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Future Treasures: Wounds: Six Stories from the Border of Hell by Nathan Ballingrud

Future Treasures: Wounds: Six Stories from the Border of Hell by Nathan Ballingrud

Wounds Six Stories from the Border of Hell-smallIn his enthusiastic review of Nathan Ballingrud’s first collection, James McGlothlin wrote:

Ballingrud’s fiction is an amalgamation of some of the best elements of current dark fiction. The stories of North American Lake Monsters are poetic and literary (think Kelly Link or Caitlin Kiernan), forbidding and nihilistic (think John Langan), very real and raw (think Nic Pizzolatto), while also scaring the bejesus out of you (think Laird Barron).

Ballingrud’s 2015 novella The Visible Filth was filmed as Wounds, directed by Babak Anvari and originally scheduled for release March 29; it does not currently have a release date. Next month Saga Press is releasing a brand new hardcover collection of Ballingrud’s horror stories, Wounds: Six Stories from the Border of Hell, which includes The Visible Filth, the acclaimed “Skullpocket” (which James called “an absolutely amazing story. It offers humor, sadness, and sheer creepiness throughout” in his review of Nightmare Carnival, 2014), a brand new novella, and three other stories. Here’s the description.

A gripping collection of six stories of terror — including the novella The Visible Filth, the basis for the upcoming major motion picture — by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado — “one of the most heavyweight horror authors out there” (The Verge).

In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives — both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books).

Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

Wounds: Six Stories from the Border of Hell will be released by Saga Press on April 9. It is 275 pages, priced at $26.99 in hardcover, $15.99 in trade paperback, and $7.99 in digital formats. See all our recent coverage of the best in upcoming fantasy here.

Ghost Stories: Classic Tales of Horror and Suspense edited by Lisa Morton and Leslie S. Klinger

Ghost Stories: Classic Tales of Horror and Suspense edited by Lisa Morton and Leslie S. Klinger

Ghost Stories Classic Tales of Horror and Suspense-smallI know it’s nowhere near Halloween — what Goth Chick joyously calls “The Season” — but that doesn’t mean I don’t delight in a brand new ghost story anthology.

Master anthologists Lisa Morton and Leslie S. Klinger deliver a terrific new volume of neglected spooky tales from Pegasus Books: Ghost Stories: Classic Tales of Horror and Suspense. It arrives in a handsome hardcover edition next week. Here’s the description.

A masterful collection of ghost stories that have been overlooked by contemporary readers ― including tales by celebrated authors such as Charles Dickens, Sir Walter Scott, Mark Twain, and Edith Wharton ― presented with insightful annotations by acclaimed horror anthologists Leslie S. Klinger and Lisa Morton.

The ghost story has long been a staple of world literature, but many of the genre’s greatest tales have been forgotten, overshadowed in many cases by their authors’ bestselling work in other genres. In this spine-tingling anthology, little known stories from literary titans like Charles Dickens and Edith Wharton are collected alongside overlooked works from masters of horror fiction like Edgar Allan Poe and M. R. James.

Acclaimed anthologists Leslie S. Klinger (The New Annotated Sherlock Holmes) and Lisa Morton (Ghosts: A Haunted History) set these stories in historical context and trace the literary significance of ghosts in fiction over almost two hundred years ― from a traditional English ballad first printed in 1724 through the Christmas-themed ghost stories of the Victorian era and up to the science fiction–tinged tales of the early twentieth century.

In bringing these masterful tales back from the dead, Ghost Stories will enlighten and frighten both longtime fans and new readers of the genre.

Including stories by: Ambrose Bierce, Wilkie Collins, Charles Dickens, Olivia Howard Dunbar, Nathaniel Hawthorne, Henry James, M. R. James, Arthur Machen, Georgia Wood Pangborn, Mrs. J. H. Riddell, Elizabeth Stuart Phelps, Edgar Allan Poe, Sir Walter Scott, Frank Stockton, Mark Twain, and Edith Wharton.

Ghost Stories has an impressive list of contents. I tried to find a copy of the Table of Contents, but all I found was this weird Google widget that allows you to browse the first 40 pages of the book (including the TOC). Here it is.

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New Treasures: Splintered Suns by Michael Cobley

New Treasures: Splintered Suns by Michael Cobley

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I’ve spent much of 2019 in a lengthy tour of modern space opera, and it’s been very eye-opening. I’m getting ready to wrap up and turn my attention to another subgenre (YA thriller? Weird Western? SF noir? So many to choose from!), but I can squeeze in one more, I think. And that’s likely to be Michael Cobley’s Splintered Suns, since the reviews I’ve read certainly make it sound like it’s got the goods. Namely lost artifacts, narrow escapes, ancient mysteries, and — especially! — giant space monsters. Here’s a sample from the January review at The Tattooed Book Geek.

Captain Brannan Pyke of the Ship, Scarabus and his riff-raff and ragtag crew… are contracted by their employer Van Graes to steal a tracking device, the Angular Eye from the City of Cawl-Vesh on the desert planet Ong. Van Graes is a collector of ancient alien artefacts and he hopes that The Angular Eye can be used to locate the wreck of an ancient ship and the wealth of knowledge and treasure that it holds. Millennia ago, the ship, the Mighty Defender of the Arraveyne Empire was the only ship to escape the collapse of the Arraveyne Imperium. However, during the escape, the ship caught the attention of the Damaugra (a mythical sentient metal monster made of coils and tentacles). The Damaugra relentlessly chased the ship through space, damaging it beyond repair and causing it to crash on the planet Ong. Where its wreckage has remained buried and hidden in the vast desert ever since.

I’m pretending that I’m interested because of the rich backstory and powerful mythic overtones, but really I was sold the moment I read mythical sentient metal monster and tentacles. Read into that what you will.

If you’re looking for a more balanced (i.e. tentacle-free) review, here’s Eric Brown in his December wrap-up of the best new SF at The Guardian.

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Future Treasures: The Last by Hanna Jameson

Future Treasures: The Last by Hanna Jameson

The Last Hanna Jameson-small The Last Hanna Jameson-back-small

If you keep tabs on upcoming titles like I do, you get used to the relentless hype and the breathless blurbs. After a while it takes something really special to get your attention.

The blurbs for Hanna Jameson’s The Last, arriving in hardcover in two weeks, got my attention. Kirkus Reviews says it’s “”Reminiscent of The Shining… an eerie and unsettling tale,” and Luca Vesta (Dead Gone) says it’s “Nuclear apocalypse meets murder mystery… It’s Stephen King meets Agatha Christie. This is *the* book of 2019.” And Publishers Weekly calls it “An engrossing post-apocalyptic psychological thriller… equal parts drama and locked-room murder mystery.” Here’s the description.

Jon thought he had all the time in the world to respond to his wife’s text message: I miss you so much. I feel bad about how we left it. Love you. But as he’s waiting in the lobby of the L’Hotel Sixieme in Switzerland after an academic conference, still mulling over how to respond to his wife, he receives a string of horrifying push notifications. Washington, DC has been hit with a nuclear bomb, then New York, then London, and finally Berlin. That’s all he knows before news outlets and social media goes black—and before the clouds on the horizon turn orange.

Now, two months later, there are twenty survivors holed up at the hotel, a place already tainted by its strange history of suicides and murders. Those who can’t bear to stay commit suicide or wander off into the woods. Jon and the others try to maintain some semblance of civilization. But when the water pressure disappears, and Jon and a crew of survivors investigate the hotel’s water tanks, they are shocked to discover the body of a young girl.

As supplies dwindle and tensions rise, Jon becomes obsessed with investigating the death of the little girl as a way to cling to his own humanity. Yet the real question remains: can he afford to lose his mind in this hotel, or should he take his chances in the outside world?

The Last will be published by Atria Books on April 9, 2019. It is 352 pages, priced at $27 in hardcover and $12.99 for digital editions.

The Fortress World and the Eye of Terror: Warhammer 40K: The Cadian Novels by Justin D. Hill

The Fortress World and the Eye of Terror: Warhammer 40K: The Cadian Novels by Justin D. Hill

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When I made the 90-minute commute to Glenview every morning (and the 90-minute drive home every evening), I got addicted to Warhammer 40K audio dramas. They made the long drive bearable. When I left that job four years ago I fell out of the habit, and haven’t kept up on the unfolding drama in my favorite dark space opera. I did hear rumors of a Thirteenth Black Crusade, the unexpected return of the loyal primarch Roboute Guilliman (in Guy Haley’s Dark Imperium series), and the catastrophic fall of the fortress world of Cadia, the last line of defense against the daemonic tide spilling out of the Eye of Terror. Man, you take your eye off the ball for a minute, and everything goes to hell.

Justin D. Hill’s new Cadia series seem like the perfect place to jump back into the saga. The first novel, Cadia Stands, was published in March 2018, and the sequel Cadian Honour is scheduled for September of this year (and is already available in digital format). Here’s the description for the first volume.

The brutal war for Cadia is decided, as Lord Castellan Ursarkar Creed and the armies of the Imperium fight to halt the Thirteenth Black Crusade and prevent a calamity on a galactic scale.

Under almost constant besiegement by the daemonic hosts pouring from the Eye of Terror, Cadia stands as a bulwark against tyranny and death. Its fortresses and armies have held back the hordes of Chaos for centuries, but that grim defiance is about to reach its end. As Abaddon’s Thirteenth Black Crusade batters Cadia’s defences and the armies of the Imperium flock to reinforce this crucial world, a terrible ritual long in the making comes to fruition, and the delicate balance of this brutal war shifts… From the darkness, a hero rises to lead the beleaguered defenders, Lord Castellan Ursarkar Creed, but even with the armoured might of the Astra Militarum and the strength of the Adeptus Astartes at his side, it may not be enough to avert disaster and prevent the fall of Cadia. While Creed lives, there is hope. While there is breath in the body of a single defender, Cadia Stands… but for how much longer?

And here’s the description for Cadian Honour.

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The Games Plus 2019 Spring Auction: Part One

The Games Plus 2019 Spring Auction: Part One

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A few of the treasures acquired at the 2019 Games Plus Spring Auction

I’ve been attending the Games Plus Auction in Mount Prospect, Illinois ever since David Kenzer first told me about it, when we worked at Motorola in the late 90s. So, twenty years, give or take. I’ve been writing about it here ever since my first report in 2012 (in the appropriately titled “Spring in Illinois brings… Auction Fever.”)

The four-day auction occurs twice a year, in Spring and Fall.  Each day focuses on one of four popular themes: Thursday is collectable and tradable games like Magic: The Gathering and the Dungeons and Dragons Miniatures Game; Friday is historical wargames and family games; and Sunday is the massive miniatures auction, focused on Warhammer and like-minded pastimes. I’ve checked in on the others over the years, but my jam is the Saturday Science Fiction and RPG auction, which includes board games, minigames, and role playing rules, supplements, adventures, and magazines.  It runs from 10:00 am to 5:00 pm, with no break, and this year was on March 2.

When I first started going, I was was on the hunt mostly for 70s and 80s RPG and gaming collectables, especially TSR gaming modules, microgames, Avalon Hill and Chaosium board games like Stellar Crusade and Dragon Pass, and of course ultra-rare Dwarfstar titles like Barbarian Prince. That’s changed dramatically over the decades. We live in a golden age of science fiction and fantasy board gaming, and between the many, many active publishers, countless Kickstarters and other crowdfunding campaigns, and seemingly numerous new role playing games, it’s impossible for me to keep track of all the new releases.

Those games show up in great quantity as the skilled auctioneers move rapid-fire through thousands of titles over seven hours, and often at bargain prices. Nowadays I attend the auction chiefly to discover what’s new and exciting in fantasy and science fiction board gaming, and see if I can’t pick up a few. It’s an expensive outing, to be sure, which is why I save up for months beforehand. I rarely escape will a bill less than a thousand dollars, and this year was no exception. When they totaled up the damage at the end of the Saturday auction, I’d spent $1,573 on games that filled some 15 boxes.

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New Treasures: Rabbit & Robot by Andrew Smith

New Treasures: Rabbit & Robot by Andrew Smith

Rabbit and Robot-smallI’ve been on a prolonged space opera kick for the past few weeks, munching snacks while taking in epic sagas about cloned warriors, space battles, massive killer A.I’s, galaxy-spanning conflicts, fast ships, ancient tech, and more space battles. To tell the truth I probably would never have picked up Andrew Smith’s new novel if I hadn’t been looking for something very (very) different this weekend.

Andrew Smith is the author of The Marbury Lens (2012) and Grasshopper Jungle (2015). Rabbit & Robot tells the story of Cager Messer, a boy stranded on a massieve lunar-cruise ship with with insane robots, while a World War breaks out on the surface below. It’s about as uncommercial a novel as you’re likely to find. Here the description.

Cager has been transported to the Tennessee, a giant lunar-cruise ship orbiting the moon that his dad owns, by Billy and Rowan to help him shake his Woz addiction. Meanwhile, Earth, in the midst of thirty simultaneous wars, burns to ash beneath them. And as the robots on board become increasingly insane and cannibalistic, and the Earth becomes a toxic wasteland, the boys have to wonder if they’ll be stranded alone in space forever.

Booklist is quoted extensively every time I look this book up. So to save you time, here’s the a few lines from the Booklist review

Cager Messer and his best friend, Billy — both sons of wealthy industrialists—have stolen upon a luxury space cruiser along with Cager’s ever-faithful servant, Rowan. Aboard with them are “cogs” — humanlike android attendants programmed with unsettling, occasionally dangerous emotional instabilities. Then the latest (and last) in a long line of world wars breaks out on Earth below, and Cager and company believe that they’re the last humans in the universe. But before the true horror of that can set in, they must figure out how to defend themselves from the cogs, who have developed a penchant for robotic cannibalism… Those delving into Smith’s zany dystopia will find much to laugh and gasp at, including comedic and serious musings upon sex and violence. But most of all, they will find many deep, essential questions worth pondering.

Read the complete review at Booklist Online here.

Rabbit & Robot was published by Simon & Schuster Books for Young Readers on September 25, 2018. It is 438 pages, priced at $18.99 in hardcover and $10.99 for the digital edition. The cover is by Mike Perry. Read all our recent New Treasures here.

Smithsonian Magazine on how Sci-Fi Lovers Owe a Debt of Gratitude to Betty Ballantine

Smithsonian Magazine on how Sci-Fi Lovers Owe a Debt of Gratitude to Betty Ballantine

Hyperborea Clark Ashton Smith-small Star Wars George Lucas-small A Guide to Barsoom by John Flint Roy 1976-small

Assorted Ballantine paperbacks, 1971 – 1976

Anyone who’s been reading Black Gate for any period of time, or is a fan of vintage science fiction, knows the name Betty Ballantine. With her husband Ian she founded Bantam Books, and later Ballantine Books. Last month Smithsonian Magazine paid tribute to Betty in an article titled Sci-Fi Lovers Owe a Debt of Gratitude to Betty Ballantine, in which they focus on the many ways in which she shaped 20th Century Science Fiction and Fantasy. Here’s a snippet.

The Ballantines made the decision to leave Penguin following the end of World War II due to creative differences, and from there, they went on to found Bantam Books, and, later, Ballantine Books, making them the first outlet to release hardcover and paperback editions simultaneously. Both publishing companies are now part of Penguin Random House, according to the Associated Press.

It was at Ballantine that Betty gave a voice to the then-fringe genre of sci-fi. Tom Doherty, founder of Tor Books, says that before Betty, those works were deemed “unimportant pulp” only fit to be published in cheap magazines and books. But Betty was inspired by the concept of using real science to hypothesize the future of innovation. As if she was a character in her favorite genre, Betty was able to see the potential of science fiction in novel form.

Both Bantam and Ballantine were instrumental in finding, publishing, and promoting early science fiction and fantasy, but Ballantine Books especially was crucial. They were responsible for Lin Carter’s legendary Ballantine Adult Fantasy line, the groundbreaking Best of series (which we have paid tribute to many times), bringing Tolkien to American audiences in an authorized edition, and much, more more.

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Future Treasures: Greystone Secrets #1: The Strangers by Margaret Peterson Haddix

Future Treasures: Greystone Secrets #1: The Strangers by Margaret Peterson Haddix

Greystone Secrets The Strangers-smallMargaret Peterson Haddix is The New York Times bestselling author of a bunch of stuff, including The Shadow Children, Children of Exile, and The Missing series. Her latest is a middle-grade thriller that Booklist says “blends adventure and sf elements into an engrossing mystery… secret rooms, alternate realities, and a cliffhanger ending raise the stakes and delight fans new and old.” It arrives in hardcover on April 2.

What makes you you?

The Greystone kids thought they knew. Chess has always been the protector over his younger siblings, Emma loves math, and Finn does what Finn does best — acting silly and being adored. They’ve been a happy family, just the three of them and their mom.

But everything changes when reports of three kidnapped children reach the Greystone kids, and they’re shocked by the startling similarities between themselves and these complete strangers. The other kids share their same first and middle names. They’re the same ages. They even have identical birthdays. Who, exactly, are these strangers?

Before Chess, Emma, and Finn can question their mom about it, she takes off on a sudden work trip and leaves them in the care of Ms. Morales and her daughter, Natalie. But puzzling clues left behind lead to complex codes, hidden rooms, and a dangerous secret that will turn their world upside down.

Here’s the rundown from Publishers Weekly.

In Ohio, the Greystone kids — responsible Chess, math-savvy Emma, and excitable Finn — have established a pleasant life with their mother years after their father’s death. Until, that is, the day they find their mother weeping and wan over a news story about three kidnapped Arizona children… After their mom disappears on a “work trip” the very next day, the Greystones receive a cryptic farewell and a coded letter… A secret-stacked, thrilling series opener.

Greystone Secrets #1: The Strangers will be published by Katherine Tegen Books on April 2, 2019. It is 416 pages, priced at $17.99 in hardcover and $10.99 in digital formats. It is illustrated by Anne Lambelet, whom I presume also did the terrific cover. Read the first eight chapters here.

See all our recent Future Treasures here.

New Treasures: The Fever King by Victoria Lee

New Treasures: The Fever King by Victoria Lee

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I gotta admit, the cover of Victoria Lee’s debut science fiction novel The Fever King doesn’t really grab me. My advance copy arrived months ago; I must have picked it up and put it down half a dozen times before I finally gave it a try. Turns out it’s a YA dystopian-superhero mashup with an interesting twist, reminiscent of the alien virus that leaves people twisted or with superpowers in George R.R. Martin’s long running Wild Cards series. In this case though, the result is a disintegrated America with magical elite, witching training centers, and an intriguing form of science-based magic. Here’s the summary from Kirkus Reviews.

In Carolinia, one of the nations of the former United States, magic enters people like a virus, mostly killing them.

If you survive, the magic stays and you become a witching. Noam, the Jewish Latinx son of undocumented immigrants from neighboring Atlantia, is one. With his parents dead, Noam is brought to the witching training center, receiving personal tutoring from the minister of defense, Calix Lehrer. Noam sees this as an opportunity to work from the inside to bring rights to the many refugees who have come to Carolinia to escape the virus that still plagues other areas…. Lee’s debut is a thriller with obvious allegorical connections to today’s political climate, but it doesn’t read as message-y; even those with genre fatigue shouldn’t regret giving it a try… Diverse characters, frank discussions about sexual and mental abuse, and reasonably plausible science-based magic elevate this above many dystopian peers.

The Fever King was published by Skyscape on March 1, 2019. It is 416 pages, priced at $9.99 in trade paperback and $4.99 in digital formats. The cover was designed by David Curtis.

See all of our recent New Treasures here.