Browsed by
Author: John ONeill

The Top 50 Black Gate Posts in August

The Top 50 Black Gate Posts in August

george-rr-martin-awards-and-alfie-award-to-john-oneill-of-black-gate-smallFollowing on our record 1.26 million page views in July, Black Gate had an even more incredible August. There were lots of small triumphs, but the big one was receiving an Alfie Award from George R.R. Martin at Worldcon (at right). In his blog post explaining this year’s awards, George wrote:

One of my special ‘committee awards’ went to Black Gate, which had 461 nominations in the Fanzine category, second among all nominees and good for a place on the ballot. But Black Gate turned down the nomination, just as they did last year, to disassociate themselves from the slates. Turning down one Hugo nomination is hard, turning down two must be agony. Integrity like that deserves recognition, as does Black Gate itself. Editor John O’Neill was on hand to accept the Alfie.

Our top article last month was my report on the Alfie Awards, with pics from the associated Hugo Losers party. Second was M Harold Page’s study on how to capture the magic of a great dungeon crawl in fiction. And third was our look at Michael McDowell’s classic horror novel Cold Moon Over Babylon.

Rounding out the Top Five were William Patrick Maynard’s review of The Midnight Guardian (“a hardboiled pulp yarn that is so good, it immediately makes you set the author to one side with a handful of other standouts”), and Neil Baker’s gaming piece, “How No Man’s Sky Has Reinvigorated a Gaming Generation (No, Not That One).”

Also in the Top Ten were our report on the 2016 Hugo Award Winners, Parts One and Two of Fletcher Vredenburgh’s Summer Short Story Roundup, our summary of the Top 50 Black Gate Posts in July, and Bob Byrne’s detailed history of the TSR classic Dungeon!

Read More Read More

Space Barbarians and Uranium Mining on Mars: Rich Horton on Empire of the Atom by A. E. Van Vogt and Space Station #1 by Frank Belknap Long

Space Barbarians and Uranium Mining on Mars: Rich Horton on Empire of the Atom by A. E. Van Vogt and Space Station #1 by Frank Belknap Long

empire-of-the-atom-small space-station-1-small

It’s been a month or two since I’ve been able to make time for some classic pulp SF. But over at his website Strange at Ecbatan, Rich Horton has piqued my interest in a 1957 Ace Double, pairing A.E. van Vogt’s Empire of the Atom and Space Station #1 by Frank Belknap Long. Here’s Rich:

I approached Empire of the Atom with some caution. It is another “fix-up”, though a fairly coherent one, comprising five novelettes first published in Astounding in 1946 and 1947. It was published in hardcover by Shasta in 1957, followed the same year by this abridged Ace Double edition…. I have to say I was pleasantly surprised…

It is set some 10,000 years in the future, after humans have colonized the planets of the Solar System, and then been reduced to barbarism on each of these worlds. A city-state, Linn, arose, and in the recent past it conquered the world and began to try to annex the barbarians on Venus, Mars, and even outer satellites such as Europa. The ruler, or Lord Leader, is a vigorous man but getting older. A new child is born to his scheming second wife, Lydia. (These are, of course, analogues to Augustus and Livia.) The new baby, named Clane, turns out to be a mutant — Lydia was accidentally exposed to radiation — this society uses radioactive metals (and worships the “Atom Gods”) but has no idea how they work. As a mutant Clane should be killed. However, a leading Temple Scientist wants to raise him and show that mutants, if treated properly, have the same potential as anyone. So Clane is raised, somewhat isolated, and becomes an unusual but very intelligent young man… There is a sequel, The Wizard of Linn, serialized in Astounding in 1950.

Empire of the Atom was one of Van Vogt’s most popular novels, with over a dozen editions from multiple publishers over the next four decades.

Read More Read More

New Treasures: Black Rain by Matthew B.J. Delaney

New Treasures: Black Rain by Matthew B.J. Delaney

black-rain-matthew-bj-delaney-small black-rain-matthew-bj-delaney-back-small

Matthew B.J. Delaney’s first novel, Jinn, won the International Horror Guild Award. His latest is a near future science fiction thriller in which cures to terrible diseases are brokered on the Stock Exchange, and humanity has become dependent on a new race of synthetic slaves… slaves who are on the verge of revolt.

Read an except from Black Rain here, and see author Matthew B.J. Delaney describe the book in just 15 seconds on YouTube.

Black Rain was published by 47North on September 1, 2016. It is 373 pages, priced at $14.95 in trade paperback and $4.99 for the digital edition.

The 2016 British Fantasy Awards Winners

The 2016 British Fantasy Awards Winners

rawblood-catriona-ward-smallThe winners of the 2016 British Fantasy Awards have been announced by the British Fantasy Society. Tea and crumpets for everyone!

Since we forgot to report on the nominees three months ago, we’ll make up for it here by listing both the winners and the nominees in each category. Ready? Here we go.

Best Fantasy Novel — The Robert Holdstock Award

Uprooted, Naomi Novik (Macmillan)

Half a War, Joe Abercrombie (Harper Voyager)
Sorcerer to the Crown, Zen Cho (Macmillan)
Signal to Noise, Silvia Moreno-Garcia (Solaris)
Guns of the Dawn, Adrian Tchaikovsky (Tor)
The Iron Ghost, Jen Williams (Headline)

Best Horror Novel — The August Derleth Award

Rawblood, Catriona Ward (Weidenfeld & Nicholson)

Welcome to Night Vale, Joseph Fink & Jeffrey Cranor (Orbit)
The Silence, Tim Lebbon (Titan)
A Cold Silence, Alison Littlewood (Jo Fletcher)
Lost Girl, Adam Nevill (Pan)
The Death House, Sarah Pinborough (Gollancz)
Rawblood, Catriona Ward (Weidenfeld & Nicholson)

Read More Read More

Future Treasures: Year’s Best Weird Fiction, Volume 3, edited by Simon Strantzas and Michael Kelly

Future Treasures: Year’s Best Weird Fiction, Volume 3, edited by Simon Strantzas and Michael Kelly

years-best-weird-fiction-volume-3-smallMichael Kelly’s Year’s Best Weird Fiction has fast become one of my favorite Year’s Best series. Kelly is the editor of the acclaimed anthology series Shadows and Tall Trees, and every year he invites a guest editor to help select the finest strange and weird fiction from the last 12 months.

Laird Barron and Kathe Koja ably assisted with the first two volumes, and this year Simon Strantzas (Burnt Black Suns, Shadows Edge) bent his considerable editorial talents to the task. It arrives in hardcover and trade paperback from Undertow Books next month.

Showcasing the finest weird fiction from 2015, volume 3 of the Year’s Best Weird Fiction is our biggest and most ambitious volume to date.

Acclaimed editors Simon Strantzas and Michael Kelly bring their keen editorial sensibilities to the third volume of the Year’s Best Weird Fiction. The best weird stories of 2015 features work from Robert Aickman, Matthew M. Bartlett, Sadie Bruce, Nadia Bulkin, Ramsey Campbell, Brian Conn, Brian Evenson, L.S. Johnson, Rebecca Kuder, Tim Lebbon, Reggie Oliver, Lynda E. Rucker, Robert Shearman, Christopher Slatsky, D.P. Watt, Michael Wehunt, Marian Womack, Genevieve Valentine.

No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.

This series is perfect for those Black Gate readers who prefer dark fantasy, or who are looking for something just a little left of ordinary.

Here’s the complete Table of Contents.

Read More Read More

September/October Magazine of Fantasy & Science Fiction Now on Sale

September/October Magazine of Fantasy & Science Fiction Now on Sale

cc-finaly-at-worldcon-2016-small david-gerrold-at-worldcon-2016-small sarah-pinsker-at-worldcon-2016-small

the-magazine-of-fantasy-and-science-fiction-september-october-2016-smallWhen I was at Worldcon last month, I attended the Friday morning reading group hosted by F&SF. It featured five writers reading their stories from the magazine — Cat Rambo, David Gerrold (above middle), Sarah Pinsker (right), William Ledbetter, and Esther Friesner — and was moderated by editor C.C. Finlay (above left).

It was a lot of fun… and it certainly built up anticipation for the upcoming September/October issue. Two of the authors, David Gerrold and Sarah Pinsker, read extremely enticing excerpts from stories appearing in that issue. At the end of the panel Charles Finlay announced early copies were available in the back. I got in line to get one, but ended up giving my precious copy to someone at the con, and I wasn’t able to retrieve it before flying back to Illinois (*sob*). So I had to wait impatiently for several weeks until the issue arrived in my local bookstore, and I snapped up a copy a few days ago.

It’s a David Gerrold Special Issue, featuring two new novellas by Gerrold, a memoir, and an appreciation by Kristine Kathryn Rusch, “The Amazing Mr. Gerrold.” It’s F&SF‘s first author special in over a decade, and I’m glad to see Finlay bringing the idea back. (Gerrold is having quite a renaissance in the pages of F&SF… his novelette “The Thing on the Shelf,” featuring a horror writer nominated for the coveted Stoker Award, appeared last issue.)

The issue’s “The Dunsmuir Horror,” a Lovecraft pastiche starring author David Gerold, is both funny and very disturbing. Written in the form of a letter to Gordon van Gelder, F&SF‘s publisher and former editor, from the narrator as he recovers in a mental institution (as I said… very Lovecraftian), the story relates Gerrod’s investigations into a sinister American town that tries to lure weary travelers into stopping.

It’s an exceptional piece and a very fun read, and already getting some good notice. Here’s Clancy Weeks at Tangent Online.

Read More Read More

The Shadow over Innsmouth as a Generational Family Saga in Rural Alabama: Michael McDowell’s Blackwater

The Shadow over Innsmouth as a Generational Family Saga in Rural Alabama: Michael McDowell’s Blackwater

blackwater-michael-mcdowell-small

Michael McDowell’s Blackwater was a paperback horror series originally published in six volumes by Avon in 1983. It’s a tough set to track down these days, but not impossible. For those wiling to settle for a modern edition, Amazon offers a complete omnibus Kindle volume for just $9.99 and, at the other end of the spectrum, Centipede Press produced a hardcover slipcased set of all six books in 2014 for $350.

I don’t own any of the original Avon paperbacks (although it’s certainly possible that one or two are buried somewhere in my basement). But my interest was piqued this week by a September 22 Facebook post by author Nathan Ballingrud:

I’m in the midst of reading Blackwater, by Michael McDowell. It is, you might say, as if The Shadow over Innsmouth was written as a generational family saga set in rural Alabama. It is strange, funny, warm, and frightening, and a true pleasure to read.

You gotta admit, as blurbs go, that one certainly gets your attention.

Read More Read More

The Mystery of New Dimensions 13

The Mystery of New Dimensions 13

new-dimensions-13-small

Robert Silverberg’s New Dimensions was one of the most celebrated anthology series of the 70s. It published an impressive amount of award-winning fiction, including R. A. Lafferty’s “Eurema’s Dam” (1973 Hugo), Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas” (1974 Hugo), James Tiptree, Jr’s “The Girl Who Was Plugged In” (1974 Hugo), Suzy McKee Charnas “Unicorn Tapestry” (1981 Nebula), and many others.

New Dimensions 11 and 12 were co-edited with Marta Randall. The final volume, New Dimensions 13, was solely edited by Randall, and it boasted a dazzling range of writers, including Vonda McIntyre, Robert Silverberg, R.A. Lafferty, Lucius Shepard Michael Swanwick, Barry N. Malzberg, and many others. There’s just one problem with it, however: no finished copies are known to have survived. The entire print run was reportedly pulped, and the only copies that exist today were advance copies sent out to reviewers.

Why? That’s part of the mystery. Gunter Swain posted the cover above on Facebook today — the first image I’ve ever seen of the book. He reports the book “was published but was never distributed.” In the comments section, Marta Randall shed some light on the mystery.

Read More Read More

Feast Your Eyes on Robert McGinnis’ New Covers for Neil Gaiman’s Early Paperbacks

Feast Your Eyes on Robert McGinnis’ New Covers for Neil Gaiman’s Early Paperbacks

american-gods-the-tenth-anniversary-edition-neil-gaiman-small neverwhere-authors-preferred-text-neil-gaiman-small anansi-boys-neil-gaiman-small

I know I’m not the only one out there who’s purchased a new edition of a favorite book just because I loved the new cover.

And I’ll definitely be getting in line to pick up the new mass market paperback editions of Neil Gaiman’s American GodsNeverwhereAnansi Boys, and Stardust, all gorgeously rendered by famous paperback 50s artist Robert McGinnis, who’s now in his 90s but still doing brilliant work. Neil takes about how the new covers came about on his blog:

About a year ago, Jennifer Brehl and I were talking. Jennifer is my editor at William Morrow… I went off about how paperback covers used to be beautiful, and were painted, and told you so much. And how much I missed the covers of the ’50s and ’60s and ’70s, the ones I’d collected and bought back in the dawn of time. And somehow the conversation wound up with me asking if Harper Collins would publish a set of mass market paperbacks of my books with gloriously retro covers and Jennifer saying that yes, they would….

I sent a note to Jennifer asking if there was even the slightest possibility that Mr McGinnis would be interested in painting the covers for the paperback set we wanted to do. He said yes. I say that so blithely. But he has retired, pretty much, and he doesn’t have email, and it was only because the Morrow art director had worked with him, and he was intrigued by the commission… and ROBERT MCGINNIS SAID YES.

Neil has been talking about each cover in more detail on Tumblr. Check it out here.

The new mass market paperback edition of American Gods was published August 16, Stardust arrives on September 27, Anansi Boys on October 25, and Neverwhere on November 29. All four covers are painted by Robert E McGinnis, with lettering by Todd Klein. Click the images above for bigger versions.

New Treasures: The Tinker King by Tiffany Trent, Book II of The Unnaturalists

New Treasures: The Tinker King by Tiffany Trent, Book II of The Unnaturalists

the-unnaturalists-small the-tinker-king-small

I discover a lot of great writers by attending readings, and that’s exactly how I found Tiffany Trent. I was at Wiscon — which has one of the most rewarding reading tracks of any convention in the country — back in 2012 , where one reader in particular really impressed me. Her writing was fresh and original, with a marvelously inventive world and a compelling and instantly likable main character. Here’s what I wrote at the time:

My favorite tale… was Tiffany Trent’s The Unnaturalists. Set in an alternate London where magical creatures are preserved in museums, The Unnaturalists follows plucky young Vespa Nyx, who is happily cataloging unnatural creatures in her father’s museum until she becomes involved in Syrus Reed’s attempts to free his Tinker family, who have been captured to be refinery slaves. Funny, fast-paced, and packed with lively characters, Tiffany Trent’s novel captured my attention immediately.

The Unnaturalists was published in hardcover in 2012, and the sequel, The Tinker King, arrived in 2014. Saga Press published the paperback edition of The Unnaturalists (above) in June of this year, and the paperback edition of The Tinker King followed on July 26. Both are available for $7.99 in print, and $6.99 in digital format. The covers are by Aaron Goodman (click for bigger versions).