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Author: John ONeill

Future Treasures: The Orion Plan by Mark Alpert

Future Treasures: The Orion Plan by Mark Alpert

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The Orion Plan-small The Orion Plan-back-small

Sometimes, you just want a good tale of alien invasion.

Mark Alpert’s The Orion Plan, a novel of first contact with a sinister alien intelligence, might just be what I’m looking for. Alpert is the author of Extinction and The Furies, which Booklist called a “carefully constructed alternate history of witchcraft — and sorcery too… very clever.” The Orion Plan goes on sale next week from Thomas Dunne.

Scientists thought that Earth was safe from invasion. The distance between stars is so great that it seemed impossible for even the most advanced civilizations to send a large spaceship from one star system to another.

But now an alien species ― from a planet hundreds of light-years from Earth ― has found a way.

A small spherical probe lands in an empty corner of New York City. It soon drills into the ground underneath, drawing electricity from the power lines to jump-start its automated expansion and prepare for alien colonization. When the government proves slow to react, NASA scientist Dr. Sarah Pooley realizes she must lead the effort to stop the probe before it becomes too powerful. Meanwhile, the first people who encounter the alien device are discovering just how insidious this interstellar intruder can be.

The Orion Plan will be published by Thomas Dunne Books on February 16, 2016. It is 322 pages, priced at $25.99 in hardcover and $12.99 for the digital edition. The cover was designed by Ervin Serrano.

Clarkesworld 113 Now Available

Clarkesworld 113 Now Available

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Clarkesworld 113-smallNeil Clarke makes a pretty big announcement in his editorial this issue.

It’s time to give up the day job. My family and I are trying to work out how to make that happen, but we need help to do so. If you are already subscribing to Clarkesworld or Forever, then thank you, that’s keeping the option on the table. If you haven’t been subscribing, now’s the time that would make the biggest difference to the future of this magazine.

I’ve mentioned before that a small percentage of our readers converting to subscribers would do the trick, but that’s easier said than done. Experience says that Clarkesworld will only be part of the puzzle. The new SFWA job helps. Forever helps. The anthologies help. Nothing stands on its own, but like a crowdfunding project, all the little bits add up to take you to your goal.

I think this is going to be a good year.

If you’re a fan of Neil and Sean’s work at Clarkesworld (and you definitely should be), then perhaps you might consider a subscription… this is the year when your support could really have an impact. And if you’ve never tried Clarkesworld or Forever, this is a great time to do so. Check out their support page — or why not buy their upcoming Clarkesworld: Year Eight anthology? It collects all the stories from last year, and the proceeds go towards supporting the magazine.

Issue #113 of Clarkesworld has four new stories by Paul McAuley, Benjanun Sriduangkaew, Nick Wolven, and An Owomoyela & Rachel Swirsky, and two reprints by Ted Kosmatka & Michael Poore, and Kim Stanley Robinson.

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New Treasures: Broken Hero by Jonathan Wood

New Treasures: Broken Hero by Jonathan Wood

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Broken Hero-smallHorror and comedy are a tough mix — but it can be a great combo when done right. Jonathan Wood seems to have the touch… his debut novel No Hero, the first book in the Arthur Wallace series, was called “a funny, dark, rip-roaring adventure with a lot of heart” by Publisher’s Weekly, and listed as one of the 20 best paranormal fantasies of the past decade by Barnesandnoble.com. Starburst called the third installment, Anti-Hero, “A gripping tale of dark comedic horror.”

The fourth volume, Broken Hero — featuring the continuing misadventures of MI37 agent Arthur Wallace, tasked with dealing with the supernatural, extraterrestrial, and the generally odd — was released late last month by Titan.

How’s a secret agent meant to catch a break? If it’s not a demi-god going through puberty, it’s a renegade Nazi clockwork army going senile. Or a death cult in Nepal. Or a battery-chewing wizard’s relationship problems. Arthur Wallace, agent of MI37 — Britain’s agency for dealing with the supernatural, the extraterrestrial, and the generally odd — has to pull everything together, and he has to do it before a magical bomb tears reality apart…

Jonathan Wood’s short fiction has also appeared in Weird Tales, Chizine, and Beneath Ceaseless Skies, and anthologies such as The Book of Cthulhu 2 and The Best of Beneath Ceaseless Skies, Year One.

Broken Hero was published by Titan Books on January 26, 2016. It is 429 pages, priced at $14.95 in trade paperback, and $7.99 for the digital version. The cover was designed by Amazing15.

Thomas M. Disch on the Best Science Fiction of 1979

Thomas M. Disch on the Best Science Fiction of 1979

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The Best Science Fiction of the Year 9 Terry Carr-small Best Science Fiction Stories of the Year Ninth Annual Collection Gardner Dozois-small The 1980 Annual World's Best SF Donald A. Wollheim-small

The Magazine of Fantasy and Science Fiction February 1981-smallThe Magazine of Fantasy & Science Fiction has put some delightful old content on their website for those who care to look, and earlier this month I came across their reprint of Thomas M. Disch’s Book column from the February 1981 issue, in which he compares the three Best of the Year volumes published the previous year.

1979 was a marvelous year for short SF, with many stories destined to become classics — including George R.R. Martin’s brilliant “Sandkings,” and his Hugo Award-winning “The Way of Cross and Dragon,” Barry B. Longyear’s novella “Enemy Mine,” Donald Kingsbury’s “The Moon Goddess and the Son,” Vonda N. McIntyre’s “Fireflood,” Orson Scott Card’s “Unaccompanied Sonata,” Richard Cowper’s “Out There Where the Big Ships Go,” and many others. Of course, Disch was as curmudgeonly as always.

The annuals are out, and here, if we can trust the amalgamated wisdom of our four editors, are the thirty best stories of 1979. It is in the nature of annual reports to pose the question, Was it a good year? and it pains me, as both a shareholder and a consumer, to answer that for science fiction, as for so many other sectors of the economy, 1979 was not a good year.

Against such a sweeping judgment it may be countered that sf is not a unitary phenomenon nor one easily comparable to a tomato harvest. Sf is a congeries of individual writers, each producing stories of distinct and varying merit. A year of stories is as arbitrary a measure as mileage in painting. Nevertheless, that is how the matter is arranged, not only by anthologists but by those who organize the two prize-giving systems, SFWA, which awards the Nebulas, and Fandom, which gathers once a year to hand out Hugos. The overlap between the contents of the annuals and the short-lists for the prizes is so great that one may fairly surmise that something like cause-and-effect is at work. As the nominating procedures are conducted in plain view, it seems certain that the editors will keep their eyes open for the likeliest contenders, since the annual that most successfully second-guesses the awards nominees has a clear advantage over its rivals.

Tomato harvest! At least he makes me laugh.

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Future Treasures: Haunts of Horror, edited by David A. Sutton

Future Treasures: Haunts of Horror, edited by David A. Sutton

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Haunts of Horror-small Haunts of Horror-back-small

Come on, who doesn’t love a haunted house story? I know I do. So I was very pleased to stumble on David A. Sutton’s upcoming anthology Haunts of Horror, which contains six novellas that explore the idea of the haunted house — but with a modern twist. The settings include “A seaside home, a school, a fantasy castle, a lighthouse, a wooden hut, a run-down tower block — all tainted by an abnormal atmosphere.” Yes, please! Here’s the TOC.

“Today We Were Astronauts,” Allen Ashley
“The Listener,” Samantha Lee
“The School House,” Simon Bestwick
“The House on the Western Border,” Gary Fry
“The Retreat,” Paul Finch
“The Worst of All Possible Places,” David A. Riley

Editor David A. Sutton has won the World Fantasy Award, The International Horror Guild Award, and twelve British Fantasy Awards; his previous anthologies include Fantasy Tales, Dark Voices, Dark Terrors, and Horror on the High Seas. Haunts of Horror was originally published in hardcover as Houses on the Borderland in 2008, by The British Fantasy Society. The new trade paperback edition will be published by Shadow Publishing on February 26, 2016. It is 322 pages, priced at $16 (order direct here). No word yet on a digital version. The splendidly spooky cover is by Edward Miller.

Vintage Treasures: The Early Fantasy Novels of Nancy Kress

Vintage Treasures: The Early Fantasy Novels of Nancy Kress

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The Prince of Morning Bells-small The Golden Grove-small The White Pipes-small

Nancy Kress is one of the finest science fiction writers we have. She’s won the Nebula Award six times, the Hugo twice, and the John W. Campbell Award. Her novels include the acclaimed Sleepless series (Beggars in Spain, Beggars and Choosers, Beggars Ride), An Alien Light (1988), and Steal Across the Sky (2009).

But before all of that, she began her career with three fantasy novels that are still fondly remembered today.

The Prince of Morning Bells (Timescape/Pocket, 224 pages, $2.75, October 1981) — cover by Carl Lundgren
The Golden Grove (Berkley, 246 pages, $2.95, January 1986) – cover artist unknown
The White Pipes (Berkley, 218 pages, $2.95, August 1986) — cover artist unknown

The books are not connected, but their publication did signal the arrival of a major new voice in fantasy.

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February 2016 Asimov’s Science Fiction Now on Sale

February 2016 Asimov’s Science Fiction Now on Sale

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Asimov's Science Fiction February 2016-smallIn her editorial in the latest issue of Asimov’s Science Fiction, Sheila Williams explains why SF often gets a bad rap for predicting the future.

As I write this, I am awash in the flood of published reminisces about Back to the Future Part II’s journey into the future…. Most of these ruminations seem to be rather disappointed with the real 2015… They claim that these special effects from a late eighties flight of fantasy were somehow promised to all of us, but the future didn’t deliver.

I’ve seen these sort of complaints levied at science fiction on numerous occasions. Robots don’t have positronic brains, dilithium crystals are not a thing, and settlements on the Moon and Mars remain a distant dream. Yet anyone who’s at all conversant with SF soon realizes that most science fiction is descriptive rather than predictive…

For all his forward thinking, Isaac was as much a product of his time as any writer. Although he eventually became an outspoken advocate for women’s rights, his early fiction described a society that wasn’t very different from his own… While I’d love to have an FTL drive that would take me to Terminus and Trantor, I don’t want the future to look like the world of 1951, and I don’t expect it to look like 2016. I don’t fault the young man who created that society unaware of the actual changes in mores and social structure that lay ahead anymore than I’d fault today’s writers for not getting their future facts straight.

I’m glad that our prospects are still unknown. I wouldn’t mind a jetpack, but I’m happy that so far we aren’t standing on Nevil Shute’s beach waiting for death from nuclear fallout or from Racoona Sheldon’s screwfly solution.

The first interview I ever did, as a young internet blogger for SF Site in 1997, was a phone interview with the late writer and editor Algis Budrys. He argued the exact same thing. “Why should SF predict anything?… SF is for speculating, not predicting,” he told me. I debated the point at the time, but over the years I’ve come to see that he — and Sheila — are right.

Read Sheila’s complete editorial here.

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New Treasures: Front Lines by Michael Grant

New Treasures: Front Lines by Michael Grant

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Front Lines Michael Grant-smallMichael Grant is the author of over 150 books, many co-written with his wife Katherine. He’s the New York Times bestselling author of Gone and Messenger of Fear. His latest novel, Front Lines, is a daring alternate history that imagines World War II with female soldiers fighting on the front lines. Publishers Weekly calls it “A gripping and heart-wrenching tale,” and bestselling author Elizabeth Wein says it’s “a magnificent alternate history that feels so real and right and true it seems impossible that it wasn’t.”

World War II, 1942. A court decision makes women subject to the draft and eligible for service. The unproven American army is going up against the greatest fighting force ever assembled, the armed forces of Nazi Germany.

Three girls sign up to fight. Rio Richlin, Frangie Marr, and Rainy Schulterman are average girls, girls with dreams and aspirations, at the start of their lives, at the start of their loves. Each has her own reasons for volunteering: Rio fights to honor her sister; Frangie needs money for her family; Rainy wants to kill Germans. For the first time they leave behind their homes and families—to go to war.

These three daring young women will play their parts in the war to defeat evil and save the human race. As the fate of the world hangs in the balance, they will discover the roles that define them on the front lines. They will fight the greatest war the world has ever known.

Front Lines was published by Katherine Tegen Books on January 26, 2016. It is 576 pages, priced at $18.99 in hardcover and $11.99 for the digital version. It is the first installment of a new series.

Future Treasures: Cthulhu Lies Dreaming edited by Salomé Jones

Future Treasures: Cthulhu Lies Dreaming edited by Salomé Jones

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Cthulhu Lies Dreaming-smallIn her article for us last February, The Making of a Dark Fantasy Anthology, Salomé Jones talked about the creation of her first fantasy anthology, the Lovecraftian volume Cthulhu Lives! Her second, Cthulhu Lies Dreaming: Twenty-Three Tales of the Weird and Cosmic, is due later this month from Ghostwoods Books.

I asked Salomé about the challenges of putting together a follow-up to a successful anthology, and she gave us a peak behind the curtain at what it took to create the eye-catching cover at right.

We had a massive amount of trouble with this cover. It’s like it was cursed. For the first book, Cthulhu Lives!, we used a photo of a special edition amulet by Jason McKittrick, Lovecraftian sculptor. We wanted to create something that would be recognizable to readers of that book, so we went back to Jason to look for a sculpture to photograph.

Because we needed a very high res image for print, I had the sculpture sent to a photographer in London. But through various contortions of fate, he wasn’t able to get a photo of it that worked. After eight months of waiting, I ordered a new copy of the sculpture, this time sent to a photographer in California. To my great surprise, months passed and still no photo. In the meantime, I started getting cold feet about the whole idea.

Gábor, our designer, contacted me and said he’d found a possibility — a sculpture by Hollywood prosthetics designer and sculptor Lee Joyner. I very nervously contacted him. He turned out to be extremely nice and we came to an agreement. And this is the result.

Pay attention, all you aspiring cover designers. This is how patience and determination — not to mention a little risk-taking — can pay off.

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John DeNardo’s February Speculative Fiction Books You Can’t Miss

John DeNardo’s February Speculative Fiction Books You Can’t Miss

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The Guns of Ivrea-smallJohn DeNardo gets it. It’s not a lack of choice that keeps us from choosing what to read… it’s that there are too many great books to choose from!

As the February lineup of science-fiction, fantasy, and horror books will prove, it’s not a lack of books that make it difficult to find something to read. If anything, there are too many books to read. Here’s a list of books to help you narrow down your selection. I’d say “choose wisely”… but all of these are sure bets. Titles this month include a serial killer, merfolk, human trafficking, illegal magic, a Lovecraftian demon, and more.

The Guns of Ivrea by Clifford Beal

WHAT IT’S ABOUT: The fates of a former thief, a pirate mercenary, and the daughter of the chief of the merfolk converge on a series of events that could mean war.

WHY YOU MIGHT LIKE IT: This is the first installment of what promises to be a swashbuckling seafaring fantasy series.

Graft by Matt Hill

WHAT IT’S ABOUT: In near-future Manchester, a local mechanic named Sol who steals car parts stumbles onto a trans-dimensional human trafficking conspiracy.DreamingDeath

WHY YOU MIGHT LIKE IT: The chase is on as Sol and a three-armed woman named Y run from their pursuers.

Read the complete article, with 16 selections of top-notch February fantasy and SF, here.

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