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Text & Countertext

Text & Countertext

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One of the best books I’ve read about writing (and, full disclosure, I don’t read many) is Samuel Delany’s About Writing: Seven Essays, Four Letters & Five Interviews (Wesleyan). When I say “best,” I don’t mean I was nodding my head the whole way through going, “Right! Exactly!” Although in many places I was. Overall, I was in constant dialogue, sometimes offering additional examples or counterexamples, sometimes arguing vociferously, sometimes muttering, “WTF are you talking about?” Almost every page was good for a long train of thought.

The subject of one chapter is illustrated by its title, “After No Time at All the String on Which He Had Been Pulling and Pulling Came Apart into Two Separate Pieces So Quickly He Hardly Realized It Had Snapped….” Writing, Delany argues, has at least two technical levels. The sentences of a story describe a progression of events and occurrences, and this is what he calls the “text.” These sentences, though, are simultaneously “gesturing, miming, and generally carrying on about a supportive countertext that gives the story we’re reading all its resonance, highlighting, and intensity.” …

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Leaks and Peeks

Leaks and Peeks

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So a lot of people are on the edge of their seats because Apple is introducing a new iPhone model next week, and some people have fuzzy pictures supposedly leaked from China that purportedly show that the new model will have a matte black case. I can hardly contain my excitement. I’m cynical enough to think that Apple itself might be leaking the sneak peeks as a way to generate buzz about what sounds to me as just some feature improvements so people will want to stand in line for two weeks at the wireless store until the new model is available and they can belong to the technical elite for a couple of days or so.

All of which reminds me of a recent short story by Bruce Sterling, “Black Swan” in the March-April 2009 (Issue 221) of Interzone. The protagonist is an Italian blogger-journalist (sounds a little like Sterling himself in some respects) who gets insider tips on new technologies from a mysterious source who is so secretive he can’t be Googled. There’s a lot of techno-speak and the plot hinges on the notion that the 1980s (when, perhaps not coincidentally, Sterling and his fellow cyberpunks first started making names for themselves) was a critical historical point from which multiple realities branched. The story also features Nicholas Sarkozy (yes, the president of France) and his actress-singer wife (yes, that wife).

Fun stuff and much more interesting than the gloss on the iPhone.

Darkon

Darkon

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darkon_tstAs a follow-up to last week’s post on Escapism, I give you Darkon (2006), a low-budget documentary  by Andrew Neel and Luke Meyer that raises some of the same questions I did in my post as it looks at one particular group of LARPers (Live-Action Role-Players) involved in a game that has become its own little reality. Following the lives of a few key players in the drama, the documentary (which I watched free on Hulu after John Ottinger pointed it out, though it is also available from snag films) chronicles their in-game and out-of-game struggles, and how these facets of their lives intertwine.

If your initial reaction to adults pelting each other with foam swords is to roll your eyes, that’s probably even more reason to watch this documentary, which is a sympathetic and nuanced look at the lives of these players. Firstly, the film is presented as a real struggle for ‘in-game power’ between its two central characters, leaders of rival ‘countries.’ These competing factions of Darkon chart their progress in wars that allow them to expand across a map, and one faction, the nakedly imperialistic Mordom, has had more success at this than the rest. Feeling threatened, other countries lead by Laconia, band together to fight them.

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Magic: To Eff or Not to Eff?

Magic: To Eff or Not to Eff?

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Should magic in fantasy fiction have a freakish perplexing quality that stands outside of reason or should it be a kind of alternate science, a para-physics (or para-chemistry or whatever) for a universe with physical norms that differ from ours?

This has been on my mind lately, for various reasons. And (like most people) when I think of the poetics of fantasy, I think of 18th C. skeptical philosophers.

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The Story Is All: Ten Fiction Editors Talk Shop

The Story Is All: Ten Fiction Editors Talk Shop

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cw_33Issue 33 of Clarkesworld Magazine features a round-table interview with “Ten of the top speculative fiction magazine editors,” including Black Gate‘s John O’Neill.

Clarkesworld Magazine, edited by Neil Clarke, Sean Wallace, and Cheryl Morgan, is a 2009 Hugo Award moninee for Best Semiprozine.

It was founded in 2006 and has published fiction by Robert Reed, Jeffrey Ford, Theodora Goss, Stephen Dedman, Rebecca Ore, Jeff VanderMeer, Jay Lake, Mary Robinette Kowal, Catherynne M. Valente, and many others.

The interview also includes Realms of Fantasy‘s Shawna McCarthy, Sheila Williams from Asimov’s Science Fiction, Ann VanderMeer of Weird Tales, Patrick Nielsen Hayden of Tor Books, Cat Rambo from Fantasy Magazine, Mike Resnick from Jim Baen’s Universe, Stanley Schmidt from Analog Science Fiction and Fact, Jason Sizemore of Apex Magazine, and Gordon Van Gelder of The Magazine of Fantasy and Science Fiction.

The interview was ably conducted and assembled by Jeremy L. C. Jones, who states:

Ultimately, fiction editors are the people who mine the slush pile for new voices and who push established writers to grow beyond their previous stories. They read story after story, and more pile up each day. They screen, sort, revise, and reject. They seek the new, the fresh, the familiar, the entertaining, and the weird. They discover and they miss out.

“There is no magic formula,” said Gordon Van Gelder of The Magazine of Fantasy and Science Fiction. And this holds true for writing stories, submitting stories, and editing stories.

Among other things, Jeremy asked his subjects What are some reasons why you’d reject a good story? and What does “fit” mean for your magazine?

This whole interview is a treasure trove of info for writers, whether you write science fiction, fantasy, or anything else.    — Filling Spaces

You can find the complete interview here.

In Praise of Escape

In Praise of Escape

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brickI’ve only ever heard the terms ‘escapism’ and ‘escapist’ used as pejoratives and, quite often, used to describe things that I enjoy. We all know what these terms mean, and especially what they are implicitly communicating: the notion that escapist entertainment is a crutch, a way of running away from reality. But also, and I think that this is more important, that it has no redeeming value as art or as educational material.

But the whole thing breaks down when you look at individual cases. I think pop singing contests are the worst drek on TV, pure mind-wasters, absolute escapist fare. But most of the fiction I like, books and films, would no doubt be regarded with revulsion by a professor of modern literature who shops at the same bookstore as me. That professor of modern literature’s passionate devotion and minute study of one particular author would be seen as an indulgence in ivory tower academic fantasy by the man who installed the rain gutters on the professor’s bungalow, a man who looks forward every week to American Idol.

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Tooth without Consequences: Dreams with Sharp Teeth

Tooth without Consequences: Dreams with Sharp Teeth

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Dreams with Sharp Teeth was more than a quarter of a century in the making; the first footage was shot in the early 1980s and was used in a PBS special; the film-makers kept coming back for more until they had a feature-length documentary (including lots of older material) which premiered in April 2007. It’s about someone named Harlan Ellison. If you have never heard of him, this movie is not your best possible introduction to one of the great American fantasists. If you are one of the legions of people who hate Harlan J. Ellison’s guts, you will not want to see this movie, unless you enjoy the sensation of hating the guts of someone lots of other people seem to love. Anyone not in these two groups will probably find stuff to like and dislike in this movie.

Harlan Ellison escapes from various perils and lives happily (if somewhat angrily) ever after. That was an unannounced spoiler. More details beyond the jump.

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Risus: Rules-Lite to the Min

Risus: Rules-Lite to the Min

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rlogoRisus: The Anything RPG
By S. John Ross

I seem to have gotten into a Rules-Lite RPG series here at Black Gate. Not sure how that happened. I didn’t plan it, I know that for certain…

A few weeks ago, I reviewed one of the classics of “beer-and-pretzels” role-playing games, Kobolds Ate My Baby! Although a great game, KAMB! uses a specific (comically specific) setting with rigid character types. If you want to unleash a beer-and-pretzels RPG night without any limitations, you will want to turn to Risus, a generic system perfect for the slam-bang quick gag game.

Risus takes the term “rules-lite” and goes to the minimum with it: the whole system fits comfortably onto six PDF pages you can download here. I have to take caution with this review, because I might risk writing one that’s longer than the review subject. But those six pages provide only a blueprint for endless parody-RPG weirdness; I’m reviewing the experience you might get from putting Risus into practice.

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Donald im Deutschen, or Unsung German Ph.D. Art Historian Heroines of the Comics Industry

Donald im Deutschen, or Unsung German Ph.D. Art Historian Heroines of the Comics Industry

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donaldWho knew? The national weekly Micky Maus, featuring mainly Donald Duck, sells 250,000 copies in German, beating out Superman. Another 40,000 mostly adult readers snap up the monthly all-Donald specials. The fan organization D.O.N.A.L.D. (an acronym for “German Organization for Non-commercial Followers of Pure Donaldism”) holds a yearly convention, philosopher Max Horkheimer admitted to reading Duck comics at bedtime, and many Germans credit the Donald with introducing them to the literary classics. He remains the most popular children’s comic in Germany.

As Susan Bernofsky writes in the May 23 Wall Street Journal, it’s because Disney’s German licensee, Ehapa, retained artistic control over the translations. Donald was introduced during the years following World War II, when school officials were setting fire to American comics and some were proposing laws to ban comic books altogether. Ehapa hired a Dr. Erika Fuchs, who had never laid eyes on a comic before she was handed her first Donald Duck story. Her job was to breathe a little erudition into Disney. In her version, Donald quotes (and misquotes) Schiller and Goethe, he’s prone to philosophical musings, and even ordinary dialogue is cranked up: “I’d do anything to break this monotony!” becomes: “How dull, dismal and deathly sad! I’d do anything to make something happen.” A cat belts Wagner. And through it runs a vein of political critique, mostly, it seems, aimed at Nazism and intolerance.

Dr. Fuchs supplied the German for Donald Duck for a rather amazing 54 years, until her death in 2005.