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Random Review: “The Devil Was Sick” by Bruce Elliott

Random Review: “The Devil Was Sick” by Bruce Elliott

Cover by George Salter
Cover by George Salter

Bruce Elliott was the author of ten short stories and three novels during a career that ran from 1944 until 1970, with seven of his stories appearing between 1951 and 1953. “The Devil Was Sick” appeared in the April 1951 issue of The Magazine of Fantasy and Science Fiction and was promptly reprinted in the anthology Adventures in Tomorrow, edited by Kendell F. Crossen.  It was subsequently reprinted in Deals with the Devil, Heaven and Hell, and Isaac Asimov’s Magical Worlds of Fantasy #8: Devils.

Set in the distant future (the forty-sixth century is well in the past), the only route off Earth is through original research. Acleptos is hoping to leave the home planet for a planet in orbit around Alpha Centauri, where the love of his life had emigrated following her successful research. Running some ideas for research through the almost-all-knowing Machine, he comes up with the question of whether devils and demons are real or hallucinatory. Ascleptos tackled the issue with the hopes of being reunited with his lost love.

Acleptos’ research leads him to an attempt to summon a demon with the assistance of his friend Ttom. Although they are successful, it is the appearance of the demon that causes the story to fail. Elliott offers up some interesting ideas, but there is a lack on internal consistency in the story and it seems he wasn’t able to decide exactly what was happening. It is possible this is caused by Acleptos’ inability to accurately understand the situation, but it feels as if Elliott hadn’t thought it through carefully enough.

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Random Review: “The Theft of Destiny” by Josepha Sherman

Random Review: “The Theft of Destiny” by Josepha Sherman

Cover by Jean-Francois Podevin
Cover by Jean-Francois Podevin

The other day I was talking about writing with someone who began pointing out the similarity of ideas behind a variety of books. I pointed out that the idea wasn’t always the important thing, what an individual author did with the idea was important. Two authors who come up with the same basic idea would write extremely different stories.

Josepha Sherman’s “The Theft of Destiny,” which first appeared in the Margaret Weis anthology Legends: Tales from the Eternal Archives is certainly not based on a new idea. In fact, Sherman’s story is a retelling of an ancient Mesopotamian myth concerning Enlil, Anzu, and Ninurta. However, Sherman relates the legend in a way that is more resonant with the modern reader.

Over the course of only a few pages, Sherman presents three different viewpoints, beginning with Enlil, who has custody of the Tablets of Destiny. Sherman follows the tablets when they are stolen by Anzu, and, by extension, begins to look at Anzu’s motivations in the theft. Ninurta, Enlil’s son, comes into the picture when his father informs the gods of the theft and his underrated son sees an opportunity to achieve something and make a name for himself.

Without delving too deeply into the mythology behind the two gods, the demon, or the Tablets of Destiny, Sherman works to provide each of them with very realistic and understandable motives for their actions. Anzu doesn’t steal the Tablets merely to set the action of the story in motion and Ninurtu chases after Anzu because he feels the need to demonstrate that he is as capable, or more capable, than the more establish deities.

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Random Reviews: “Shadow in the City” by Dean Wesley Smith

Random Reviews: “Shadow in the City” by Dean Wesley Smith

Cover by G-Force Design
Cover by G-Force Design

Dean Wesley Smith wrote “Shadow in the City” for the anthology Stars: Original Stories Based on the Songs of Janis Ian. Ian, a longtime science fiction fan, had attended the Worldcon in 2001 and became friends with several authors over the next several years, including Mike Resnick, with whom she edited this anthology in 2003.  Smith’s story is inspired by Ian’s song “Here in the City,” from her 1999 album Unreleased 2: Take No Prisoners.

Set in the aftermath of a calamity that has depopulated the Pacific Northwest, if not the entire world, Carey Noack has been living alone for four years near the Oregon coast when she decides it is time to return to Portland to see if anyone is living in the city, or at least to retrieve some of the belongings from her old apartment. In Portland, Toby Landel is living in a penthouse apartment he has commandeered surrounded by surveillance equipment he set up around town in hopes of finding someone else living in the otherwise deserted city.

Although both are looking for other people, they are also aware of the danger of finding someone else. Toby’s one discovery of a person moving through Portland since the catastrophe resulted in him not revealing himself for fear that the transient would just as likely kill him as anything else. The tension of the story comes, in part, from Carey and Toby’s concerns once they realize that there actually is someone else around.

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Random Reviews: “Why Do You Think They Call It Middle Earth?” by Susan Casper

Random Reviews: “Why Do You Think They Call It Middle Earth?” by Susan Casper

Cover by Larry Elmore
Cover by Larry Elmore

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week I rolled 40,278, which turned out to be Susan Casper’s short story “Why Do You Think They Call It Middle Earth?

One of the things I hoped to get out of this series, from a personal point of view, was to discover authors and short stories that I’ve owned and have never read. Of course, I also hoped to share those discoveries, good or bad, with the readers of Black Gate.

Casper’s story is told from Emily Prentiss’s point of view, a thoroughly unlikable, self-absorbed woman who prides herself on her no-holds-barred attitude in the boardroom. While berating a homeless man one day, she falls through a crack in the earth and finds herself in a fantastic realm, intent on finding someone who will pay for her misfortune.

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Random Reviews: “The Perfect Diamond” by Steve Rasnic Tem and Melanie Tem

Random Reviews: “The Perfect Diamond” by Steve Rasnic Tem and Melanie Tem

Cover by Allan Koszowski
Cover by Allan Koszowski

The husband and wife team of Steve Rasnic Tem and Melanie Tem published the short story “The Perfect Diamond” in the first issue of Fantastic Worlds in 1996. This incarnation of Fantastic Worlds was a fanzine edited by Scott A. Becker, and was unrelated to an earlier fanzine of the same name published in the 1950s by Sam Sackett and Edward W. Ludwig. It isn’t clear how many issues Becker published, but the first issue included fiction not only by the Tems, but also Jeff VanderMeer, Stepan Chapman, Ken Rand, James S. Dorr, and other authors.

Christopher has just been released from jail with a small amount of money in his pocket and a nearly perfect diamond, which he had owned for as long as he can remember. In his memory, there was a time that the diamond was flawless, but at some point it somehow developed a gouge. Although he always carries the diamond with him, there are few people in his life who know of its existence.

During his first day of release, Christopher wanders through town, trying to figure out where to live and what to do with his life. He bumps into Gina, his ex-girlfriend, in a bar. Their connection goes poorly and Gina leaves him with a taunt that as long as he has his perfect diamond, he doesn’t need anything else, clearly unaware that the diamond is no longer perfect. He also bumps into the father who adopted him, another person who knows of the diamond, although his father doesn’t mention the diamond.

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Random Reviews: “In the Company of Heroes” by Diane Duane

Random Reviews: “In the Company of Heroes” by Diane Duane

Cover by Bob Warner
Cover by Bob Warner

Diane Duane’s short story “In the Company of Heroes” appeared in Past Perfect, one of the numerous anthologies Martin H. Greenberg co-edited for DAW Books, this time with Larry Segriff. Originally published in 2001, Duane’s story is one of a dozen time travel stories in the book, and she reprinted it a decade later as the lead story in her collection Uptown Local and Other Interventions.

Robert Willingden is an incredibly wealthy and powerful man who has a hole in his life. Much like Charles Foster Kane, he lost the one thing he cared about as a child.  Unlike Kane, he knew exactly what happened to it. His parents had always denigrated his love of comics and he hid them in the attic, carefully retrieving them one at a time to read and then smuggle back to their safe spot until the night there was a fire in the attic. Although the comics made it through the fire, they were lost to a thief who used the hole in the attic caused by the flames to steal his treasure.

He hatched his plan when a priceless clock he owned was damaged. Taking it to a renowned clockmaker in Lucerne, Switzerland, the clockmaker, Uli, indicated the he did more than simply repair clocks and might be able to help Willingden stop the thief from ever having the chance to steal the long missing comics.

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Random Reviews: “In the Bookshadow” by Marianne de Pierres

Random Reviews: “In the Bookshadow” by Marianne de Pierres

Cover by John Picacio

In 2002, Greg Ketter, the owner of Minneapolis’ DreamHaven Books, published the original anthology Shelf Life: Fantastic Stories Celebrating Bookstores. The anthology includes one of my favorite stories, P.D. Cacek’s “A Book, By Its Cover.” It also included sixteen other stories, and, while I have re-read Cacek’s story over the years, I haven’t necessarily re-read many of the other stories since the book was originally published. While the book includes work by major names such as Neil Gaiman, Gene Wolfe, Charles de Lint, Nina Kiriki Hoffman, and Harlan Ellison, it also contains stories by less well-known names, including Marianne de Pierres, who had only published a handful of stories when Shelf Life came out, although she has proven to be more prolific in the years since.

Her contribution of Shelf Life is the story “In the Bookshadow,” which explores some of the more marginal customers at a bookstore. Anyone who has worked in retail knows that there are a variety of customer types.  Most come and, make their purchases, and leave, the presence only noted by the brief exchange at the cash register. Others are star customers. The staff knows them and looks forward to their visits. They are personable, spend a lot of money, and make the employees feel as if they are doing a real service. De Pierres’ protagonist is the employee who takes care of the marginal customers who give everyone else the willies.

When she begins to start seeing things out of the corner of her eye in the bookstore, she points them out to the customers, who don’t confirm her visions, but also appear to be doing something to protect her from the strange entities that seem to appear when nobody else is around.

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Random Reviews: “Paramount Ulj” by Avram Davidson

Random Reviews: “Paramount Ulj” by Avram Davidson

Cover by Dember

Because I’ve been asked about the process by which I’ve been selecting stories for the Random Review series, I thought I’d take a moment to explain how the stories are selected.

I have a database of approximately 42,000 short stories that I own sorted by story title. When it comes time for me to select a story to review as part of this series, I role several dice (mostly ten sided) to determine which story should be read. I cross reference the numbers that come up on the die with the database to see what story I’ll be reviewing.  This week, I rolled 26,559 which turned out to be Avram Davidson’s short story “Paramount Ulj.”

One of the things I’m hoping to get out of this series, from a person point of view, is to discover authors and short stories that I’ve owned and have never read. Of course, I’m also hoping to share those discoveries, good or bad, with the readers of Black Gate.

Avram Davidson could be extremely erudite, yet, at the same time, rather silly.  “Paramount Ulj” is a story that tends to fall on the latter side of that spectrum and is completely predictable if you share Davidson’s penchant for wordplay. It is one of his more slight stories, which may explain why its only appearances were its original publication in Galaxy (with translations appearing in the Swedish, French, and Italian versions of the magazine) and in Strange Seas and Shores, one of Davidson’s collections.

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Random Reviews: “The Loser of Solitaire” by Paul David Novitski

Random Reviews: “The Loser of Solitaire” by Paul David Novitski

Cover by Steve Fabian
Cover by Steve Fabian

The introduction to Paul David Novitski’s short story “The Loser of Solitaire” in the January 1979 issue of Fantastic Stories notes “Paul Novitski is not a prolific author.” In fact, he sees to have published a total of five short stories over a period of seven years, with the first two, appearing in 1973 and 1975, published under the name Alpajpuri, and the last three, all appearing in 1979 under his own name.

Novitski tells the story of a man who is looking someone named Zo. Through the course of the story, we learn that this man is a rover, someone who travels at relativistic speeds through space and therefore ages differently than mere mortals. He also has four arms, although at no point does Novitski address whether the arms are natural or an augmentation.

His search for Zo takes him into a night-club/brothel, where he is assaulted by the sights, colors, and sounds while he is being propositioned until he finds Zo. When he does find her, he explains that they have a friend in common, Sergi, although it is unclear how much of a friend Zo considers him. What is clear is that Zo is something of a writer and Sergi had shown the rover some of her writings, which has caused him to want to track her down.

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Random Reviews: “Divina” by Sarah Ash

Random Reviews: “Divina” by Sarah Ash

Cover by Roy Virgo
Cover by Roy Virgo

Sarah Ash’s “Divina: A Tale of Bel’Esstar” is set in her city of Bel-Esstar and focuses on the opera composer Avenel Brumiere and his muse, the Divina Oralie. Unfortunately for both of them, the story opens with Oralie’s costume igniting on the stage lights and the soprano suffering horrible burns all over her body, to which she would succumb despite the intervention of a mysterious doctor.

Part of Ash’s story deals with Brumiere’s attempts to work through his grief at the loss of his paramour and inspiration. As may be expected, Brumiere’s attempts to complete his next opera are stymied by the loss of the only woman he believes would have been able to sing the part he was writing. Dust comes to cover the score he was working on.

When the mysterious doctor appears with the offer to not only help Brumiere through his grief, but also help him regain his ability to compose, Brumiere ignores his offer. At this point, the story appears to move from a study of grief on the creative process into a deal-with-the-devil story, supported by the doctor’s business card which identifies him as Asmodé, who exhibits automata at the House of Asphodel.

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