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Vintage Treasures: Cloven Hooves by Megan Lindholm

Vintage Treasures: Cloven Hooves by Megan Lindholm

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Cover by Richard Bober

Before she became an international fantasy superstar with The Farseer trilogy and the Liveship Traders novels, Robin Hobb published nearly a dozen highly-regarded books under the name Megan Lindholm, including Wizard of the Pigeons (1985), the SF novel Alien Earth (1992), and The Ki and Vandien Quartet. In tone and subject they are very different from the Robin Hobb-branded heroic fantasy that made her a bestselling author, but even by that standard Cloven Hooves stands out. It’s the story of a modern woman who leaves her husband to have an affair with a satyr, with a lot of graphic sex.

It’s a very different adult fantasy, and while it made the preliminary Nebula ballot, it vanished almost without a trace. It remained out of print in the US for nearly three decades, until it was reprinted by Harper Voyager as part of their Voyager Classics line this past April. It’s worth seeking out for Hobb fans, or any serious fan of contemporary fey fantasy. Here’s a snippet from Georges T. Dodds SF Site review.

Read a hundred pages into Cloven Hooves and you’d be convinced you were reading a very conventional, if well-written, mainstream novel: an everyday story of a woman, Evelyn, and her odyssey from an unfettered and imaginative childhood in rural Alaska to a crumbling marriage among her husband’s family in Washington State. The remainder of the book, however, chronicles her passionate relationship, mating, and bearing a child to a woodland satyr. Certainly, as with her urban fantasy Wizard of the Pigeons, mainstream readers said, “what’s with the fantasy element?” While fantasy readers said, “what’s with the 100 pages of character development and the mythology that’s as old as the hills?” Ultimately the poor sales of her novels under the name Megan Lindholm, by her own admission, led her to recast herself as Robin Hobb…

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The Future is Barreling Down on Us: Derek Künsken on Transhumanism

The Future is Barreling Down on Us: Derek Künsken on Transhumanism

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Derek Künsken Explores Our Transhuman Future

Most Black Gate readers know Derek Künsken as our Saturday evening blogger. Many of you are also familiar with his exciting Quantum Evolution series from Solaris, which started with The Quantum Magician (2018) and continued with The Quantum Garden this past October.

But he also speaks knowledgeably on fascinating topics, as proved last month in his interview with The Barnes & Noble Sci-Fi and Fantasy Blog, in which he talks about futurism — and reveals great taste in books in the process. How often do you get to do that?? Here’s Derek.

Maybe one of the earliest books I read about overtly changing ourselves is Frederick Pohl’s Man Plus, where a colonist for Mars is augmented, organ after organ, capability after capability, into something capable of surviving the harsh Martian days and nights. It’s a haunting novel whose mild body horror unsettles, while at the same time not shying away from the fact that terraforming Mars, if it’s possible at all, would take many, many human lifetimes.

Dan Simmons’ Hyperion was also an early read for me. The first two books don’t give the Ouster swarms a lot of screen time, but what we see bundles sense of wonder, inevitability and alienation into the reader experience. Of course if people are going to live in micro-gravity among the comets, they’ll need to modify their bodies, their organs and so on. The Ousters have different body types, different biologies and ways of interacting with technology and it’s all fascinating….

Transhumanism has a much broader meaning than it did when I first encountered it, and this list of books and authors is just my view, informed quite a bit by my love of space opera and far future sci-fi…. The important thing about transhumanism in sci-fi is that we’re thinking about how we’re going to engage with technology and bioengineering, because the future is barreling down on us.

You tell ’em, Derek! Also, chops for the shout out to Frederick Pohl and Dan Simmons. You can read the entire interview with Derek here, and check out his novels here.

Yes, Weird Tales is Back

Yes, Weird Tales is Back

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Cover by Abigail Larson

A few months ago I started to hear rumors that Weird Tales, the most storied and collectible American fantasy magazine of all time, had returned. Whispers, really. But I’d been hearing whispers for the last six years, ever since the last issue appeared from Nth Dimension Media, and especially since I published the article “Is Weird Tales Dead… Again?” in 2016. So I didn’t pay much attention.

But then I heard more reliable reports, and started to see listings online…. and then I ordered a copy, and right now I’m holding it in my hot little hands. And I can report that, in fact, Weird Tales is back.

It returns with a new publisher, Weird Tales Inc., but the same editor, Marvin Kaye, who took over the editorial reins from Ann VanderMeer in 2011, and managed only three issues in the last nine years. But the magazine looks terrific, with glossy paper and full color interiors, and an impressive Table of Contents, including stories by Victor LaValle, Jonathan Maberry, Sherrilyn Kenyon, and others. Not to mention an eye-catching cover by Abigail Larson, a tribute to perhaps the most iconic Weird Tales image of all time, the famous bat woman cover by Margaret Brundage.

Is Weird Tales back for good? Too early to tell — though to be fair Weird Tales has never exactly been a stable publication. (There’s a reason it’s called “The Magazine That Never Dies,” it keeps having to be resurrected.) There are the usual troubling signs already, including the fact that the website they proudly promote on the back page (weirdtales.com) is down already. But this looks like a quality package, and I’m hopeful. Let’s have a closer look at the contents.

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New Treasures: The Heart of the Circle by Keren Landsman

New Treasures: The Heart of the Circle by Keren Landsman

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Cover by Francesca Corsini

There’s lots of shortcuts you can take while deciding where to spend your precious book dollars. If you’re lucky enough to have friends who read — and read the same things you do — you can trust their recommendations. You can trust reviewers. Or if you’ve been around long enough, you can come to trust editors. I’ve been around long enough now that I’ve learned to trust the editorial team at Angry Robot, who’ve taken a lot of chances on new and emerging writers. Those bets have paid off over the years, and Angry Robot has gradually developed a reputation for both a keen editorial eye and cutting edge taste.

They’ve published some very fine books in the last 12 months from Kameron Hurley, Christopher Hinz, Tim Pratt, Tyler Hayes, Anna Kashina , Cameron Johnston, and many others. So when they introduce an author I’ve never heard of, I pay attention. That was the case with The Heart of the Circle, the first English language release by Israeli author Keren Landsman, which just won the 2019 Geffen Award. Here’s Dr. Dann Lewis from his review at Grimdark Magazine.

Set in an alternate reality whereby magical users (sorcerers) exist, The Heart of the Circle follows the protagonist Reed, an empath, who becomes the next target of the religious extremist group, the Sons of Simeon after a brutal march for equal rights. This is further complicated by a burgeoning romance and the lackadaisical efforts of protection by the government… Landsman not only delicately reinforces the state in which her sorcerers live, but the merciless conditions in which they are treated. I was enthralled with this line and of course, this is indicative of Landsman’s writing throughout. Her skill with the world-building of this alternate reality is masterful…

Landsman’s novel is exceptionally paced and full of intriguing characters and concepts. I do appreciate that this is situated in a vastly different part of the world… Landsman expertly weaves social and political commentary.

The Heart of the Circle was published by Angry Robot on August 13, 2019. It is 391 pages, priced at $14.99 in trade paperback and $9.99 in digital formats. The cover is by Francesca Corsini. Read the complete first three chapters (36 pages) at Issuu, and see all our recent New Treasures here.

A Classic Science Fiction Simulator: Howard Andrew Jones and Todd McAulty on Traveller

A Classic Science Fiction Simulator: Howard Andrew Jones and Todd McAulty on Traveller

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Classic Traveller box set (Games Designers Workshop, 1977)

Over at Tor.com, Howard Andrew Jones and I (under my pseudonym Todd McAulty, the name I use for fiction writing) have posted an article on Classic Traveller, a science fiction role playing game we both dearly love. Here’s a taste.

Todd: It’s fair to say that Classic Traveller was basically a ‘50s/’60s science fiction simulator. It was deeply inspired and influenced by the mid-century SF of E.C. Tubb, H. Beam Piper, Keith Laumer, Harry Harrison, Isaac Asimov, Jerry Pournelle, Larry Niven, and most especially Poul Anderson.

Howard: Classic Traveller was very light on setting—

Todd: To put it mildly!

Howard: —but it sketched the scene in broad strokes. Players adventured in a human-dominated galaxy riven by conflict, thousands of years in the future. The star-spanning civilization of that future looked an awful lot like the galactic civilizations imagined by Asimov, Anderson, Jack Vance, Gene Roddenberry and others.

The two of us had a lot of fun, but I have to say the article got a lot more interesting once E. E. Knight showed up to share some of his experiences at the gaming table.

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A Cyberpunk Video Game Between Two Covers: The Cry Pilot Trilogy by Joel Dane

A Cyberpunk Video Game Between Two Covers: The Cry Pilot Trilogy by Joel Dane

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Covers by Matt Griffin

“Joel Dane” is the pseudonym of an author of over 20 novels who launched an intriguing new military SF trilogy in August. The opening novel Cry Pilot followed a recruit with a secret drawn into a desperate war against lampreys, biological horrors created by the terra fixing process remaking a ruined Earth. Publishers Weekly raved, summing it up as “Riveting action paired with a sharp psychoemotional landscape.. the explosive launch of a futuristic trilogy.” In a review titled “The Closest Thing to an Immersive Cyberpunk FPS Video Game Between Two Covers,” S. Qiouyi Lu at The B&N Sci-Fi and Fantasy Blog said:

Terrafixing gives abandoned machines and technology a new life, turning them into violent creatures that are both organic and inorganic — a fusion of weapon and mutated animal. After proving himself as a cry pilot, Kaytu becomes part of a squad training to defend against the latest of these threats (not to mention the most dire to date) — mysterious, ruthless creatures called lampreys hell-bent on destruction. With no known weaknesses and a casualty count mounting higher and higher, the pressure is on Kaytu and his squad to keep their reflexes quick and use all their training to fight against this seemingly unbeatable foe…

Cry Pilot… is a vivid, immersive novel that leans strongly into its military science fiction identity. Its main asset is its voice: Kaytu’s strong personality and first-person narration creates an intimate reading experience… Cry Pilot feels like a high-definition cyberpunk first-person shooter video game, with sleek, polished graphics and tons of lore to explore. If that’s your thing, suit up and dive in — this book will take you for a hell of a ride.

Hot on the heels of Cry Pilot comes Burn Cycle, with the third volume Kill Orbit already in the pipeline for July 2020. Here’s all the details.

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An Alien Mystery in the Heart of an Ancient Space Object: The Embers of War Trilogy by Gareth L. Powell

An Alien Mystery in the Heart of an Ancient Space Object: The Embers of War Trilogy by Gareth L. Powell

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Covers by Julia Lloyd

Gareth L. Powell is the author of the popular Ack-Ack Macaque series, and two short story collections, The Last Reef (2008) and Entropic Angel and Other Stories (2017). His new space opera trilogy began with Embers of War (Titan Books, 2018), and folks took notice immediately. Here’s Joel Cunningham at The Barnes & Noble Sci-Fi and Fantasy Blog.

Gareth L. Powell’s Embers of War is a space opera that does everything right: it’s expansive in scope, but character-focused. It nods to genre tropes, but interrogates them too, considering the real-world ramifications of the lasting trauma of war. Oh, also: it has a great sentient starship. It quickly became a favorite of ours — not to mention the voters who handed it this year’s British Science Fiction Award for Best Novel — and our enthusiasm was not at all muted by the recent release of the just-as-good sequel Fleet of Knives.

Powell’s series is one of the more popular space operas on the market (and you all know how I feel about space opera). I was intrigued by the first two books immediately, but hesitant to jump in until the third one arrived. So this week I was delighted to receive a review copy of Light of Impossible Stars, the third installment in Embers of War, which formally goes on sale February 18 from Titan.

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Vintage Treasures: A Woman of the Iron People by Eleanor Arnason

Vintage Treasures: A Woman of the Iron People by Eleanor Arnason

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Covers by Gary Ruddell

Eleanor Arnason is the author of five novels, including The Sword Smith (1978), To the Resurrection Station (1986), Daughter of the Bear King (1987), and Ring of Swords (1993), plus dozens of short stories, chiefly in her Hwarhath series, SF tales of mankind’s interactions with the sole other species we find able to travel among the stars. But her most famous book is the first contact novel A Woman of the Iron People, which won both the inaugural James Tiptree Jr. Award in 1991, and the 1992 Mythopoeic Award. Publishers Weekly called it “excellent, anthropologically oriented SF… an intelligent, provocative book,” and at Tor.com Jo Walton wrote:

It’s definitely Arnason’s masterpiece and I love it. A Woman of the Iron People is anthropological science fiction, in the tradition of The Left Hand of Darkness and Mary Gentle’s Golden Witchbreed and Janet Kagan’s Hellspark. Lixia has come on a spaceship through cold sleep to a new planet, one that has aliens…. A Woman of the Iron People also won the Tiptree Award, and this is easier to understand without any parables, because it really is a book with a focus on gender. The aliens live separately — the women live in usually nomadic villages, raising children. The men leave at puberty and live alone, fighting each other. They mate with the women in the spring. These are their accepted customs and their biological imperatives, but we see several edge cases…

Lixia travels with Nia, and later with the Voice of the Waterfall, a male oracle, and Derek, another human anthropologist. They travel through culture and landscape, learning them both. It’s great that these future humans are also strange and also bring problems of their own to the story… Unlike almost all the other anthropological SF out there, the end of the journey and connecting up with the main expedition raises more questions than it solves, and there’s a twist at the end of the book that I thought was wonderful.

Read Jo’s complete review here. A Woman of the Iron People was published in hardcover in 1991 by William Morrow, and broken into two volumes for AvoNova’s paperback reprint a year later. Here’s the back covers for the paperback editions.

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New Treasures: One Man by Harry Connolly

New Treasures: One Man by Harry Connolly

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Harry Connolly was one of the most popular writers we published in Black Gate magazine, starting right out of the gate with his first fiction sale “The Whoremaster of Pald,” which you can read here and which appeared way back in Black Gate 2. His career really took off with his first novels, including the 4-volume Twenty Palaces series (which opened in 2009 with Child of Fire) and The Great Way trilogy, which M Harold Page called “More hardboiled than the Dresden Files.” It’s been some four years since Harry published a new novel, so the arrival of One Man in November, from Harry’s own Radar Avenue Press, was a very welcome surprise. He explains on his blog.

It’s been four years since I released a new novel… This book is the reason.

I spent two years writing One Man. It’s is a big book, over 150,000 words. It’s complicated, with lots of POV characters and locations. The setting is limited – almost every chapter takes place in a single city – but it’s complex. Which is another way of saying that a lot of time and sweat went into this novel, and I’m proud of the result.

See, I wanted to try an experiment. Most fantasy novels have huge stakes: A Dark Lord trying to conquer all. A usurper seizing the throne, pushing a kingdom toward civil war. A world-shattering magical cataclysm. Invasion of monsters. Return of monsters. Whatever. But what if I wanted to create a fantasy story about a quest for something small. Something important, but not world-shattering. For instance: the life of a single little girl. Not even his own, just someone he knows…

I think it’s a good book. A thriller with strange magic, desperation, betrayal, and murder. But it’s an odd book, too, with bourgeois hobbit vampires, and sleeping giants whose flesh can heal you, and a sprawling city built inside the skeletons of two gods… I’m hoping you’re interested in a big, odd, ambitious book about crime and magic and a screwed-up guy who has one last chance to do something decent in this world.

One World is the first novel in The City of Fallen Gods (which is maybe the name of a new series, I dunno?) It was published by Radar Avenue Press on November 26, 2019. It is 637 pages, priced at $17.99 in trade paperback and $4.99 in digital formats. Read the first two chapters here, and see all our latest coverage of Black Gate writers here.

Future Treasures: The Bard’s Blade, Book I of The Sorcerer’s Song by Brian D. Anderson

Future Treasures: The Bard’s Blade, Book I of The Sorcerer’s Song by Brian D. Anderson

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Cover art by Felix Ortiz

Brian D. Anderson is a self-published author who’s sold over half a million copies of his books worldwide — no mean feat. His bestselling series include The Godling Chronicles and Dragonvein. This month he makes the move to mainstream publishing with his first book for Tor, The Bard’s Blade. It’s the opening novel in The Sorcerer’s Song, which Publisher’s Weekly calls “an ambitious, enjoyable tale.” Here’s the description.

Mariyah enjoys a simple life in Vylari, a land magically sealed off from the outside world, where fear and hatred are all but unknown. There she’s a renowned wine maker and her betrothed, Lem, is a musician of rare talent. Their destiny has never been in question. Whatever life brings, they will face it together.

But destiny has a way of choosing its own path, and when a stranger crosses the wards into Vylari for the first time in centuries, the two are faced with a terrible prophecy. For beyond the borders, an ancient evil is returning, its age-old prison shattered.

The two must leave their home behind, and in doing so will face sorcerers and thieves, con-men and assassins, treachery and greed. How far down this path will they have to go to stop the rising darkness and save their home? And how much of themselves will they have to give up along the way?

The Bard’s Blade will be published by Tor Books on January 28, 2020. It is 430 pages, priced at $17.99 in trade paperback and $9.99 in digital formats. The cover is by Felix Ortiz. It will be followed A Chorus of Fire, coming in August. Read a brief excerpt at the Tor/Forge Blog, and see all of our recent coverage of the best upcoming science fiction and fantasy here.