Hawkmoon Gets Some Respect With Tor Reprints

Hawkmoon Gets Some Respect With Tor Reprints

the-sword-of-the-dawn-smallIt’s good to see Michael Moorcock back in print in attractive accessible editions again. Thirty years ago the man ruled the paperback shelves with numerous titles in print, including half a dozen Elric novels, the Chronicles of Corum, the Jerry Cornelius books… and of course, Hawkmoon.

Moorcock is still in print, of course — but chiefly in expensive omnibus editions these days. You can’t ride your bike down to the corner store, spot a slender Moorcock paperback on the rack with a glorious Michael Whelan cover, shell out 95 cents, and cram that baby into your back pocket like you used to. (And if you can, listen to an old man and take that Hershey’s bar out of your pocket first. Trust me, you’ll thank me later.)

Anyway, my point is, those fat hardcover editions are great for cranky old collectors like me. But they don’t do much to introduce the man whom Michael Chabon called “The greatest writer of post-Tolkien British fantasy” to a new generation. Michael Moorcock deserves to be celebrated with permanent editions of his work, sure. But he should also be available in cheap paperbacks that teenagers can fold in half while they’re reading, mesmerized, on the back of the bus.

The era of the cheap paperback is over. But Tor did the next best thing two years ago, releasing all four Hawkmoon novels — The Jewel in the Skull, The Mad God’s Amulet, The Sword of the Dawn, and The Runestaff — in slender trade paperbacks with gorgeous new covers by Vance Kovacs. Now that all four have been remaindered (selling at Amazon for between $5.60 and $6.00 each, while supplies last), I took the opportunity to buy a complete set.

Collectively known as The History of the Runestaff, the novels follow the adventures of Dorian Hawkmoon — an aspect of Moorcock’s Eternal Champion — on a post-holocaust Earth as he travels a world of antique cities, scientific sorcery, and crystalline machines and is inexorably pulled into a war against the ruthless armies of Granbretan. Here’s the description for the first novel, The Jewel in the Skull:

Dorian Hawkmoon, the last Duke of Koln, swore to destroy the Dark Empire of Granbretan. But after his defeat and capture at the hands of the vast forces of the Empire. Hawkmoon becomes a puppet co-opted by his arch nemesis to infiltrate the last stronghold of rebellion against Granbretan, the small but powerful city of Kamarang. He’s been implanted with a black jewel, through whose power the Dark Empire can control his every decision. But in the city of Kamarang, Hawkmoon discovers the power inside him to overcome any control, and his vengeance against the Dark Empire is filled with an unrelenting fury.

The Hawkmoon novels were originally written between 1967 and 1969; the Tor reprints were published between January and December of 2010. Roughly 200 – 220 pages each, their original cover price was $14 – $15; they are currently much less. Move quickly if you want copies; they are selling fast.

Amanda Palmer’s Kickstarter Scandal (and New Album)

Amanda Palmer’s Kickstarter Scandal (and New Album)

amanda-palmer-kickstarter-smallMusician Amanda Palmer has been a favorite of fantasy fans since her days with the Dresden Dolls. Her first solo album, Who Killed Amanda Palmer? (a loose homage to “Who Killed Laura Palmer?”, the famous line from cult TV show Twin Peaks), generated a companion photo book with text by Neil Gaiman and pictures by SF photographer Kyle Cassidy. I first heard about it from Kyle when he came to Chicago to add to his “Where I Write” project, photographing SF and fantasy writers in their writing caves (and taking a pic of me in my big green chair.)

Palmer’s 2011 wedding to Gaiman cemented her status as genre royalty. But true fame had to wait until May of this year, and it arrived in the form of a legendary Kickstarter campaign. Seeking $100,000 to fund her new album and tour, Palmer raised closer to $1.2 million, winning the title Queen of Kickstarter from MTV and numerous news outlets in the process.

Palmer’s new album, Theatre of Evil, arrived a few weeks ago. But its success has been overshadowed by a growing controversy surrounding hiring opening acts for her tour. Here’s what The New Yorker said yesterday, under the headline “AMANDA PALMER’S ACCIDENTAL EXPERIMENT WITH REAL COMMUNISM”:

Amanda Palmer, the singer who raised a spectacular sum on Kickstarter to fund her new album and then neglected to pay the musicians who toured with her, is the Internet’s villain of the month… Album in hand, Palmer prepared to tour. She advertised for local horn and string players to help out at each stop along the way: “join us for a couple tunes,” as the post on her Web site had it. Even better, “basically, you get to BE the opening ACT!”

Just one thing, local musicians. There would be none of this million-plus dollars available for you. Supposedly, Palmer had spent it all on producing her album… She promised instead to “feed you beer, hug/high-five you up and down (pick your poison), give you merch, and thank you mightily.” This is a compensation package which, honestly, might be worse than nothing. Depends on the beer.

Cue furor, via the usual music, snark, and music-and-snark Web sites. Palmer has since renounced her hornsploitation scheme and will pay the band, but the outrage remains.

The story has been picked up by The New York Times (“Rockers Playing for Beer: Fair Play?”), Digital Trends (“Kickstarter queen Amanda Palmer, meet your Internet backlash”), Gawker, (“Amanda Palmer’s Million-Dollar Music Project and Kickstarter’s Accountability Problem,” accompanied by a graphic showing Palmer grabbing bags of money), and other news outlets. She’s been called out on Twitter multiple times by musicians unions, and American Federation of Musicians President Raymond M. Hair Jr. told the New York Times, “If there’s a need for the musician to be on the stage, then there ought to be compensation for it.” As The New Yorker noted, Palmer has since relented and agreed to pay the opening acts, but so far the furor shows no sign of dying down.

Vintage Treasures: Tales of Time and Space

Vintage Treasures: Tales of Time and Space

tales-of-time-and-spaceI saw this little beauty sitting on the Starfarer’s Despatch booth less than 60 seconds after entering the Worldcon Dealer’s Room. The Dealer’s Room wasn’t even open yet, but Rich and Arin were kind enough to take my five bucks anyway. Bless ’em.

I love old science fiction anthologies. I just have to have ’em. I can tell this one is old because the Copyright Date is in Roman numerals. MCMLXIX. Let’s see… that’s 19… uh.. what’s LX again?… wait… 1969! Whew. Man, that took forever. No wonder the damn Roman Empire collapsed.

Tales of Time and Space is edited by Ross R. Olney. Never heard of him. Never heard of the publisher either: Golden Press. This has kid’s book stamped all over it. 1969, huh? (Excuse me, MCMLXIX. Probably everyone spoke in Roman numerals back then. Bet that made exchanging phone numbers a bitch. “Yeah, I love vegetarian food too. Give me a ring and I’ll take you to my favorite restaurant. I’m at XIIVIIIIVIIIIVIIIIVI.”)

Likely this was something done for the school library market. Except the table of contents sure looks like a real SF anthology:

  • “Puppet Show,” Fredric Brown
  • “Birds of a Feather,” Robert Silverberg
  • “Clutch of Morpheus,” Larry Sternig
  • “The Last Command,” Keith Laumer
  • “Fog,” William Campbell Gault
  • “The Martian Crown Jewels,” Poul Anderson
  • “Of Missing Persons,” Jack Finney

Okay, I don’t know who William Campbell Gault is, but those other guys are heavy hitters. Keith Laumer’s “The Last Command” is one of my favorite Bolo tales, the one where a bunch of construction workers building a highway on a world where the last war is a distant memory awaken a dormant Bolo and it begins grinding its way to the surface, terrorizing the entire city in the process. And Poul Anderson’s “The Martian Crown Jewels” is a great slice of 50s space opera, from the April 1959 issue of The Magazine of Fantasy and Science Fiction.

Tales of Time and Space was published in MCMLXIX by Golden Press. It is 212 pages in oversized trade paperback, and the original cover price was 95 cents. The stories are illustrated with occasional line drawings by Harvey Kidder, and the groovy cover is by Tom Nachreiner.

Joyce Carol Oates’ Gothic Quintet, Part I: Bellefleur

Joyce Carol Oates’ Gothic Quintet, Part I: Bellefleur

BellefleurPublished in 1980, Joyce Carol Oates’ novel Bellefleur is an astonishing gothic tour-de-force, a breathtaking and phantasmagoric book that whirls through generations of an aristocratic New England family. It deals in almost every kind of traditional horror-story trope: a sprawling, crumbling, haunted house; angered spirits of the land; men who take the shape of beasts; at least one innocent heiress who develops a peculiar case of anemia after being courted by a sinister European nobleman. All these things are folded into an overarching tale of greed, power, sex, and tragedy, told in a wild style that almost hides a precise structure of event, theme, and imagery.

The book was the first in a set of five projected ‘gothic’ novels. Oates has published three more since: A Bloodsmoor Romance in 1982, The Mysteries of Winterthurn in 1984, and My Heart Laid Bare in 1998. The last of the novels, The Accursed (originally to be titled The Crosswicks Horror), is set to come out in late March of 2013. To get ready for its appearance, I want to take a look at each of the first four novels, all of which play with genre in different ways. I’ll start this week with Bellefleur, which I think is a tremendous accomplishment, and a great work of the fantastic.

Before getting into the book, a bit of background on Oates: born in 1938, her first book, a collection of short stories called By the North Gate, was published in 1963. The next year, her first novel followed, With Shuddering Fall. Bellefleur was her twelfth novel; she’s written almost 50 novels for adults, as well as plays, poetry, short stories, and Young Adult fiction. Among the long list of literary awards she’s won are the National Book Award for Fiction (for them in 1970) and the 2012 PEN Center USA Award for Lifetime Achievement. Genre awards of note include two Bram Stoker Awards — in 1996 for Superior Achievement in a Novel, for Zombie, and in 2011 for Superior Achievement in a Fiction Collection for The Corn Maiden and Other Nightmares — as well as a World Fantasy Award in 2011 for her short story “Fossil-Figures.” Her stories have appeared in ten of the Year’s Best Fantasy and Horror Stories anthologies.

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In Defense of Red Sonja: Not the Female Conan

In Defense of Red Sonja: Not the Female Conan

red-sonja-0-cover2Red Sonja is nearing forty and, even if you don’t recognize the name, you know her. She’s the original girl in the chain mail bikini. There have been warrior women before (Jirel of Joiry) and since (Xena). But when you imagine sexist cheesecake portrayals of women in fantasy, the sort of thing modern creators try to avoid at all costs, you imagine Red Sonja, She-Devil with a Sword. And, frankly, she’s gotten a bad rap.

She’s a bit of an accidental icon, the sort of strong female character that could only be imagined by men in the midst of the Sexual Revolution.

The Shadow of the Vulture

Red Sonja was originally created by Roy Thomas (though based heavily on Robert E. Howard’s Red Sonya from “Shadow of the Vulture”) as a supporting character in the Conan the Barbarian series. The idea was to present a recurring female character who wasn’t just rescue bait for the Cimmerian, someone who could handle herself in a fight and win his respect as well as an appreciative leer. The iconic red hair was chosen simply because the only two prominent female adventurers in Howard’s original Conan stories were Belit (black hair) and Valeria (blond hair) and Thomas wanted an easy way to differentiate her from them.

Red Sonja first appeared in Conan the Barbarian 23 (February 1973) in a story also titled, “Shadow of the Vulture” (a loose adaptation transposing the setting from the 16th century Ottoman Empire to the Hyborian Age). Conan first encounters her as he races to the gates of Makkalet, a hundred raiders following behind him. As the gates open and Conan is running in, we see Red Sonja running out to meet the raiders, with sword drawn and her own mercenary army at her back. Within five panels of her first appearance, we get the classic description of Red Sonja as “a she-devil more beautiful than the flames of Hell.”

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New Treasures: Albert of Adelaide by Howard L. Anderson

New Treasures: Albert of Adelaide by Howard L. Anderson

albert-of-adelaideI’m a sucker for anthropomorphic fantasy. You know, stories that feature animals with human speech and personalities. Some of the best fantasy ever created has been in this fine tradition.

Watership Down. Carl Barks’ Uncle Scrooge. The Secret of Nimh. The Wind in the Willows. The Redwall books. The Lion King. Ratatouille. 101 Dalmatians. Joyce Maxner and William Joyce’s Nicholas Cricket.

Is there anything new in anthropomorphic fantasy? Anything that doesn’t come from Disney and Pixar, anyway? Yes there is. Exhibit A: the debut novel from Howard L. Anderson, about which Mary Doria Russell says: “If Larry McMurtry had written Wind in the Willows, he might have come up with something almost as wonderful and moving… This is a novel that defies analysis and summaries.”

Having escaped from Australia’s Adelaide Zoo, an orphaned platypus named Albert embarks on a journey through the outback in search of “Old Australia,” a rumored land of liberty, promise, and peace. What he will find there, however, away from the safe confinement of his enclosure for the first time since his earliest memories, proves to be a good deal more than he anticipated.

Alone in the outback, with an empty soft drink bottle as his sole possession, Albert stumbles upon pyromaniacal wombat Jack, and together they spend a night drinking and gambling in Ponsby Station, a rough-and-tumble mining town. Accused of burning down the local mercantile, the duo flees into menacing dingo territory and quickly go their separate ways — Albert to pursue his destiny in the wastelands, Jack to reconcile his past.

Encountering a motley assortment of characters along the way — a pair of invariably drunk bandicoots, a militia of kangaroos, hordes of the mercurial dingoes, and a former prize-fighting Tasmanian devil — our unlikely hero will discover a strength and skill for survival he never suspected he possessed.

Any reading experience featuring a Tasmanian devil, drunk bandicoots, and a “pyromaniacal wombat” gets my immediate attention. Albert of Adelaide was published in July by Twelve/Hachette Book Group. It is 223 pages for $24.99 in hardcover, or $12.99 for the digital edition.

See all of our featured New Treasures here.

Art of the Genre: Top 10 ‘Hawt’ Fantasy Artists

Art of the Genre: Top 10 ‘Hawt’ Fantasy Artists

These are my people, and I love them dearly, but when Neil Gaiman is our beauty 'ringer', we've got problems!
These are my people, and I love them dearly, but when Neil Gaiman is our beauty 'ringer', we've got problems!

In a bout of good humor, I bring to you today a topic that has been on my mind for some time and finally reached a writable level whilst viewing an image of this year’s winners of the Hugo Awards for writing.

What could have gotten you so motivated by said picture, you might ask? Well, it drove home the point that I have a theory artists are prettier than writers, and by a large margin. I mean, kudos to writers like China Mieville and Joe Abercrombie for swinging for the fences of rugged or charming beauty, but sadly two home runs can’t bring up the collective batting average of an entire team.

Now surely your hackles are up at such a broad brush [yes, pun intended!] and callously superficial statement, but remember this before you go finding a rope and a solid branch of a tree, I’m also writer!

Therefore, I attest this whole line of thought has to be like Chris Rock blasting African Americans, or Foxworthy busting Rednecks, right?

Well, I’m going with it, so just try to have some fun along the way because that is all this is really about!

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Black Gate Online Fiction: “The Duelist” by Jason E. Thummel

Black Gate Online Fiction: “The Duelist” by Jason E. Thummel

jason-e-thummelA master swordsman finds himself caught in a web of deceit and intrigue in Jason E. Thummel’s fast-paced tale of action in a violent city.

Androi Karpelov watched with detached calm the youngster’s cool and confident demeanor slowly erode, and felt a certain amount of empathy. But not much.

“Do you yield, Sir, and admit that the insult which your patron directed at my liege was incorrect and entirely without merit?” It was a formulaic question which Androi had asked times beyond count.

“Sir?” his opponent wheezed, keeping up a respectable guard despite the obvious signs of fatigue. “I fear I cannot. It is to the death.”

“Ah, then… ” Androi paused. “I suppose your last lesson will be that it is foolish indeed to undertake such a contract when you will be matched against your superior. Shall we?”

The boy nodded in acknowledgement. He took one deep and lasting breath, glanced over his right shoulder to where a young woman watched, striving to quench her great heaving sobs with a small silk kerchief, gave her a short curt bow that almost broke Androi’s heart, and then came at him.

Androi allowed him some ground, parrying and dodging with a show of far more concentration than he felt. The swordsmanship was truly uninspired and his muse had abandoned him. It was all for the best, he supposed, for it gave the lad some time to make an impression on the young woman. Perhaps she would remember him, but most likely would find herself another to whom she would attach her dreams in short order. Such always seemed to be the way.

Jason E. Thummel’s fiction has appeared in Rage of the Behemoth, Flashing Swords magazine, and Magic and Mechanica. His first novel, The Spear of Destiny, was published in 2011 and his short story collection In Savage Lands appeared earlier this year.

“The Duelist” is a complete novelette of adventure fantasy offered at no cost. You can read the complete story here.

September/October Fantasy & Science Fiction Magazine now on Sale

September/October Fantasy & Science Fiction Magazine now on Sale

fantasy-and-science-fiction-sept-oct-2012Andy Duncan gets the cover this issue for “Close Encounters,” a rural tale of alien abduction. Here’s what Lois Tilton says about it in her review at Locus Online:

Old Buck Nelson claims he doesn’t want to be bothered by reporters, even pretty girl reporters, sniffing around after the stories he used to tell about the alien who took him up to Mars and Venus and the dog he brought back with him. No one cares anymore, no one believes him. But now they’re making a movie and people are interested…

A really strong character, a narrative voice with strong authenticity, a strongly-realized setting. And a perfect ending to it all – RECOMMENDED.

Here’s the complete Table of Contents:

NOVELETS

  • “Close Encounters” – Andy Duncan
  • “The Sheriff”  – Chet Arthur
  • “12:03 P.M.” – Richard A. Lupoff
  • “The Goddess” – Albert E. Cowdrey
  • “Arc” – Ken Liu
  • “Troll Blood” – Peter Dickinson

SHORT STORIES

  • “Give Up” – Richard Butner
  • “A Diary from Deimos” – Michael Alexander
  • “Where the Summer Dwells” – Lynda E. Rucker
  • “Theobroma Valentine” – Rand B. Lee

POEMS

  • “Contact – Sophie M. White

The cover price is $7.50, for a generous 258 pages. Additional free content at the F&SF website includes book and film reviews by Charles de Lint, Chris Moriarty, and Kathi Maio; Paul Di Filippo’s Plumage From Pegasus column, “Call Me Ishmael”; and the “Curiosities” column by Chris De Vito. Cover artist this issue is Kent Bash. We last covered F&SF here with the July/August issue.

The Top 40 Black Gate Posts in August

The Top 40 Black Gate Posts in August

fifty-shades-of-greyAugust was a busy month here at the Black Gate rooftop headquarters. Theo Beale observed that 50 Shades of Grey, “according to its description it is little more than John Norman’s Gor brought back to Earth, minus the sword battles and the awesome tarn birds.” Brian Murphy reported on the debate surrounding breaking The Hobbit into three films, and Andrew Zimmerman Jones, live at the scene for the Dungeons & Dragons Next keynote at GenCon 2012, checked in with all the details.

I covered the controversy at Weird Tales magazine as the editorial team abruptly aborted plans to publish an excerpt of Victoria Foyt’s Saving the Pearls: Revealing Eden, and Scott Taylor brought us several more installments of his popular Art of the Genre column. Howard Andrew Jones explored the pleasures of the classic Jungle Stories pulp, and C.S.E. Cooney reviewed William Alexander’s novel Goblin Secrets. And that’s just a sample of the Top 10 articles.

Missed any of the news and updates when they were hot off the press? Not to worry — here’s your chance to catch up. What follows are the 40 most popular articles on the Black Gate blog in August. Don’t thank us, it’s our job.

  1. 50 shades of Paedo?
  2. Weird-Tales Pulls Novel Excerpt Following Fan Uproar
  3. Category: New Treasures
  4. Three Hobbit films for the LOTR fans =Trouble
  5. GenCon 2012: Dungeons & Dragons Next keynote Liveblog
  6. Vintage Treasures: The Barbarians Anthology Series
  7. Art of the Genre: The Art of Steampunk Couture
  8. Art of the Genre: When Music and Gaming mix
  9. Escape to the Jungle
  10. Goblin Secrets: A Review
  11. A Brick-and-Mortar bookstore score
  12. The thrill of the Unexpected: Why I Edit Clockwork Phoenix
  13. Black Gate Goes to the Summer Movies: Total Recall 2012
  14. Black Gate Goes to the Summer Movies: The Bourne Legacy
  15. Solomon Kane Crosses the Atlantic to U.S. Movie Theaters in September
  16. Category: Comics
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