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The Public Life of Sherlock Holmes: Tolkien’s Necklace of the Dwarves

The Public Life of Sherlock Holmes: Tolkien’s Necklace of the Dwarves

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The-Book-of-Lost-Tales-2-smallI was a voracious reader of fantasy in my teens and early twenties. Moorcock, Tolkien, Lieber, Kurtz, Feist, Eddings, Brooks, Donaldson, Dragonlance and Forgotten Realms, Thieves World, Heroes in Hell; I devoured series fantasy. And later I would delve into McKiernan, Cook, Howard, Jordan and others.

Now, in the past decade, I’ve made a couple of attempts to re-read The Hobbit and The Lord of the Rings, but given up each time (I can say the same thing about Fritz Lieber’s Fafhrd and Grey Mouser series). I like the stories and the events, but parts of them just read so sloooow. I’ve not run into that problem with Michael Moorcock’s Eternal Champion series, or Katherine Kurtz’s Deryni books. But I’m still a huge Tolkien fan, even though I don’t sit down and read through him any more.

I’m in a rather small minority that prefers The Silmarillion to his two better-known works. And that’s because I’m completely sold on Tolkien as a world builder and storyteller. That’s why he’s still a favorite.

From the story of the Silmarils up to the start of the Third Age, Tolkien set the standard for world building and epic history. I enjoy the vast creations of Robert Jordan, Steven Erickson, Stephen R. Donaldson, David Eddings and many more, but Tolkien was unsurpassed.

One of my first Dungeons and Dragons characters was an elf named Gil Galad, wielding his spear, Aeglos. Fingolfin, the Sons of Feanor, Hurin, Turin, Melkor, Ancalagon, and Glaurung: The Silmarillion is just chock full of heroes, villains, lands, kingdoms and events.

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The Perfect Prescription for Perdition: Doctors in Hell, edited by Janet Morris and Chris Morris

The Perfect Prescription for Perdition: Doctors in Hell, edited by Janet Morris and Chris Morris

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Doctors in Hell-smallDoctors in Hell
Heroes in Hell, Volume 18
Edited by Janet Morris and Chris Morris
Perseid Press (336 pages, $19.98 in trade paperback, $7.92 digital, June 23, 2015)
Cover: Pandemonium, John Martin (1789-1854), circa 1841, oil on canvas, from private collection. Cover design by Sonja Aghabekian

Be careful to preserve your health. It is a trick of the devil, which he employs to deceive good souls, to incite them to do more than they are able, in order that they may no longer be able to do anything.
— St. Vincent De Paul

By now, many of you no doubt know of my association with Janet Morris and Perseid Press. Maybe you’ve read the reviews of her novels that I wrote for Black Gate, including my reviews of Lawyers in Hell, Rogues in Hell, and Dreamers in Hell. In 2014 Janet and I collaborated on an article for Black Gate, in which we discussed Poets in Hell, how I came to be involved with Hell, and how she put that volume together.

Now, for 2015, Perseid Press offers you Doctors in Hell, the 18th volume in the popular and long-running Heroes in Hell saga, created by Janet Morris back in 1986 .This year I’m going to do something similar to what Janet and I did last year: presenting a brief synopsis of each story/chapter, with the diabolical assistance of my twelve fellow Hellions — the damnedest writers in perdition, to paraphrase the text on the book’s front cover. That makes 13 of us… a nice number, don’t you think?

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New Treasures: The Art of Mad Max: Fury Road by Abbie Bernstein

New Treasures: The Art of Mad Max: Fury Road by Abbie Bernstein

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The Art of Mad Max Fury Road cover

Mad Max: Fury Road was a highlight of the summer for me. It was easily one of the best movies of the year, and the long-awaited return to one of the great cinematic settings of my youth, the post-apocalyptic hell of The Road Warrior. It turned both of my teenage sons into Mad Max fans. No small feat, since in general they don’t show much patience with films from the 80s.

Titan Books released a gorgeous art book to accompany the release of the film, The Art of Mad Max: Fury Road, and it’s jam-packed with behind-the-scenes photos, concept art, production stills, interviews with the cast and crew, and an insightful foreword by director George Miller. I received a copy last month, and finally had a chance to sit down with it this week. The timing is actually pretty good, as the Blu-ray was released on September 1, and we re-watched the film at home last Friday.

Below are a dozen photos and art samples from the book.

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Vintage Treasures: The Durdane Trilogy by Jack Vance

Vintage Treasures: The Durdane Trilogy by Jack Vance

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The Anome-small The Brave Free Men-small The Asutra-small

Jack Vance was an amazingly prolific writer, and he wrote for over six decades. That’s two decades shy of Jack Williamson’s astonishing eight-decade run as an SF writer, but still pretty darned impressive. Vance made his fiction debut in the Summer 1945 issue of Thrilling Wonder Stories with “The World-Thinker,” and his last short story, “Phalild’s Fate,” appeared in the ebook collection Chateau d’If and Other Stories in April 2012, a year before he died at the age of 96. No one is entirely sure how many books he produced in all that time, and estimates range from 60 to as high as 90.

Not too surprisingly, one of the marvelous things about Jack Vance is that I’m still discovering his work. I’ve never read his Durdane trilogy from the 1970s, for example — and in fact, I acquired a complete set for the first time last April at the Windy City Pulp & Paper show here in Chicago. Before I settled in to read it, I had a look back at its publishing history (doesn’t everyone do that?), and discovered just how many editions there have been over the years. Here’s a quick survey of a few of the more interesting incarnations of one of Vance’s more overlooked fantasies.

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Future Treasures: Loosed upon the World: The Saga Anthology of Climate Fiction edited by John Joseph Adams

Future Treasures: Loosed upon the World: The Saga Anthology of Climate Fiction edited by John Joseph Adams

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Loosed Upon the World-smallThere have been few aspects of our planet’s future as hotly debated as climate change. And regardless of your opinion on the matter, you have to admit: it’s a fascinating topic, and one ideally suited for exploration in fiction. Editor John Joseph Adams, who just took home his second Hugo award for Lightspeed magazine, has assembled a stellar line-up of writers — including Kim Stanley Robinson, Paolo Bacigalupi, Tobias S. Buckell, Alan Dean Foster, Margaret Atwood, Seanan McGuire, and Jean-Louis Trudel — with a massive, 565-page anthology that looks at our changing planet through the unique lens of science fiction.

This is the definitive collection of climate fiction from John Joseph Adams, the acclaimed editor of The Best American Science Fiction and Fantasy and Wastelands. These provocative stories explore our present and speculate about all of our tomorrows through terrifying struggle, and hope.

Join the bestselling authors Margaret Atwood, Paolo Bacigalupi, Nancy Kress, Kim Stanley Robinson, Jim Shepard, and over twenty others as they presciently explore the greatest threat to our future.

This is a collection that will challenge readers to look at the world they live in as if for the first time.

See the complete table of contents here.

Loosed upon the World: The Saga Anthology of Climate Fiction will be published by Saga Press on September 15, 2015. It is 565 pages, priced at $16.99 in trade paperback and $11.99 for the digital edition.

Politics: Slightly Less Important Than Breathing?

Politics: Slightly Less Important Than Breathing?

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The Gate to Women's Country-smallThere’s been a lot of election talk in the air lately (here in Canada we’ll have our federal election on the 19th of October) and that’s led me to thinking about politics in general, and politics in genre fiction in particular. Without having gathered any statistics, just on a gut feeling, it seems to me that politics plays a stronger or more obvious role in genre writing than it does in non-genre writing.

Unless we’re writing thrillers or mysteries, when we create our worlds, we can’t just take the background of the real world for granted, as non-genre writers can. Even if our focus is family drama or interspecies romance, we have to create the socio-political framework for our novels along with everything else – this is part of the “world building” that so many panels at so many conventions address.

I know this to my cost, as my editor at DAW, Sheila Gilbert, is always asking me for details that I just take for granted. I always thought that when I say “king” everyone else just fills in the socio-political blanks, and I can get on with my story without having to figure out where the food and the saddled horses came from.

That turns out not to be the case.

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New Treasures: Crucible Zero by Devon Monk

New Treasures: Crucible Zero by Devon Monk

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Crucible Zero-smallOne of the great joys of buying original fiction is seeing the talented writers you found in the slush pile finally get wider recognition. The very first story I ever purchased for Black Gate, a delightful piece called “Stitchery’ by Devon Monk, gradually evolved into the House Immortal fantasy trilogy, as Devon explained on her blog last year…

[House Immortal] isn’t a “standard” urban fantasy, but more like a science-fiction-y urban fantasy. But even though it’s set in the future a bit, it still (I hope) reads like urban fantasy, with a strong female lead character, some butt kicking, some humor, some trouble that could spell out the end of a world or two, and a host of interesting people and places.

Publisher and Editor John O’Neill at Black Gate noted here, that it reminded him of “Stitchery” the first short story he bought from me for Black Gate. I’m so happy he noticed! The series is based off of that short story, (albeit loosely) and Matilda, Neds, and Grandma were all first introduced in that short.

The first novel in the series was House Immortal, followed by Infinity Bell. Now Devon completes the trilogy with the final novel, Crucible Zero, on sale this month from Roc. The truce between the ruling Houses has shattered and chaos now reigns. Only one woman has the power to save the world — but she could also destroy it…

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Future Treasures: A Knight of the Seven Kingdoms by George R. R. Martin

Future Treasures: A Knight of the Seven Kingdoms by George R. R. Martin

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A Knight of the Seven Kingdoms-smallMany of George R. R. Martin’s legions of fans are unaware that, parallel to the epic storyline of A Game of Thrones, Martin has been quietly telling another tale of Westeros, featuring two unlikely wandering heroes. The story has unfolded in a series of novellas published in anthologies Martin and Gardner Dozois have edited over the past few years, and now at long last the stories are being collected in a deluxe volume, heavily illustrated by Gary Gianni, to be published in hardcover by Bantam Books next month.

Taking place nearly a century before the events of A Game of Thrones, A Knight of the Seven Kingdoms compiles the first three official prequel novellas to George R. R. Martin’s ongoing masterwork, A Song of Ice and Fire. These never-before-collected adventures recount an age when the Targaryen line still holds the Iron Throne, and the memory of the last dragon has not yet passed from living consciousness.

Before Tyrion Lannister and Podrick Payne, there was Dunk and Egg. A young, naïve but ultimately courageous hedge knight, Ser Duncan the Tall towers above his rivals — in stature if not experience. Tagging along is his diminutive squire, a boy called Egg — whose true name (hidden from all he and Dunk encounter) is Aegon Targaryen. Though more improbable heroes may not be found in all of Westeros, great destinies lay ahead for these two… as do powerful foes, royal intrigue, and outrageous exploits.

Featuring more than 160 all-new illustrations by Gary Gianni, A Knight of the Seven Kingdoms is a must-have collection that proves chivalry isn’t dead — yet.

Here’s what GRRM said about the book on his blog back on February 25th.

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Road Trip from Hell: Warhammer 40K: Gaunt’s Ghosts: Honour Guard

Road Trip from Hell: Warhammer 40K: Gaunt’s Ghosts: Honour Guard

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Honour Guard Dan Abnett-smallHonor Guard
A Warhammer 40K novel
Volume 4 of Gaunt’s Ghosts
By Dan Abnett
Black Library (312 pages, $6.95, August 2001)
Cover by Martin McKenna

The faith of the Imperium of Man — the only faith, thanks to a massive Inquisition — is centered around the God-Emperor of Mankind, who sits upon his Golden Throne on Holy Terra. Whether he’s a divine being incarnate, or a man who somehow gained god-like powers, is a question I don’t know the Warhammer 40K lore well enough to answer, but the emperor is kept eternally alive by the arcane machinery of the Golden Throne, and his massive psychic energies provide a beacon which allows mortal pilots to navigate spacecraft through the treacherous realm of the Warp.

The Emperor stands as the sole God, but there’s room in the Imperial cult to include various other figures, “saints” who are venerated for their faith in the Emperor and their deeds in his service. Given the Imperium’s nature, and the character of the WH40K universe in general, these saints are primarily warriors. One such is Saint Sabbat, the warrior woman who originally won the Sabbat Worlds for the Imperium, and in whose name the present-day (sometime in the 41st millennium) Sabbat Worlds Crusade is being waged.

We catch up with the Ghosts as they’re locked in street-to-street combat on the Saint’s own homeworld of Hagia, fighting the Chaos fanatics who have claimed the world’s holy cities as their own. This particular band of Chaos worshippers is particularly keen on denigrating the Imperial faith, so they’ve taken on the name Infardi, formally used by pilgrims to Hagia, and are heavily tattooed with blasphemous scenes involving the Emperor and various others figures of worship.

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Out of the Mouth of Madness

Out of the Mouth of Madness

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Derleth MythosI spent the past year in the frozen tundra on a quest not for gold or oil, but rather that elusive will o’ the wisp men call Ha of Saskatoon. I barely escaped with my life, a sad and broken man. Over the course of many months, I poured through John D. Haefele’s exhaustive tome, A Look Behind the Derleth Mythos which the redoubtable Don Herron bequeathed to me in an effort to restore my shattered mind. Having recently closed the book for the final time, I come forth with this my 250th article. A mere trifle for the more prolific blogger, but a milestone for this shadow of a man who once was.

Now in absolute fairness I should disclose a few facts before continuing. First off, I am not an H. P. Lovecraft cultist. I like aspects of the Mythos more than I do his actual fiction. This will be heretical to many, but I did not come upon his prose until later in life – long after Roy Thomas introduced me to his work in various comics he authored for Marvel in the 1970s and well after the time I had absorbed bits and pieces of the Mythos unknowingly while devouring Robert E. Howard’s stories in the pages of the Lancer or Ace Conan paperbacks with their stunning Frazetta cover art which, like that of Boris Vallejo and Neal Adams, frequently displayed brazen muscular buttocks in a fashion that touched something primal and possibly even impolite in my already warped adolescent brain.

I must also refrain from joshing my readers that a particular Lovecraftian scholar earned my enmity like no one since S. J. Perelman when I purchased a pricey, but beautifully bound and illustrated Sax Rohmer collection that was published in recent years only to find said literary critic’s introduction to the same was dismissive, condescending, and pompous in the extreme. It took much restraint not to craft an analogue for this bloated windbag in my third Fu Manchu book and allow the Devil Doctor to feed this bleating goat’s delicate parts to starving centipedes. Despite the appeal of such a notion, I chose instead to let karma find him and that it may have done with Haefele’s scholarly work.

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