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Author: John ONeill

Future Treasures: Medusa’s Web by Tim Powers

Future Treasures: Medusa’s Web by Tim Powers

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Medusas Web-smallA new book by Tim Powers is a major event. Powers made a huge splash with his early novels, especially The Drawing of the Dark (1979), which Fletcher Vredenburgh reviewed for us here, The Anubis Gates (1983), Dinner at Deviant’s Palace (1985), and On Stranger Tides (1987). His last novel was Hide Me Among the Graves (2012), a sequel of sorts to The Stress of Her Regard (1989). Medusa’s Web is a phantasmagoric tale of a man who must uncover occult secrets in 1920s Hollywood to save his family.

In the wake of their Aunt Amity’s suicide, Scott and Madeline Madden are summoned to Caveat, the eerie, decaying mansion in the Hollywood hills in which they were raised. But their decadent and reclusive cousins, the malicious wheelchair-bound Claimayne and his sister, Ariel, do not welcome Scott and Madeline’s return to the childhood home they once shared. While Scott desperately wants to go back to their shabby South-of-Sunset lives, he cannot pry his sister away from this haunted “House of Usher in the Hollywood Hills” that is a conduit for the supernatural.

Decorated by bits salvaged from old hotels and movie sets, Caveat hides a dark family secret that stretches back to the golden days of Rudolph Valentino and the silent film stars. A collection of hypnotic eight-limbed abstract images inked on paper allows the Maddens to briefly fragment and flatten time — to transport themselves into the past and future in visions that are both puzzling and terrifying. Though their cousins know little about these ancient “spiders” which provoke unpredictable temporal dislocations, Ariel and Claimayne have been using for years — an addiction that has brought Claimayne to the brink of selfish destruction.

As Madeline falls more completely under Caveat’s spell, Scott discovers that to protect her, he must use the perilous spiders himself. But will he unravel the mystery of the Madden family’s past and finally free them… or be pulled deeper into their deadly web?

Medusa’s Web will be published by William Morrow on January 19, 2016. It is 368 pages, priced at $26.99 in hardcover and $12.99 for the digital edition.

When the Ghost is Unseen: Finding Fantasy in Mainstream Fiction

When the Ghost is Unseen: Finding Fantasy in Mainstream Fiction

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The Seance John Harwood-small The Vanishing Wendy Webb-small The Somnambulist Jonathan Barnes-small

When I browse the SF and Fantasy section at my local Barnes & Noble every Saturday, I usually return home with a handful of intriguing finds. There’s certainly no shortage of books to choose from, and more showing up every week.

One thing I miss in my book hunts, however, is the thrill of the unknown. When I settle into my big green chair with a new horror novel, I know there’s a monster hiding somewhere. That’s the one drawback of always shopping in the genre section: you know the ghost will pop out by chapter five.

That’s why I like to spice up my reading by browsing in the gothic mystery section (my wife Alice’s favorite section). Is there a spook, or isn’t there? Often you don’t know until the end of the book (and sometimes not even then), and that adds a delicious element of mystery. Here’s a quick rundown of three delightful gothic mysteries I recently added to my collection.

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Vintage Treasures: Assignment Nor’ Dyren by Sydney J. Van Scyoc

Vintage Treasures: Assignment Nor’ Dyren by Sydney J. Van Scyoc

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Sydney J. Van Scyoc is an American science fiction writer. She was born in 1939, and published her first story, “Shatter the Wall,” in Galaxy magazine in 1962. She was very active for the next three decades, publishing eleven novels and around 30 stories between 1962 and 1991, including Saltflower (1971), Starmother (1976), Cloudcry (1977), Sunwaifs (1981), and the Daughters of the Sunstone trilogy. Most of her novels were published as paperback originals from Berkley or Avon. In 1992, she reportedly retired to make and sell jewelry, but in 2004 & 2005 she sold two new short stories to Gordon Van Gelder at F&SF.

Assignment Nor’ Dyren, her second novel, is one of her most well known. Compared by some to The Left Hand of Darkness, it’s the tale of two human agents to the planet Nor’ Dyren who discover the inhabitants have a social order that divides them into three specialized castes. But the world seems to be crumbling — broken machines are not being repaired, there’is no innovation, and society has been in decline for over two centuries. Tasked with saving the planet, the human agents find themselves up against strange and sinister opposition.

We last covered Sydney J. Van Scyoc with her 1989 fantasy novel Feather Stroke. Assignment Nor’ Dyren was published in October 1973 by Avon Books. It is 222 pages, priced at 75 cents. Believe it or not, the gorgeously baroque cover is uncredited, and no one seems to know for sure who painted it. It looks a lot like the work of Paul Lehr, but it’s hardly likely there’s an unidentified Lehr out there. Click the images above for bigger versions.

New Treasures: Seize the Night: New Tales of Vampiric Terror, edited by Christopher Golden

New Treasures: Seize the Night: New Tales of Vampiric Terror, edited by Christopher Golden

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Do you remember when vampires were terrifying creatures of the night? Not moody boyfriends who sparkled in sunlight, or lovers who assisted their tough private investigator girlfriends in a series of encounters with deadly yet also strangely sexy werewolves and other paranormal beasts?

I sure do. And so does Christopher Golden, editor of the new anthology Seize the Night: New Tales of Vampiric Terror, which gathers tales of terror in which vampires are figures of overwhelming terror once more. It includes brand new stories from Charlaine Harris, Scott Smith, John Ajvide Lindqvist, Sherrilyn Kenyon, Michael Kortya, Kelley Armstrong, Brian Keene, David Wellington, Seanan McGuire, and Tim Lebbon. This is old-school vampire fiction, for fans who wouldn’t have it any other way.

Seize the Night: New Tales of Vampiric Terror was published by Gallery Books on October 6, 2015. It is 544 pages, priced at $18 in trade paperback and $13.99 for the digital edition. Click on the images above for larger versions of the front and back covers.

Black Static #49 Now on Sale

Black Static #49 Now on Sale

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Black Static 49-smallI’m hearing reliable reports that Black Static #49, published in Britain and shipped across the pond to eager readers here in America, is now available around the country.

Issue #49 is cover-dated November/December, and contains six stories:

“Dirt Land” by Ralph Robert Moore
“Going To The Sun Mountain” by Thana Niveau
“The Toilet” by Stephen Hargadon
“Gramma Tells A Story” by Erinn L. Kemper
“The Ice Plague” by Tim Lees
“The Climb” by Simon Bestwick

The magazine’s regular columns include Coffinmaker’s Blues by Stephen Volk and Notes From the Borderland by Lynda E. Rucker, plus two review columns: Blood Spectrum by Tony Lee (DVD/Blu-ray reviews); and Case Notes by Peter Tennant (book reviews). Their review columns are a model for anyone who wants to see how to do attractive magazine layout, with plenty of book covers, movie stills, and behind-the-scenes pics.

Issue 49 is nearly 100 pages and comes packed with new dark fantasy and horror, and top-notch art. Black Static is the sister magazine of Interzone (see the latest issue here); both are published by TTA Press in the UK. The distinguished Andy Cox is the editor of both.

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A Concentrated Dose of the Best Our Field Has to Offer: Jonathan Strahan’s Best Short Novels 2004-2007

A Concentrated Dose of the Best Our Field Has to Offer: Jonathan Strahan’s Best Short Novels 2004-2007

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Jonathan Strahan is one of the most accomplished and acclaimed editors in the genre. He’s edited the annual Best Science Fiction and Fantasy of the Year since 2007, as well as some of our most highly regarded original anthologies — including the Infinity series (Engineering Infinity, Edge of Infinity, etc) and the Fearsome books (Fearsome Journeys and Fearsome Magics), all for Solaris. He’s also edited (with Terry Dowling) one of my favorite ongoing series, the five volumes in the monumental Early Jack Vance from Subterranean Press.

But the work that truly made me a Strahan fan was a brief (four volume) series he did exclusively for the Science Fiction Book Club, Best Short Novels. I’d been a member of the SFBC since the age of twelve but, after leaving Canada for grad school in 1987 and moving around after that, I’d let my membership lapse. I received plenty of invites to rejoin after settling here in St. Charles, but it was Strahan’s first volume in the series, Best Short Novels: 2004, that finally enticed me to do it. I’ve never regretted it.

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Future Treasures: A Gathering of Shadows, Book 2 of A Darker Shade of Magic by V.E. Schwab

Future Treasures: A Gathering of Shadows, Book 2 of A Darker Shade of Magic by V.E. Schwab

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V.E. Schwab made a considerable splash with her first book from Tor, the superhero tale Vicious, which Matthew David Surridge called “a well-paced and sharply-structured novel” in his BG review. She began an ambitious two-volume series with A Darker Shade of Magic, published last year by Tor. The second and concluding volume, A Gathering of Shadows, arrives in hardcover next month.

A Darker Shade of Magic introduced us to Kell, a magician and ambassador who travels between parallel Londons, carrying royal correspondence between universes. He’s also a smuggler. When a thief named Delilah Bard robs him, and then saves him from a nasty fate, the two find themselves on the run, jumping between worlds. As the second volume begins, Kell is visited by dreams of ominous magical events… as strange things begin to emerge from Black London, the place of which no one speaks.

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Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Beyond the Black River”

Discovering Robert E. Howard: Howard Andrew Jones and Bill Ward Re-Read “Beyond the Black River”

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Beyond the Black River Robert E Howard-smallHoward Andrew Jones and Bill Ward continue their re-read of The Conquering Sword of Conan by Robert E. Howard, the third omnibus volume collecting the complete tales of Conan, with “one of the most famous Conan stories of all,” and one of the last, “Beyond the Black River.” It was originally published in in the May-June 1935 issue of Weird Tales.

“Barbarism is the natural state of mankind,” the borderer said, still starring somberly at the Cimmerian. “Civilization is unnatural. It is the whim of circumstance. And barbarism must ultimately triumph.”

Bill: So concludes “Beyond the Black River,” a story that might almost be REH’s thesis on his philosophy of civilization. It is a story that introduces new elements to Conan’s world, demonstrating again how flexible and expandable REH’s Hyborian blueprint was even after sixteen complete short (and not so short) stories and a novel. But it also maintains a continuity with what has come before, giving us perilous adventure with supernatural antagonists and, of course, Conan being Conan.

Howard: I think it builds nicely on what we’ve seen before. As it happens, though, it’s not exactly a great introduction to Conan himself, or even the Hyborian Age… It’s very different from the preceding Conan stories, feeling very much like a tale of Indian warfare, and Conan himself, while busy doing incredible things, is almost a secondary character.

Read the complete exchange here.

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Vintage Treasures: The Compleat Enchanter by L. Sprague de Camp and Fletcher Pratt

Vintage Treasures: The Compleat Enchanter by L. Sprague de Camp and Fletcher Pratt

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I’ve been on something of a Fletcher Pratt kick recently, ever since I purchased a fine collection of old paperbacks that included five of his books, including The Well of the Unicorn and Tales From Gavagan’s Bar (co-written with L. Sprague de Camp), both of which I recently wrote up as Vintage Treasures.

Way down in the bottom of that box was a copy of The Compleat Enchanter. I didn’t pay much attention to it at first. Everyone who collects classic American fantasy has two or three (or five or six) copies of The Compleat Enchanter. It’s something of a classic, in a worn sort of way. It doesn’t get much attention these days, because it’s a light, humorous tale, the very opposite of the kind of thing that usually interests me. And so, out of habit, I didn’t give it much attention.

That was a mistake. I’ve ignored The Compleat Enchanter for the better part of 40 years, but when I finally picked it up this week I was quickly captivated. Yes, it is a screwball fantasy, about a psychology professor named Harold Shea who stumbles on equations that transport him into parallel universes, and who uses this ability to visit magical worlds shaped by the mythologies and legend of Earth. But it’s also crammed full of crisp dialog and surprising twists, and the unique charm of De Camp and Pratt, two American masters who were obviously having a lot of fun with the their creation.

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Become a Trader Among the Stars with Merchant of Venus

Become a Trader Among the Stars with Merchant of Venus

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In 1988, during the golden age of Avalon Hill, the company published an unusual game called Merchant of Venus. The title, of course, was a play on Shakespeare’s The Merchant of Venice… the game was set in a cluster of stars far from Earth, and Venus didn’t feature at all (It also had nothing to do with Frederik Pohl’s classic novella “The Merchant of Venus,” first published in the August 1972 Worlds of If, which featured the first appearance of the Heechee).

Unlike Avalon Hill’s other science fiction games — like Stellar Conquest and Alpha Omega — the focus of Merchant of Venus wasn’t crushing your opponents with massive fleets of warships. Players were explorers and traders in an unexplored part of the galaxy during a reawakening of galactic civilization, discovering long-lost pockets of civilization, and opening fabulously profitable trade routes. Playable with up to six players, the game also had an intriguing solitaire version, which featured action-heavy combat with a strange militaristic race. The Avalon Hill version was designed by Richard Hamblen, and has been out of print for nearly 30 years. Like most Avalon Hill games, it’s highly collectible now, with copies selling for $35-100 on eBay.

In 2012 Fantasy Flight Games, in partnership with Stronghold Games, released a deluxe edition of Merchant of Venus, with upgraded components and a two-sided game board. One side features the classic game by Richard Hamblen; flip it over, and you can play a more contemporary version of the game, with new rules by Robert A. Kouba.

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