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Librarians to the Rescue: Worldsoul by Liz Williams

Librarians to the Rescue: Worldsoul by Liz Williams

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1540901072Worldsoul
Liz Williams
Prime (311 pp, $14.95 in paperback, August 2012)

Reviewed by David Soyka

The stereotypical image of your local librarian is that of a dowdy, matronly spinster who is constantly telling you to “shush” while your adolescent self is trying to do something vastly more interesting (usually involving a person with whom you are sexually attracted) than figure out the Dewey Decimal system. And, these days with whatever we need to find out only a Google away, who needs librarians anyway?

Well, it would seem the preservation of the underlying fabric of the universe does.

While it’s unlikely that Liz Williams will make librarians cool the way that William Gibson made noirish anti-heroes out of computer nerds, in Worldsoul, librarians brandish magical swords that speak. Not to hush people, but to help defend ancient texts against rogue storylines amongst book stacks that date to the fabled Library of Alexandria before it burned to the ground (at least on Earth).

The novel’s title is the name of an otherworldly realm quartered into distinct cultural, climatic and political realms (and probably having something to do with maintaining the “soul” of the mundane world as we in ordinary life understand it): a hot desert land of ancient Cairo; a cold Nordica where Loki the trickster is an imprisoned nutcase, albeit not totally powerless; the Court inhabited by beings called the “disir” who take human form but aren’t; and the Citadel, the land of the library. This city of Worldsoul somehow or another connects Earth with something called the Liminality, a multi-dimensional storehouse of storylines, the integrity of which no doubt has something to do with the preservation of life as we know it here in realityland.

Our librarian heroine, Mercy Fane, is struggling to counteract strange beings that have escaped from primeval manuscripts and the boundaries of their original storylines. And which take on a female personality that seems to have an agenda to fix some longstanding wrong:

[Mercy] thought of the thing she had seen; the thing that, mentally, she had started calling “the female.” Part of a story from so long ago that any humanity had surely been leached from her, if indeed she had ever possessed any. Something forgotten, that raged, like so many forgotten things. Something that wanted to be known.

And something that, now, would be.

p. 35

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New Treasures: Black Bottle by Anthony Huso

New Treasures: Black Bottle by Anthony Huso

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black-bottle2I’ve been looking forward to Black Bottle ever since I read Matthew David Surridge’s review of the first volume in the two-book series, The Last Page (Tor, 2010) in Black Gate 12. Here’s what he said, in part:

The Last Page is a high fantasy steampunk novel, and a love story. We follow the sexually charged relationship between the improbably named Caliph Howl, heir to the throne of the northern country of Stonehold, and a witch named Sena. The two of them meet at university, go their own ways, and then come together again after Caliph has become king and Sena has acquired a vastly powerful magical tome. Unfortunately, Caliph is facing a civil war against a national hero, and Sena’s book has a lock which can only be opened at a fearsome emotional cost…

The first volume in a two-book series, it manages the trick of both providing a satisfactory conclusion and keeping the story going; in fact, the conclusion suggests the story has taken a turn, and perhaps is going to head in wild new directions. But what really makes the first book work is its language. The prose is strong, quick and dense in the best ways. The diction, the word choice, is inventive; the imagery is both original and concise. At its best, Huso’s language recalls Wolfe or Vance…

From the plot summary for Black Bottle, that twist Matthew mentions seems dark indeed:

Tabloids sold in the Duchy of Stonehold claim that the High King, Caliph Howl, has been raised from the dead. His consort, Sena Iilool, both blamed and celebrated for this act, finds that a macabre cult has sprung up around her. As this news spreads, Stonehold — long considered unimportant — comes to the attention of the emperors in the southern countries. They have learned that the seed of Sena’s immense power lies in an occult book, and they are eager to claim it for their own.

Desperate to protect his people from the southern threat, Caliph is drawn into a summit of the world’s leaders despite the knowledge that it is a trap. As Sena’s bizarre actions threaten to unravel the summit, Caliph watches her slip through his fingers into madness. But is it really madness? Sena is playing a dangerous game of strategy and deceit as she attempts to outwit a force that has spent millennia preparing for this day. Caliph is the only connection left to her former life, but it’s his blood that Sena needs to see her plans through to their explosive finish.

Sounds intriguing, right? But it was when I saw yesterday’s Facebook post from the distinguished Dave Truesdale, Black Gate‘s Managing Editor for our very first issue, that my interest in the book was truly piqued.

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Lord of the Crooked Paths: A Novel’s Odyssey from Print to Ebook

Lord of the Crooked Paths: A Novel’s Odyssey from Print to Ebook

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lord-of-the-crooked-paths-smallThe electronic publishing revolution not only promises convenience, low prices, and the availability of “every book ever published in every language” (in the words of Amazon.com founder Jeff Bezos), but also offers writers like myself the opportunity to undo past missteps in the print-publishing world.

Lord of the Crooked Paths, a fantasy of adventure, love, and intrigue set among the elder gods and goddesses of ancient Greece, certainly had its share of mishaps on its journey from manuscript to paperback to ebook.

The novel began with the intersection of two ideas: Greek mythology and the historical novel. I’ve loved Greek myths since I discovered Edith Hamilton’s Mythology in high school. A college course in Classics deepened that affection, and over the following years I found myself slowly seeking out the original sources in translation. Around the same time, I began reading Alexandre Dumas’ wonderful, action- and suspense-filled historical novels.

What would happen, I wondered, if one applied the techniques of the historical novel to the mythology of ancient Greece? Not retelling familiar hero tales, but fresh, new fictional stories the reader could not already know, set against a background of accurate (“historical”) myth, with fantasy elements treated as fact and the gods themselves as the principal characters?

The obvious place to begin was as near the beginning as possible, during the Age of the Titans, and my prior reading probably represented a generous portion of the required research. In my more grandiose moments, I envisioned a sequence of perhaps ten long novels that would present the entire range of divine myth, from the Titans to the death of Pan in Roman times.

My 600-page manuscript took a year and a half to write. During the nearly three years that followed, I queried some twenty-five publishers (mostly “mainstream”) who were in solid agreement that the story wasn’t for them.

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New Treasures: Dead Reckoning by Mercedes Lackey & Rosemary Edghill

New Treasures: Dead Reckoning by Mercedes Lackey & Rosemary Edghill

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dead-reckoning2July is a special month in the O’Neill household, and not just because it’s summer. All three of my children were born in July, which means it’s a month of birthday cake, party planning, and a lot of exchanging gifts.

My kids are readers, and one of the gifts they traditionally receive from aunts and uncles is book store gift certificates. So every year, at the end of July, we trek to the local Barnes & Noble where my children each bring home a stack of books. For Tim, the oldest, it’s usually manga — this year as many Fullmetal Alchemist volumes as he could find. Taylor is harder to predict, although she’s developed a fondness for manga herself, especially Inuyahsa and Hollow Fields. The middle one, Drew, is a little more adventurous, and this year he parked himself in front of the teen section and spent long minutes agonizing over the selection.

One of the titles he picked out caught my eye as well: Dead Reckoning, a zombie western from two much-loved fantasy writers with a history of successful collaboration. This one looks like a lot of fun, and I might read it as soon as he’s done.

It’s 1867. And something truly monstrous is breaking loose in West Texas.

Jett Gallatin expects trouble in Alsop, Texas, but not zombies. She’s looking for her lost twin brother when she enters a dusty saloon that suddenly is attacked by an army of the undead.

Together with her new friends — one a brilliant inventor, one a clever and good-looking young scout — it’s everything she can do to keep the zombies from killing or taking every living soul in their path. But who could possibly desire to control such an army? And what is it they want from the wild Texas frontier?

Mercedes Lackey & Rosemary Edghill have written more than a dozen books together, including the Shadow Grail novels and six volumes of the Bedlam’s Bard series.

Dead Reckoning was published in June by Bloomsbury. It is 324 pages in hardcover for $16.99 ($13.99 for the digital edition).

The Bones of the Old Ones Inches Closer to December Publication Date

The Bones of the Old Ones Inches Closer to December Publication Date

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bones-of-the-old-onesThis week the most exciting item to arrive at the Black Gate rooftop headquarters, bar none, was the Advance Reading Copy of Howard Andrew Jones’s The Bones of the Old Ones, the sequel to his breakout fantasy novel, The Desert of Souls.

I read The Bones of the Old Ones the instant I could get my hands on it, and it was everything I hoped it would be. A rollicking adventure that follows our heroes Dabir and Asim in a daring quest across the landscape of 8th Century Arabia, Bones is packed with ancient secrets, underground lairs, dread pacts, mysterious sorcery, desperate heroism, and moments of laugh-out-loud humor. The cast is much larger than The Desert of Souls, and the stakes are higher, as Dabir and Asim race against time to prevent an ancient sorcerous cabal from plunging the world into eternal winter:

Combining the masterful fantasy of Robert E . Howard with the high-speed action of Bernard Cornwell, Howard Andrew Jones breathes new life into the glittering tradition of sword-and-sorcery with the latest tale of Dabir and Asim’s adventures. As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.

To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years…

The Bones of the Old Ones will be released in hardcover and eBook by Thomas Dunne Books on December 11. It is 307 pages of non-stop action for $24.99 ($12.99 digital), and gets my highest recommendation. Place your advance order now.

New Treasures: Menzoberranzan: City of Intrigue

New Treasures: Menzoberranzan: City of Intrigue

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menzoberranzan-city-of-intrigue2One of my favorite RPG settings of all time is Menzoberranzan, the 1992 boxed set from TSR that drew liberally from R.A. Salvatore’s best-selling Drizzt Do’Urden novels. Written by Ed Greenwood, Salvatore, and Douglas Niles, the box detailed the famous City of Spiders, the subterranean birthplace of the drow ranger, in three thick books and a set of gorgeous maps. Packed with 20,000 drow inhabitants, hundreds of thousands of humanoid slaves, and countless secrets and simmering rivalries, the home of the drow was an ideal adventure site for intrepid (and suitably high level) players.

Released nearly 20 years ago for second edition AD&D, Menzoberranzan has not seen an update since and has been out of print for over 15 years. It was featured in the popular Menzoberranzan PC game from SSI/DreamForge, part of their Forgotten Realms product line, in 1994, and very prominently in the six volume War of the Spider Queen novels, but it’s been far too long since my favorite underdark city-state appeared in a new edition.

The wait is finally over. Wizards of the Coast has released an updated version in Menzoberranzan: City of Intrigue, now available in hardcover:

The profane beauty of Menzoberranzan reflects the true nature of the drow and Lolth, their vile spider queen. Within sculpted palaces, factions vie for dominion, spin webs of conspiracy, wage war on the surface realms, and spread poisonous rumors. Meanwhile, predator stalk the twisted streets, plotting murder and mayhem. The city has no pity for fools and weaklings.

Menzoberranzan: City of Intrigue breathes new life into the fabled home of Drizzt Do’Urden and leaves no stone unturned. This book explores the city, tells the stories behind important drow houses and factions, and peeks at the mysteries waiting to unfold in the deadliest city of the Forgotten Realms world. This product is compatible with all editions of the Dungeons & Dragons Roleplaying Game and features a poster map of the city.

Menzoberranzan: City of Intrigue is 128 pages in hardcover, heavily illustrated in full color. The poster map is rather colorless, but large and extremely detailed. It was released on August 21 for $29.95.

You can see all of our recent New Treasures here.

Athans & Associates Releases Tales From The Fathomless Abyss

Athans & Associates Releases Tales From The Fathomless Abyss

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tales-of-the-fathomless-abyss2I’ve never been a huge fan of shared-world anthologies — which is strange considering I was a voracious fantasy reader at the height of the genre, the late 80s, the era of Terri Windling’s Borderlands, C. J. Cherryh’s Merovingen Nights, Will Shetterly & Emma Bull’s Liavek, George R.R. Martin’s Wild Cards, and the great granddaddy of them all, Thieve’s World.

But some recent projects have begun changing my mind. It started with Welcome to Bordertown, the 2011 anthology that our own Patty Templeton called, in her own special manner, “Really GD awesome. I freakin’ loved it.” It continued with Scott Taylor’s Tales of the Emerald Serpent, the tremendously successful 2012 project that includes fiction from Lynn Flewelling, Harry Connolly, Juliet McKenna, Martha Wells, Julie Czerneda, and many more.

Now comes word of a shared world project that sounds just as intriguing: Tales From The Fathomless Abyss.

Descend into the world of the Fathomless Abyss, a bottomless pit that opens who-knows-when onto who-knows-where, just long enough for new people from a thousand different worlds and a million different times to fall in and join the fight for survival in a place where the slightest misstep means an everlasting fall into eternity.

Tales from the Fathomless Abyss features six new short stories, and it’s only the beginning. From here, each author will branch out to spin a series of new books sharing this impossible, explosive, infinite setting.

The anthology is edited by Philip Athans. It includes an intro by Ken Scholes and original contributions from Mike Resnick & Brad R. Torgersen, Jay Lake, Mel Odom, J.M. McDermott, Cat Rambo, and Philip Athans. Two of the promised follow-on titles have already been released: Devils of the Endless Deep by Phil Athans, which expands on his short story from the anthology and plays with the strange time travel aspects of the Fathomless Abyss setting, and J.M. McDermott’s Nirvana Gates, which takes the setting to the next, deeper level. It also features an excerpt from the next book by Cat Rambo, due in two months. That one will be followed by standalone novellas by Mel Odom, Mike Resnick and Brad Torgerson, and Jay Lake.

Best of all, the introductory anthology Tales From The Fathomless Abyss has been released at the can’t-turn-it-down price of $0.99 for the digital version. Check it out, and get in on the ground floor on an exciting new series. You can buy it today from Barnes & Noble and Amazon.com.

Goth Chick News: Knocking (Tentatively) on the Devil’s Gate

Goth Chick News: Knocking (Tentatively) on the Devil’s Gate

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devils-gate2Devil’s Gate: A Kane Pryce Novel
F. J. Lennon
Atria/Emily Bestler Books (400 pp, $15 in paperback, $9.99 eBook, August 7, 2012)
Reviewed by Goth Chick

First, a disclaimer.

I began reading an advanced copy of Devil’s Gate on August 5th, a full two weeks before the tragic news that Hollywood director Tony Scott took his own life by jumping from the Vincent Thomas suspension bridge in San Pedro.

Devi’s Gate could be about this bridge, but it isn’t.

Still, the creepiness factor remains.

Devil’s Gate, in which a “suicide bridge” plays a pivotal role, is actually the second in F. J. Lennon’s series which kicked off in 2011 with Soul Trapper and follows the turbulent life of rogue ghost hunter Kane Pryce. Without having read the first installment, I was initially concerned Devil’s Gate would seem diminished without the knowledge of Soul Trapper’s back story.

I am as excited as a goth chick ever gets, to report this is entirely not the case.

Here’s the low down…

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Teaching and Fantasy Literature: The Year’s Best Science Fiction and Fantasy for Teens (Part I)

Teaching and Fantasy Literature: The Year’s Best Science Fiction and Fantasy for Teens (Part I)

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In a small infinity of alternate universes, The Year’s Best Science Fiction and Fantasy for Teens isn’t just a single volume — it’s an annual Year’s Best that every library, especially every school library, collects, and that genre geeks of all ages look forward to. Alas, in our universe, Jane Yolen and Patrick Nielsen Hayden could only give us a 2005 volume. It’s a delightful cross-section of styles and subgenres, full of short stories that seasoned, adult readers of SF/F can sink their teeth into.

As Yolen notes in her preface, the YA market’s appetite for fantasy and science fiction novels doesn’t seem to have extended to short fiction:

[T]he book you hold in your hand now is chock-full of SF and fantasy stories Appropriate for Young Adults published last year — 2004. However, the majority of them have been gleaned from adult magazines, Web sites, collections, and anthologies. Why? Because there is very little being published in the field specifically for Young Adults. So we have taken it upon ourselves to seek out the gems for you.

The “you” Yolen and Nielsen Hayden address in their short introductions to all the stories is maybe twelve, maybe fourteen years old — at the real Golden Age of Science Fiction. Try to imagine picking this collection up the year you first realized you wanted to read every book the library had that the librarians had labeled on the spine with that little stylized rocket ship sticker.

About half of my students live in the Golden Age of Science Fiction, so this is my go-to teaching anthology. Here’s a story-by-story breakdown, how I use it, and how I don’t:

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William Patrick Maynard’s The Terror of Fu Manchu

William Patrick Maynard’s The Terror of Fu Manchu

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the-terror-of-fu-manchu2The Terror of Fu Manchu
William Patrick Maynard
Black Coat Press (248 pp, $20.95 in paperback, $6.99 eBook, April 2009)
Reviewed by Joe Bonadonna

Usually I don’t read stories and novels based on a character created by one author and then later written by another—not if I have already read the original author’s work. Back in the day, I read all the pastiches: Conan, Red Sonja, Bran Mak Morn, Cormac, Kull, Black Vulmea… and have enjoyed many of them. I’m even friends with a few of the writers (and a collaborator with one) who were lucky enough to have been chosen to carry on with Robert E. Howard’s characters. But nowadays there are just too many new characters, too many new stories and novels to read, and time and money seem to be in limited supply the older I get.

All that being said, let me tell you a little bit about William Patrick Maynard’s wonderful novel based on Sax Rohmer’s immortal character, The Terror of Fu Manchu, which was published in 2009 in a beautiful edition by Black Coat Press. I had already heard many great things about Maynard’s novel and was familiar with his writing from the stories he published through Airship27 Productions.

So I decided to read this novel and man, I’m glad that I did. It opened up a whole new world for me, and as a fellow writer, it taught me a few things, too.

Now, I have never read any of Rohmer’s original novels, though of course I’m very familiar with Fu Manchu by way of the Boris Karloff, Warner Oland, and Christopher Lee films. So I did a little digging around and sampled enough chapters of several of Sax Rohmer’s novels in order to familiarize myself with his writing, and to see how well Maynard’s style captures the essence of his work.

Doing that also added to my enjoyment as I immersed myself in Maynard’s version of the Chinese mastermind and one of literature’s greatest villains. However, this being the 21st century and not the early part of the 20th, I thought some of Rohmer’s writing to be a bit old-fashioned and a little slower-paced than we are accustomed to in this fast-moving age of cell phones, CGI, and all things high-tech. But Maynard breathes new life and a touch of modern sensibility in his novel, while remaining faithful to Rohmer’s original vision.

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