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Birthday Reviews: C.M. Kornbluth’s “The Remorseful”

Birthday Reviews: C.M. Kornbluth’s “The Remorseful”

Cover by Richard Powers
Cover by Richard Powers

C.M. (Cyril M.) Kornbluth was born on July 23, 1923 and died on March 21, 1958.

Kornbluth died relatively young, but his work and memory have been kept alive. His short story “The Meeting,” finished by his frequent collaborator Frederik Pohl, earned them a Hugo Award in 1973 and he was nominated for four solo Hugo Awards prior to his death. His novelette “The Little Black Bag” won a Retro Hugo in 2001. In 1986, his novel The Syndic was inducted into the Prometheus Award Hall of Fame. His 1951 short story “The Marching Morons” is still considered a touchstone of science fiction

Frederik Pohl bought “The Remorseful” for Star Science Fiction No. 2, which was published in December 1953. The story also appeared in New Worlds Science Fiction #29 in November 1954. The story was included in Kornbluth’s posthumous collection The Marching Morons and Other Famous Science Fiction Stories. In 1976, it was translated into German for publication in Titan 1, edited by Pohl and Wolfgang Jeschke. The story showed up again in The Best of C.M. Kornbluth, and Robert Weinberg, Stefan Dziemianowicz, and Martin H. Greenberg included it in 100 Astounding Little Alien Stories. It was finally included in the NESFA Press collection His Share of Glory: The Complete Short Science Fiction of C.M. Kornbluth, edited by Timothy Szczesuil.

Kornbluth relates two stories in “The Remorseful.” The first tells of a man who walks across a barren Earth after an apocalypse has depopulated the planet. The other tells about an alien invasion of the solar system, focusing less on their activities and more on their alien nature as a sort of hive organism which can drop portions of itself off to explore/invade the outer planets and learn about the outposts mankind has set up.

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Vintage Treasures: The Bridge of Lost Desire by Samuel R. Delany

Vintage Treasures: The Bridge of Lost Desire by Samuel R. Delany

The Bridge of Lost Desire-back-small The Bridge of Lost Desire-small

Samuel R. Delany is one of the greatest science fiction writers alive today. He got his start when his wife Marilyn Hacker became an assistant editor at Ace Books under Donald A. Wollheim, and helped him publish his first novel The Jewels of Aptor as an Ace Double in 1962, when he was just 20 years old. Since then he’s won virtually every award our field has to offer, including the Hugo, Nebula, and Locus Awards. In 2013 the Science Fiction Writers of America named him a SFWA Grand Master.

I’ve steadfastly collected the various paperback editions of Delaney’s books over the years, including his classics The Einstein Intersection (1967), Nova (1968), Dhalgren (1975), and Triton (1976). I believed (rather reasonably, I thought) that I had all of his major work. So earlier this year I was more than a little surprised to stumble on one I never knew existed: The Bridge of Lost Desire, a 1988 collection of three fantasy novellas from St. Martin’s Press.

The Bridge of Lost Desire is the fourth and last volume in Delany’s Nevèrÿon fantasy series. Unlike his science fiction novels, the Nevèrÿon books were never particularly popular, and have been out of print for over two decades. The first three were published as paperback originals by Bantam Books between 1979-85, with gorgeous covers by the fantasy artist Rowena. The Bridge of Lost Desire was first published as an Arbor House hardcover, and reprinted in what I can only assume was a poorly distributed mass market paperback edition by St. Martin’s Press in 1988.

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Birthday Reviews: Valerie J. Freireich’s “Vashti and God”

Birthday Reviews: Valerie J. Freireich’s “Vashti and God”

Cover by Mel Odom
Cover by Mel Odom

Valerie J. Freireich was born on July 21, 1952.

Freireich has written four novels in her Harmony of Worlds series, beginning with the Compton Crook Stephen Tall Memorial Award-nominated Becoming Human. Her short story “Sensations of the Mind” was a quarterly winner of the Writers of the Future Award in 1991.

She wrote “Vashti and God” for Susan Shwartz and Martin H. Greenberg for the anthology Sisters in Fantasy 2. Published in 1996, the story has never been reprinted.

In the Biblical book of Esther, Queen Vashti only appears in seven verses of the first chapter and is mentioned in two verses of the second chapter. Despite this, or perhaps because of it, her character is something of a tabula rasa. Vashti’s refusal to appear before King Ahasuerus has led to her being adopted by some as a feminist icon. In “Vashti and God,” Valerie J. Freireich fleshes out Vashti’s story and motivations in support of a more feminist interpretation.

The story is told mostly in flashback after Vashti has been removed as the queen and made a maid in the Great King’s household, where Esther now sits in her place. The flashbacks detail the seven days of feasting that lead up to Vashti’s demotion. During that time, as Vashti realizes more and more that the woman are segregated and unimportant to their husbands, she also begins to hear a voice spurring her to take action and she demands that her husband invite the women to join their husbands on the last day of the feast. When he commands her attendance, and only her attendance, she refuses to come, leading to her punishment and replacement.

However, the voice, which she attributed to the Persian god Ahuramazda, wasn’t done with her and begins to tell her to support Esther’s own dealings with the Great King. Although Vashti complies with the god’s request, she also comes to realize that the commands weren’t coming from Ahuramazda, nor were they for the benefit of women, Vashti, or the Great King, but rather they were the commands of Esther’s god and all she could do was warn her ex-husband that he should not try to interfere with Esther’s god’s plans if he wanted to thrive.

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A Ball of Confusion: Bleak Seasons by Glen Cook

A Ball of Confusion: Bleak Seasons by Glen Cook

oie_16212649x4iuiFoAWith Bleak Seasons (1996), Glen Cook broke a six year hiatus from the series that had made his reputation as an important voice in epic fantasy. The previous book, Dreams of Steel (1990), had ended in chaos, with Lady and Croaker reunited, but their newborn daughter stolen by murderous Deceiver, Narayan Singh. The siege of Dejagore was finally lifted, but Soulcatcher remained at large and the Shadowmaster Longshadow continued to build his mega-fortress, Overlook, and field powerful armies. During that six very long years, I became increasingly doubtful I’d ever learn what happened next, or just what made the siege of Dejagore so horrible.

And then Bleak Seasons appeared — just showed up on a Barnes and Noble shelf one day. I bought and devoured it almost immediately. I couldn’t really say my questions had been answered since it had been so long since the last book I forgot some of them. On top of that, the book was a mess; its narrator literally jumping around in time with no clear rhyme or reason. That it was packed with tons of great stuff made it a frustrating read. All the good bits were enough to tilt it to the good side, and I trusted Cook enough to hope the next book would be a return to form.

My reread of the book over the last two days didn’t change my opinion one bit. Well, except that reading Bleak Seasons right up against Dreams of Steel does make all the cool stuff cooler. The jumping around in time, that remains frustrating and poorly explained and with little obvious justification.

Bleak Seasons opens with a short chapter that clearly tells us four years have passed and terrible things have happened. Based on the timelines in the previous book there would seem to be no way this could make sense unless something drastic had happened.

The second chapter introduces us to the book’s narrator, Murgen. The youngest member of the six Company survivors from the original trilogy, he was standard-bearer and, before the disaster under the walls of Dejagore, Annalist-in-training. He opens with a tour of the city of Dejagore during the siege and an introduction of the factions defending it against the army of the Shadowmaster Shadowspinner.

The Black Company and its Taglian auxiliaries have split into two camps. The first is composed of the Northerners and most of the men recruited on the road to Taglios, and is led by Murgen — because no one else wants to be in charge. The second, and stronger, is led by Mogaba and his fellow Gea-Xle warriors. Mogaba is not happy with the situation and soon it’s clear he has it in for Murgen and friends.

Mogaba, possessed of a will of steel and a willingness to do every single bloody act necessary, is the overall commander of the defense of Dejagore. As supplies dwindle, Mogaba routinely ejects members of the Jaicuri population to almost certain death. Later, it’s learned he has returned his fellow Gea-Xle to the darkest part of the Black Company’s origins as soldiers of Kina, the goddess of destruction.

The Nyueng Bao are a third party; a group of pilgrims from the distant Main River delta in the east who had the misfortune to be caught in Dejagore when the siege started. They are secretive, insular, and, it becomes clear quickly, dangerous. Finally, the native Jaicuri, peaceful by nature and beaten down by years of Shadowmaster rule, just try to stay on the good side of Mogaba’s and Murgen’s soldiers and hope for the best.

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A Relative Journey: Starflight 3000 by R.W. Mackelworth

A Relative Journey: Starflight 3000 by R.W. Mackelworth

Starflight 3000-Balllentine

Cover by Chris Foss

While perusing the shelves of Bookdealers of Rosebank, in Johannesburg, an excellent shop that sadly closed its doors a while back, I came across a nondescript book with an unbent spine. Finding a used paperback of any age with a good-as-new spine is a rarity, and I was drawn to it.

I slipped it from its recess and took a closer look. It was a Ballantine paperback with an intriguing space ship on a wrap around cover. The title was Starflight 3000 by R.W. Mackelworth.

I had never heard of Mackelworth, but then again I am not the best informed on science fiction authors. While I was impressed with its pristine condition, it also set off some warning bells. Why was it unread? Was the story that bad? But hey, nothing ventured, nothing gained. And besides, it was a very reasonable price. I bundled it with some other selections and headed to the cashier.

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Barry Malzberg on the Pocket Best of…. Volumes

Barry Malzberg on the Pocket Best of…. Volumes

Barry MalzbergOn Friday I wrote here about the Best of collections from Pocket Books published in the late 70s, which featured Robert Silverberg, Poul Anderson, Walter M. Miller, and many others. Most had introductions by Barry Malzberg, the respected editor who’d helmed Amazing and Fantastic (and future editor of the SFWA Bulletin), and I wondered aloud if the books had been edited (or ghost-edited) by Malzberg.

Reader Alvaro Zinos-Amaro, author of Traveler of Worlds: Conversations with Robert Silverberg, leaped into action. “I asked Barry if he did the editing & teaser texts, per your speculation,” he told me. “Here’s his answer, which he said was fine to share.” Based on the comments on that post, I thought you lot might be as interested as I was, so here’s Barry’s reply.

The eight Best of collections were conceived by Robt. Gleason, the sf editor at the time [my novel] Beyond Apollo was acquired for sublicense from Random House and he remained there from 1972-1976. Those collections were acquired by him; he was fired in 1974 (went over to Playboy Press) and succeeded by his young assistant (b. 1952) Adele Leone Hull.

It was her idea to commission me for the eight Introductions (at $75 apiece!) and she wrote the cover copy; I had nothing to do with the collections beyond the Introductions. Hull was the sf editor at Pocket Books until 1978, went over very briefly to Pyramid and when Pyramid in 1979 was fully absorbed (under the Jove imprint) into Harcourt she became an agent.

That’s the first confirmation I have that there were eight volumes in the series with a Malzberg intro (I count at least 10 overall), so I’m doubly grateful to Alvaro for passing that along. Our previous coverage of Barry includes my thoughts on his collections Astounding Science Fiction in the 1950s and Bug-Eyed Monsters (both co-edited by Bill Pronzini), and his novel Underlay.

Birthday Reviews: Edo van Belkom’s “The October Crisis”

Birthday Reviews: Edo van Belkom’s “The October Crisis”

Cover by Barclay Shaw
Cover by Barclay Shaw

Edo van Belkom was born on July 14, 1962.

Van Belkom won the Bram Stoker Award for his short story “Rat Food,” co-written with David Nickle. He has won the Aurora Award three times, for the short story “Hockey’s Night in Canada,” for editing Be VERY Afraid!, and for his novel Wolf Pack. He has written erotica under the pseudonym Evan Hollander and has written at least two Deathlands novels using the James Axler house name.

In the 1990s Mike Resnick published several alternate history anthologies, including Alternate Tyrants, which took various world leaders and put them in a situation which allowed them to exercise their dictatorial desires. Edo van Belkom’s submission was “The October Crisis,” a Canadian alternate history which has never been reprinted.

“The October Crisis” of the title of Edo van Belkom’s alternate history was a period that lasted for most of October in 1970 when members of the Front de libération du Québec took hostages in Quebec in an attempt to forward their separatist movement. While Canadian Prime Minister Pierre Trudeau implemented the War Measures Act, permitting himself a wide range of powers, the measures expired in November in our own timeline. In the world of van Belkom’s story, Trudeau continued to use the powers to suppress any dissent, political or journalistic.

The story follows our own timeline pretty closely until Trudeau decides to use the acts powers against the kidnappers directly, and also orders the secretive murder of the released kidnapping victim in order to drum up further support for his policies. At this point in the story, van Belkom switches point of view to have the leader of the opposition, Robert Stanfield, describing Trudeau’s excessive actions to Richard Nixon to attempt to get the US to intervene in the growing tyranny in Canada. Van Belkom introduces some ambiguity at this point, leaving the question open as to whether Nixon will respond to Stanfield’s pleas to help, or give into his own tyrannical tendencies to model his own manner of leading the US after the policies instituted by Trudeau.

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The Pocket Best

The Pocket Best

The Pocket Best Science Fiction-small

We’ve spent a lot of time here at Black Gate celebrating Del Rey’s Classics of Science Fiction line from 1974-88 (The Best of Eric Frank Russell, The Best of Fritz Leiber, etc.); nearly two dozen paperback originals reprinting early short stores by C.L. Moore, Leigh Brackett, Edmond Hamilton, Henry Kuttner, John W. Campbell, Philip K. Dick, Fredric Brown, Murray Leinster, Robert Bloch, Jack Williamson, and many others. The series was the equivalent of a Masters-level course in science fiction and, taken as a whole, formed an essential library of 20th Century SF. The entire series, including all the reprints, is cataloged at IMDB. None of the volumes have been reprinted since 1988, and there are no digital versions, but the series was popular enough that copies are easy to find and not particularly expensive. (See below for a handsome set I bought last month for $40).

Lester del Dey wasn’t the only publisher to see the value of a line of Best of collections, of course. Donald Wollheim more or less pioneered the idea with The Book of  A.E. van Vogt (DAW Books No. 4, 1972) and The Book of Brian Aldiss (No. 29, 1972), and followed with nine more from Frank Herbert, Philip K. Dick, Gordon R. Dickson, Philip Jose Farmer, Fritz Leiber, Fred Saberhagen, Poul Anderson, John Brunner, and Andre Norton. Like most early DAW efforts though, these were slender volumes; they’re also not as numerous, and the packaging isn’t nearly as attractive as the Del Rey books, so they aren’t as collectible.

There was another publisher who gave del Rey a run for his money, however. Between 1976 and 1980 Pocket Books produced nearly a dozen substantial collections showing off the science fiction authors in their catalog, including Jack Vance, Robert Silverberg, Harry Harrison, John Sladek, Keith Laumer, Damon Knight, Poul Anderson, Barry N. Malzberg, Mack Reynolds, and Walter M. Miller.

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R.A. Lafferty, the Past Master of Science Fiction

R.A. Lafferty, the Past Master of Science Fiction

Past Master-small Past Master-back-small

R.A Lafferty is one of my absolute favorite classic SF writers. Though I’ve never read any of his novels.

Yeah, I know that sounds weird. But Lafferty is remembered today mostly for his brilliant short fiction, collected in priceless collections like Nine Hundred Grandmothers (1970), Strange Doings (1972), and Lafferty in Orbit (1991). And his novels… well, they’re not so well remembered. There are a lot of theories about this. In his wonderful SF biography Past Masters (the title of which is an homage to Lafferty), Bud Webster quotes Mike Resnick, who was close to Lafferty:

There were a number of people… who thought he was the most brilliant short story writer in the field. But his novelettes weren’t as good, and except for Space Chanty (sic) his novellas were unexceptional, and his novels were for the most part mediocre. I blame his drinking for this. If he could grind out a story in one or two sittings, he could be brilliant. But if a novel took him 50 writing sessions, you get the feeling that each day he had to refresh his memory of what the hell he wanted to do, how he wanted to say it, etc.

Not all of Lafferty’s novels have a poor rep. His first, Past Master (1968), was nominated for both the Hugo and Nebula, and today has become one of the most collectible SF paperbacks ever published by Ace Books, with good-condition copies commanding $50-85 and up on eBay.

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A Perfect Dream of Summer: The Mad Scientists’ Club

A Perfect Dream of Summer: The Mad Scientists’ Club

The Mad Scientists' Club-small The Mad Scientists' Club-back-small

In 1970, when I was ten, my city (Bell Gardens, California) built a new state-of-the-art library — right across the street from my house. (It was then that I knew that I was the favorite of the gods. The vicissitudes of life have since led me to revise that reckless assumption, but then I no longer live across the street from a library.) Every time I walked through the building’s doors (five or six times a day, probably), I sent up a silent thanks to Richard M. Nixon, whose name was prominently displayed on the dedication plaque by the entrance, even though he really had nothing to do with the project. (He had other things on his mind in those days — boy, did he.)

I practically lived in that library, and I knew every shelf of the large children’s section intimately; I could have drawn a quite accurate map of the layout from memory, with large arrows pointing to the location of my favorite books, many of which I checked out repeatedly and read over and over again. I retain fond memories of those stories, though nothing in the world would persuade me to reread most of them.

This is because few things in life are more hazardous than returning to a beloved children’s book after the passage of many years. It’s doubly dangerous if the work in question is one that’s “just” a children’s book and not one of those — like Alice in Wonderland or Peter Pan or The Wind in the Willows or the Little House books — that depth and brilliance and long endurance have accorded the status of literature.

There are exceptions, though, children’s books that might be less ambitious than the aforementioned classics but which can still engage an adult reader in search of something more than mere nostalgia. Exceptions like The Mad Scientists’ Club.

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