How Reviews Help Authors

How Reviews Help Authors

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Image by Ted Erski from Pixabay

G’day, Readers!

I’m sure that any reader who follows any writer will have heard the plaintive cries from any one or perhaps all of that author’s social media, pleading for a review. Any review. It doesn’t have to be a good one. Or very involved. For the love of all things good and green in this world, would you please leave a review! You’re probably sick to death of it, actually. Don’t fret, writers are sick to death of asking, as well. Unfortunately, reviews do help, and they’re one of the few things that are actually useful in helping an author out; particularly those of us who are largely unread and struggling to be seen in a very flooded market.

It seems like such a silly thing to be true — that someone’s opinion could matter so much in helping a book and its writer find their place in the world. Surely any other avenue would work, no? Well… perhaps a little, but nothing else has the impact of a review – both individually and as a cumulative effect. Even negative reviews can absolutely help! If ever you’re hesitating to post a review, let me try my best to convince you.

Yes, my motivations are entirely selfish. Shall we?

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A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part I

A (Black) Gat in the Hand: John Bullard on REH’s Rough and Ready Clowns of the West – Part I

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

A (Black) Gat in the Hand was primarily about hardboiled Pulp stuff when it began, because that’s what I mostly what I was interested in, and knew about. And I was the one writing it. But over our six year run here, I’ve gotten some friends to help me out. Some wrote about hardboiled, but others have filled in the Pulp gap with interesting essays on other areas. I’m really pleased that the scope has been expanded. And the next few weks, we’re gonna explore the Western genre (Duane Spurlock started us off with a 2019 essay on one of my favorites – T T Flynn).

I’ve gotten to know a bunch of neat folks through my love of Robert E. Howard. And I met fellow REH Foundation Award winner John Bullard at the 2022 Howard Days. We have several common interest areas. One is Robert E. Howard. One is NOT Howard’s Breckenridge Elkins (though we both like Sailor Steve Costigan). John joins A (Black) Gat with a deep dive into Howard’s successful character. Next week he’ll be back for a look into Howard’s other humorous Western characters. 

Rough and Ready Clowns of the West: Robert E. Howard’s Humorous Western Characters, Part I

Since Bob invited me to contribute something on Robert E. Howard and his voluminous writings for his continuing A (Black) Gat in the Hand series, I thought I would write on Howard’s humorous pulp Western characters. They are not particular favorites of Bob’s (shocking!), so he probably won’t be writing about them for this series any time too soon. Also, this summer is the 90th anniversary of the creation of Breckinridge Elkins, one of Howard’s best-selling characters during his life. Because Elkins was such a success, Howard created three more humorous Western characters using Elkins as a starting point: Bearfield Elston, Buckner J. Grimes, and Pike Bearfield. That should be enough reasons for a look at Howard’s rough and ready clowns of the West.

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To Violate the Prime Directive: West of the Sun by Edgar Pangborn

To Violate the Prime Directive: West of the Sun by Edgar Pangborn

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West of the Sun (Dell, July 1980). Cover by Richard Corben

Edgar Pangborn is remembered now as a writer for his postapocalyptic series Tales of a Darkening World, which began in 1962 with “The Golden Horn,” later turned into the first part of Davy, one of the nominees for the 1965 Hugo Award for Best Novel. But he began writing science fiction a decade earlier, with his novelette “Angel’s Egg,” and two years later, his first science fiction novel, West of the Sun, which I’ve just reread.

Even this early, Pangborn was already doing the kind of writing that came to be called humanistic science fiction. There is advanced technology in West of the Sun: It takes place on a planet of Alpha Centauri, arrived at after a decade of space travel, which implies speeds nearly half the speed of light; and the starship Argo carries various useful small devices. But all of them are lost, or stop working, during the events of the novel. The Argo is — in the literary sense — a vehicle: It exists to get the characters into the story, which is about something else entirely.

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Vintage Treasures: Shadow of Earth by Phyllis Eisenstein

Vintage Treasures: Shadow of Earth by Phyllis Eisenstein

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Shadow of Earth (Dell, September 1979). Cover artist uncredited

We lost Phyllis Eisenstein almost three years ago, in December 2020. She was a friend of mine, and I miss the long conversations we used to have at Windycon and the Windy City Pulp & Paper Show. I’ll never forget the greeting she shouted at me in 2015 (“I’m retired!”) after she finally quit her advertising job. She had numerous writing projects she wanted to complete. She died of a stroke five years later, at the age of 74.

Phyllis was an enormously respected author who influenced modern fantasy in profound ways (George R.R. Martin dedicated A Storm of Sword to her, in gratitude for her contribution to Game of Thrones), but I always thought her own fiction was unjustly overlooked. Her series Tales of Alaric the Minstrel (ten stories and two novels, Born to Exile and In the Red Lord’s Reach) was her most popular, but her catalog also included the Book of Elementals trilogy and two standalone novels. Today I want to look back at one of her first novels, Shadow of Earth (1979).

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THE ONCE AND FUTURE KING, PT2 by T.H. WHITE

THE ONCE AND FUTURE KING, PT2 by T.H. WHITE

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“Thomas, my idea of those knights was a sort of candle, like these ones here. I have carried it for many years with a hand to shield it from the wind. It has flickered often. I am giving you the candle now — you won’t let it out?”

“It will burn.”

King Arthur to Tom of Warwick, p. 647 The Once and Future King

Read the first part of this review, Might For Right: The Once And Future King, Part 1 By T.H. White.

The first two volumes, The Sword in the Stone (1938) and The Queen of Air and Darkness (1939), of T.H. White’s The Once and Future King focus on the rise of Arthur Pendragon and the foundation of his kingdom, where right, not might, is the rule. The following two volumes, The Ill-Made Knight (1940) and The Candle in the Wind (1958), tell the story of Lancelot and Guenever’s affair and subsequent rot and collapse of the Round Table and Arthur’s kingdom. At the end of The Queen of Air and Darkness, White reminds the reader that in the tales of King Arthur, sin comes home to roost and that sometimes, even innocence isn’t enough to prevent ruination. In these two books, however, no one is innocent.

Lancelot made his first appearance in The Queen of Air and Darkness when his father lent his aid to Arthur for the Battle of Bedegraine.  It was then as a young boy that he had decided he would dedicate himself to Arthur’s vision of a better world.

Ill-Made Knight is the name Lancelot takes for himself. He is no Franco Nero or even a Robert Taylor (both played Lancelot in the movies), but instead a misshapen, ugly man.

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Goth Chick News Reviews: How Did I Miss This Fab Vamp Film??

Goth Chick News Reviews: How Did I Miss This Fab Vamp Film??

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Only Lovers Left Alive (Sony Pictures Classics, April 11, 2014)

Last week as I did research for my article about the upcoming reimagining of The Bride of Frankenstein, I stumbled across a vampire movie I had not only never seen but had never heard of, and the rarity of this occurrence cannot be understated. Vampires are my favs and though my crappy memory for names and dates means I’ll never consider myself an expert in the genre, I am proud to say that my experience of them in literature, movies, and folklore is pretty darn comprehensive. So, when I found the movie Only Lovers Left Alive (2013), there was nothing for it but to cancel all plans for the evening, order Door Dash, and tuck in to stream this title which had somehow eluded me for ten years.

The first thing to love is that the film cast was comprised of some incredible actors. Tilda Swinton and Tom Hiddleston play the two main characters Eve and Adam. But then there is Mia Wasikowska (Alice in Wonderland), the late great Anton Yelchin (Star Trek and Fright Night), Jeffrey Wright (Westworld), and the extraordinary John Hurt. The writer/director is Jim Jarmusch, who was also responsible for the zombie spoof movie The Dead Don’t Die (2019), which also starred Swinton, and who according to Jarmusch’s bio, is a bit of a muse of his.

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Gen Con Writers’ Symposium 2023 – Final Thoughts from the Chair

Gen Con Writers’ Symposium 2023 – Final Thoughts from the Chair

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 Gen Con Writers’ Symposium 2023 – Overview

Chairing the 2023 Writers’ Symposium was an honor and privilege. The organizing committee set out to double our attendance while growing the community and growing representation & scope. We more than doubled ticket sales (vs 2022) and grew our unique-ticket-purchasers by 50%.  Being our second year post-covid, we created a strong foundation for success in 2024 and beyond.

Gen Con is a massive gaming event, the largest gaming convention in North America. This year they have over 70,000 attendees (nearly a record, and wonderful growth from last year’s 50,000). One in every thirty (3.5%) attendees purchased tickets for the Writers’ Symposium. We offered 70 Free Seminars, 60 Workshops, 20+ Signings, 65+ Presenters; these were organized into different categories (tracks, categorized sessions) to promote longer stays.  We also featured the track Game Narrative (storytelling in video and tabletop games) led by Toiya Kristen Finley to better integrate with the larger event.

We had ~2,500 unique ticket sales, another ~500 walk-ins, and the average attendee purchased 2.5 tickets (up from ~1.5 last yr., indicating our move to “tracks” worked).

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Visions of the Future: Sixty Years of Perry Rhodan Art

Visions of the Future: Sixty Years of Perry Rhodan Art

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My favorite science fiction series has always been Perry Rhodan, with the first German episode published in September 1961 (authors Karl Herbert Scheer and Clark Darlton) by Moewig Publishing. Although the U.S. editions ceased in 1979 after #137, in its native Germany the series continues to this day in various forms, with over 3,200 episodes in the main series and counting. According to author Andreas Eschbach, reading Perry Rhodan would roughly compare to reading 560 Harry Potter books.

The covers and internal illustrations for the first 1,800 German episodes were created by Johnny Bruck. Today a number of illustrators work for Perry Rhodan, with Alfred Kelsner being the only one still painting original art (vs. digital graphics). Perry Rhodan is considered the most successful science fiction series in Germany – a true classic!

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A (Black) Gat in the Hand – The ‘Lost’ Mike & Trixie Intro

A (Black) Gat in the Hand – The ‘Lost’ Mike & Trixie Intro

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“You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail.” – Phillip Marlowe in Raymond Chandler’s The Big Sleep

(Gat — Prohibition Era term for a gun. Shortened version of Gatling Gun)

So… I agreed to write an introduction for The Complete Cases of Mike & Trixie: Volume One, from Steeger Books. That intro is below. It is not, however, in that particular book, as I missed the deadline in epic Douglas Adams fashion. It was entirely my fault, and I’m fortunate that Steeger didn’t drop me entirely. Since this essay has just been sitting around taking up space on my hard drive, I decided to run it in A (Black) Gat. It’s pretty self-explanatory and covers the first four stories in the series. I like T.T. Flynn, and maybe I could write an intro for Volume Two…

Most pulpsters earned less than a penny a word, with the legendary Black Mask offering a princely three cents! So it comes as no surprise that not only did writers produce at great volume, – some, like Erle Stanley Gardner, could crank out over one million words a year – but they also wrote for multiple magazines in different genres. Robert E. Howard, best known for Conan (Hollywood added ‘the Barbarian’), wrote boxing yarns, Westerns, spicy adventures, horror, historicals, and even mysteries; submitting stories to almost anyone who would pay, it seems. Like his contemporaries, he was just trying to make a living as a pulpster.

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Vintage Treasures: Science Fiction Discoveries edited by Carol and Frederik Pohl

Vintage Treasures: Science Fiction Discoveries edited by Carol and Frederik Pohl

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Science Fiction Discoveries (Bantam Books, August 1976). Cover artist uncredited

Five years ago Steven H Silver had a daily column at Black Gate in which he covered Science Fiction Birthdays for a full year. His choice for November 4, 2018 was Kara Dalkey, and Rich Horton had this to say in the comments.

I suppose the only other candidates were M. T. Anderson (I’ve liked a couple of his recentish short pieces a fair bit) and an interesting one: Babette Rosmond, who had a couple of pieces in Unknown in the early ’40s, then a quite interesting short novel, Error Hurled, in a Fred and Carol Pohl anthology in the ’70s.

Rosmond of course was an important editor — first at Street and Smith (Doc Savage was one of her titles) and later in magazines like Seventeen. She also wrote several contemporary novels (including one set among pulp editors), and she was an activist for more woman-led treatment of breast cancer. Interesting person.

The anthology in question was Science Fiction Discoveries, published in 1976, the fourth anthology Fred and Carol edited together, and the first to contain all-original stories. It had an impressive line-up — including a Thousand Worlds novelette by George R. R. Martin, an Azlaroc tale by Fred Saberhagen, and stories by Robert Sheckley, Scott Edelstein, Roger Zelazny, Doris Piserchia, and others. But the contributor that captured my interest was Babette Rosmond, with the complete novel Error Hurled, her sole science fiction publication. Rich is right — Rosmond was a fascinating person, for multiple reasons.

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