S.E. Lindberg resides near Cincinnati, Ohio working as a microscopist, employing scientific and artistic skills to understand the manufacturing of products analogous to medieval paints. Two decades of practicing chemistry, combined with a passion for the Sword & Sorcery genre, spurs him to write graphic adventure fictionalizing the alchemical humors (primarily under the banner “Dyscrasia Fiction”). With Perseid Press, he writes weird tales infused with history and alchemy (Heroika: Dragon Eaters, Pirates in Hell, Lovers in Hell). S.E. Lindberg co-moderates a Goodreads group focused on Sword & Sorcery.
In 2015, Douglas Draa resurrectedWeirdbook with issue #31 (the weird fiction magazine had been dormant since 1997). Fast forward to 2021, and issue #44 is now available. In addition to the core issues, there are themed anthologies spawning. Annual #1Witches came out in 2017; and Annual #2: Cthulhu appeared in 2019 (discussed on Black Gate).
This year, for Annual #3, Weirdbook challenged authors to come up with memorable takes on zombies. The result is this fantastic collection of 34 new stories. Draa looked for tales that were fun, entertaining and scary. He also wanted fresh meat (i.e., he didn’t want to serve up a bunch of Romeroesque, plague zombies). …
Published by Goodman-Games. Paperback, PDF, eBook (80pages). ISBN 9781950783816.
Announcing the availability and contents of the Tales From the Magician’s Skull #6, a magazine of all-new swords & sorcery fiction! Issue #6 features cover art by Doug Kovacs of Fafhrd and the Gray Mouser.
Yes, mortal dogs, you read that correctly. The Skull brings readers a new series of stories set in Fritz Leiber’s Lankhmar! Licensed by Leiber’s estate, the forthcoming stories and novellas faithfully expand upon the legendary tales of Lankhmar’s most famous duo.
Issue #6 is available at the publisher’s website Goodman-Games, in Paperback, eBook, and PDF (PDF’s are also available on DriveThru RPG). In the future, expect the paperback of issue#6 available from Amazon, like many of the previous issues.
It is not intuitive to seek beauty in art deemed grotesque/weird, but most authors who produce horror/fantasy actually are usually (a) serious about their craft, and (b) driven by strange muses. To help reveal divine mysteries passed through artists, this interview series engages contemporary authors on the theme of “Art & Beauty in Weird/Fantasy Fiction.” Recent guests on Black Gate have included Darrell Schweitzer, Sebastian Jones, Charles Gramlich, Anna Smith Spark, & Carol Berg. See the full list of interviews at the end of this post.
…And on the day two hundred There it stood white to the sky The house of the God of the cross Big enough to take two dragon ships inside All of Asa bay did watch The wonder raise to the sky Now must the God of the cross be pleased satisfied Just outside the circle of the crowd
Worlds Beyond Worlds by John R. Fultz DMR Books (182 pages, $12.99 in trade paperback, April 3, 2021) Cover by Brian LeBlanc
Volume I: Transcending the Illusions of Modernity and Reason.: The first thing you must understand is that the One True World is not a figment of your imagination, and it does not lie in some faraway dimension. To help you understand the relationship between the True World and the False, you must envision the True World lying beneath the False, as a man can lay hidden beneath a blanket, or a woman’s true face can be hidden by an exquisite mask.
(Fultz, “The Thirteen Texts of Arthyria” )
You Want A Piece of Me?
The Brian LeBlanc cover of Worlds Beyond Worlds: The Short Fiction of John R. Fultz shows the revenant Chivaine displaying the trophy head of his enemy. As a reader, do you want to accept his challenge? You are invited to explore the beautiful darkness. The tile and cover set up expectations well, so get ready to explore planetary landscapes, witches, twisted creatures, and villainous heroes. Worlds Beyond Worlds is exactly what it says, a collection that takes the reader/protagonists into other worlds which are beyond even stranger ones.
Readers typically differentiate stereotypical High Fantasy (elves, dwarves, wizards-with-pointy-hats with a slant toward happy adventuring) vs. Low Fantasy (more “realism” & “earthier” milieu, with a focus on humans defending trenches at a battlefront or crawling through crypts to save a maiden or rob a god). The latter encompasses sub-genres like Sword & Sorcery and the contemporary-named Grimdark.
Why stop at regular Grimdark when you can go further? This post highlights two New Treasures that are arguably Grimdark, but still push the boundaries of what is expected. At the very least, they should appeal to dark fantasy readers who desire something fresh (whatever label the books deserve). To learn if these are right for you, read on:
Are you haunted, perhaps obsessed, with Sword & Sorcery?
Heroic fiction is infectious. Sometimes vicariously “being the hero” via reading is not enough to satisfy the call. Being compelled to write manifests next. Ghosts may be to blame. Robert E. Howard (1906-1936) is credited with originating the genre with his characters: Conan the Barbarian, King Kull, Solomon Kane, and Bran Mak Morn; in a 1933 correspondence to his friend and contemporary author, Clark Ashton Smith, Howard explained his interaction with the muse that inspired his Conan yarns.
Eda Blessed II Cover Art by Stanley Weaver, Jr. Publisher: Mvmedia, LLC (June 19, 2021) / Paperback: 330 pages
Eda Blessed II
Juneteenth was just marked a federal holiday in the United States to commemorate the June 19th, 1866 end to slavery. Like many memorial dates, it resonates with equal parts celebration and reflection. This June 19th, 2021, we highlight the book release of Eda Blessed II, appropriately published by a champion of Black Speculative Fiction, Milton Davis (author and editor of MVmedia, a publishing company specializing in Afrofuturism, and Steamfunk). Notably, Milton Davis has been a proponent and publisher of works by Sword & Soul originator Charles Saunders who is known for his Imaro/Nyumbani series (check out the tour guide to the Imaro Series on Black Gate). Omari Ket is the protagonist of Eda Blessed and his first name is an anagram for Imaro, but apparently, that was not done intentionally; in any event, Omari is a very different personality than Imaro.
Omari Ket is a rogue warrior; an Agency onto himself
From the first Eda Blessed, we know that Omari Ket is a rogue warrior, not a spy, but he is as suave, cunning, and as lethal as any Secret Agent Man. ‘Agency’ is a term for the capacity of a character to act independently, and Omari is an Agency onto himself: he reports to no one. Omari is a ladies’ man in a dog-eat-dog world. If you like a cut-throat, libertine, action-oriented protagonist, then you are ‘Eda Blessed.’
This reviews Scott Oden Presents: The Lost Empire of Sol brought to you by the Rogue Blades Foundation. This is a fine collection that certainly achieved its mission of inserting a jolt into Sword & Planet offerings. With its interesting premise and cast of authors, The Lost Empire of Sol is destined to become a historic Sword & Planet anthology.
It is edited by two who are well known to the Black Gate community. Firstly, Jason M. Waltz, champion of Rogue Blades Entertainment and the Rogue Blades Foundation, is notorious for rounding up contemporary authors in themed anthologies (perhaps most well known for the 2008 Sword & Sorcery classic Return of the Sword …. and most currently known for Robert E. Howard Changed My Lifereleasing ~now (appropriately on June 11th, REH’s anniversary of passing). And we also have Fletcher Vredenburgh, well known for his outstanding reviews, who provides the “Foreword”: he explains how discussions on Facebook with Scott Oden (adored author of historical fiction, Conan pastiche, and the Grimnir series) escalated into this collection. Also, to dimension the genre and set the stage for a revival is the esteemed John O’Neill (our esteemed chief editor of Black Gate Magazine) provides an introductory essay “Sword & Planet is the Genre We Need.”
Sorrowful and Sorrowless Fear neither Moon nor Sun,
Side by side, we flip the stones…
…Until both can claim we’ve won.
Last October, Black Gate alerted folks to the Turn Over the Moon’s Kickstarter campaign which brought Ryan Harvey’s world of Ahn-Tarqa into novel form (with Dream Tower Media). That journey began a decade prior and we’ll cover the ancillary tales leading up to that. Although a prequel and side stories exist, be assured that the novel feels designed to be the gateway into this Sorrow-laden world. Have no fear (or Sorrow) and enter here (with Turn Over the Moon).
The subtitle “Saga of the Sorrowless Book #1” had me gearing up for an epic fantasy in which (a) most mysteries would resolve in subsequent books and (b) the pace may be slower than the short stories I typically read. That would have been fine, of course, but Harvey (who already has proven himself a master of the short form) pleasantly delivers a cross-breed of short-story style with typical novel form: there are mysteries, but you get to learn them speedily, and the pace is super-charged. The opening chapters will have you wondering (no worries, no spoilers here): (1) who are the Shapers, (2) how the heck does the prevailing Sorrow connect to the heroine, world, and conflict, and (3) who is the mystery woman? I won’t tell you here but rejoice in knowing that the revelations are engaging and explained satisfyingly within the covers.
“The Shapers can reach me in my dreams. I escaped their clutches once, but in the blackness of sleep they tear open the walls of my head and slither inside. In each nightmare they glare down on me as they once glared down on all the land, from the edge of the eastern desert to the dwindling tip of the western peninsula. As they once glared down on my father, bound across his own workbench for their tortures. Even though their eyes are drowned within the dark slits of their masks, I can feel their stares. The robes hiding their bodies flutter around me in a barrier. There is nothing beyond.” — the teenage heroine Belde
