Browsed by
Category: Blog Entry

A (Black) Gat in the Hand: Bleak Noir – Jim Thompson

A (Black) Gat in the Hand: Bleak Noir – Jim Thompson

Comments 6 comments

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

I have a shelf full of Jim Thompson books. For A (Black) Gat in the Hand, I decided to read a couple I had not got to yet. So, Wild Town was followed by A Swell Looking Babe. Then, Nothing More than Murder. And I mixed in The Grifters (which I have read, as well as seen the movie) into my audiobook listening.

While I’ve got a post dedicated to maybe his most unusual book – The Transgressors – in the works, I wanted to bring up one common aspect in his writing.

It can be difficult to sympathize with the main character, as they’re often not very nice people. That’s a post in itself. And those characters are often saturated with bleakness. I rarely read two Thompsons in a row. I need a palette cleanse after one. He’s good. But he’s about as joyful as Full Metal Jacket.

…

Read More Read More

Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 2

Into the Weird: Weird Tales, April 1923 (Volume 1, Number 2) Part 2

Comments 7 comments

Weird Tales, April 1923

The table of contents of the second issue of Weird Tales advertises “Sixteen thrilling short stories / Two complete novelettes / Two two-part stories / Interesting, odd, and weird happenings.” More specifically, one of the two-part stories, the cover story, begins this month while the other concludes. As for the “interesting, odd, and weird happenings,” I wrote about them here, so now let’s get to the fiction. (Note that discussion of one of these stories necessitates quoting an ethnic slur, directed against the French, of all people.)

The first of the tales on offer in this issue is one of the novelettes, “The Scar,” by Carl Ramus (whose surname’s misspelled in the table of contents as ‘Rasmus’). It’s the only known published story by Ramus, though his sister Sybla was a writer whose work would later appear in Weird Tales. Carl Ramus had a day job as a doctor, and as it happens “The Scar” is a tale of a dashing young doctor pulled into a kidnapping plot. It’s not a terrible story, but it’s a surprising choice to lead off the issue as there’s little supernatural about it — the heroine claims to be able to bring on a fever by willing it and the hero believes he has a knack for hypnotism — and nothing I can see as ‘weird’ in any other sense. If the magazine’s still in the process of defining itself, then editor Edwin Baird has a different sense of where he intends it to go than we might expect from our later perspective.

…

Read More Read More

The Unfinished Monument: The Steranko History of Comics

The Unfinished Monument: The Steranko History of Comics

Comments 9 comments
The Steranko History of Comics, Volumes One and Two, front covers

Imagine Mount Rushmore with only one president on it. Picture a Washington Monument that’s only 185 feet tall instead of 555. How about a Statue of Liberty missing two arms and a head? No takers? I don’t blame you; there’s nothing more frustrating than a great beginning that remains incomplete.

Take The Steranko History of Comics, a work that was intended to fill six volumes. The first two came out in 1970 and 1972… and then, nothing. It’s been fifty-four years now and I don’t mind telling you, I’m starting to lose hope.

Certainly no one was (or is — he’s still with us at the age of eighty-eight) more qualified to write a history of comics than Jim Steranko. Active in the industry as an artist and writer since the late 50’s, he did his most famous work for Marvel on their Nick Fury, Agent of S.H.I.E.L.D. title. Charging through the door that Jack Kirby had kicked open, Steranko created some images (especially his Nick Fury covers) that have become icons of the psychedelic 60’s as essential as anything by Andy Warhol or Peter Max.

…

Read More Read More

The Literacy Crisis – Audiobooks

The Literacy Crisis – Audiobooks

Comments 9 comments
Me… yet again

Good afterevenmorn, Readers!

I made an attempt this past fortnight to return to social media. As a small author, it’s really important to make attempts at getting seen if I have any hope of selling my books. Social media is one of the best ways to do this, for better or worse. I’m not especially good at marketing myself or my stuff, so I was trying to use this past couple of weeks as an opportunity to observe and learn.

This might have been an error. In just a week and a half of returning to social media, I have stumbled across several topics in the bookish world that may have done irreparable harm to my blood pressure. And sense of optimism.

…

Read More Read More

A (Black Gat in the Hand: Ballard’s Bill Lennox in Hollywood (my intro)

A (Black Gat in the Hand: Ballard’s Bill Lennox in Hollywood (my intro)

Comments 2 comments

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest took place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its Summer line at this event. Last week I shared the latest intro I wrote for Hammett’s Continental Op series; which is up to four volumes. This week, it’s my other new Steeger release. I’m a big fan of W.T. Ballard’s Hollywood studios troubleshooter, Bill Lennox. He’s a neat take on the hardboiled PI. 

Lennox was featured in short stories and novels, and I wrote the intro for Volume 2.

Willis T. Ballard’s middle name is ‘Todhunter.’ While that is certainly a rare one, it is also the middle name of his cousin, Rex Stout, who created the hugely popular Nero Wolfe. Apparently Todhunter is a good name if you want to become a successful writer.

…

Read More Read More

Weird Times 3: Fashion

Weird Times 3: Fashion

Comments 10 comments
Fashions of the week in March of 1923.

This post is the third in a series reflecting on the world of 1923, and the 1920s generally, as a background to early issues of Weird Tales. Imagine that you’re an American in 1923, and you’re taking a walk to the newsstand to buy the first issue of a new pulp fiction magazine. What sort of things will you see?

Walk down a city street and you’ll observe other people around you, meaning you’ll see the fashions of the time. Any given era has its characteristic clothes and hairstyles, and the nineteen-twenties are no exception. Interesting to me personally are the reasons behind the adoption of specific fashions, and what they have to say about the way the world is changing. I’m writing these background posts as though one aspect of the 1920s can be divided from the others, but the truth is that then as now everything’s mashed together. Fashion’s affected by technology and politics, by ideas about formality and ideas about sexuality; and it can create images that will, for later years, define its moment.

…

Read More Read More

Dark Muse News: Unearthing Black Gate, and the Cave of Wonders – Interviewing John O’Neill

Dark Muse News: Unearthing Black Gate, and the Cave of Wonders – Interviewing John O’Neill

Comments 41 comments
Issue and cover artists: 1  Keith Parkinson (2000), 4  Charles Keegan (2002), 10 Denis Rodier (2007), 12 Bruce Pennington (2008), 15 Donato Giancola (2011)

Learn the lore and allure of Black Gate!

Building on our June 2026 coverage of The Legend of Top-Shelf Books Open Mic, the near-mythical, yet true, confluence of many Black Gate contributors and authors, this Dark Muse News post corners Chief Editor John O’Neill to detail the history of the magazine. It’s over 25 years old!

I learned about Black Gate magazine in 2010 at the World Fantasy Convention, when Howard Andrew Jones espoused about it on a panel. I immediately ordered Issue #15, and then the print run ended! Eh gad. I was late for the party again! (Context in The Legend of Top-Shelf Books post).

…

Read More Read More

A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

A (Black) Gat in the Hand: Hammett & The Continental Op – Volume 4 (My intro)

Comments 2 comments

“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

Pulp Fest takes place in Pittsburgh first week of the month. It’s a really cool event, and the Hilton Doubletree is a nice site. Steeger Books rolls out its summer line at this event. And for the fourth year in a row, there was a new Continental Op collection, with a brand new intro by yours truly. Getting to write about Dashiell Hammett remains a definite thrill. This volume contains the first great hardboiled novel, Red Harvest. 

Unable to make a living writing for Phil Cody, Dashiell Hammett quit Black Mask – and the Pulps, entirely – after “The Creeping Siamese,” which appeared in the March 1926 issue. It was also the last story in Volume Three of this series.

Hammett had written some top-tier stories, such as “The Girl with the Silver Eyes,” and “The House in Turk Street.” But he was not yet THE Dashiell Hammett when he took a full-time job as advertising manager for Albert S. Samuels Co. Jewelers, in March of 1926. Hammett worked, drank, got a second apartment as a writing studio, and romanced the office secretary; all while his second child was being born. The stress was too much for his war-damaged lungs and he collapsed, coughing up blood. Unable to work full-time, he did free-lance advertising writing. He simply did not want to write fiction again. Enter Joseph ‘Cap’ Shaw.

…

Read More Read More

Forgotten Authors: John T. Phillifent

Forgotten Authors: John T. Phillifent

Comments 8 comments
John T. Phillifent (a.k.a. John Rackham)

John T. Phillifent was born in Durham, England on November 10, 1916.

As with last week’s entry, Henry J. Kostkos, Phillifent worked as an electrical engineer.

Although Phillifent wrote some short fiction and three The Man from U.N.C.L.E. tie-in novels under his own name, he also used the pseudonym John Rackham for the majority of his fiction. According to Phillifent, he reserved his own name for his best material.

His first published work was the Jupiter Equilateral, published by the Tit-Bits Science Fiction Library in 1954 under the Rackham name.  He wouldn’t publish anything under his own name until the story “Point” appeared in the December 1961 issue of Fantastic Stories of the Imagination.

…

Read More Read More

You Need Some Strong Medicine: The New Holmes on the Range

You Need Some Strong Medicine: The New Holmes on the Range

Comments 2 comments

This updated essay, a comprehensive chronology, and a Q&A which Steve Hockensmith kindly did with me, represent the deepest dive anyone has done on the terrific Holmes on the Range series. It incorporates all the novels and short stories featuring Otto and Gustav Amlingmeyer, as well as the two novels and one short story for the spin-off Double-A Western Detective Agency.

I just read the new novel, Strong Medicine, and it was great Big Red and Old Red fun, as always. Throughout the year I listen to various Holmes on the Range audiobooks and they keep entertaining.

If I still haven’t convinced you to try that first novel, Holmes on the Range (or the short story collection, Dear Mr. Holmes), give me the benefit of the doubt. Steve’s a really good writer, and these are fun Western mysteries, with a Holmes underlay. Don’t be a saphead. 🙂

…

Read More Read More