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The Public Life of Sherlock Holmes: Dr. Watson for Comic Relief?

The Public Life of Sherlock Holmes: Dr. Watson for Comic Relief?

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BruceWatson_EyesFor many (especially of a certain age), the image of Doctor Watson is that of a buffoon who provides little assistance and lots of laughs. And the “credit” for that perception can be laid at the feet of Nigel Bruce. Bruce appeared in fourteen popular movies opposite Basil Rathbone’s beloved Holmes, and he also played the good doctor in well over two hundred radio plays – most with Rathbone.

In the first two films, The Hound of the Baskervilles and The Adventures of Sherlock Holmes, he was a bit of a clown. But after the franchise shifted from Fox to Universal, that portrayal was understated compared to the next twelve movies he made with Rathbone. The scripts called for Bruce to play a dolt – his daughter said that the disappointed Bruce made up the term ‘Boobus Brittanicus’ to describe his un-Doyle like character.

The poem below appeared in Punch Magazine. Unfortunately, after digging through my shelves, I cannot find where I got this from (I thought that it was one of Peter Haining’s books, but that didn’t pan out). But it is from the nineteen forties, when Rathbone was the brilliant, active Holmes and Bruce provided comic relief.

I think it’s both an amusing and insightful commentary on the Bruce phenomenon:

The stately Holmes of England, how beautiful he stood
Long, long ago in Baker Street – and still in Hollywood
He keeps the ancient flair for clues, the firm incisive chin,
The deerstalker, the dressing gown, the shag, the violin.

But Watson, Doctor Watson! How altered, how betrayed
The fleet of foot, the warrior once, the faster than Lestrade!
What imbecile production, what madness for the moon
Has screened my glorious Watson as well nigh a buffoon?

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Vintage Trash: Producers Releasing Corporation, the Poorest of Hollywood’s Poverty Row

Vintage Trash: Producers Releasing Corporation, the Poorest of Hollywood’s Poverty Row

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Strangler_of_the_Swamp_poster

The 1930s through 1950s are generally seen as Hollywood’s Golden Age. It was a time when major studios had glamorous stars and made blockbuster pictures with casts of thousands.

It was also a time when cheap production companies ground out quickie films on a shoestring budget, and sometimes, just sometimes, created something worth watching.

Welcome to Poverty Row, the result of the world’s insatiable appetite for film. In the days before television, many people went to the movies every day. Not only did they get a movie, but they also got a newsreel, cartoon, and a shorter “B” movie. Neighborhood theaters often showed B-movies as features since they were cheaper to rent and the audience of local kids didn’t care about great production quality, they just wanted to see some cowboys shooting it up. And that’s where Poverty Row came in.

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Vintage Trash: Reel Wild Cinema Free Online (and Legal!)

Vintage Trash: Reel Wild Cinema Free Online (and Legal!)

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rwcinema

As many of you will remember, back in the 1980s and 90s there was a huge increase of interest in old B movies. People of my generation who had grown up watching “Godzilla vs. the Smog Monster” on rainy Saturday afternoons, or snuck down to the TV room to catch Creature Features on the late late show, were now in college or work and had money to spend. Suddenly VCRs across the nation were being filled with monster films, 1930s exploitation films, Italian Mondo films, and every other kind of vintage oddity. It was a wave of ironic nostalgia that put the later hipster movement to shame.

Magazines like Psychotronic Video and Cult Movies Magazine were crammed with articles about obscure directors and their output, along with lots of great movie stills and posters. There were also ads for various film distributors, one of the most popular being Something Weird Video.

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Here Come the Replicants! – Blade Runner 2 Moved Up

Here Come the Replicants! – Blade Runner 2 Moved Up

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BladeRunnerThe long awaited sequel from Ridley Scott, starring Ryan Gosling, Harrison Ford, Robin Wright and Dave Bautista (yes, the former wrestler), was originally slated for January of 2018. That’s not exactly prime release time. Or a sign that the studio has confidence in the film. Instead, it’s been moved up to the weekend of October 6, 2017, which would put it in the Oscar discussion. If it is any good, of course.

Feelings about the sequel are certainly mixed. Though I think folks should remember that Blade Runner was not a hit upon release and had fared so poorly in test screenings that the film was recut before general distribution. However, it has grown to cult status. It’s one of my favorites and certainly a classic of scifi noir.

The script continues the story from the first film, which was an adaptation of Philip K. Dick’s Do Androids Dream of Electric Sheep. Which is well worth a read.

K.W. Jeter wrote two official sequel novels, which I’m happy to say, have nothing to do with the film. The first was readable: the second was terrible.

If you enjoyed Blade Runner, there’s a superb book on the making of the film, Future Noir: The Making of Blade Runner.

I remain hopeful about this film. And Vangelis is 73 years old. Will he be doing the soundtrack? It was a big part of the original.

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The Public Life of Sherlock Holmes: The Stuff That Dreams are Made of

The Public Life of Sherlock Holmes: The Stuff That Dreams are Made of

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Much of my hard boiled knowledge came from Black Lizard's editions of the classics.Last week marked the 86th anniversary of Dashiell Hammett’s The Maltese Falcon in book form. It had been serialized the year before in the pages of Black Mask Magazine. Hammett gets my vote for best writer of the hard-boiled genre. And I am quite the fan of Red Harvest (the uncredited source for Bruce Willis’ under-appreciated gangster film, Last Man Standing) and of the Continental Op stories (well worth reading). But I happen to think that The Maltese Falcon is the best private eye novel yet to be written. Period.

Sam Spade (who looked like a blonde Satan) also appeared in three short stories, which I wrote about in a prior post here at Black Gate. Sadly, they aren’t particularly memorable and definitely aren’t in the upper half of Hammett’s works. In 2009, Joe Gores wrote Spade and Archer, an authorized prequel. I love Gores’ Daniel Kearney Associates series of books, but I’m still saving this Sam Spade gem for a future read.

A great deal has been written about Hammett’s novel and about Spade himself, including William Maynard’s post here. It’s certainly worthy of a post all by itself. But I’m going to focus on the media Falcon: specifically the third of three filmed versions. It’s far and away the best known and I’m guessing that many people who haven’t actually read the book have seen the movie.

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The Public Life of Sherlock Holmes: 2015 Links Compendium

The Public Life of Sherlock Holmes: 2015 Links Compendium

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Cumberbatch
I don’t have any idea how to salvage this train wreck of a show. Do you?

So, for the first post of 2016, I think the most important thing to recognize is that I made it to the end of my second calendar year at Black Gate without getting axed (it helps that I work cheap. As in, ‘free.”). By my reckoning, The Public Life of Sherlock Holmes has appeared here every single Monday morning for the past 96 weeks. As I had serious doubts that John O’Neill would even approve  a Holmes-themed column (I mean, it’s a fantasy website!), I’m pretty pleased it’s still around.

During 2015, I helped with Black Gate’s outstanding “Discovering Robert E. Howard” series, which featured guest columns from a slew of very knowledgeable folks; and there are still a couple fine posts remaining in the series. Personally, I thoroughly enjoyed putting together Part One of my history of Necromancer and Frog God Games, Dungeons and Dragons and Pathfinder RPG publishers extraordinaire. Part Two is pretty much written, but still needs some serious editing.

The three-part piece on Granada’s Adventures of Sherlock Holmes, starring Jeremy Brett, was a favorite and there will certainly be another in the series: likely a few more. And I even managed to have the most viewed post in a month with a look at what went wrong in season three of BBC Sherlock (sadly, my hopes that the January 1 special episode would get the franchise back on track were horribly dashed).

With a couple of extras that I wrote outside of PLoSH included, I’ve linked 54 posts from 2015 below. It’s no surprise, with the name of this column, 27 were about Sherlock Holmes or Arthur Conan Doyle. With another 5 about the best of the Holmes pastiches, Solar Pons.

Next up were 8 posts related to fantasy and 1 for science fiction. Then we’ve got 5 Hard Boiled/mystery posts and 8 miscellaneous ones.

If you’re at least a semi-regular reader of the column, I try not to write “here’s my opinion” posts. I like to share information about things I like, be it the Richard Diamond radio series or a different way to look at a Holmes story. Hopefully in 2015 you came across a topic that you either wanted to go explore a bit or that you learned a little more about. There’s lots more I plan on writing about in 2016 (can’t believe I didn’t write a single Nero Wolfe post last year!), so grab a cup of coffee and check in on Monday mornings. And thanks for reading The Public Life of Sherlock Holmes!

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The Public Life of Sherlock Holmes: Holmes on Screen

The Public Life of Sherlock Holmes: Holmes on Screen

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HoS_BarnesHolmes enthusiasts have their peculiarities. One of mine is that I enjoy just grabbing Alan Barnes’ Sherlock Holmes on Screen from the shelf and randomly reading about some past tv or film effort starring the great detective.

Almost twenty years ago, I couldn’t find a single picture of Ronald Howard’s Holmes on the internet. So I scanned one from a book and that was the basis for HolmesOnScreen.com, which for about a decade, had more info about Holmes television and film projects than any other site on the web. With the coming of Guy Ritchie’s Holmes, I decided to shut down the site (surprisingly, I enjoyed the movie) and soon thereafter set up SolarPons.com.

But Holmes on screen has remained a major interest area for me. By my count, twenty-one The Public Life of Sherlock Holmes posts have covered that subject! Now, I’m not saying that if you read every one of the links below, you’d be a leading expert on Holmes on screen. But you’d probably know more than most folks you talk to on the subject. And hey; they’re all free!

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The Public Life of Sherlock Holmes: On Screen Before Norwood

The Public Life of Sherlock Holmes: On Screen Before Norwood

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PreTwentiesGillette1Screen depictions of the great detective have been a staple topic here at The Public Life of Sherlock Holmes. And because you assuredly read this post (actually, you might have: this has turned out to be my most popular PloSH post. I think it’s an error in the counting macro, but I’ll take it!), you know that in 1921 Eille Norwood and Stoll Films began their very popular series of Holmes silent films.

So today, we’ll look at the pre-Twenties career of Holmes in films.

There had been plays featuring Sherlock Holmes in 1893 and 1894. Then, William Gillette made his lasting debut as Holmes in his own play in 1898. Which you know since you read this post (I’m awfully self-assured people read this column, aren’t I?).

The restored Gillette film was screened in San Francisco the first week of June and will be available on DVD this Fall (I don’t plan on paying $34.95 for a copy, myself. I’ll wait until the price comes down.).

Then, in 1900, we saw the first appearance of Holmes in the fledgling media of film.

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The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

The Public Life of Sherlock Holmes: Magnifying Glass, Pipe and Deerstalker

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Pipe_RathboneThe curved pipe. The magnifying glass. The deerstalker cap. These three objects are intimately associated with the enduring image of Sherlock Holmes. Sir Arthur Conan Doyle was quite astute to use these rather uncommon devices for his singularly uncommon detective.

Well, not quite. In addition to Doyle, we should also credit three other men for creating the picture we see of Sherlock Holmes, over a century later.

Along with Doyle, we must tip our deerstalker (and puff on our pipe in honor of) illustrators Sidney Paget and Frederic Dorr Steele, a well as the great stage performer, William Gillette.

It is the contributions of the latter three upon which Eille Norwood, Arthur Wontner, Basil Rathbone, Jeremy Brett and others based their portrayals. Of course, since Rathbone’s Universal films were set in the 1940’s, his wardrobe was contemporary to the times. But his two films for Twentieth-Century Fox fit the classic image.

Let’s take a look at three “props” that have been commonly associated with Holmes for over a century.

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The Public Life of Sherlock Holmes: TCM’s Summer of Darkness

The Public Life of Sherlock Holmes: TCM’s Summer of Darkness

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TCM_LogoHard boiled and noir are often discussed together. And while a film or story could fit in both categories, they are two distinct genres. Hard boiled is typified by the stories of Dashiell Hammett and Raymond Chandler, and others from Black Mask and Dime Detective magazines.

Noir is usually (but not always) thought of in terms of film: black and white, shadowy movies with dark characters. Much hard boiled is noir, and vice versa. Far more expert folks have discussed the definitions of the two terms for decades.

One example, to me, are the works of Cornell Woolrich, whose “It Had to Be Murder” became the masterful suspense flick, Rear Window. Woolrich’s stories are noir, but not hard boiled.

Many of Humphrey Bogart’s films were hard boiled, including The Maltese Falcon (also noir), The Roaring Twenties and Bullets or Ballots. One of his later films, In a Lonely Place (based on the novel by Dorothy Hughes) is a noir classic but isn’t hard boiled.

So, just know that many films (usually crime related) from the thirties through the fifties and into the sixties, were hard boiled, noir, or both.

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