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Category: Vintage Treasures

Black Gate Book Club, Downbelow Station, First Discussion

Black Gate Book Club, Downbelow Station, First Discussion

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Welcome to the very first post of the Black Gate Book Club!  What are we up to?  As Fletcher Vredenburgh said in his introduction to the Book Club:

The plan is to read Downbelow Station over the month of June and post a discussion of it each Monday afternoon. This time around, the Book Club participants will include Adrian Simmons, Charlene Brusso, Chris Hocking, and me. We’d love it if you’d read along with us and join in the conversation.

Of course, it is now Wednesday, not Monday, and Charlene had to bow out of this round because life intrudes. Never the less, Vredenburgh, Hocking and I soldiered on! Below is our exchange:

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New Treasures: The Rise of the Terran Federation, edited by John F. Carr

New Treasures: The Rise of the Terran Federation, edited by John F. Carr

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H. Beam Piper was one of my earliest discoveries, and he quickly became one of my favorite SF writers. I snapped up every book with his name on it in the mid-70s, all Ace paperback editions with gorgeous Michael Whelan covers.

Piper committed suicide a few months after I was born, in November 1964. But his work has endured, and as recently as 2011 John Scalzi published Fuzzy Nation, a retelling of Piper’s most famous novel Little Fuzzy. Last year editor John F. Carr assembled an anthology of a handful of Piper’s Federation and Paratime Police tales, and invited Wolfgang Diehr, David Johnson, and Jonathan Crocker to contribute fiction set in Piper’s universe. He added a pair of essays by John A. Anderson, The Early History of the Terran Federation and Chartered Companies of the Terran Federation, and his own preface, The Terro-human Future History, and the result was The Rise of the Terran Federation, published in hardcover by Pequod Press. Here’s the description.

The Rise of the Terran Federation is new collection of new and old stories chronicling the rise of H. Beam Piper’s Terran Federation. With story introductions and essays on the establishment of the Federation, this book is the ultimate overview of the beginning of Piper’s crowning creation, the Terro-Human Future History. This collection will include some of Piper’s early Federation stories, like “Edge of the Knife” and Omnilingual.”

This collection also contains new stories about the aftermath of the Third and Fourth World Wars, the Thorans and life on Baldur. The Rise of the Terran Federation is an essential work for fans of Piper’s future history and his unique view of what lies ahead for mankind.

There are precious few SF writers whose work has endured five decades. Piper didn’t live long enough to see it, but his stories have entertained three generations of SF fans, and I expect them to still be in print 50 years from today.

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Vintage Treasures: Particle Theory by Edward Bryant

Vintage Treasures: Particle Theory by Edward Bryant

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Cover by Richard Powers

Edward Bryant died last year, at the age of 71. He was widely acclaimed for his short fiction, and published some 121 stories between 1970 and 2017. He won back-to-back Nebulas, for “Stone” (1978) and “giANTS” (1979). Wikipedia notes that “By 1973, he had gained acclaim for stories with a conversational style that mask rather dark realities,” and that seems right to me. His produced a single novel, Phoenix Without Ashes (1975), co-written with Harlan Ellison. After his death Mad Cow Press published the tribute anthology Edward Bryant’s Sphere of Influence, with fiction by Connie Willis, Steve Rasnic Tem, Kevin J. Anderson, Lucy Taylor, Bruce Holland Rogers, and many others.

I knew Bryant chiefly as a book reviewer, and he was excellent, somehow blending both a discerning eye for fiction with an infectious enthusiasm for the genre. He published many hundreds of reviews — have a look at his entry at the Internet Science Fiction Database, and you’ll begin to appreciate just how deeply Bryant explored the fiction he loved. I was a regular reader of his book columns at Locus (1989-2006), Twilight Zone Magazine, (1987-89), and especially Cemetery Dance (1990-98).

Recently I’ve become more interested in reading his short stories, though. He published half a dozen collections, including Among the Dead and Other Events Leading Up to the Apocalypse (1973), Cinnabar (1976), and Predators and Other Stories (2014). But his major collection appears to be Particle Theory (Timescape Books, 1981), which includes both of his Nebula Award-winning tales, plus no less than five other Nebula nominees (the title story, “Strata,” “The Thermals of August,” “Shark,” “The Hibakusha Gallery”) and three Hugo nominees (“The Thermals of August,” “Stone,” and “giANTS”).

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Mack Reynolds: Science Fiction Author and… African Explorer?

Mack Reynolds: Science Fiction Author and… African Explorer?

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On a recent writing retreat in Tangier, Morocco, I was going through back issues of the Tangier Gazette, an English-language newspaper from the International Zone era. During this time, which lasted from 1924–1956, Tangier was run by several different European nations plus the United States. The governments gave people a free hand, and Tangier became notorious for allowing things that were illegal everywhere else — drugs, homosexuality, and prostitution. That attracted writers such as William S. Burroughs, Paul and Jane Bowles, and many others.

The April 6, 1956, edition of the Gazette has this little tidbit about Mack Reynolds, a prominent science fiction author of his day. His career got started shortly after World War Two in the detective pulps, and he soon branched out to write science fiction. Reynolds had a taste for travel and moved to Mexico in 1953. He and his wife soon pulled up stakes and set off on an epic ten-year trip through Europe, North Africa, and the Far East, supported by his science fiction and travel writing. The trip finally ended with their return to Mexico.

During his time in Morocco, he and his wife struck out into what is now Mali to visit Gao and Timbuktu. This is not an easy trip now, and back then it was an epic journey few attempted. Just look at what happened to Kit Moresby in The Sheltering Sky.

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Birthday Reviews: Hal Clement’s “Critical Factor”

Birthday Reviews: Hal Clement’s “Critical Factor”

Cover by Richard Powers
Cover by Richard Powers

Hal Clement was born Harry Stubbs on May 30, 1922 and died on October 29, 2003. In addition to being an author, Clement was an artist, using the name George Richard for his artwork.

Clement received the Ignotus Award for the translation of his novel Mission of Gravity and a Retro-Hugo Award for his short story “Uncommon Sense.” He received the Skylark Award from NESFA twice, in 1969 and in 1997. In 1989 I-Con presented him with the Gallun Award, and in 2001 they presented him with the Moskowitz Award. He received the Forry Award from LASFS in 1992 and was inducted into the First Fandom Hall of Fame in 1997 and the Science Fiction Hall of Fame in 1998. In 1999, the SFWA named him a Grand Master. He was the Guest of Honor at Chicon V, the 1991 Worldcon in Chicago.

“Critical Factor” was purchased by Frederik Pohl for the second volume of Star Science Fiction Stories, published in 1953. It was translated into German in 1977 for an appearance in Titan 4, edited by Pohl and Wolfgang Jeschke. James E. Gunn selected the story as representative of Clement’s work and hard science fiction for his historical anthology series The Road to Science Fiction: Volume 3: From Heinlein to Here.

Clement was one of the masters of rigorous hard science fiction, often exploring the extremes of physical science, as he did in Mission of Gravity, and once he introduces the oddity allows scientific plausibility to dictate the course of his story. In “Critical Factor,” he posits a race of amorphous beings who live within the layers of the earth, eating seams of rock, and to whom the atmosphere is deadly. Pentong has gone on a lengthy journey of discovery and found that there is a distant continent covered in a mile-thick sheet of frozen water. He postulates that melting that water would cause the ocean levels to rise, thereby increasing the area in which they can live since they can only live in earth that is covered by water (not exposed directly to air).

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The Final Battle Comes: The White Rose by Glen Cook

The Final Battle Comes: The White Rose by Glen Cook

oie_2935357GGMS7DGhWith The White Rose (1985), Glen Cook brought the original Black Company trilogy to an end. Taking place six years after the escape of the Black Company’s survivors in Shadows LingerTWR contains three distinct stories. The foremost is Croaker’s account of the final days of the rebellion led by the White Rose against the Empire of the Lady. The second concerns the mysterious Corbie’s efforts to uncover what is happening in the Barrowlands where the Dominator, the North’s erstwhile Dark Lord and husband of the Lady, remains trapped. Finally, jumping back in time nearly a century, Cook presents the story of Bomanz, the wizard who released the Lady and her servitors from their shackles in the first place.

Under the leadership of Darling — revealed at the end of The Black Company to be the foretold champion, the White Rose — the rebellion consists mostly of spies scattered across the empire and a few dozen veterans holed up in caves in the middle of the Plain of Fear. The plain is an exotically magic-infused region where menhirs talk and move on their own and giant manta-like beasts fly from their roosts on the backs of thousand-foot-long windwhales. Those and lots of other strange things all bow down to the voiceless direction of Old Father Tree.

Sagey scents trickled across my nostrils. Air chuckled and whispered and murmured and whistled in the coral. From farther away came the wind-chimes tinkle of Old Father Tree.

He is unique. First or last of his kind, I do not know. There he stands, twenty feet tall and ten thick, brooding beside the creek, radiating something akin to dread, his roots planted on the geographical center of the Plain. Silent, Goblin, and One-Eye have all tried to unravel his significance. They have gotten nowhere. The scarce wild human tribesmen of the Plain worship him. They say he has been here since the dawn. He does have that timeless feel.

With the protection of the denizens of the Plain, the rebellion has survived. Now, though, even there its survival is in doubt. After two years of neglect, the Lady has ordered a massive assault on the Plain, surrounding it with five armies under the leadership of the Company’s greatest enemy, Limper. The only surviving member of the original Taken, victim of several plots led by the Company, and left for dead at the end of Shadows Linger, his hatred for them is boundless.

The only hope for the Company lies in discovering the Lady’s true name. Equipped with it, even the relatively minor wizards of the Black Company would be able to strip her of her powers. Long ago the Company captured — and lost — a cache of papers that might have contained that secret. Soon a race to recover those papers becomes central to any hope for the Company’s and the rebellion’s survival.

The account of Corbie’s detective work serves as the connector between the past and the present. Endeavoring to find out how the Dominator is attempting to free himself, Corbie must uncover the true nature of Bomanz’s own explorations. Secretly, he begins sending his findings to Croaker to help the Company.

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Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

Announcing the Black Gate Book Club: Downbelow Station by C.J. Cherryh

oie_2755519pv4ckfCiLast year, when I reviewed C.J. Cherryh’s The Pride of Chanur, Adrian Simmons mentioned he had been thwarted by her Hugo-winning Downbelow Station (1981). That led to him suggesting another go at it, but this time with the impetus of a reading group to spur him on and to discuss it. Thus the idea of the Black Gate Book Club was born. It’s taken a year to actually get around to getting this off the ground, but here we are.

For forty years, C.J. Cherryh has been a powerful voice in science fiction. Her work is noted for its “intense third person” style, where only things noticed by or of importance to the point of view character are included in the narration. Her science fiction is notable for its complex and detailed societies and its relative hardness.

Many of her books are set in the Alliance-Union universe. By the 24th century, humanity has spread to the stars. While Earth, overpopulated and culturally and economically stagnant, is ostensibly in charge of the merchant space stations and the few planetary colonies, that is not actually the case. Under the direction of a scientific elite, the planet Cyteen has declared its independence. In response, Earth has built a massive fleet of military vessels and sent them out to retake Cyteen.

Downbelow Station opens in the late days of the consequent war, when the forces of Earth are in retreat from the seemingly invincible fleets of Cyteen. Downbelow Station, a trading orbital above a planet in the Tau Ceti system, becomes the focal point of both military forces as well as a nascent third one: the independent merchants.

The plan is to read Downbelow Station over the month of June and post a discussion of it each Monday afternoon. This time around, the Book Club participants will include Adrian Simmons, Charlene Brusso, Chris Hocking, and me. We’d love it if you’d read along with us and join in the conversation.

 

A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

A Classic Without the Quotation Marks: Rogue Moon by Algis Budrys

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Fawcett Gold Medal paperback original, November 1960. Art by Richard Powers

There are just too many books out there to read, too many still to get to, (too many that you’ll never get to!) and sometimes when you finally do read one of those older “classics,” the inevitable allowances you have to make for the style, the ideas, and the attitudes of an earlier era can make you come away feeling dissatisfied. You feel guilty even asking the question, but really, what was all the fuss about? What the hell was so “classic” about The Moon Pool anyway? So many vintage books seem to require the qualifying quotation marks.

There’s probably no genre as vulnerable to this sort of thing as science fiction. SF was always supposed to be the cutting edge, but let’s be honest; some of its most famous books — through no fault of anyone but Father Time — feel old. When the “door to tomorrow” starts to creak so loudly that you can hear the sound all the way across the parking lot, it can be pretty embarrassing. This is why it’s such a great pleasure to come across a “classic” (especially a neglected one) that lives up to and even exceeds its reputation, an older book that still has a dangerous edge that time has yet to dull.

Algis Budrys’ 1960 story of exploration, mortality, and the mystery of identity, Rogue Moon, is, I think, one of the most brilliant science fiction novels ever written, employing as it does some dusty old “gosh-wow!” pulp science fiction props with a new ambition and a deeper, more serious purpose.

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Birthday Reviews: Caitlín R. Kiernan’s “Glass Coffin”

Birthday Reviews: Caitlín R. Kiernan’s “Glass Coffin”

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Cover by Tom Canty

Caitlín R. Kiernan was born on May 26, 1964.

Kiernan novel The Drowning Girl was nominated for the Nebula Award, the World Fantasy Award, the Bram Stoker Award, the British Fantasy Award, the James Tiptree, Jr. Award, the Shirly Jackson Award and the Mythopoeic Award. It received the Tiptree and Stoker Awards. Kiernan also won a Stoker Award for the graphic novel Alabaster: Wolves. She won two World Fantasy Awards in 2014 for her collection The Ape’s Wife and Other Stories and the short story “The Prayer of Ninety Cats.” Kiernan has won four International Horror Guild Awards for her novels Silk and Threshold and for her short fiction “Onion” and “Le Peau Verte.”

“Glass Coffin” was originally published in Ellen Datlow and Terri Windling’s 1999 fairy tale anthology Silver Birch, Blood Moon. It is part of her Salmagundi Desvernine series of short stories. It was reprinted, along with the other three stories in the sequence, in Kiernan’s 2000 collection Tales of Pain and Wonder, along with several other short stories.

Although part of a series of stories featuring Salmagundi Desvernine and Jimmy DeSade, “Glass Coffin” can be read and understood on its own, although that understanding may be quite different for readers familiar with Kiernan’s other stories. “Glass Coffin” itself is a retelling of Snow White and the Seven Dwarfs. Replacing the woodland cottage of the more familiar setting is a salvage yard that was formerly Salmagundi’s family’s shipyard. The Dwarfs are replaced by the foster children Salmagundi has taken in. Each of the six children described have their own personality and abilities, with the seventh off stage. While they all await Jimmy DeSade’s return, Salmagundi cuts herself and dies for all intents and purposes.

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Vintage Treasures: Razored Saddles, edited by Joe R. Lansdale and Pat LoBrutto

Vintage Treasures: Razored Saddles, edited by Joe R. Lansdale and Pat LoBrutto

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Razored Saddles is the first Weird Western anthology I can recall. It was published as a limited edition hardcover from Dark Harvest in September 1989; I don’t usually buy limited edition hardcovers, but for this I made an exception.

I wasn’t even aware there was a paperback edition until I came across a copy three years ago at the Windy City Pulp and Paper Show. I loved the spooky new Avon cover by Lee MacLeod, but that copy was priced at $25 — more than I paid for the hardcover! I’m pretty good at tracking down paperbacks though, and now that I knew it existed, I figured I could find one at a reasonable price. And sure enough, I did, although it took longer than I expected. With the help of an eBay Saved Search, I finally found the unread copy above in March… priced at $7, less than a brand new paperback.

Razored Saddles had two co-editors. Joe R. Lansdale needs no introduction; these days he’s best known as the author of the Hap and Leonard series, crime novels made into the highly regarded series on SundanceTV. But he’s also the author of over 50 novels and 26 collections, including The Nightrunners (1987), By Bizarre Hands (1989), and The Bottoms (2000). He has won ten Bram Stoker Awards. Pat LoBrutto began working with a summer job in the mailroom of Ace Books, and soon graduated to editing the US editions of Perry Rhodan with Forrest J. Ackerman in 1974. He won the World Fantasy Award for editing in 1986, and co-edited Full Spectrum 2 (1989). He is currently an acquiring editor for Tor Books.

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