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2019 Locus Award Winners Announced

2019 Locus Award Winners Announced

The Calculating Stars Mary Robinette Kowal-small Spinning Silver Naomi Novik-small The Cabin at the End of the World Paul Tremblay-small

The Locus Awards, voted on by readers in an open online poll, have been presented every year since 1971. (A quarter century before there was such a thing as an online poll. Back in the day, we used to send ballots through the mail. Ask your parents what that means.) The final ballot lists ten finalists in each category, including Science Fiction Novel, Fantasy Novel, Horror Novel, Young Adult Book, First Novel, Novella, Novelette, Short Story, Anthology, Collection, Magazine, Publisher, Editor, Artist, Non-Fiction,Art Book, plus a Special Award given by committee. The winners were announced at the Locus Awards Weekend in Seattle, Washington, June 29, 2019.

Even if you didn’t vote in the awards, the list of Finalists makes a terrific Recommended Reading list. Two years ago Jonathan Strahan posted the following on his Facebook feed, and it still makes a lot of sense.

Here’s a thought, fellow SF readers. Locus has just announced its long list for the Locus Awards. Forget that it’s an awards list for a moment, though. It’s a reading list.

So why not look down the list below for Best First Novel. and try something new? Pick a book from the list below. Buy a copy, borrow a copy, go to the library and grab a copy. Track one down, and try something new…. I can recommend the Lee, Shawl and Slatter books very highly. Some of the others look really interesting.

Here’s the complete list of winners.

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Where Dogs Play a Part: Dogtime on the 5 Best Fantasy And Science Fiction Books With Dogs

Where Dogs Play a Part: Dogtime on the 5 Best Fantasy And Science Fiction Books With Dogs

City Simak-small The Robots of Gotham paperback-small Top Dog Jerry Jay Carroll-small

Everybody loves recommending science fiction books. It’s not just our friends at Tor.com, Kirkus Reviews, and The Barnes & Noble Sci-Fi & Fantasy Blog anymore. Last week at Dogtime (Dogtime?!) Jean Andrei recommended the 5 Best Fantasy And Science Fiction Books “where dogs play a part in the story.” Starting, of course, with one of the great classics of the genre, the 1944 fix-up novel City.

Written by Clifford D. Simak, it’s told from the perspective of dogs as they explain what happened at the end of human civilization. The story tells of the advancements of humans and their desire to explore the universe. Before they leave, however, they give the gift of speech to all dogs on earth, as well as robots as their companions. It’s a compelling novel that is as strange as it is fascinating.

Even Black Gate contributors are getting in on the act. Amazon reviewer Tim in Chicago recommends Todd McAulty’s robot apocalypse novel The Robots of Gotham, released this month in trade paperback.

All of you plot-driven, immersive world, dystopian fantasy, robot-obsessed, political intrigue, action fans come right in — the pages practically turn themselves. Like a Jason Bourne with robots and a more sympathetic hero, Barry uses his most human qualities to navigate a world of robots that would rather just crush him than care about him. And there is a loyal dog — robots will never understand dogs.

Most BG readers will know about those two of course, but there are plenty more if you know where to look. Starting with Jerry Jay Carroll’s 1996 fantasy Top Dog, the opening novel in his A Dog’s Life series.

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New Treasures: Reentry by Peter Cawdron

New Treasures: Reentry by Peter Cawdron

Retrograde Peter Cawdron-small Reentry Peter Cawdron-small

I missed Peter Cawdron’s Retrograde when it was released by John Joseph Adams Books last year. But I received a review copy of Reentry, became immediately intrigued, and eventually figured out it was a sequel. Here’s what Publisher’s Weekly, clearly more on the ball than I, said about the first novel.

Post-apocalyptic disaster meets fractured utopian space exploration in this terrifying tale, which Cawdron sets in a scientific outpost on Mars. Geologist Liz inhabits one of four subterranean modules built through massive cooperation among earth’s space agencies. Hazy news of a widespread nuclear war back home sends the astronauts into paranoid seclusion… This tense cat and mouse game plays off fears of self-aware computers to satisfying result.

Here’s the publisher’s description for Reentry.

After almost dying on Mars, astronaut Liz Anderson returns to Earth, but not to a hero’s welcome. America is in turmoil. The war is over, but the insurgency has just begun. So while life on Mars may have been deadly, at least up there she knew who the enemy was. Along with her, Liz has brought the remnants of the artificial intelligence that waged war on two planets. Buried somewhere deep within the cold electronic circuits lies the last vestiges of her dead partner Jianyu. Liz is torn, unsure whether he’s somehow still alive in electronic form or just a ploy by an adversary that will go to any length to win. Heartbroken and treated with suspicion, she finds herself caught up in the guerrilla war being waged on Earth, wondering if the AI threat is truly gone, or if it has only just begun.

Now all that’s left to decide is which one to read first. Here’s the complete publishing details.

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Vintage Treasures: Pilgrims through Space and Time: A History and Analysis of Scientific Fiction by J. O. Bailey

Vintage Treasures: Pilgrims through Space and Time: A History and Analysis of Scientific Fiction by J. O. Bailey

Pilgrims through Space and Time-small

Cover by Ronald Clyne

You never know what strange wonders you’ll find at the Windy City Pulp and Paper Show. This year, among many other treasures on the $1 table, I found a coverless copy of J. O. Bailey’s 1947 nonfiction tome Pilgrims through Space and Time, which grew out of his 1934 Ph.D. thesis at the University of North Carolina.

You’d think a dissertation would be too dry to become a classic of genre (and in most cases you’d be right), but this was one popular enough to inspire the Pilgrim Award, given annually by the Science Fiction Research Association for contributions to the study of SF. It was first given to Bailey in 1970, and is still awarded today. Recipients have included Jack Williamson, Damon Knight, James E. Gunn, Brian W. Aldiss, Sam Moskowitz, Gary K. Wolfe, Joanna Russ, John Clute, L. Sprague de Camp, Brian Stableford, Mike Ashley, Gary Westfahl, Gérard Klein, Algis Budrys, and Pamela Sargent.

Pilgrims is a little dry for light reading, but I did find Bailey’s discussions of Lovecraft (“splendid”), and the pulp stories of Stanton Coblentz, Ray Cummings, A. Hyatt Verrill, John Taine, and others, to be entertaining enough to make me want to pick up some of my favorite pulp anthologies again — and maybe look at them in a new light.

Thomas Clareson, in his 1972 foreword to the Greenwood Press reprint edition, did a fine job summarizing the importance of this book to early SF scholarship. Here’s what he said.

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You’re Gonna Need a Bigger Bookshelf: John DeNardo on the Best June Science Fiction & Fantasy

You’re Gonna Need a Bigger Bookshelf: John DeNardo on the Best June Science Fiction & Fantasy

The Girl in Red Christina Henry-small The Iron Dragon's Mother Michael Swanwick-small Wastelands The New Apocalypse John Joseph Adams-small

It’s been a while since we’ve checked in with John DeNardo, the most well-informed man in science fiction (way back in March, if you must know, when he recommended Titanshade and A Memory Called Empire to us.) John never slows down, and at the beginning of the month he surveyed the best new science fiction and fantasy arrivals in his regular column at Kirkus Reviews. Here’s a few of the highlights, starting with a post-apocalyptic version of Little Red Riding Hood from Christina Henry.

The Girl in Red by Christina Henry (Berkley, 304 pages, $16.00 in trade paperback/$11.99 digital, June 18, 2019)

With The Girl in Red, Christina Henry one again proves that retellings don’t necessarily lack originality. (Her previous re-spins of classic stories include 2015’s Alice, 2016’s Red Queen, 2017’s Lost Boy, and 2018’s The Mermaid.) In this post-apocalyptic take on Little Red Riding Hood, a Crisis has decimated much of the world population, forcing survivors to huddle in quarantine camps. But that doesn’t mean that the woman in the red jacket is helpless against the new kind of monster that the Crisis has created.

Next up is Michael Swanwick’s long-awaited sequel to his World Fantasy Award nominee The Iron Dragon’s Daughter (1993), which came in #2 in the voting for the Locus Award for Best Fantasy Novel, and The Dragons of Babel (2008).

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Future Treasures: Priest of Lies, Book II of War for the Rose Throne by Peter McLean

Future Treasures: Priest of Lies, Book II of War for the Rose Throne by Peter McLean

Priest of Bones-medium Priest of Lies-small

When you’ve been reading fantasy as long as I have, you get used to hyperbolic praise plastered all over book covers. But even so, you don’t see the kind widespread acclaim that was heaped on the opening novel in Peter McLean’s new fantasy series last year, Priest of Bones.

Booknest called it “Absolutely sensational… Low Fantasy at its finest, and I wouldn’t hesitate to call it the Fantasy Debut of the Year,” and Fantasy Book Review said, “I can safely say that this will be the book dark fantasy and grimdark fans will be raving about at the end of this year.” Even Booklist raved, proclaiming it “A pitch-perfect blend of fantasy and organized-crime sagas like Puzo’s The Godfather… Expect word of mouth support from fantasy fans to turn this one into a genre hit.” But I think my favorite came from Publisher’s Weekly, with their usual economy:

Tomas Piety [is] a nefarious crime lord turned priest. After being away at war for many years, Tomas comes back to find that Ellinburg is changed… With his gang of Pious Men, Tomas embroils himself in cutthroat politics and epic barroom brawls to win back the city that once was his… Anyone itching to read a high-stakes story should pick up this delightful combination of medieval fantasy and crime drama.

Read the complete PW review here.

The second book in the series, Priest of Lies, is one of the most anticipated books of the year. It arrives in trade paperback from Ace Books next week. Here’s the description.

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Alien Artifacts, Cosmic Mystery, and an Impossible Murder Weapon: July/August Print Magazines

Alien Artifacts, Cosmic Mystery, and an Impossible Murder Weapon: July/August Print Magazines

Asimov's Science Fiction July August 2019-small Analog Science Fiction and Fact July August 2019-small Alfred Hitchcock 's Mystery Magazine July August 2019-small

Nick Wolven and Leah Cypess both have stories in Asimov’s SF and Analog this month, which is quite an accomplishment. Chris Willrich, whom BG readers will remember from his story “The Lions of Karthagar” in Black Gate 15, has a short story in Asimov’s, with the intriguing title “Fragments from the Library of Cygnus X-1.”

Asimov’s also manages to cram two long novellas in the July/August double issue, by Suzanne Palmer and Tegan Moore, alongside fiction by Ian McHugh, Harry Turtledove, Dominica Phetteplace, Bruce Boston, and others. Analog has an even more impressive line up, with tales from Greg Egan, Paul Di Filippo, Catherine Wells, Joe M. McDermott, Steve Rasnic Tem, John Vester, Buzz Dixon, and others.

And although I don’t usually buy mystery magazines, I added Alfred Hitchcock’s Mystery Magazine to the pile at the checkout counter this month, mostly because of the cover. I’ll let you know what I think.

All three are published by Dell Magazines. As usual, all have detailed summaries at their respective websites. Here they are.

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New Treasures: The Ragged Blade by Christopher Ruz

New Treasures: The Ragged Blade by Christopher Ruz

The Ragged Blade-back-small The Ragged Blade-small

Back in January I wrote about a conversation Colin Coyle, co-founder of Parvus Press, and I had in a bar at the World Fantasy Convention. One of the upcoming titles he told me about was The Ragged Blade, the debut fantasy novel from Christopher Ruz. The book’s editor, Kaelyn E. Considine, was kind enough to send me a copy of the finished book, and it looks fantastic. In an article titled “Why I Love The Ragged Blade” on the Parvus website, Colin pulls back on the curtain on how a small press acquires a book like this one.

One of the first books that was ever submitted to us was Century of Sand by Christopher Ruz. It was a previously self-published book that Ruz had released years prior. The book had some very positive reviews, but Ruz wasn’t sure how to go about selling it to a broad audience. He wanted to know if we wanted to pick it up and re-release it… Century of Sand was a tautly-paced book. It was a violin string on the verge of snapping. It was the work of a guy who was going to be a master at managing the rise and fall of mood, tension, and action in a book. But it wasn’t yet the best book it could be… when the Parvus team met to go through acquisitions, we all agreed we weren’t ready to take on the complexities of a re-release.

Two years later, Ruz sent me a brand new novel that he was querying… I called him right away and told him I thought it was time for us to tackle that Century of Sand challenge together and he readily agreed. It was a weird path to a publishing deal; I reject the book and then, two years later I end up buying it because of an entire different manuscript he sent. But publishing is a weird business, I’m a weird guy, and some of the best things in life are weird. Like pudding or bergamot.

So we picked up Century of Sand, Ruz threw away the opening third of the book, combined major characters, eliminated sub-plots, and all-but-completely rewrote anything that remained. And what we ended up with was The Ragged Blade, Book One of the Century of Sand by Christopher Ruz… I love this book. I love the broken father/daughter journey, the way this book is both expansive and intimate at the same time, and how every page of The Ragged Blade is a carefully composed work of true craft.

The Ragged Blade was published by Parvus Press on June 4, 2019. It is 459 pages, priced at $14.99 in trade paperback and $7.99 in digital formats. The cover is by Ronan Le Fur. See our previous Parvus Press coverage here.

Vintage Treasures: Perilous Planets, edited by Brian Aldiss

Vintage Treasures: Perilous Planets, edited by Brian Aldiss

Perilous Planets-back-small Perilous Planets-small

Cover by Alex Ebel

In the days when I was first discovering science fiction, there were a number of seminal books that helped lead me along the path to becoming a collector. These were the tantalizing artifacts that taught me that SF and fantasy tended to come in a series, just like the comics I collected in my youth. And this — in the days when completing a series meant questing through bookstores, instead of simply ordering online — added a delicious element of uncertainty and desire to my new hobby.

I knew that my favorite books as a kid, like Alfred Hitchcock and the Three Investigators and Perry Rhodan, were packaged as a series, and I was comfortable with the concept. When it gradually dawned on me that adult SF books, like Asimov’s Foundation series, Herbert’s Dune, The Lord of the Rings, and others, were series as well, I took to science fiction like a fish to water.

SF publishers understood this simple reading mentality of course, and frequently took advantage of it, packaging books that often had only nebulous connections into virtual series. Some were more successful than others. One of my favorite examples is the late 70s SF anthology series from Avon Books, all published with gorgeous wraparound covers by Alex Ebel. Avon found four Brian Aldiss anthologies published by Weidenfeld & Nicolson in the UK, and repackaged them with similar covers across the pond: Galactic Empires Volume One (1979), Galactic Empires: Volume Two (1979), Evil Earths (1979), and Perilous Planets (1980).

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Tor.com on Robert E. Howard’s First (and Best?) Barbarian

Tor.com on Robert E. Howard’s First (and Best?) Barbarian

Kull Robert E Howard-back-small Kull Robert E Howard-small

Kull the Fabulous Warrior King (Bantam, 1978). Art by Lou Feck

Rogue Blades Entertainment mastermind Jason M Waltz tipped me off to this article at Tor.com this morning, saying,

A decent article, even well-argued, but I disagree Kull is the better barbarian. Kull is the precursor to the culmination that is Conan; without Kull, Conan would be a lesser creation. Yet I enjoyed the article.

The piece itself, by Alan Brown, is a thoughtful look at one of Robert E. Howard’s early creations, and a great intro to a fascinating character, especially for those chiefly familiar with Howard through his later Conan tales.

The Kull stories marked the first time that Howard created an entire quasi-medieval world from whole cloth. While the various races and tribes bear some resemblance to peoples who inhabit the world today, he portrayed a time before the great cataclysm that caused Atlantis to sink, when even the shape of the land was different, a time when pre-human races still walked the Earth. Kull is an Atlantean barbarian who from his earliest days harbored an ambition that set him apart from his fellow tribesmen. A large, quick man, often compared to a tiger, he is powerful yet lithe, with dark hair and grey eyes, and a complexion bronzed from a life in the sun. He had been a warrior, galley slave, pirate, mercenary, and general before seizing the throne of Valusia from the corrupt King Borna. While a mighty warrior, Kull also has a whimsical and inquisitive side. He could be kind and sensitive, and is fascinated by the metaphysical.

Read the entire piece here.