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Self Publishing 101

Self Publishing 101

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in-savage-landsWhen I first read about self-publishing, I certainly didn’t think it was for me. I was busy trying to break into the market, working on my skills, celebrating a few acceptances here and there, and collecting a ton of rejections. It was what I had been told to expect, so everything seemed to be moving along just fine. At that time, with my limited understanding of what it meant, self-publishing would have been an admission of defeat, and was being self-published even really being published?

But the idea took hold and germinated in the recesses of my mind. I continued to read up on it, perusing blogs such as J.A. Konrath’s and Dean Wesley Smith’s and lurking on forums like the Kindle Boards Writer’s Café — even as I kept submitting to markets. I didn’t have consistent access to the Internet at that time, so my opportunities to keep informed were limited and infrequent. But over time, one thing became clear: there were people actually making a go of it, getting read, and a few outliers were actually making a living.

Which led me to ask what it was that I wanted to accomplish with my writing in the first place. Make a ton of cash, pay off the mortgage and retire, you bet. But that wasn’t really the reason, because if it was, I wouldn’t be writing. There are far more profitable ways to spend that time. No, I write because I take pleasure in it; I like the idea that something I’ve done might entertain someone for a while; that a stranger might read it and enjoy it. Yes, it’s all ego! I want to be read.

Well, that and make a million dollars.

A quick glance on the old hard drive showed over a hundred stories just sitting there, doing nothing. Some had already been published, but the rights had reverted to me. Others had been accepted by publishers that had, for whatever reason, folded before putting the story in print. Still others had been rejected by their intended markets, but I liked them anyway. And lastly, there were those that sat there because they deserved to. They weren’t all that good. So I selected a tentative table of contents for a collection and started researching the nuts and bolts of publishing in earnest.

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Librarians to the Rescue: Worldsoul by Liz Williams

Librarians to the Rescue: Worldsoul by Liz Williams

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1540901072Worldsoul
Liz Williams
Prime (311 pp, $14.95 in paperback, August 2012)

Reviewed by David Soyka

The stereotypical image of your local librarian is that of a dowdy, matronly spinster who is constantly telling you to “shush” while your adolescent self is trying to do something vastly more interesting (usually involving a person with whom you are sexually attracted) than figure out the Dewey Decimal system. And, these days with whatever we need to find out only a Google away, who needs librarians anyway?

Well, it would seem the preservation of the underlying fabric of the universe does.

While it’s unlikely that Liz Williams will make librarians cool the way that William Gibson made noirish anti-heroes out of computer nerds, in Worldsoul, librarians brandish magical swords that speak. Not to hush people, but to help defend ancient texts against rogue storylines amongst book stacks that date to the fabled Library of Alexandria before it burned to the ground (at least on Earth).

The novel’s title is the name of an otherworldly realm quartered into distinct cultural, climatic and political realms (and probably having something to do with maintaining the “soul” of the mundane world as we in ordinary life understand it): a hot desert land of ancient Cairo; a cold Nordica where Loki the trickster is an imprisoned nutcase, albeit not totally powerless; the Court inhabited by beings called the “disir” who take human form but aren’t; and the Citadel, the land of the library. This city of Worldsoul somehow or another connects Earth with something called the Liminality, a multi-dimensional storehouse of storylines, the integrity of which no doubt has something to do with the preservation of life as we know it here in realityland.

Our librarian heroine, Mercy Fane, is struggling to counteract strange beings that have escaped from primeval manuscripts and the boundaries of their original storylines. And which take on a female personality that seems to have an agenda to fix some longstanding wrong:

[Mercy] thought of the thing she had seen; the thing that, mentally, she had started calling “the female.” Part of a story from so long ago that any humanity had surely been leached from her, if indeed she had ever possessed any. Something forgotten, that raged, like so many forgotten things. Something that wanted to be known.

And something that, now, would be.

p. 35

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Worldcon Wrap-up

Worldcon Wrap-up

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black-gate-booth
The Black Gate booth. From left to right: John O’Neill, Howard Andrew Jones, James Enge, and part of Donald Crankshaw’s head. Also, the back of Peadar Ó Guilín. Click for bigger version.

I was almost to Chicago last Thursday when I realized I’d gotten so wrapped up in the audio book of The Name of the Wind that I’d missed my turn. Fortunately, I found another way to Interstate 90 and the Hyatt Regency. And when I finally reached the dealer’s room, I was able to lodge a personal complaint with Patrick Rothfuss himself for writing so well that I got distracted.

It wasn’t long ago that I’d arrive at a convention and be surrounded by strangers or literary luminaries I was too nervous to approach. When I turn up these days, there are still a lot of strangers, but there are plenty of familiar faces as well. Before I’d even checked in, I bumped into Tom Doyle, and shortly after registering my complaint with Patrick Rothfuss, I was welcomed by Arin Komins and Rich Warren  to their used books booth, Starfarer’s Dispatch.

Rich showed me a rare Harold Lamb book, then, as I noticed it contained an insert about Lamb I had no knowledge of, he handed me a CD with scans of the material. That was incredibly kind of him. I then signed a complete set of the Harold Lamb books I’d edited and personalized Arin’s copy of The Desert of Souls, which she had liked so much that I gifted her with an ARC of The Bones of the Old Ones.

Purely by chance, I kept down the aisle to the left and came instantly to the Black Gate booth where John O’Neill, (now with beard) occupied a booth surrounded by old but well-cared for paperbacks and stacks of Black Gate magazines. The booth remained a gathering spot for friends, acquaintances, and staff members throughout the convention, which is why the talented Peadar Ó Guilín and Donald Crankshaw were manning the booth with O’Neill. I’d never had the chance to meet Peadar before, but his gentle humor put me immediately at ease. We chatted for a while and then James Enge wandered up with his brother Patrick. While the Mighty Enge was settling into the room we shared, I retrieved a box of The Desert of Souls hardbacks to sell at the Black Gate booth. (We sold ’em all before the end of the convention!)

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2012 Hugo Award Winners Announced

2012 Hugo Award Winners Announced

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Lynne and Michael Thomas show us the 2012 Hugo Award for SF Squeecast.
Lynne and Michael Thomas show off the 2012 Hugo Award for SF Squeecast.

If it’s seemed a little quiet here on the Black Gate blog for the past five days, it’s because many of our staff and bloggers — including John O’Neill, Howard Andrew Jones, Rich Horton, Andrew Zimmerman Jones, Joe Bonadonna, and David C. Smith — have been at Chicon 7, the World Science Fiction Convention here in Chicago, over the Labor Day weekend.

It was a 5-day party and convention, culminating in the Hugo Awards ceremony Sunday night. We’ll have more complete con reports right here in the next few days, but for now here’s the big news: The 2012 Hugo Award winners. Congratulations to all!

BEST NOVEL

  • Among Others, Jo Walton (Tor)

BEST NOVELLA

  • ‘‘The Man Who Bridged the Mist,’’ Kij Johnson (Asimov’s, Oct-Nov 2011)

BEST NOVELETTE

  • ‘‘Six Months, Three Days,’’ Charlie Jane Anders (Tor.com, June 2011)

BEST SHORT STORY

  • ‘‘The Paper Menagerie,’’ Ken Liu (F&SF, March-April 2011)

BEST RELATED WORK

  • The Encyclopedia of Science Fiction, Third Edition, John Clute, David Langford, Peter Nicholls & Graham Sleight, eds. (Gollancz)

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The Top 30 Black Gate Posts in July

The Top 30 Black Gate Posts in July

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best-of-robert-e-howard-grim-lands2Summer months are for sports, gardening, and getting together in the back yard with close friends. But apparently nobody told you people, because you spent the entire month on the computer, reading Black Gate blog posts.

July 2012 was one of the best months we’ve ever had, with solid traffic growth and nearly 70 new articles from writers such as Howard Andrew Jones, Joe Bonadonna, Patty Templeton, Patrice Sarath, D.B. Jackson, and many others. Here are the Top 30 most popular articles and links for the month.

And while I’m instructing you, don’t forget to go outside once in a while, maybe get a little sunshine. It’s good for you.

  1. New Treasures
  2. Under the hood with robert-e-howard
  3. Musing on villainy
  4. Six-sought-adventure-a-half-dozen-swords-and-sorcery short stories
  5. Art-of-the-genre-the-art-of-calvin-and-hobbes
  6. Confessions-of-a-guilty-reviewer
  7. How-I-met-your-cimmerian-and-other-barbarian-swordsmen
  8. Self-sabotage-is-easier-than-writing
  9. Black-Gate-goes-to-the-summer-movies-the-amazing-spider-man
  10. Vintage-treasures-henry-kuttners-the-graveyard-rats
  11. Leigh-brackett-american-writer
  12. Clockwork-angels-iii-hope-is-what-remains-to-be-seen
  13. Genre-prejudice
  14. Edgar-rice-burroughs-mars-part-6-the-master-mind-of Mars
  15. Art-of-the-genre-the-art-of-an-inspired-fake

    16. …

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It Came From GenCon 2012: Young Kid Edition

It Came From GenCon 2012: Young Kid Edition

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Magician's Kitchen
In Magician's Kitchen, players try to get the potions in the correct cauldron, then to light the fireplace. Beware the tripping stones!

GenCon is fun for gamers of all ages, but now that I have young children, I always have a special place in my heart for games that I can play with one or both of them. Given that my oldest is currently 7, though, this puts some pretty massive restrictions on what I can actually play. It has to be age-appropriate in both content level and rule complexity.

This year saw a number of games that caught my fancy in this regard. The charming Magician’s Kitchen, the enchanting Dixit, and, last but certainly not least, the upcoming game Mice and Mystics, which is available now for online pre-order with a significant discount.

Magician’s Kitchen

This is a fun little game where you’re playing a magician’s apprentice who is running around, trying to get potions in the cauldrons and then starting a fire. The trick to this game is that there are hidden magnets that cause your piece to drop the potions. For a more detailed description of Magician’s Kitchen, I recommend my review over at the About.com Physics site, where I even proposed some ideas about how you could use this fantasy game to teach some cool scientific ideas to the young ones.

Magician’s Kitchen is designed for up to 4 players, aged 5 to 15. My youngest son (age 2) really gets enjoyment out of making the apprentices drop their potions. The game is available from Amazon.com and other retailers nationwide, with a retail cost of $29.99.

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The Bones of the Old Ones Inches Closer to December Publication Date

The Bones of the Old Ones Inches Closer to December Publication Date

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bones-of-the-old-onesThis week the most exciting item to arrive at the Black Gate rooftop headquarters, bar none, was the Advance Reading Copy of Howard Andrew Jones’s The Bones of the Old Ones, the sequel to his breakout fantasy novel, The Desert of Souls.

I read The Bones of the Old Ones the instant I could get my hands on it, and it was everything I hoped it would be. A rollicking adventure that follows our heroes Dabir and Asim in a daring quest across the landscape of 8th Century Arabia, Bones is packed with ancient secrets, underground lairs, dread pacts, mysterious sorcery, desperate heroism, and moments of laugh-out-loud humor. The cast is much larger than The Desert of Souls, and the stakes are higher, as Dabir and Asim race against time to prevent an ancient sorcerous cabal from plunging the world into eternal winter:

Combining the masterful fantasy of Robert E . Howard with the high-speed action of Bernard Cornwell, Howard Andrew Jones breathes new life into the glittering tradition of sword-and-sorcery with the latest tale of Dabir and Asim’s adventures. As a snowfall blankets 8th century Mosul, a Persian noblewoman arrives at the home of the scholar Dabir and his friend the swordsman Captain Asim. Najya has escaped from a dangerous cabal that has ensorcelled her to track down ancient magical tools of tremendous power, the bones of the old ones.

To stop the cabal and save Najya, Dabir and Asim venture into the worst winter in human memory, hunted by a shape-changing assassin. The stalwart Asim is drawn irresistibly toward the beautiful Persian even as Dabir realizes she may be far more dangerous a threat than anyone who pursues them, for her enchantment worsens with the winter. As their opposition grows, Dabir and Asim have no choice but to ally with their deadliest enemy, the treacherous Greek necromancer, Lydia. But even if they can trust one another long enough to escape their foes, it may be too late for Najya, whose soul is bound up with a vengeful spirit intent on sheathing the world in ice for a thousand years…

The Bones of the Old Ones will be released in hardcover and eBook by Thomas Dunne Books on December 11. It is 307 pages of non-stop action for $24.99 ($12.99 digital), and gets my highest recommendation. Place your advance order now.

Steamgothic

Steamgothic

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steamgothicSteampunk is a literary subgenre that has also sprouted a lifestyle that encompasses fashion, music, and art based loosely on a philosophy of hands-on, do-it-yourselfness in an age of touchscreen virtual experience. To my knowledge, Sean McMullen’s “Steamgothic” is the first steampunk story that is also about the sensibility of the steampunk community. The narrator is an expert restorer of steam engines whose day job is to customize ultralight aircraft motors. He’s approached by a couple who have possession of an 1852 Aeronaute, a steam-powered aircraft which, had it actually flown, would predate the Wright Brothers by a half-century. He’s invited to participate in a restoration with the intent of proving this possibility. The initiative becomes the subject of a reality TV show called The Aeronauteers, and plenty of drama ensues, much of it more human than mechanically-related, with hidden motivations gradually revealed beyond postulating how if the Aeronaute had actually flown, would history have changed?

Recommended reading, even if you have only a slight interest in how the cogs actually turn. You can find it in the current Interzone.

William Patrick Maynard’s The Terror of Fu Manchu

William Patrick Maynard’s The Terror of Fu Manchu

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the-terror-of-fu-manchu2The Terror of Fu Manchu
William Patrick Maynard
Black Coat Press (248 pp, $20.95 in paperback, $6.99 eBook, April 2009)
Reviewed by Joe Bonadonna

Usually I don’t read stories and novels based on a character created by one author and then later written by another—not if I have already read the original author’s work. Back in the day, I read all the pastiches: Conan, Red Sonja, Bran Mak Morn, Cormac, Kull, Black Vulmea… and have enjoyed many of them. I’m even friends with a few of the writers (and a collaborator with one) who were lucky enough to have been chosen to carry on with Robert E. Howard’s characters. But nowadays there are just too many new characters, too many new stories and novels to read, and time and money seem to be in limited supply the older I get.

All that being said, let me tell you a little bit about William Patrick Maynard’s wonderful novel based on Sax Rohmer’s immortal character, The Terror of Fu Manchu, which was published in 2009 in a beautiful edition by Black Coat Press. I had already heard many great things about Maynard’s novel and was familiar with his writing from the stories he published through Airship27 Productions.

So I decided to read this novel and man, I’m glad that I did. It opened up a whole new world for me, and as a fellow writer, it taught me a few things, too.

Now, I have never read any of Rohmer’s original novels, though of course I’m very familiar with Fu Manchu by way of the Boris Karloff, Warner Oland, and Christopher Lee films. So I did a little digging around and sampled enough chapters of several of Sax Rohmer’s novels in order to familiarize myself with his writing, and to see how well Maynard’s style captures the essence of his work.

Doing that also added to my enjoyment as I immersed myself in Maynard’s version of the Chinese mastermind and one of literature’s greatest villains. However, this being the 21st century and not the early part of the 20th, I thought some of Rohmer’s writing to be a bit old-fashioned and a little slower-paced than we are accustomed to in this fast-moving age of cell phones, CGI, and all things high-tech. But Maynard breathes new life and a touch of modern sensibility in his novel, while remaining faithful to Rohmer’s original vision.

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Writing Business: Web Design

Writing Business: Web Design

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Image created by jameson9101322.
Image created by jameson9101322.

The other day, I shared a tactic I often use to keep myself on task when writing, the McCoy test. In honor of my favorite Star Fleet surgeon, I ask myself if I’m a writer, or a blank, the blank being whatever I’m doing instead of writing (sorting laundry, eating spinach, performing one-handed push-ups, bear wrasslin’). If I have to ask myself that question during my scheduled writing time, then I put down the spinach fork or the bear and get to work.

Well, I haven’t written or revised any of my fiction now for the last week. That admittedly drives me a little crazy, but I’m still a writer because part of the business of writing is business. It took me a long time to finally admit that a writer is a small business owner with a product. I discovered that I have to make the promotion of my work a central part of my job if I’m going to be able to afford spinach and bear wrasslin’ lessons.

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