might sound, I have a few books I bought more than half a century ago and still haven’t got around to reading. This short Avram Davidson novel was one of them, until I dusted it off last night.

Looking at the ads in the back of the book — from a time when publishers could do direct mail-order sales — I was struck by how eclectic the Ace catalog was. A couple of great anthologies there, including Carr and Wollheim’s 1965 World’s Best; some recycled pulp-era stuff; ersatz Edgar Rice Burroughs from Lin Carter; two Andre Norton juveniles; the first publication of Delany’s The Ballad of Beta-2 (as half an Ace Double, paired with something by the now sadly forgotten Emil Petaja); an excellent collection of Avram Davidson’s short stories; Philip K. Dick’s Dr. Bloodmoney…

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New Treasures: Shadow in the Empire of Light by Jane Routley

New Treasures: Shadow in the Empire of Light by Jane Routley

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Shadow in the Empire of Light (Solaris, January 2021). Cover by Head Design

I’ve got a soft spot for Jane Routley. In the early days of my career — when I had nothing more than a 386 desktop, a dial up connection, and dreams of a vast blogging empire — I chased publishers relentlessly, sending countless review notices and badgering them with requests for review copies. Andy Heidel at AvonNova was the first publicist to take me seriously. Or maybe just the first to ship out a box of books to shut me up, I’ll never know sure.

Whatever the truth, tearing open that very first box of new releases in my living room in July, 1996, felt like Christmas. And the fist one I took out of the box, and the very first book to get a review assignment at my fledgling website SF Site, was Mage Heart by Jane Routley. I’ve followed her career with great interest ever since, and I was delighted to snap up a copy of her newest, Shadow in the Empire of Light, when it was released by Solaris last year.

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If Jack Reacher Came to Westeros: The Chronicles of Stratus by Mark De Jager

If Jack Reacher Came to Westeros: The Chronicles of Stratus by Mark De Jager

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Infernal and Firesky (Solaris, 2020/21). Covers by Head Design

I’m not one to complain how things were better in the Good Old Days of fantasy in the 70s and 80s. (I know, I know — I had trouble keeping a straight face even as I typed that.) But at least mass market paperbacks were plentiful in those days, and you could escape from your neighborhood bookstore with a couple slender paperbacks, a chance to try out some exciting new authors, and change from a ten dollar bill.

There’s still plenty of exiting new authors to enjoy today, and fantasy is certainly richer and more diverse than those long-ago glory days (especially if you’re looking for something that wasn’t written by a straight white male). But mass market has gone the way of the Dodo. Nowadays the shelves are crowded with expensive trade paperbacks, and a pair of new authors will set you back 35 bucks or more.

Which is one of the reasons I’m so grateful for Solaris, who’ve held the price of the trade paper volumes to just $11.99 for much of their introductory line — including South African writer Mark De Jager, whose debut fantasy Infernal was described as “If Jack Reacher came to Westeros” by Sebastien de Castell.

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