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Experience Poul Anderson’s Complete Psychotechnic League from Baen Books

Experience Poul Anderson’s Complete Psychotechnic League from Baen Books

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The Complete Psychotechnic League Volume 1-small The Complete Psychotechnic League Volume 2-small The Complete Psychotechnic League Volume 3-small

Art by Kurt Miller

When I learned last September that Baen Books was reprinting Poul Anderson’s classic Psychotechnic League stories, I wrote a brief history of the series. Here’s what I said, in part.

The Psychotechnic League began as a Future History, a popular beast among short SF writers of the 40s and 50s. Anderson published the first story, “Entity,” in the June 1949 issue of Astounding Science Fiction, and set the opening of his series a decade in the future. The series continued for the next two decades, (appearing in Astounding, Planet Stories, Worlds Beyond, Science Fiction Quarterly, Cosmos, Fantastic Universe, and other fine magazines), eventually extending into the 60s. In the process, his “Future History” gradually became an “Alternate History,” as actual history trampled all over his carefully constructed fictional timeline.

That didn’t seem to bother readers though, and the tales of the Psychotechnic League remained popular well into the 80s. The series included some 21 stories, including three short novels: The Snows of Ganymede (1955), Star Ways (1956), and Virgin Planet (1957). The short stories and one of the novels were collected in a trilogy of handsome Tor paperbacks in 1981/82, with covers by Vincent DiFate. Now Baen books is reprinting the entire sequence in a series of deluxe trade paperbacks, starting with The Complete Psychotechnic League, Volume 1, on sale next month.

Volume 1 was released right on schedule last October, and Volume 2 followed in February. The third and final book will be released next month.

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An End to the End: The Silver Spike by Glen Cook

An End to the End: The Silver Spike by Glen Cook

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oie_11558360wYZzXP1And so we come to end of the line for several of the main characters of the Black Company trilogy. The end of the third book, The White Rose, saw the storied mercenary company whittled down to a handful of survivors. The group — five veterans, the empire’s erstwhile ruler the Lady, and Croaker in the lead — decided to travel south and find Khatovar, the fabled home city of the Black Company.

Darling, otherwise known as the rebel leader the White Rose, chose to remain in the North rather than accompany Croaker and the rest of her friends. The wizard Silent, in love with with Darling, chose to remain with her despite her not having reciprocal feelings. Raven, also in love with Darling, stayed behind too, but rejected, went off with Case, the young imperial soldier he’d befriended.

Published four years after The White Rose, The Silver Spike (1989) is a sort of odd book that attempts to tie up several loose ends. It covers a lot of ground, constantly bouncing between several narratives and the better part of two continents. Concerned as much with giving ends to a host of characters as he is with the aftermath of the rebellion, Cook doesn’t tell a totally cohesive story.

Over here, several characters are chasing down a revived enemy only to be suddenly yanked away to face a different threat. Another storyline follows a new set of characters as they commit an act of great stupidity that leads to many deaths and horrendous destruction. There’re lots of very cool bits of business, but The Silver Spike feels like several books jammed together rather inelegantly. Perhaps if Cook had written a giant, sprawling work, like one of today’s thousand-page tomes, he could have made it come together better. But at only 313 pages, there’s little space for the rambling the book is given to.

The Silver Spike begins with Philodendron Case introducing and explaining himself. A minor character in The White Rose who found himself attached to Raven, now he’s a primary character.

This here journal is Raven’s idea but I got me a feeling he won’t be so proud of it if he ever gets to reading it because most of the time I’m going to tell the truth. Even if he is my best buddy.

Talk about your feet of clay. He’s got them run all the way up to his noogies, and then some. But he’s a right guy even if he is a homicidal, suicidal maniac half the time. Raven decides he’s your friend you got a friend for life, with a knife in all three hands.

My name is Case. Philodendron Case. Thanks to my Ma. I’ve never even told Raven about that. That’s why I joined the army. To get away from the kind of potato diggers that would stick a name like that on a kid. I had seven sisters and four brothers last time I got a head count. Every one is named after some damned flower.

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Future Treasures: The Thousand Year Beach by TOBI Hirotaka

Future Treasures: The Thousand Year Beach by TOBI Hirotaka

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The Thousand Year Beach-smallJim Killen, the science fiction and fantasy book buyer for Barnes & Noble, shares his curated list of the month’s best science fiction & fantasy books at Tor.com and the Barnes & Noble Sci-Fi & Fantasy Blog.

There’s several things on his June list that caught my eye — starting with The Thousand Year Beach, by Tobi Hirotaka, a novel that contains virtual reality, a far future resort, and an apocalyptic battle between killer arachnids and a small band of artificial intelligences. It’s not your usual SF adventure, that’s for sure.

The Thousand Year Beach is book one of the Angel of the Ruins series. Here’s Jim’s take.

The first novel in translation from Japan’s Tobi Hirotaka, a three-time winner of the Seiun Award (often referred to as “the Japanese Hugo”). Costa del Número is a virtual resort, divided into several zones, including the Realm of Summer. Humanity used to find release and rest from a chaotic world among the artificial intelligences in the Realm, but no human has visited in a thousand years. The AIs there have continued to exist in their endless summer, however — until one day, an army of hungry spiders arrives and decimates the Realm in short order. As night falls, the few surviving AIs prepare for a final, hopeless battle against the invaders, uncertain of what’s happening in the real world beyond their virtual one.

Nick Mamatas (I Am Providence) is the editor of Tradebooks, Viz’s line of non-manga titles. His main focus is Haikasoru, a new imprint of Japanese science fiction, fantasy, and horror novels and stories in translation.

Nick tells us “The Thousand Year Beach presents an idyllic virtual world, still running long after having been abandoned by humans, that suddenly finds itself invaded by an impossible force.”

The Thousand Year Beach will be published by Haikasoru on June 19, 2018. It is 336 pages, priced at $16.99 in trade paperback and $9.99 for the digital edition. Read more details at The Outerhaven.

Vintage Treasures: The Ends of the Earth by Lucius Shepard

Vintage Treasures: The Ends of the Earth by Lucius Shepard

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Lucius Shepard The Ends of the Earth-small

When he died in 2014, it was my unfortunate duty to write an obituary for Lucius Shepard. I considered him one of the finest short fiction writers in the genre in the 80s and 90, and tried to explain why in three short paragraphs. Here’s the core of what I wrote.

I first encountered him in the pages of Omni magazine in 1988, with his novelette “Life of Buddha.” I remember being astounded with the natural realism of his dialog, which captured the flow of modern speech in a way I’d never seen before. I read his brilliant Nebula Award-winning novella “R&R” — which opens with an artillery specialist in Central America getting a glimpse of a war map and wondering if he’s somehow caught up in a war between primary colors — and the novel it turned into, Life During Wartime (1987). His dark visions of the near future frequently involved inexplicable wars, and he wrote extensively about Central America, where he lived briefly.

Four years after his death, Shepard is in danger of being forgotten. Virtually all of his work is out of print, and his finest work — his award-winning short stories — is getting harder to find. Fortunately, it’s not getting more expensive. Those who know what to look for can snap up his best collections are bargain prices. In April I was the only bidder on eBay for a brand new copy of his World Fantasy Award-winning The Ends of the Earth (1991), and won it for the criminally low price of $7.99. It’s one of the finest fantasy collections of the last 30 years.

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Birthday Reviews: Kage Baker’s “Calimari Curls”

Birthday Reviews: Kage Baker’s “Calimari Curls”

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Cover by Mike Dringenberg
Cover by Mike Dringenberg

Kage Baker was born on June 10, 1952 and died on January 31, 2010.

In 1999, Baker was nominated for the John W. Campbell Award for Best New Writer. Baker won the Emperor Norton Award in 2003 for her story “A Night on the Barbary Coast.” The next year she won the Theodore Sturgeon Award for “The Empress of Mars.”  She received two nominations for the Mythopoeic Award, three nominations for the World Fantasy Award, and three nominations for the Hugo Award.  In 2010, she received for her second Nebula nomination and an Andre Norton nomination.  She won the Nebula posthumously that year for the novella The Women of Nell Gwynne’s.

“Calamari Curls” was first published in Baker’s collection Dark Mondays in 2006. In 2011, Ross E. Lockhart reprinted it in the anthology The Book of Cthulhu. Both of its first two appearances were published by Night Shade Books. In 2012, it was included in the Subterranean Press retrospective The Best of Kage Baker.

The small California oceanside community of Nunas Beach is a town that time had forgotten. Founded as a resort town in 1906, it grew with refugees from the San Francisco Earthquake, but quickly shrank again as people left to return to the rebuilt metropolis. The locals lived a quiet, unassuming life based around the ocean. Pegasus Bright, who had lost both legs in the war, ran the town’s only restaurant, the Chowder Palace.

The town is limping along, figuratively (and literally, most of the townspeople seem to be missing at least one limb) when outsiders come in to turn the delapidated shell of a restaurant across the street from the Chowder Palace into a happening dining spot, the Calamari Curls. Business at the new restaurant not only draws the townspeople away from the Chowder Palace, but brings more outsiders into town, where all the businesses except the Chowder Palace are able to take advantage of the newfound tourist trade.

Bright makes common cause with “Betty Step-in-Time,” a street performer and shaman, to do whatever they can to destroy the Calamari Curls. Betty researches the town and learns that the previous occupants of the building had all come to a bad end. Readers will readily identify the Lovecraftian influences at that point, if the name of the new restaurant isn’t already a clue. Although no elder gods are directly summoned, their influence does bring about Bright’s desired ends.

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The Verge on 13 Enthralling Science Fiction and Fantasy Books You Need to Check Out This June

The Verge on 13 Enthralling Science Fiction and Fantasy Books You Need to Check Out This June

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The Robots of Gotham McAulty-small The Book of M-small Summerland Hannu Rajaniemi-small

Andrew Liptak at The Verge has dipped into the thundering production pipelines at America’s publishing houses for the month of June, and returned with a secret list of the 13 very best science fiction and fantasy books — including novels by Paul Tremblay, Yoon Ha Lee, Peter Watts, Katie Williams, Alex White, Rob Boffard, Melissa F. Olson, and Black Gate‘s own Todd McAuty. Many bothans died to bring us this information. Use it wisely.

The Robots of Gotham by Todd McAulty (John Joseph Adams/Houghton Mifflin Harcourt, 676 pages, $26 in hardcover/$12.99 digital, June 19, 2018)

In this future, the United States waged — and lost — a war against a coalition of machines, and it’s now under robotic occupation. A businessman named Barry Simcoe meets a Russian medic working with the occupying armies after his hotel is attacked. Together, they learn of a plot to unleash a plague that could wipe out humanity once and for all. Publishers Weekly gave the book a starred review, saying that the book has a “breathless momentum,” and that McAulty “extrapolates a scary AI-overrun 2083 that’s only a few steps removed from today’s reality.”

Todd McAulty was the most popular writer in the print version of Black Gate. His stories included “There’s a Hole in October” in Black Gate 5, which Locus labeled “magnificent storytelling, begging expansion into a novel,” and Tangent Online called “one of my favorite stories so far this year.” It was reprinted this month in Lightspeed.

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Birthday Reviews: Joe Haldeman’s “Blood Brothers”

Birthday Reviews: Joe Haldeman’s “Blood Brothers”

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Thieves' World-Walter-Velez-small Thieves' World-Walter-Velez-back-small

Cover by Walter Velez

Joe Haldeman was born on June 9, 1943.

Haldeman received his first Hugo and Nebula Award for his debut novel, The Forever War. He won both awards again for his novella “The Hemingway Hoax” and his novel Forever Peace. Haldeman received the Nebula Award on two other occasions for his short story “Graves,” which also won a World Fantasy Award, and his novel Camouflage. He also has two additional Hugo Awards for the short stories “Tricentennial” and “None So Blind.” Forever Peace also was honored with the John W. Campbell Memorial Award and Camouflage tied for a James Tiptree Jr. Memorial Award and won the Southeastern SF Achievement Award. He was won three Rhysling Awards, the Ignotus Award, and the Ditmar Award as well.

DeepSouthCon presented Haldeman with a Phoenix Award in 1983. He was one of the pro Guests of Honor at ConFiction, the 1990 Worldcon in The Hague. Along with his wife, Gay, he was awarded a Skylark Award by NESFA in 1996. In 2004, he was recognized with a Lifetime Achievement Award by the Southeastern SF Achievement Award. Haldeman received a Robert A. Heinlein Award from the Heinlein Society in 2009 and in 2010 he was recognized as a Damon Knight Grand Master by SFWA. In 2012, he was inducted into the Science Fiction Hall of Fame.

“Blood Brothers” was Joe Haldeman’s only contribution to Robert Lynn Asprin’s shared world anthology series Thieves’ World, appearing in the debut volume in 1979. Written for the project, its reprint life has been limited, appearing in Sanctuary, an omnibus of the first three volumes of the Thieves’ World anthologies in 1982, and again in the omnibus Thieves’ World: First Blood in 2003, which reprinted the first two volumes of the series. Haldeman also included the story in his own collection, Dealing in Futures, originally published in 1985.

One Thumb was a major character in the early Thieves’ World shared world anthologies, created by Joe Haldeman for his story “Blood Brothers.” Shown by other authors in the series as powerful and mysterious, Haldeman’s own depiction of the owner of the Vulgar Unicorn was of a nearly amoral man, given to theft, murder, and rape. In the course of Haldeman’s short story, One Thumb, also known as Lastel, commits an assassination, a murder, deals in drugs, and considers his need to rape women.

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Remembering Michael D. Weaver

Remembering Michael D. Weaver

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Mercedes Nights-small My Father Immortal Michael Weaver-small

I was on ISFDB and noticed that today marks the 20th anniversary of Mike Weaver’s death.

Michael D. Weaver broke into the SF field with Mercedes Nights in 1987 and looked like he was going to be The Next Big Thing (or one of them, anyway). He published seven novels in nine years before dying at the age of 37.

At St. Martin’s Press, I worked on his first two novels, particularly his second one, My Father Immortal. In those pre-email days, he would call almost every day about this or that. He came to New York for the SFWA Authors and Editors party with his girlfriend, whose name was Angel (if my memory serves) and whose dress and looks led some people to think she had been hired from an escort service. (She hadn’t.) I got drunk at the party and made the mistake of telling Mike how I thought his novel was ideal for teens — how the book worked as a great metaphor for adolescence. He didn’t call for several days after that.

If memory serves, he died in a freakish accident — something like falling in the yard and having his head land in a bucket or puddle, where he drowned.

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Birthday Reviews: Kate Wilhelm’s “State of Grace”

Birthday Reviews: Kate Wilhelm’s “State of Grace”

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Orbit 19
Orbit 19

Kate Wilhelm was born on June 8, 1928 and died on March 8, 2018.

She won the Hugo Award twice, for her novel Where Late the Sweet Birds Sang and the book Storyteller: Writing Lessons and More from 27 Years of the Clarion Writers’ Workshop. She won the Nebula three times for the short stories “The Planners” and “Forever Yours, Anna,” and the novelette “The Girl Who Fell into the Sky.” She helped establish the SFWA and Clarion Workshop, and helped run the early Milford Writers Workshops. Along with husband Damon Knight, she was a Pro Guest of Honor at Noreascon Two and received the Gallun Award for contributions to science fiction. She was inducted into the Science Fiction Hall of Fame in 2003. She received an inaugural Solstice Award in 2009 and in 2016, the awards was renamed the Kate Wilhelm Solstice Award in her honor.

Wilhelm sold “State of Grace” to Damon Knight for inclusion in Orbit 19 in 1977. It appeared in her collection Somerset Dreams and Other Fictions in 1978 and in the collection State of Grace, part of Pulphouse Publishing’s Author’s Choice Monthly series in 1991. In 1980, the story was translated into French for the publication of Quand somerset rêvait, a translation of Somerset Dreams and Other Fictions.

“State of Grace” is the story of a deteriorating marriage in a suburb of Louisville, Kentucky. The narrator believes she has seen small creatures living in the oak tree in her backyard and she begins to work to protect the unseen creatures and take care of them, providing them with food, water and other essentials. Her husband, on the other hand, gets the inkling that there may be something in the tree that could be worth quite a bit of money and he decides he needs to capture them.

The argument over the tree escalates as she tries to help the creatures and he gets more and more anxious about their presence and his attempts to remove them, including a brief try to cut down the tree. When he goes into the tree, something causes him to change his mind and he accepts the creatures’ presence.

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Vintage Treasures: The Healer’s War by Elizabeth Ann Scarborough

Vintage Treasures: The Healer’s War by Elizabeth Ann Scarborough

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The Healer's War-small The Healer's War-back-small

Elizabeth Ann Scarborough has had a long and fruitful career that stretches back to her first novel, Song of Sorcery, in 1982. Over the next 34 years she produced a virtually book every year, writing over 40 novels and 4 collections, including The Songkiller Saga trilogy, the Godmother trilogy, Nothing Sacred and Last Refuge, and over a dozen novels co-authored with Anne McCaffrey, many in the Acorna series.

Scarborough earned a reputation for dependable and often playful light fantasy, with such novels as The Harem of Aman Akbar (1984), The Drastic Dragon of Draco, Texas (1986), and her cats-in-space series Tales of the Barque Cats. But she was capable of more than that. Scarborough spent five years as an nurse with the US Army, including one year in Da Nang, Vietnam during the war, and in 1988 she turned that experience into The Healer’s War, which became her most acclaimed and celebrated novel. It won the Nebula Award the following year. Kirkus Reviews wrote “Scarborough writes powerfully and convincingly of the war,” and Publisher’s Weekly said,

Army nurse Kathleen McCulley’s… tour of duty at China Beach puts the young woman from Kansas through the usual mixture of empathy for the Vietnamese and anger at the indifference or outright racism of army personnel. The unanticipated twist is a hallucinatory journey through the jungle with a one-legged Vietnamese boy, a battle-seasoned but crazy soldier and a magic amulet given her by a dying holy man. Although its moralizing invites comparison with TV’s MASH and Twilight Zone, Scarborough’s light, fluid storytelling and the authentic, pungent background keep this novel interesting.

The Healer’s War was published in hardcover by Doubleday Foundation in November 1988, and reprinted in paperback by Bantam Spectra 12 months later. It is 313 pages, priced at $4.99 in paperback. The cover is by Braldt Bralds. It is currently available in print and digital formats from Open Road Media. See all our recent Vintage Treasures here.