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Goth Chick News: New Horrific Enchantments – The Motion of Puppets

Goth Chick News: New Horrific Enchantments – The Motion of Puppets

the-motion-of-puppets-smallPuppets have always had a mystical (if not slightly creepy) appeal.

Sure, you may think of Disney’s Pinocchio when you think puppets, but I think stuff like “Fats” from Magic; I mean come on, they have been the subject of over thirty horror movies after all. Personally, anything that mimics a human being has an unsettling aspect – like dolls and mannequins… or clowns. For this reason I was pretty excited to learn about the new offering from bestselling author Keith Donohue, who last brought us the story of that disturbing little kid in The Boy Who Drew Monsters, and now serves up a masterpiece of psychological horror that will forever change the way you look at puppet.

Described as intricately plotted, absorbing, dark, and suspenseful, The Motion of Puppets takes the unsettling idea of marionettes and mixes it up beautifully with the myth of Orpheus and Eurydice.

In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside.

The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins the dual odyssey of Keith Donohue’s The Motion of Puppets: of a husband determined to find his wife, and of a woman trapped in a magical world where her life is not her own.

Donohue delivers a moving, modern story is set in what could feel like a fairytale world, but is actually terrifyingly realistic. It is a tale of true love, missing persons, and obsession tangled in the strings that bind us all and wrapped up in one awesome creeptastic package. If you love eerie doll stories like those in Ellen Datlow’s award winning The Doll Collection, or are a fan of Neil Gaiman, you will thoroughly enjoy The Motion of Puppets – scheduled for release in October of this year, from Picador.

Have a question or comment (or a disturbing puppet)?  Post a comment and tell us about it here, or drop a line to sue@blackgate.com.

New Treasures: Ancient Egyptian Supernatural Tales edited by Jonathan E. Lewis

New Treasures: Ancient Egyptian Supernatural Tales edited by Jonathan E. Lewis

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Here’s a fun little artifact, eminently suitable for late summer reading: Jonathan E. Lewis’s anthology of classic (and pulp) Egyptian dark fantasies, Ancient Egyptian Supernatural Tales, published in trade paperback in July as part of the Stark House Supernatural Classics line.

Lewis has done a fine job assembling a stellar line-up of dark fantasy and horror stories featuring mummies, curses, ancient Egyptian vampires, and lots more. In addition to classic tales from Edgar Allan Poe, Louisa May Alcott, Arthur Conan Doyle, H. Rider Haggard, and Sax Rohmer, there’s a quartet of stories from Weird Tales (by Frank Belknap Long, E. Hoffmann Price, John Murray Reynolds — and Tennessee Williams!), Algernon Blackwood’s novella “A Descent Into Egypt,” and two excerpts: one from the first mummy novel ever written in English, Jane Webb Loudon’s The Mummy (1827), and one from Bram Stoker’s classic The Jewel of Seven Stars.

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Alan Moore’s Jerusalem Arrives Next Week

Alan Moore’s Jerusalem Arrives Next Week

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Alan Moore is one of the most celebrated writers of the last 30 years. His most famous work — including Watchmen, V for Vendetta, From Hell, Batman: The Killing Joke, and The League of Extraordinary Gentlemen — is arguably the canonical literature of modern comics. And let’s face it, whether you’re a comics reader or not, the most valuable media properties on the planet today (Batman, Iron Man, Superman, X-Men, Spider-Man, Captain America, and Deadpool, just to name a handful) all trace their first seminal steps into the world of adult literature directly to the early comics of Alan Moore.

Jerusalem is — by far — Moore’s most ambitious work. Among comics fans it has acquired an almost legendary status, as Moore has been working on it — and dropping cryptic hints about it — for roughly a decade. In his 2012 review of Moore’s first novel, Voice of the Fire, Matthew David Surridge summarized some of the anticipation surrounding Jerusalem.

How do you follow a book like this? Moore’s currently working on his second novel, Jerusalem. It’s scheduled for publication in autumn of 2013; reports suggest it’ll be 750,000 words long (about the length of two volumes of A Song of Ice and Fire put together), be set entirely in an area of a few city blocks in Moore’s home of Northampton, and, according to Moore, disprove the existence of death. It’ll be concerned with time, different chapters set in different eras; like Voice of the Fire, it seems. What transformations will we see in it? How different will it be? Voice of the Fire‘s a strong book that, in its ellipses, promises more. Now that we shall have. What spirits shall we see? What work shall it accomplish?

At 1280 pages, one thing’s for certain: Jerusalem certainly delivers more. What’s it about, then? Well, that’s sort of hard to describe.

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Is Robert Reed the New Century’s Most Compelling SF Voice?

Is Robert Reed the New Century’s Most Compelling SF Voice?

The Memory of Sky wraparound cover

Last month I finally got around to picking up a copy of Robert Reed’s massive collection The Greatship (which I talked about here.) It collects 11 tales — plus a bunch of new connecting material — in his Greatship saga, set on a vast spaceship relic that is larger than worlds, and which contains thousands of alien species.

I’m glad I had the chance to familiarize myself with the Greatship tales, as that came in handy last month at Worldcon in Kansas City. I attended the Asimov’s SF group reading, hosted by editor Sheila Williams, and found it an insightful and entertaining hour, as writers James Patrick Kelly, Connie Willis, Steve Rasnic Tem, Mary Robinette Kowal, and Robert Reed all read from recent or upcoming tales published in the magazine. Robert Reed, whom Sheila calls the writer with the most stories in Asimov’s (“by quite a bit”), read from an unpublished Greatships novella coming in the magazine next year, and it was totally captivating. It certainly helped pique my interest in the series, and it was pretty high to begin with.

[As the panel got started James Patrick Kelly exhorted the audience to “check out the new website — it’s so much better than the old one!” Sheila, with an uncomfortable glance at me, said she didn’t feel right disparaging the old website, “since the person who designed it is sitting in the audience.” I helped Sheila launch the Asimov’s website at SF Site roughly two decades ago, and in fact it was Rodger Turner who did most of the heavy lifting, so it certainly was no insult to me that they’d finally upgraded to a much superior design. I don’t usually like to interrupt panels, but this time I was happy to shout out “Disparage away!”]

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Vintage Treasures: The Best Science Fiction of the Year #3, edited by Terry Carr

Vintage Treasures: The Best Science Fiction of the Year #3, edited by Terry Carr

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How did Terry Carr’s Best Science Fiction of the Year paperback anthology series last an incredible sixteen years, from 1972 until his death in 1987?

It’s not that hard to figure out. When early volumes were as amazing as #3, released in July 1974, it didn’t take long for these books to establish a stellar reputation — and a staunchly loyal readership.

How incredible was The Best Science Fiction of the Year #3?

It contains some of the finest science fiction stories of all time, packed into one slender volume. Like “The Women Men Don’t See” by James Tiptree, Jr… perhaps her most famous story, and that’s saying something. And Vonda N. McIntyre’s Nebula Award-winning “Of Mist, and Grass, and Sand,” which became the basis of her 1978 novel Dreamsnake (which swept the Hugo, Nebula, and Locus Awards the following year.) And Harlan Ellison’s classic “The Deathbird,” the Hugo and Locus Award-winning title story of his celebrated 1975 collection Deathbird Stories. Plus Gene Wolfe’s famous “The Death of Dr. Island,” winner of the Locus and Nebula awards for Best Novella.

And an unassuming little story by a young writer named Ursula K. Le Guin, “The Ones Who Walk Away from Omelas,” which won the Hugo Award for Best Short Story, and is considered by many (me included) to be one of the finest short stories ever written. And lots more — including a Jack Vance novella, plus stories by Philip José Farmer, Alfred Bester, R. A. Lafferty, Robert Silverberg, and F. M. Busby. All for $1.50!

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Cugel in Golarion: Song of the Serpent by Hugh Matthews

Cugel in Golarion: Song of the Serpent by Hugh Matthews

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The woman looked over at Krunzle, who was making sure no morsel of the meal escaped his needs. “What of you, errand-runner? Do you know much of where we are heading? Or anything, for that matter?”

The thief returned her a level gaze. “I know who I am and what I can do,” he said. “I find that usually suffices.” He arranged a piece of fish on a crumb of bread and popped both into his mouth.

                                                                                                                                                                                                       from Song of the Serpent

I have read only a tiny fraction of Matthew Hughes’ prodigious output. What I have read, his Jack Vance-inspired stories of the Purloiner Raffalon, I like very much (see my reviews here, here, here, and here). Those four stories, plus five others, will be collected and released next year. I can safely write that that will be an immediate purchase for me.

A few weeks ago, when he posted about a novel he wrote back in 2012 for Paizo’s Pathfinder Tales, I was intrigued.

Back in 2008 at World Fantasy Convention in Calgary, I was in the bar when Erik Mona, publisher of Paizo Books, told me he was a great Jack Vance fan and that he liked my work. He asked me if I had a book for him. As it turned out, I was looking for a publisher for Template, my stand-alone Archonate space opera that had been brought out as limited collector’s editions by PS Publishing.

I sent it to him and he brought it out as part of the series, Planet Stories, which (like Template) were decidedly retro science fiction.

Later, Erik told me that he also published novels set in the Pathfinder RPG universe’s world of Golarion, and asked me if I would be interested in doing one. He also said he would really like it if I would do a Cugel the Clever story. I love the Cugel stories and said I’d be delighted.

So we made a deal and I wrote a novel originally called Out of the Blue that was retitled Song of the Serpent before publication in 2012. It told the tale of a thief named Krunzle the Quick who, like Cugel, is fast on his feet – he has to be because, again like Cugel, he’s not as smart as he thinks he is.

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New Treasures: Warren the 13th and The All-Seeing Eye by Tania Del Rio and Will Staehle

New Treasures: Warren the 13th and The All-Seeing Eye by Tania Del Rio and Will Staehle

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Looking over Will Staehle’s art for the book Warren the 13th and The All-Seeing Eye, I’ve never been closer to believing Lewis Carroll’s adage that all good books must be illustrated.

12 year-old Warren is the sole surviving heir to a grand (but rapidly decaying) old hotel. When a strange bandaged guest arrives, Warren’s deliciously self-absorbed Aunt Annaconda soon becomes convinced that he’s after the All-Seeing Eye, a magnificent treasure that family legend says is hidden someone on the property. The result is a madcap treasure hunt and Warren, determined to find his rightful inheritance first, soon joins the search. But first he’ll have to contend with strange monsters, sinister witches, bizarre mazes and secret codes, and a long-forgotten riddle.

This 224-page book is heavily illustrated, with art on virtually every page. The New York Times Book Review calls it “an engaging mystery… with a few nice twists and surprises along the way,” and Publishers Weekly says it’s “stylish, exciting, funny, and just slightly macabre.” That’s good to know, but I can make up my mind on Staehle’s artwork right now — and I think it’s fantastic.

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Self-published Book Review: Valley of Embers by Steven Kelliher

Self-published Book Review: Valley of Embers by Steven Kelliher

If you have a book you’d like me to review, please see this post for instructions to submit. I’ve received very few submissions recently, and I’d like to get more.

Valley of Embers by Steven KelliherValley of Embers by Steven Kelliher is primarily the story of Kole Reyna and Linn Ve’Ran. Although Linn Ve’Ran is a skilled and dedicated hunter and warrior, she is not an Ember like Kole, a Landkist given power to control flame by the land. But the land from which Kole’s power comes is not the titular valley where Kole’s and Linn’s people live, but the desert from which their ancestors fled from the war between the Sages. Before he fell in battle, the King of Ember struck a bargain with the Sage White Crest to shelter his people in the valley. Separated from the desert for decades, those born as Embers are fewer and weaker each generation. Instead, some are gifted with the native Landkist power of the valley, the healing and dreaming of the Faeykin. But it is the Embers who are especially valued, to fight the Dark Kind who have returned, bearing the corruption of the Eastern Dark from whom the Emberkin fled years before.

Everyone wonders what had become of the White Crest, who was to be their protector. Some think that he fell shortly after the King of Ember, when he shattered the land to turn back the Eastern Dark. Others think that in his isolation, he is unaware of their plight, or thinks that they can handle things themselves, or is too busy fighting the far greater threat of the Eastern Dark. Since the night of his mother’s death while seeking out the White Crest and the dream he had of her fall, Kole has believed that the White Crest has turned against them, and it is he who sends the Dark Kind.

But while Kole is given permission to seek out the White Crest and get some answers, he is delayed when he suffers a grievous injury by a Sentinel, one of the Dark Kind’s lieutenants, who can convert humans to their cause. While he fights the darkness that seeks to turn him, Linn Ve’Ran gathers some friends and strikes out without him. Her party quickly runs into trouble when they encounter an army of Dark Kind besieging the Valley’s largest city, Hearth, and only half of them make it to the mountains where the White Crest dwells.

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Future Treasures: Everfair by Nisi Shawl

Future Treasures: Everfair by Nisi Shawl

Everfair-smallNisi Shawl has been writing short stories for over two decades, and her long awaited first novel, an historical fantasy steampunk tale set in the Belgian Congo, will be released this week. It explores one of the darkest periods in human history — King Leopold’s African holocaust — and imagines what might have been if the native peoples of the Congo had developed steam technology of their own. It’s a fascinating premise, and Everfair is one of the most intriguing literary offerings of the fall.

Everfair is a wonderful Neo-Victorian alternate history novel that explores the question of what might have come of Belgium’s disastrous colonization of the Congo if the native populations had learned about steam technology a bit earlier. Fabian Socialists from Great Britian join forces with African-American missionaries to purchase land from the Belgian Congo’s “owner,” King Leopold II. This land, named Everfair, is set aside as a safe haven, an imaginary Utopia for native populations of the Congo as well as escaped slaves returning from America and other places where African natives were being mistreated.

Nisi Shawl’s speculative masterpiece manages to turn one of the worst human rights disasters on record into a marvelous and exciting exploration of the possibilities inherent in a turn of history. Everfair is told from a multiplicity of voices: Africans, Europeans, East Asians, and African Americans in complex relationships with one another, in a compelling range of voices that have historically been silenced. Everfair is not only a beautiful book but an educational and inspiring one that will give the reader new insight into an often ignored period of history.

Everfair will be published by Tor Books on September 6, 2016. It is 384 pages, priced at $26.99 in hardcover and $12.99 for the digital edition. The cover is by Victo Ngai.

Read a sample chapter at Tor.com.

The Life of a Reprint Anthologist: Paula Guran’s Research Stack for the Upcoming Swords Against Darkness

The Life of a Reprint Anthologist: Paula Guran’s Research Stack for the Upcoming Swords Against Darkness

Paula Guran's sword and sorcery research

Paula Guran has my dream job. She’s currently deep into the research phase for her upcoming Swords Against Darkness (named, she says, partly in tribute to Andrew J. Offutt’s classic line of 70s Zebra anthologies). And last week she posted this pic of her current reading stack, saying:

Life of a Reprint Anthologist: This is not even HALF the research sources for Swords Against Darkness (a sword & sorcery anthology for next year).

Check out those gorgeous Black Gate magazines in the second stack!

I think Paula is the perfect editor to tackle this job. She has excellent taste, and she’s already proven — in numerous excellent recent anthologies such as Weird Detectives, New Cthulhu 2, and The Year’s Best Dark Fantasy & Horror 2016 — that she brings a fresh eye to fantasy.

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