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Vintage Treasures: A Science Fiction Argosy, edited by Damon Knight

Vintage Treasures: A Science Fiction Argosy, edited by Damon Knight

a-science-fiction-argosy2Damon Knight’s massive anthology A Science Fiction Argosy was published in 1972, when I was eight years old. It’s over 800 pages, packed with 24 novellas and short stories plus two complete novels, Theodore Sturgeon’s More Than Human and The Demolished Man by Alfred Bester. It’s one of those big, heavy books I’d often glance at on my bookshelf, thinking “I should really read that. As soon as I finish this game of Solitaire.”

I know Damon Knight mostly as an editor — of the highly acclaimed Orbit series, and dozens of other SF anthologies — but he was also a novelist and short story writer. Late in his career he wrote some exceedingly weird SF novels. Check out the article I published at SF Site in 1997, Jim Seidman’s review of his last novel Humpty Dumpty: An Oval, which centers on a lingerie salesman whose skull is fractured by a stray bullet, and who abruptly finds himself dodging both deadly meteorite storms and the society of dentists that secretly rules the world. Glad Jim read it, as I’m sure he made more sense out of it than I would have.

Damon Knight was also a highly respected critic, famous for his dislike of popular pulp writer A. E. van Vogt (“A pygmy who has learned to operate an overgrown typewriter”), for founding the Science Fiction and Fantasy Writers of America, and co-founding both the Milford Writer’s Workshop and the Clarion Writers Workshop. He was a busy guy.

I finally started reading A Science Fiction Argosy this morning (after blowing nearly four decades of dust off it). And you know what? It’s pretty good. I was particularly charmed by Knight’s introduction, which can be nicely encapsulated with its first and last sentences:

Some few years ago, when I was only teen-aged science fiction addict in Hood River, Oregon, I prowled the stacks of the local library… like a pornographer looking for pornography, I ferreted out science fiction… but I never got enough…

This is the kind of big meaty selection I wish someone had given me when I was a teen-aged science fiction addict in Hood River, Oregon.

That may be the most honest intro I’ve ever read, and it explains a good deal about what Knight was trying to accomplish with A Science Fiction Argosy — and indeed, perhaps, his entire life as a critic and highly vocal advocate for science fiction. The first story, John Collier’s “Green Thoughts,” is from 1931, but the anthology quickly leaps forward (skipping nearly the entire pulp era) to 1949 for the second, Isaac Asimov’s talky SF puzzler, “The Red Queen’s Race.” Henry Kuttner and C.L. Moore’s “The Cure” is even better, a dark and twisted fantasy of a New York lawyer trying to understand an oddly recurring hallucination of suffocation.

That puts me barely 50 pages in. I’m tempted to stop here and write a review, but Knight the critic would not be impressed. So I’ll reserve final judgment until I turn a lot more pages. In the meantime, consider this un-critical word of advice: find your own copy, and don’t wait as long as I did to crack it open.

New Treasures: Tales From Super-Science Fiction, edited by Robert Silverberg

New Treasures: Tales From Super-Science Fiction, edited by Robert Silverberg

tales-from-super-science-fiction2You really have to admire the team at Haffner Press. These guys must work night and day. Hot on the heels of their last release just two months ago — the gorgeous Kuttner collection Thunder in the Void — they’ve now published Tales From Super-Science Fiction, a thick anthology of fourteen stories from the legendary 50s SF magazine Super-Science Fiction. I’m not sure how they do it.

As usual the team at Haffner is firing on all cylinders, and both the marketing team and the production staff deserve kudos for a top-notch production. The Art Director and Book Designer have hit it out of the park, and —

What’s that? There is no “team” at Haffner Press? It’s just one guy, Stephen Haffner?

Ha. Like I’m going to believe that. Just take a look at their schedule of upcoming titles. There’s nearly a dozen. Maybe Stephen is the front man, but nothing can convince me he doesn’t have two dozen gnomes in a sweatshop in his basement. There’s no other explanation.

However he does it, I hope he keeps it up. Tales From Super-Science Fiction contains fiction by A. Bertram Chandler, Robert Bloch, Jack Vance, Robert Moore Williams, Daniel L. Galouye, Alan E. Nourse, Tom Godwin, Robert Silverberg, and others. Here’s the book description:

Super-Science Fiction was launched during the sf boom of the mid-1950s. Paying a princely rate of 2 cents a word the magazine attracted fiction by Isaac Asimov, Robert Bloch, Harlan Ellison. James Gunn, Jack Vance, and Donald Westlake, and featured cover art by Frank Kelly Freas and Ed Emshwiller. Running for 18 bi-monthly issues (Dec ‘55 to Oct ‘59), the magazine eventually devolved into a publication capitalizing on the then-current craze of “monster” stories. Editor Silverberg traces the genesis of Super-Science Fiction from its beginnings as an outlet for numerous colonization/expedition stories to its conclusion with such stories as “Creatures of the Green Slime,” “Beasts of Nightmare Horror” and “Vampires from Outer Space.”

Tales From Super-Science Fiction is 400 pages, with a cover price of $32. It is illustrated by Ed Emshwiller and Frank Kelly Freas, with cover art by Freas. You can find the complete Table of Contents at the Haffner website.

See the complete list of recent New Treasures here.

Leigh Brackett: American Writer

Leigh Brackett: American Writer

shannach
The 4th and final Leigh Brackett hardback from Haffner Press, a set collecting all her short fiction.

This 4th of July I thought I’d take a look at one of my very favorite writers, the late, great Leigh Brackett, queen of planetary adventure.

Only a few generations ago planetary adventure fiction had a few givens. First, it usually took place in our own solar system.  Second, our own solar system was stuffed with inhabitable planets. Everyone knew that Mercury baked on one side and froze on the other, but a narrow twilight band existed between the two extremes where life might thrive. Venus was hot and swampy, like prehistoric Earth had been, and Mars was a faded and dying world kept alive by the extensive canals that brought water down from the ice caps.

To enjoy Brackett, you have to get over the fact that none of this is real — which really shouldn’t be hard if you enjoy reading about vampires, telepaths, and dragons, but hey, there you go. Yeah, Mars doesn’t have a breathable atmosphere, or canals, or ancient races. If you don’t read her because you can’t get past that, you’re a fuddy duddy and probably don’t like ice cream.

A few of Brackett’s finest stories were set on Venus, but it was Mars that she made her own, with vivid, crackling prose.

Here. Try this, the opening of one of her best, “The Last Days of Shandakor.” You can find it in two of the three books featured as illustrations in this article, Shannach — the Last: Farwell to Mars, and Sea-Kings of Mars and Otherworldly Stories.

Anyway. On to Brackett.

He came alone into the wineshop, wrapped in a dark red cloak, with the cowl drawn over his head. He stood for a moment by the doorway and one of the slim dark predatory women who live in those places went to him, with a silvery chiming from the little bells that were almost all she wore.

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Going Digital with The Crow God’s Girl

Going Digital with The Crow God’s Girl

gordath-woodEditor’s Note: Patrice Sarath is offering a copy of The Crow God’s Girl to a lucky Black Gate reader — just post a comment for a chance to win either an electronic copy or a paperback.

Thanks to John O’Neill and the Black Gate team for letting me share some of my experiences in publishing.

In 2007 I sold my first two novels to Ace Fantasy. I was ecstatic. This was a dream realized. I had doggedly achieved publication after years of writing, submitting, shrugging off the rejections, and celebrating the acceptances.

I cried tears of joy when I held Gordath Wood in my hands. It was awesome. The awesome lasted all that year and the next. I had a very quick turnaround for Red Gold Bridge, but I made that deadline because I was a professional writer.

And then…

That was 2009. It was the height of the recession. No one was buying books, least of all the sophomore effort of a new writer.

And so, after the results were in, Ace turned down the third book in the series, The Crow God’s Girl.

The good news after that, and I won’t pretend it wasn’t a crushing blow, was that publishing had changed. No longer was an orphaned book destined to stay that way. Established writers were selling respectably in e-book form, and I knew there were fans of the series out there who wanted to know what happened next.

So I turned to self publishing.

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The Historical Urban Fantasy of Thieftaker

The Historical Urban Fantasy of Thieftaker

thieftakerThieftaker, the first volume in my new series, The Thieftaker Chronicles, is due out from Tor on July 3, just in time for the July 4th holiday. Why is that relevant? Well, Thieftaker is what I call historical urban fantasy. It is set in Colonial Boston in the 1760s, just as the unrest that will eventually lead to the American Revolution is starting to disrupt life in the city. My lead character, Ethan Kaille, is a thieftaker, a sort of 18th century private investigator who, for a fee, retrieves stolen items and returns them to their rightful owner. He is also a conjurer and an ex-convict with a dark past — he is, in my opinion, the most interesting and complex character I’ve ever written.

The novel begins on the night of the Stamp Act riots. While a mob is rampaging through the city streets, a young woman, the daughter of a wealthy merchant, is found murdered. Some want to blame the mob for her death, but naturally our hero has other ideas, and soon he’s drawn into a web of intrigue that puts him at odds with representatives of the Crown, with leaders of the revolutionary movement, including Samuel Adams, with a rival thieftaker — the beautiful and deadly Sephira Pryce — and with a mysterious conjurer who is far more powerful than anyone Ethan has encountered before. I won’t say more than that, because I don’t want to spoil any surprises. But basically the book combines fantasy, mystery, and historical fiction in a way that I think turned out pretty well.

This book, my thirteenth (I’ve written a dozen novels, most of them epic fantasy, as David B. Coe; and by the way, pay no attention to the omen of this being my 13th published book — nothing to see here…) has long meant more to me than any of my others, and, to be perfectly honest, I’ve been trying to figure out why. Part of it might be the very fact of the pseudonym. I’m trying something new here — writing historical urban fantasy instead of the epic, alternate world stuff that I’ve done in the past. I’m enjoying myself, and I want to keep writing this series. If the first book does well, I can.

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Beth Dawkins Reviews Honeyed Words

Beth Dawkins Reviews Honeyed Words

honeyed-wordsHoneyed Words
J.A.Pitts
TOR (416pp, $14.99, Paperback, July2011)
Reviewed by Beth Dawkins

Honeyed Words is the second book in the Sarah Beauhall series. Sarah decides to take her girlfriend Katie to a concert in Vancouver for her birthday. When it is over Sarah snags passes for the after-party. There Sarah tries to stop the singer, Ari, from being abducted by what they believe to be dwarves. Afterwards Sarah and Katie run into two trouble-making elves, Gletts and Skella, who only make the couple’s stay in Vancouver even more confusing. There are also some issues back home when Sarah is asked to help Anezka the blacksmith out. The moment Sarah steps onto Anezka’s property she knows something is wrong. Soon Anezka starts acting crazy, and Sarah must ask for help from an unlikely source. While these events don’t seem connected, they come together to unleash a hell storm Sarah and Katie must clean up.

Sarah, the heroine for Honeyed Words, is a strong female lead. She has grown as a character since the first installment, Black Blade Blues, and it shows. She is working past her issues with her sexuality, and shows much more attention to her girlfriend, Katie. There is even a steamy shower scene between the couple. While she has worked things out with Katie, she isn’t carrying around the magic sword she reforged, Gram. She mentions a great deal of how the sword calls to her, how it is dreaming of blood, but we don’t see the sword blazing a path of destruction until the very end.

The story is told mostly in first person — Sarah’s POV, but some chapters switch to third person, and followed the perspective of a scheming character. These chapters were by far not as interesting. They felt jarring in the over-all flow, and the characters themselves were less fun to read.

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Sung in Blood by Glen Cook

Sung in Blood by Glen Cook

Sung in Bloodcookg-sung-in-blood
Glen Cook
Night Shade Books (190 pp, $23.95, 2006)
Reviewed by Jason M. Waltz

A high fantasy Fu Manchu meets Doc Savage in this formerly long out-of-print and impossible to find short novel from Glen Cook.

So says the Night Shade Books bookstore page. It’s more than accurate. And for any fan of Doc Savage, it’s a pleasant must-read. Sparse and pulpy, with evil sorcerers and demons, swords- and shadow-men, this less-than-200-page-novel is a fun romp amid the glorious romance of a former era.

My thanks to John O’Neill who, as always, guides my purchasing choices at the Windy City Pulp and Paper Convention every April in Chicago. While I found the book this year, tucked on the lower shelf beneath a vendor’s table, it was he who convinced me to buy it.

In truth, it is not reminiscent of Cook’s other better-known writings. This is nothing like his Black Company or Dread Empire tales — consider that both recommendation and caution.

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New Treasures: Patrice Sarath’s The Crow God’s Girl

New Treasures: Patrice Sarath’s The Crow God’s Girl

the-crow-gods-girl-patrice-sarathPatrice Sarath has had an enviable career. Her contribution in Black Gate 4, “A Prayer for Captain LaHire,” the tale of three knights and followers of Joan of Arc who discover the horror a fourth disciple has unleashed, was one of the most acclaimed stories from our early years and was reprinted in Year’s Best Fantasy 3 (2003). She edited the anthology Tales From The Secret City in 2007.

She turned to novels in 2008 with Gordath Wood, a book she describes as “hard to categorize:”

It’s fantasy but with only a touch of magic to it. It has romance, but is not a romance (a very different beast). It has a murder-kidnap mystery in it. Basically it has all of the elements of books I like to read. And although everybody has different tastes, I am betting that more than a few of you also like your books the same way I do — shaken and stirred. So if you like fantasy-mystery-romance novels, this one’s for you.

Gordath Wood was well reviewed and spawned a sequel, Red Gold Bridge, in 2009. In 2011 she published The Unexpected Miss Bennet, a Pride & Prejudice sequel which follows middle sister Mary Bennet, the most misunderstood of the Bennet sisters.

Now she’s turned to digital books with a second sequel to Gordath WoodThe Crow God’s Girl. When Lord Terrick’s youngest son is kidnapped, teenage Kate Mosland teams with a mysterious young girl named Ossen to execute a daring rescue… an action with unexpected consequences. As the kingdom stands on the brink of war and Terrick demands Kate submit to a new role, Kate finds that another daring and unexpected action may be the only way to find her true home.

The Crow God’s Girl is 326 pages and was published June 6, 2012. It is available via Amazon Kindle for $3.99.

Frank Chadwick’s A Prince of Mars

Frank Chadwick’s A Prince of Mars

A Prince of Mars by Frank ChadwickA Prince of Mars (Amazon | B&N)
Frank Chadwick
Untreed Reads Publishing (137 pages, $2.51, February 2012)

For me the greatest benefit of the e-book revolution is low expectations coupled with low prices. For 99¢ or $4.99 or anyplace in-between, I can take a chance on an unfamiliar author and download a novel or collection onto my Android, then read a few pages whenever I have a lost moment — usually while waiting somewhere for somebody. I’ve pulled a few stinkers, but then again I’ve also spent more on bad cups of coffee too. And, occasionally, there’s that casino-win kick when I unexpectedly discover a polished thrill-ride like A Prince of Mars.

Space: 1889, first published in 1988 as an RPG/miniatures wargame, is a mash-up of H.G. Wells’ The First Men in the Moon and Burroughs’ Barsoom and Amtor novels. The setting is an alternate history in which space flight was pioneered in the late nineteenth century. With its emphasis on Her Majesty’s presence on Mars, the result is the British Raj transplanted to the canals and deserts of a dying world, alongside flying ships made from Martian liftwood, the setting’s answer to cavorite. I suspect the focus on Great Game political machinations and aerial skirmishes appealed more to the wargamer than the hack-and-loot dungeon delver, allowing Space: 1889 to persevere to the modern day through its small but dedicated audience. Well — that and the fact Frank Chadwick, as both writer and publisher, maintained the rights to his creation and therefore didn’t allow it to drown in the industry quicksands of neglect, copyrights, and petty feuding, which is so often the case.

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Tor Releases The Devil Delivered and Other Tales by Steven Erikson

Tor Releases The Devil Delivered and Other Tales by Steven Erikson

the-devil-delivered-and-other-tales2I know we’ve got a lot of Steven Erikson fans out there. We’ve got your back.

On Tuesday Tor Book released The Devil Delivered and Other Tales, the latest collection of a trio of fantasy novellas from Steven Erikson, following 2009’s Bauchelain and Korbal Broach, which gathered three short novels of the Malazan Empire.

Like Bauchelain and Korbal Broach, The Devil Delivered and Other Tales features work previously printed in expensive limited edition hardcovers from PS Publishing: The Devil Delivered (from March 2005), Fishin’ with Grandma Matchie (November 2005), and Revolvo (December 2008). Most of them are no longer available, or available only at collector’s prices, so if you’re an Erikson fan who hasn’t seen them before this edition is a bargain.

Unlike Bauchelain and Korbal Broach, this volume features standalone tales unrelated to his popular Malazan Empire setting. Here’s the summary for the first story, The Devil Delivered:

Mind the Hole. In a world of ozone depletion, toxic deadzones, internicine brew-ups and lifeless oceans, nothing has changed. Or so it seems, but in the break-away Lakota Nation, in the heart of a land blistered beneath an ozone hole the size of the Great Plains of North America, something is happening. Tracked by a growing global audience of online subversives and electronic muckers, a lone anthropologist wanders the deadlands, recording observations that threaten to bring the world’s powers to their knees. Past and future; restless ghosts and rogue corporations; rad-shielded cities and unprotected peripheral populations; all now face each other, across a chasm once wide but growing ever narrower. Mother Earth is poisoned beyond any hope of resuscitation. Humanity beyond any hope of redemption — but one last lesson of life awaits. When Nature starts losing the game, Nature changes the rules. We’ve turned paradise into Hell, and in Hell, the Devil Delivers.

The Devil Delivered and Other Tales is $14.99 in trade paperback for 336 pages. It was published by Tor Books on June 19, 2012.