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One More Time(Piece)

One More Time(Piece)

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Robinson Kill EditorIn my last post I talked about John D. MacDonald’s The Girl, the Gold Watch and Everything, and today I’d like to take a look at Spider Robinson’s homage to that classic story, Kill the Editor.

I should begin by telling you that Kill the Editor was published separately as a limited edition (1991) but also appears as the first two thirds of his longer Lady Slings the Booze (1992), which is in itself a follow-up (avoiding the dreaded “s” word) to Callahan’s Lady. In Lady Slings Robinson tips his hat to several other mystery/crime writers in his acknowledgements, but it’s MacDonald’s watch that interests me here.

As you’ll recall if you read my last post, Kirby Winter inherited a watch that would stop time for the person holding it. A ton of other people wanted to get his secret from him – most without knowing exactly what the secret was – and defending himself and defeating the bad guys constitutes the plot of that story. (Or the plot of pretty much any story, I suppose.)

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The Series Series: Guile by Constance Cooper

The Series Series: Guile by Constance Cooper

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Guille with Constance CooperGuile begins with the girl, but here we must begin with the town.

First, posit a dream-logic variation on Louisiana, a region of lovely old towns sinking inexorably into swamp, linked along their river by villages of stilted cabins. People here live by their river, inevitably — subsistence fishing is the most common livelihood — but the river can’t be trusted. Not just because it floods, but because of the mysteries it carries from dangerous lands upstream.

Because this is a dream-logic Louisiana, the pollution the river carries is not a thousand miles of industrial effluent, but the residual magic of a civilization that collapsed long ago. It’s a pervasive, contaminating magic, full of advantages for those who understand it — but it also breaks down the dividing lines between humans, beasts, and objects. People cope poorly when such boundaries get blurred, so even though the effort to police them is futile, policing them nonetheless is one of the principal priorities of this world’s customs. The heroine’s high town relatives are what you might get if H.P. Lovecraft and his prissy Providence aunts had made their respectable home just a mile from a slumful of Deep Ones.

The river might make a tool so intent on the task it was cast for that anyone who touches it can do nothing else. It might warp the bodies of divers who gather old artifacts to sell, webbing their fingers and gilling their throats. Animals who narrowly avoid drowning in the river emerge in a new kind of danger, endowed with human intelligence and speech, to the sometimes violent horror of actual humans. And minds contaminated by the magic can detect the magic, come to recognize its forms and functions, and use it where they find it, while those who’ve kept clean remain magic-blind.

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The Iron Dragon’s Daughter: A Wholly Biased Review

The Iron Dragon’s Daughter: A Wholly Biased Review

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The-Iron-Dragons-Daughter-smallAh, The Iron Dragon’s Daughter. John O’Neill asked me for a review a few weeks ago, and I thought, “Really? You want me to be objective when she and I are so very much in love?”

Because it is love, you know? And it burns hot enough to turn all negative comments to ash.

I’ve driven friends away with this obsession. “What do you see in The Iron Dragon’s Daughter?” they ask. “She’s so incoherent. She has practically no… no character.”

Yes, all right, all right. We’re talking about a book here. I knew that. Ink and paper, rather than flesh and bone. Born — apologies! — published in 1993. To some, like myself, it became a classic, but others greeted it with bewilderment and it has collected a slew (31%) of apathetic reviews on sites like Amazon.

The book has flaws, you see? It takes the type of liberties that would have most sane reviewers flinging stars away like wasps found on a beloved child.

“Where’s the plot?” they cry.

“Why is the main character so bland?”

Both of these accusations ring true. Michael Swanwick’s story does have an arc that flows from the first page to the last, but rather than a rushing torrent, what we have here meanders across an exotic plain of wonders, leaving half-finished tales behind like so many oxbow lakes.

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Once More Into the Primal Land: Tarra Khash: Hrossak! by Brian Lumley

Once More Into the Primal Land: Tarra Khash: Hrossak! by Brian Lumley

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oie_331744OeH2c07SWith Tarra Khash: Hrossak!, the British horror luminary Brian Lumley returns with six more stories of derring-do and magical skullduggery set in his primeval land, Theem’hdra. (Two years ago, I reviewed The House of Cthulhu, his first collection of swords & sorcery stories, here at Black Gate.) For those not familiar with the great island-continent, it’s another prehistoric land shoehorned into the Lovecraft Mythos timeline that includes Mu, Lemuria, Hyboria, Hyperborea, and several other forgotten places. It’s the sort of place endemic to tales of swords & sorcery, replete with strong-muscled heroes, conniving merchants, demon-haunted tombs, backstabbing villains, and dastardly wizards with faces hidden in deep cowls (all of which are found in this book).

Any moderately-read consumer of S&S will have experienced these elements, if not to the point of boredom, at least a whole bunch. To get away with the use of such hoary elements, an author must use them without a bit of irony, and with brio. Lumley does exactly that.

Lumley told Robert M. Price that his inspiration for The House of Cthulhu was the work of Clark Ashton Smith and Lord Dunsany, and it’s a claim only bolstered by the tales in this collection. While his prose is never as ornate or bejewelled as his models, there is a similar love for exotic, haunted landscapes draped in mystery and populated by ancient deities and uncanny magic.

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Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Six – “The Call of Siva”

Blogging The Insidious Dr. Fu-Manchu by Sax Rohmer, Part Six – “The Call of Siva”

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NOTE: The following article was first published on May 2, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

ColliersSivainsidious6“The Call of Siva” was the fifth installment of Sax Rohmer’s serial, Fu-Manchu first published in The Story-Teller in February 1913. The story would later comprise Chapters 13-15 of the novel, The Mystery of Dr. Fu-Manchu (initially re-titled The Insidious Dr. Fu-Manchu for its U.S. publication). Rohmer had built several of his Fu-Manchu stories on protracted paranoia and had previously made good use of a Limehouse opium den as a setting, but “The Call of Siva” sees him letting his plotline be dictated by the altered state of the waking dreamer for the first time and to great effect.

The story opens with our narrator, Dr. Petrie relating a strange dream which begins with him writhing on the floor in agony. Rohmer makes good use of Stygian darkness, Oriental tapestries, and Mohammedan paradise as suggestive imagery that Petrie’s queer dream, at once both mystifying and terrifying, is uniquely Eastern in origin. This point is confirmed as Petrie awakens with Nayland Smith as his cell mate. Only at this point does Rohmer resume something approaching a conventional narrative with Petrie’s murky recollection of he and Smith rushing to warn Graham Guthrie that he has been marked for assassination when they are abducted by unseen assailants from a passing limousine.

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The Public Life of Sherlock Holmes: Enter Jim Chee

The Public Life of Sherlock Holmes: Enter Jim Chee

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Chee_NavajolandSo, The Public Life of Sherlock Holmes has talked about Tony Hillerman here and Joe Leaphorn here. Leaphorn had featured in the first three novels: The Blessing Way, Dance Hall of the Dead and Listening Woman. This week, we turn our attention to Jim Chee

For his fourth Navajo Police novel, People of Darkness, Hillerman needed a less wise, less assimilated policeman. He actually considered flashing back to a younger Leaphorn but decided against that and instead created the younger, more naïve, Chee. He would hold for the next three books.

In addition to providing an alternative protagonist, Hillerman also changes the opening. In prior books, they begin outside, painting a picture of the reservation: Louis Horsman, on the run from the law, is setting traps to catch kangaroo rats (when he encounters a skinwalker – a witch). George Bowlegs is out running to practice for a Zuni religious ritual (and has a similarly unhappy encounter). And how about this descriptive passage to begin Listening Woman:

“The southwest wind picked up turbulence around the San Francisco Peaks, howled across the emptiness of the Moenkopi plateau, and made a thousand strange sounds in windows of the old Hopi villages at Shongopov and Second Mesa.”

But People of Darkness begins with somebody looking out her office window in a cancer clinic. Things certainly do get started with a bang!

Chee’s introduction is reminiscent of the opening scene of Raymond Chandler’s The Big Sleep. We have a “common” private investigator visiting a rich client of higher social standing. Rosemary Vines wants Chee to take some leave and find a box of keepsakes stolen from her husband. Her husband says it’s all a big mistake: no worry. Hillerman mixes in the Native American Church (the ones that caused the big legal furor over using peyote in their rituals).

Of all Hillerman’s books in the series, this one is most like a private eye novel and has a bit of a Ross MacDonald feel to it, as an event from long ago hangs over the current investigation.

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The Abuses of Public Domain Fiction

The Abuses of Public Domain Fiction

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cover225x225publicdomainPublic domain is a tricky issue. We all know the horror stories of a certain  bloodsucking literary estate who clings to the last remaining copyrights of their Victorian property and frequently demand exorbitant fees for usage in new works. There are also tales of a well-known property where a dubious claimant to the literary rights regularly files nuisance lawsuits and is often paid off by the big conglomerates just to avoid the hassle of dealing with the allegedly loopy individual in question. Both have generated their share of sympathy for the public domain cause.

Greedy bastards only interested in money and wealthy loons fighting to prove they own something they don’t are certainly unlikable characters. I know a good number of publishers and writers who thrive upon reviving properties that have slipped into public domain. So long as too many cooks aren’t in the kitchen churning out new soups with the same basic ingredients, it should be a harmonious situation that serves to keep the originals in print and grows fan interest in otherwise forgotten characters.

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Rosarium, Diversity, and the Assimilated Cuban’s Guide to Quantum Santeria

Rosarium, Diversity, and the Assimilated Cuban’s Guide to Quantum Santeria

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Rosarium_Comix_Banner_tbjinlHello, there!

I just wanted to pop in to tell you about the Indiegogo campaign that Rosarium Publishing is currently running.

From the first two paragraphs of their campaign page:

Rosarium Publishing (distributed through IPG) was started in 2013 with one goal: to bring true diversity to publishing so that the books and comics we enjoy actually reflect the fascinating, multicultural world we truly live in today.

We publish science fiction, crime, steampunk, satire, comics and represent over 40 artists and writers from all over the world.  With the success of this campaign, we will be able to print thousands of books and continue our mission to further our quest for diversity in publishing with the high quality of work you deserve.

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Blogging Sax Rohmer’s The Insidious Doctor Fu-Manchu, Part Five – “The Green Mist”

Blogging Sax Rohmer’s The Insidious Doctor Fu-Manchu, Part Five – “The Green Mist”

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NOTE: The following article was first published on April 25, 2010. Thank you to John O’Neill for agreeing to reprint these early articles, so they are archived at Black Gate which has been my home for over 5 years and 260 articles now. Thank you to Deuce Richardson without whom I never would have found my way. Minor editorial changes have been made in some cases to the original text.

CollMistinsidious5“The Green Mist” was the fourth installment of Sax Rohmer’s serial, Fu-Manchu first published in The Story-Teller in January 1913. The story would later comprise Chapters 10-12 of the novel, The Mystery of Dr. Fu-Manchu [initially re-titled The Insidious Dr. Fu-Manchu for U.S. publication]. When Rohmer incorporated the story into the novel, he added linking material intended to make the book appear timely and relevant. However, the true-life Yellow Peril news items that Rohmer has Petrie recount from actual British papers of the day strike a discordant note nearly a century on.

Freed from the exotic trappings of weird fiction, the straight journalism of the era seems dated, naïve, and offensive to modern sensibilities. This phenomenon is hardly unique to Sax Rohmer’s fiction and may also be experienced in the unenlightened views on display in the earliest of Herge’s Adventures of Tintin. Making matters worse is the current vogue for political correctness that believes in burying the past rather than learning from it. The combination of these factors stands as the most challenging obstacle facing mainstream publishers in the 21st Century marketplace.

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