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Writers as Barbarian Conquerors!

Writers as Barbarian Conquerors!

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This is possibly the most brilliant way to think about writing ever. I can’t believe I’m just thinking about it now, and certainly won’t have to beat the metaphor into shape. Well, maybe a bit. But, who the heck cares. You can now view your writing as a freaking barbarian invasion! Like I said: brilliant.

BattlePlan_small
Barbarians don’t post plans on the Internet, so I interviewed one and drew this. You’re welcome.

PLANNING THE BATTLE

Like any good invading army, you must first plan which of your troops are going where. It’s known as “plotting” in the writing world. It doesn’t need to be super detailed, but you should know the attack plan of your knights (aka hero) and archers (aka secondary characters. Sorry, Hawkeye). Plus, you should know a bit about your enemy’s defenses (aka villain).

Build up enthusiasm in your barbarian army with awesome speeches (aka writing down cool scenes).

FIRST WAVE OF ATTACK!

This is where you plunge in and WRITE! KILL! DESTROY! Your armies are in place. Your knights are totally rocking it! Your archers are shooting those little wooden arrows like they can’t run out AND THEY DON’T BECAUSE IT’S YOUR BOOK!

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Book Tour Tips for (Self-Published) Authors

Book Tour Tips for (Self-Published) Authors

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book tourMy adventure begins sixteen tons of sundowns ago… maybe say, November-ish, when the Clarendon Hills Public Library in Illinois asked me to be a featured reader at their No-Shush Salon. They wanted an author for early 2015. My first response (which I thankfully didn’t send) was no. Grateful that they thought of me, but no way. Who can afford to travel 5 hours one-way for one reading?

And then, THEN! In a cosmic crapshoot of hell yeah, another Chicago reading series, Tuesday Funk, contacted me. They wanted me for a reading several days after No-Shush.

When the universe shimmies at you, you wink back. I said yes to both.

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Five Things Better Than Handing In Your Manuscript

Five Things Better Than Handing In Your Manuscript

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Nobel prizeThis is in the forefront of my brain this week because – you guessed it – I’ve just handed in a manuscript. Now even though this is only the current draft of the work-in-progress, it feels pretty good, so I started to wonder, is there anything better than this?

Here are some of my thoughts:

Winning the Nobel Prize. It’s true you get to call yourself a Nobel Laureate, but I’ve asked around, and apparently this isn’t as wonderful as you might think. To start with, you have to go to Stockholm in February. Nothing against Stockholm, but really, February. It sometimes gets given to people years, and even decades after the work it’s being awarded for was done – which means their thank-you speeches frequently have a heavy subtext of “what, that old thing?” The money’s nice, but again, it so often comes later than you’d like it. In fact, more than one Nobel Laureate has been overheard to murmur, “Great, something else to dust.”

Winning the Superbowl. This one I confess I just don’t get. I keep asking what’s in the bowl, and all I get are funny looks. I mean, there’s a big difference between a super bowl of popcorn, and a super bowl of sauerkraut. I’m just saying, I’d need more details to be able to tell whether winning one is better than handing in a manuscript.

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Writing: Why You Shouldn’t Tinker With the Beginning Until You’ve Written to the End

Writing: Why You Shouldn’t Tinker With the Beginning Until You’ve Written to the End

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Storyteller-Tools-New-Cover 255
Outliners like me, we write in layers.

The beginning of your novel is… Important. Vital. Critical.

It’s the bit that grabs the reader, and if the reader is your dream agent or an editor, then it can potentially grab you a career instead.

So, important, vital, critical. So much pressure to get it right. A nagging fear that it’s wrong.

And yet, you need to hone your beginning last. Here’s why…

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The World of New Publishing Models: Serialized Self-Published Novellas by Traditionally Published Authors: Nigh, by Marie Bilodeau

The World of New Publishing Models: Serialized Self-Published Novellas by Traditionally Published Authors: Nigh, by Marie Bilodeau

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Nigh Marie Bilodeau-smallI wanted to talk to Marie Bilodeau, a multi-Aurora-nominated Ottawa-area author about her new novel, Nigh. It is an apocalypse story, a magical one, which is an original twist, but it’s also taking an old-school/new-school leaf in that Marie decided to serialize the novel as several novellas and self-publish them. So I sat virtually with Marie and the disjointed conversation that follows is the best one out of twenty-six takes…

So what’s fun about Nigh?

FAERIEPOCALYPSE!

Stop! That’s not even a real word! God, let’s start again. Take twenty-five….

No! Keep typing! It is a word! That’s what fun. I’ve taken all the old scary faerie stories and thought about what would happen if the veil between our world and theirs suddenly collapsed. It’s not pretty. It’s definitely dark fantasy that could also be considered horror.

Plus, since I’m a professional storyteller, I’m also going to be performing a set of traditional faerie stories, woven in with some bits of Nigh, as bonus-can’t-read-this-on-the-page material. No, but seriously: FAERIEPOCALYPSE!

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Drizzt Do’Urden Simply Won’t Stop Adventuring: Myke Cole on Learning to Love Serial Fantasy

Drizzt Do’Urden Simply Won’t Stop Adventuring: Myke Cole on Learning to Love Serial Fantasy

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Gemini Cell-smallMy name is Myke Cole, and I have a hard time with serial fantasy.

Yes, that’s right, I’m admitting it right up front. I’m wading into the hornet’s nest and making my confession.

More than three books in a series and I start to nod off. At five, you’ve pretty much lost me. It’s happened to me again and again and again. In A Song of Ice and Fire, I honestly don’t really care what happens after Dance. I followed Bernard Cornwell’s Richard Sharp through twelve books before I finally decided that, no matter how awesome his further adventures might be, I couldn’t get excited about them. Daniel Abraham’s The Widow’s House is the fourth book in his absolutely stunning Dagger and Coin series, and I know I’ll get to it… eventually.

It’s happened to me time and again with comic book series. Fables, Hundred Bullets, Sandman and on and on and on. I reach a point 5 or 6 or 10 trades in where I just sort of throw up my hands.

And all of the above examples are for good books. The kind of books that resonate and transport, the kind of books that make you want to give up writing because you’ll never be in the same league as that author.

For years, I’ve hid my head in the company of other fans, bit my tongue and kept my opinions to myself. Because Brandon Sanderson wound up rounding out The Wheel of Time series at fourteen books. Because Drizzt Do’Urden simply won’t stop adventuring, because fans LOVE long serials.

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Dave Duncan’s The Great Game

Dave Duncan’s The Great Game

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duncan past Connor Gormley wrote a post not long ago in which he discussed the seeming sameness of the current state of Fantasy. That the genre which should be most imaginative showed a singular lack of imagination, or flexibility might be a better word, in its choice of settings and characters. The comments give you a pretty good idea of how people agreed or disagreed with his thesis, and the whole post is well worth looking at. I think what it did for a lot of people, however, is remind them of books they’ve read that aren’t cloyed down with the sameness of things.

In my case, I was reminded specifically of Dave Duncan’s work. I’ve mentioned his Alchemist Novels in discussing fantasy mysteries, and one day I’d like discuss the brilliant West of January in more detail, but at the moment I want to introduce you to the trilogy The Great Game, made up of Past Imperative, Present Tense, and Future Indefinite.

At first glance it seems we’re being dealt a typical stranger-in-a-strange land trope, but as is so often the case with Duncan, the first glance is all you get for free. I think it’s safe to say that whatever you think Duncan’s up to, it’s very seldom what’s going on.

Part Imperative begin with two apparently unconnected storylines, or rather, we assume they are connected – not being entirely new to this game ourselves – but we aren’t shown how until much farther into the narrative than we’d expect. An epigraph does give us a broad hint, but honestly, it’s very easy to overlook. I have a theory that fewer than half of all readers actually read epigraphs, even the ones at the beginning of chapters, but that’s neither here nor there – which, come to think of it, pretty much describes the position of Duncan’s characters.

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The Public Life of Sherlock Holmes: Ya Gotta Ask

The Public Life of Sherlock Holmes: Ya Gotta Ask

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Ask_ReturnOne of the cool things about Black Gate is that there are a bunch of authors who post here. I’m not an author. I do write. As I’ve earned less than $5 from my writings, I don’t flatter myself to be a professional writer. However, I write things that other people (generally, in really small numbers) read. So, I’ll go with calling myself a writer.

Now, many authors here at Black Gate can (and have) given you advice on how to write a novel or get a book published. Do that and then you can be an author too. I’m going to make a suggestion on how you can become a writer, like me. I know, I know: you’re all a tingle.

I’ve got two blogs. My newer one, Almost Holmes, is where I post mostly about mystery-related fiction and a few other key interests, like Humphrey Bogart. Walking Through the Valley, which I’ve had for quite awhile, is mostly about my other interests: including baseball history and Christianity. But anybody can write a blog. A good one is tough to do, but you can sign up at WordPress or Blogspot and voila,’ you’re a blogger. So, no big accomplishment on my part.

Back around 2000, I couldn’t find a single picture of Ronald Howard, the (massively under-appreciated) star of a Sherlock Holmes TV series, on the internet. Not one. So, with no qualifications whatsoever, I created a website that became HolmesOnScreen.com. I’m no Alan Barnes (great book), but the Sherlockian community generally knows that I’m pretty knowledgeable on the subject.

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Smart Guy, Huh?

Smart Guy, Huh?

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ScorpionIt used to be okay to be the smartest person in the room – at least on paper, real life isn’t my area of expertise. Sherlock Holmes was definitely a loner, and eccentric, no question. But when he left Baker Street, he was appropriately dressed, even, or perhaps especially, when in disguise. He knew, understood and used all the social conventions, and could converse easily with everyone and anyone, from any walk of life. He may not have been interested in women romantically, but he had no trouble interacting with them.

This facility used to be part of being the smartest person in the room. Now, we see more examples of this extremity of genius than ever before, including two versions of Holmes. It might have been CSI that started this off – what was Grissom but the smartest guy in the room? – and since then we’ve had House MD bringing in the medical side, and The Mentalist for the con artist in all of us, and this season alone we’ve got Forever, and Scorpion, plus, I believe, a couple more coming along soon.

And let’s not forget, that for as long as most of us have been alive, we’ve had Dr. Who.

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Writerly New Year’s Resolutions and How to Make Them Work: Part 2

Writerly New Year’s Resolutions and How to Make Them Work: Part 2

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Writing Space
It all comes down to time and space to write.

How are the New Year’s Resolutions working out?

Are you being a more productive writer?

If not, then you probably need to set things up so you can be more productive, which is what I promised to talk about this week.

It all comes down to time and space to write.

You can squeeze more into your existing writing time by having an effective writing process — we had that rant already in Part 1 — and by learning to touch type.

Touch typing rocks. The words appear on the screen by telepathy. No distractions, no fiddling fingers. You think better, write faster.

However, what you really want is more writing time, with less interruption, which in turn means establishing a better physical space within which to do it. The time and space then need defending.

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