Planet Stories: Sojan the Swordsman/Under the Warrior Star by Michael Moorcock and Joe R. Lansdale

Planet Stories: Sojan the Swordsman/Under the Warrior Star by Michael Moorcock and Joe R. Lansdale

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Planet Stories #29: Sojan the Swordsman by Michael Moorcock/ Under the Warrior Star
by Joe R. Landsale (Paizo Publishing, October 5, 2010). Cover by Kieran Yanner

When I saw this book, I immediately had to have it. A “Planet Stories Double Feature!” Planet Stories published quite a bit of Sword & Planet fiction back in the day, and of all the pulps, if I could have had a subscription to just one it probably would have been that one.

This “Planet Stories,” however, is a modern effort from Paizo Publishing that started out reprinting old tales from the original magazine, including some great stuff by Leigh Brackett.

This particular work contains two novellas, “Sojan the Swordsman” from Michael Moorcock, and “Under the Warrior Star” by Joe Lansdale. “Sojan” reprints a bunch of old Sojan tales from Michael Moorcock, which were linked together to make something of a longer tale. It was printed first in the collection, probably because he’s the better known of the two authors, but I think they should have done the Lansdale piece first. It’s considerably better.

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What I’ve Been Watching: August 2025

What I’ve Been Watching: August 2025

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“Hey!” (you say to yourself). “I wonder what Bob has been watching? It’s been since May. Well, dear reader, I can’t leave you unfocused on our Monday work day, so let’s take a look, shall we? And – Gasp! – it’s all current stuff. How about that? And this is all spoiler free.

BALLARD

Michael Connelly writes the Bosch books, which spawned a terrific, gritty, seven season streaming series. HIGHLY recommended watch. Bosch an LAPD homicide detective, underwent a career change, which is the subject of the succeeding series, Bosch: Legacy. That lasted three seasons. All of this stuff has been taken from the novels. In the final episode of Legacy, an LAPD detective named Renee Ballard (also from a Connelly book series) plays a central part. And that’s because she’s the star of her own new series on Prime.

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The Chain Story 2 – Sword and Sorcery

The Chain Story 2 – Sword and Sorcery

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It has been 15 years since The Chain Story Project hit the internet; in 2010, Michael Stackpole led a bunch of authors to write stand-alone adventures all shared via “The Wanderers’ Club.”  All the stories were “chained” together with a common element but enabled every contributor to showcase their own characters/worlds. As standalone tales, they could be read in any order. And…. all stories were free to readers (at least for several months, many times indefinitely)!

Chain Story 2 has just commenced and will follow the same approach. This round, expect Sword & Sorcery with a common magical artifact represented in the logo. Learn about the project and the first three entries now on Black Gate. Shortcuts to the first three free stories are included below. Stories will be released every few weeks, so check the Chain Story website continuously, and you will also be treated to cool interviews (i.e., with S&S Champion Matthew John, who just released his second entry in his Maxus Cycle, Within the Weeping Eye).

We’ll aim to review the Chain Story Project as it develops again in a few months, but read this to get onboarded!
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Monster Mayhem, Part III

Monster Mayhem, Part III

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Pacific Rim (Warner Bros. Pictures, July 12, 2013)

Pacific Rim (2013)

It goes without saying that I have to include Del Toro’s love-letter to kaiju flicks on this list, and this one, being the first in a patchy franchise, ticks all the boxes.

Giant, horrible monsters? Check.

Colossal, clunky robots (loosely speaking)? Check

Citywide destruction? Check.

Ron Perlman? Check and check.

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Tor Double #17: L. Sprague de Camp’s Divide and Rule and Leigh Brackett’s The Sword of Rhiannon

Tor Double #17: L. Sprague de Camp’s Divide and Rule and Leigh Brackett’s The Sword of Rhiannon

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Cover for Divide and Rule by N. Taylor Blanchard
Cover for The Sword of Rhiannon by A.C. Farley

The seventeenth Tor Double, includes two stories, L. Sprague de Camp’s Divide and Rule and Leigh Brackett’s The Sword of Rhiannon, which are both fantasy stories masquerading as science fiction.

Divide and Rule was originally serialized in Unknown in April to May, 1939. Divide and Rule is the first of two de Camp stories to be published in the Tor Doubles series. It includes de Camp’s first of two stories in the series (both of which will be reviewed this month) and Brackett’s second of three.

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Goth Chick News: Yet Another Reason I Don’t Have Children

Goth Chick News: Yet Another Reason I Don’t Have Children

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I don’t have kids — and while that decision might be rooted in all sorts of deep psychological selfishness, I’d be lying if I didn’t admit that horror movies had at least a tiny role in it. You know what I’m talking about: the blank stares, the sing-song voices in the dark, the slow-motion head tilts, and the uncanny way they just know things no normal human should. From the twin terrors of The Shining, to the pale, whispery menace of The Ring’s Samara, to the pint-sized creeper in The Omen: kids in horror are often less adorable munchkins and more pint-sized portals to pure nightmare fuel. So, when I first heard the premise of Zach Cregger’s upcoming film Weapons, I got a full-body chill and immediately put the release date on my calendar. Because this time, it’s not just one creepy kid.

It’s seventeen of them.

All standing up in the middle of the night.

All walking into the darkness.

All vanishing.

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A (Qualified) Vindication of Lin Carter’s Fiction: Kesrick

A (Qualified) Vindication of Lin Carter’s Fiction: Kesrick

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Care to join me in a Pavlovian conditioned reflex experiment? Good. I’m going to ring a bell and we will observe your response. Ready?

Lin Carter. (That was the bell.)

Hmmm… exactly as I expected. At the mention of the name of the late fantasy editor, anthologist, and author, you immediately whispered, muttered, or shouted some variation of the formula, “His great knowledge and advocacy of classic fantasy, especially through his groundbreaking editorship of the Ballantine Adult Fantasy series from 1969-75, means that every lover of fantasy owes him an immense debt, but his own fiction, primarily pastiches of Robert E. Howard and (especially) Edgar Rice Burroughs, is plodding and rote and not worth reading.”

Good boy! A tasty dog treat for you!

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Crafting Sword & Planet: Swords of Talera and Other Tales by Charles Gramlich

Crafting Sword & Planet: Swords of Talera and Other Tales by Charles Gramlich

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Strange Worlds, edited by Jeff Doten, containing the Sword & Planet tale “God’s Dream” by Charles Gramlich (CreateSpace, September 26, 2011). Cover by Jeff Doten

In 1998, my first novel Swords of Talera ran as a four-part serial in Startling Science Stories. It won the “Reader’s Choice” award for each issue it appeared in. The pleasure of having the book first published that way was sweet — the same way that Edgar Rice Burroughs, Otis Adelbert Kline, and Robert E. Howard had much of their stuff published.

After I’d finished Swords of Talera in 1983, I’d started a sequel called Wings over Talera but only wrote the first two chapters. My grad school work was intensifying and it seemed silly to write a second book in a series when the first book hadn’t even been submitted to any publishers. After Swords sold, though, I immediately set to work on the sequel. It was published as a four-part serial in Alien Worlds: Beyond Space and Time, a sister mag to Startling Science Stories.

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The Lure of the Basilisk – 80’s Fantasy with a Cool Cover

The Lure of the Basilisk – 80’s Fantasy with a Cool Cover

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Dus_BasiliskI was recently talking online about how in the eighties and nineties we bought fantasy books because we liked the cover. And the pic I included was The Lure of the Basilisk, which kicked off the adventures of Garth the Overman. It’s been ten years since I wrote about that, back in the days of The Public life of Sherlock Holmes. So here’s a revisit of to a pretty cool fantasy series that you should check out, if you never have. 

The eighties was full of epic fantasy series’ by the likes of David Eddings, Raymond Feist, Stephen R. Donaldson, Terry Brooks and Katherine Kurtz, to name a few. While many remain giants in the history of the genre, Lawrence Watt-Evans wrote a largely forgotten series: The Lords of Dus.

Watt-Evans has written quite a bit of fantasy, science fiction and horror and is probably best known for his Ethshar series. Ethshar was created as a role-playing game world and he ended up writing many novels and short stories using the setting. The Misenchanted Sword is my favorite Ethshar novel.

Watt-Evans had flunked out of Princeton’s architectural school and had to wait a year before he could re-apply. He had heard (the possibly apocryphal story) that Larry Niven started his career by deciding to write for one year and if he sold something, continue on: if he didn’t, he’d give it up. Watt-Evans decided to do the same and wrote a slew of short stories, selling one.

He did go back to school, but he wrote a novel (The Cyborg and the Sorcerer) on a summer break and after two years of college, gave it up to make a living with the typewriter (as a writer, not a typewriter salesman).

Influenced by Robert E. Howard, Michael Moorcock and Lin Carter’s anthologies (Flashing Swords, anyone?), he was ready to spin a fantasy saga featuring a non-human (but less effete than a Melnibonian) hero. Thus, the race of overmen.

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AI Could Not Write These Stories

AI Could Not Write These Stories

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Uncanny Magazine, issues 63 & 64, March/April and
May/June 2025. Covers by Galen Dara and Grace P. Fong

With every issue, Uncanny Magazine brings you stories, poems, essays, interviews, and podcasts, all made by actual people! Now more than ever, it is important to support creators who are working to make the art you love. Check out our Uncanny Magazine Year 12: Fly Forever, Space Unicorns! Kickstarter for subscriptions and cool backer rewards, and help us spread the word!

Science fiction has long been enamored with artificial intelligence. As far back as Samuel Butler’s 1872 novel Erewhon, writers have speculated on how machines might develop consciousness and what the world might look like if they did. In modern fiction, we see a vast range of possibilities — stories where robots fall in love, stories where AI can determine anyone’s true cause of death, stories of experimental prototypes reading Western literature as dystopia looms, stories where simulations let us talk to our loved ones after they’ve passed. In R.S.A Garcia’s “Tantie Merle and the Farmhand 4200” artificial intelligence comes in the form of a loyal farmhand companion, made of nanites, repeatedly eaten by a goat.

In the time since Erewhon was written, we’ve made a lot of technological advances. There are medical diagnostic algorithms, programs that generate images in various styles, and increasingly sophisticated chatbots. As Martha Wells pointed out in her recent interview in Scientific American, humans love to anthropomorphize, and fictional depictions of advanced artificial intelligences often reinforce that tendency. But in reality we are nowhere near the level of sentient, intelligent machines.

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