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Vintage Treasures: The Empire of Kaz by Leslie Gadallah

Vintage Treasures: The Empire of Kaz by Leslie Gadallah

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Cat’s Pawn and Cat’s Gambit (Del Rey, 1987 and 1990). Covers by Barclay Shaw

Canadian writer Leslie Gadallah isn’t well known today. She produced a handful of novels in the late 80s for Del Rey, including two books in a highly regarded space opera, Cat’s Pawn and its sequel Cat’s Gambit, the first volumes in what’s now called the Empire of Kaz trilogy. Here’s an excerpt from Delia Sherman’s enthusiastic coverage in the May 1987 issue of Fantasy Review.

Cat’s Pawn is a first novel in the aliens-befriends-human mode. The plotting is masterful. The novel is made up of three complexly interrelated stories, and Gadallah moves easily among them, revealing what we need to know just when we need to know it. Bill Anderson, a linguist. suffers a heart-attack after the starship he is on is captured by pirates. Taran, a cat-like Orian diplomat, keeps him alive, rescues him, heals him, and generally takes a disconcerting interest in his health and welfare. When Bill moves to the port city of Space Central, he is taken up by its villainous boss Steven Black, who blackmails him into agreeing to assassinate Taran. Woven into all this is a plot to take over the galaxy by a race of murderous bugs…

Cat’s Pawn is always exciting. It is smoothly written and deals forthrightly with the question of how basic xenophobia is to human nature. And toward the end there are a coupe of scenes in the deserts of Orion which are truly strange and wonderful

Gadallah, now in her 80s, is — according to recent interviews at least — still writing.

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A Calm Book for a Mad Time: Inherit The Stars by James P. Hogan

A Calm Book for a Mad Time: Inherit The Stars by James P. Hogan

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Inherit the Stars (Del Rey, 1990 reprint). Cover art by Darrell K. Sweet

James P. Hogan’s Giant’s Trilogy has been a presence at my parents’ house since the late 70s. Sometimes on the shelf, sometimes on the coffee table, sometimes on the end table. I had to move my mom into assisted living last year and in sorting the books (oh, the books!) into ‘take with her,’ ‘move on,’ and ‘keep for myself,’ I gently slipped them into the ‘keep for myself’ pile, and now, two years later, I have started to read them.

Inherit the Stars is very much a book of its time, and its time is 1976. My views are split: the ideas that make up the book are very good, but the actual story? Dull. There is no real tension, no villain (more on this later), no real action. Nobody’s spacesuit ruptures, nobody’s virgin-launch spaceship has a glitch. This is a book about ideas and that’s it. I sometimes got an image in my mind of Isaac Asimov reading Inherit the Stars and having to light up a post-idea cigarette.

As frequent readers of my reviews will know, I have very little desire to write spoiler-free reviews of 44-year-old books. New readers, be warned.

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Vintage Treasures: Maurai & Kith by Poul Anderson

Vintage Treasures: Maurai & Kith by Poul Anderson

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Maurai & Kith (Tor Books, 1982). Cover art by Thomas Kidd

Uber-editor Jason M. Waltz kindly invited me to write the introduction to his new anthology The Lost Empire of Sol: A Shared World Anthology of Sword & Planet Tales, co-edited by Black Gate blogger Fletcher Vredenburgh, a terrific new shared-world volume that contains new stories by Howard Andrew Jones, E.E. Knight, Mark Finn, Keith Taylor, Joe Bonadonna and David C. Smith, and many more. As I was putting it together I realized that my concept of Sword-and-Planet is probably a little displaced from the modern definition. Nowadays it refers very specifically to John Carter-like tales fantasy adventure on far-off planets, as Howard Andrew Jones and I explored in our 2019 column over at Tor.com, Five Classic Sword-and-Planet Sagas (written under my Todd McAulty pseudonym).

But I tend to agree with Gardner Dozois, who used the term far more broadly to refer to old-school science fiction, and especially pulp-inspired tales of adventures in exotic locales. One of my favorite anthologies is his 1998 volume The Good Old Stuff: Adventure SF in the Grand Tradition, which I reviewed for the SF Site way back in 1999, and which is packed with exemplary examples. Here’s what I said at the time.

“Old Stuff” refers here to the spirit of early SF — the grand Space Opera, the planetary romance, what Dozois calls “the lush sword-and-planet” tale. Collected here are a fine assortment of short stories and novellas which celebrated that tradition, and in some cases took it in significant new directions.

There are tales of far exploration into the vastness of the galaxy in the face of hostile opposition (A.E. van Vogt’s “The Rull”), unknowable ancient alien civilizations (“The Last Days of Shandaker,” by Leigh Brackett), mysterious and deadly inter-dimensional invaders (James H. Schmitz’s superb, and oddly pastoral, “The Second Night of Summer”), rites of succession for a Galactic Empire (Jack Vance’s “The New Prime”), and brave men and women faced with terrible peril (just about any of them, really, but most especially Poul Anderson’s swashbuckling novella of intrepid explorers on a post-apocalyptic Earth coming face-to-face with strangely advanced barbarians from the far continent of Nor-Merika, “The Sky People.”)

I’d been a Poul Anderson fan for two decades by the time I read “The Sky People,” but I’d never read anything like that story, and it sent me scrambling to find more. That led me to Maurai & Kith, a 1982 Tor collection that gathers all the short stories in the series, plus two tales in his semi-related Kith series of early interstellar explorers in the 21st and 22nd centuries. It’s a volume that belongs in the collection of every SF fan.

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A Gothic Story: The Castle of Otranto by Horace Walpole

A Gothic Story: The Castle of Otranto by Horace Walpole

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The history of the novel in the West is long, complex, and complicated. Suffice it to say, by the middle of the 18th century the novel was a popular form of entertainment no longer confined to aristocratic readers. The romances of the Middle Ages and Renaissance had been largely supplanted by more realistic tales, but with the advent of Gothic literature, romantic fiction rose again in popularity, proceeding directly from Horace Walpole’s 1764 novel, The Castle of Otranto.

Gothic fiction is defined in the Encyclopedia Britannica as “European Romantic pseudomedieval fiction having a prevailing atmosphere of mystery and terror.” The deliberate admixture of realistic and fantastic elements in Otranto was a huge success. While Gothic fiction’s popularity has ebbed and flowed over the years, it has never receded completely. Horror fiction, as well as certain strains of romance and thriller writing, all trace their roots to this era.

Walpole was the youngest son of Sir Robert Walpole, 1st Earl of Orford, the first real prime minister of England. His time at Cambridge led to skepticism of certain aspects of Christianity, a strong dislike for superstition, and, in turn, the Catholic Church. Walpole was elected to Parliament multiple times from assorted rotten boroughs (electoral districts that had lost most of their populations but still sent an MP to the House of Commons — and which he never visited) and his father secured several adequately remunerative sinecures for him over the years. A Whig, Walpole opposed efforts he saw as supportive of making the monarchy more powerful. On the death of his nephew in 1791, at the age of 74, he became the 4th and final Earl of Orford.

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Stories of Isolation and Lonely Death: The Dead Astronaut by Playboy Science Fiction

Stories of Isolation and Lonely Death: The Dead Astronaut by Playboy Science Fiction

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The Dead Astronaut (Playboy Press, 1971). Cover by Pompeo Posar

Last summer I came across an intriguing aside on the SF anthology The Dead Astronaut by Playboy Press (1971). I can’t remember the name of the blogger who had re-cracked it, but the person noted that with everyone locked down and socially distanced, these decades-old stories of isolation and lonely death, mostly written between Sputnik and the Apollo landing, felt newly relevant. I agree.

While I admit I don’t have the knowledge base of some of the vintage SF reviewers here, I did like the stories enough highlight the collection and offer a quick review in case others wanted to experience the unintentional “prophetic” element of science fiction, as the editorial introduction labels it.

The collection’s introduction is signed simply “The Editors” but according to The Science Fiction Encyclopedia Ray Russell (1924-1999) edited it, offering a tidbit about each author and a story note or two in his brief introduction.

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Vintage Treasures: The Past Through Tomorrow by Robert A. Heinlein

Vintage Treasures: The Past Through Tomorrow by Robert A. Heinlein

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The Past Through Tomorrow (Berkley Medallion, January 1975). Cover uncredited

I’ve never been a big Heinlein fan. Not my fault. I enjoyed Starship Troopers well enough, but the next two novels I tried — The Moon is a Harsh Mistress and especially Friday — I bounced off pretty hard. I never tried again.

It didn’t help that I made most of my discoveries through short fiction in those days, and Heinlein almost never showed up in anthologies. Sometimes editors would apologize for omitting him, admitting (with some frustration) that they just couldn’t get the rights to the Heinlein tales they wanted. The problem was that by the mid-70s Heinlein was a star, the top-selling author in the field, and his entire short fiction catalog was locked up in his own bestselling collections.

I read collections, of course. Lots of them. But the seminal Heinlein collection, the one containing virtually all of his really important short work — including classics like “The Roads Must Roll,” “Blowups Happen,” “The Man Who Sold the Moon,” “Gentlemen, Be Seated,” “The Green Hills of Earth,” “Logic of Empire,” “The Menace from Earth,” “If This Goes On —”, and the short novel Methuselah’s Children — was the massive The Past Through Tomorrow. And that 830-page beast was just a bridge too far for a traumatized veteran of the first 100 pages of Friday.

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Vintage Treasures: Judgment Night by C.L. Moore

Vintage Treasures: Judgment Night by C.L. Moore

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Judgment Night (Dell, 1979). Cover uncredited

Every new generation of SF readers has to put up with old timers lecturing them about how much better science fiction was decades ago. I had to endure it when I was growing up, my kids sure as hell did, and I expect twenty years from now my grandkids will have to cope with the same annoyance, as they try to peacefully enjoy their favorite manga by the pool while grandad angrily shouts at them to read a damn book once in a while. I hope they ignore him.

From time to time some curious young reader will ask me for a recommendation from the pulp era of science fiction I’m always going on about, “You know, something actually good.” It’s a fair enough request. Sometimes I point them towards Charles Tanner’s Tumithak stories, or Robert E. Howard, or Clark Ashton Smith. But recently I’ve been suggesting C.L. Moore. And especially her 1979 paperback Judgment Night, which collects five tales from the pulp era of Astounding. Here’s Paul Di Filippo’s review of the title story, published here at Black Gate a decade ago,

A primal space opera, it concerns the star empire of the Lyonese, whose central world is Ericon, where ancient patron gods live, remote from day-to-day affairs of the empire.

But now the vast holdings of the Lyonese are crumbling under the assault of a younger race, the H’vani. The Emperor’s heir is Juille, a daughter, and she’s determined her dynasty will continue. She wages a one-woman campaign against the wishes of her doddering father to save all that her ancestors built.

But she doesn’t count on falling in love with the H’vani ruler — or the machinations of Ericon’s living deities.

“Judgment Night,” published in the August 1943 issue of Astounding, is a complete short novel in itself, but that lovely paperback also contains the novella “Paradise Street” and three long novelettes. It’s a delightful introduction to what pulp science was all about — and one of its finest practitioners.

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A Delightful Discovery Inside an Old Book

A Delightful Discovery Inside an Old Book

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You never know what you might find inside an old used book. I just made a wonderful discovery inside my copy of Witches Three. This is a “Twayne Triplet,” featuring three long stories (two novels and a novella) on the same subject — witchcraft. The novels are Conjure Wife, by Fritz Leiber; and The Blue Star, by Fletcher Pratt. The novella is “There Shall Be No Darkness” by James Blish. It’s a strong book – Conjure Wife, Leiber’s first novel, is an established classic of horror-tinged contemporary fantasy, and The Blue Star, which became the first entry in the classic Ballantine Adult Fantasy series, is widely regarded as Pratt’s best novel.

I have an ongoing interest in Twayne Triplets*, even though only two were ever published, so I grabbed my used copy of Witches Three eagerly many years ago. But while I’ve leafed through it before, I haven’t read it, partly because I already had copies of the other stories. (That said, I haven’t read my separate copy of The Blue Star, nor, I suspect, this version of “There Shall Be No Darkness.” (It was collected in The Best of James Blish but I believe that’s an earlier, shorter, version of the story.)

So yesterday the subject of Witches Three came up. I grabbed my copy, and opened it, and to my surprise I found, on the page facing the inside front cover, a pasted in label signed by Fritz Leiber! The label reads: “Conjure Wife came out of my year at Occidental College — Fritz Leiber.” It’s always a delight to come across something so unexpected!

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Vintage Treasures: Legacy by James H. Schmitz

Vintage Treasures: Legacy by James H. Schmitz

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Legacy by James H. Schmitz (Ace Books, 1979). Cover by Bob Adragna

Although I purchased several of his paperbacks in my teens, I didn’t really learn to appreciate the work of James H. Schmitz until I read and reviewed Gardner Dozois’ terrific 1998 anthology The Good Old Stuff: Adventure SF in the Grand Tradition, which contained Schmitz’s story “The Second Night of Summer.” In his intro for that tale Gardner wrote:

Although he lacked van Vogt’s paranoid tension and ornately Byzantine plots, the late James H. Schmitz was considerably better at people than van Vogt was, crafting even his villains as complicated, psychologically complex, and non-stereotypical characters, full of surprising quirks and behaviors that you didn’t see in a lot of other Space Adventure stuff… And his universes, although they come with their own share of monsters and sinister menaces, seem as if they would be more pleasant places to live than most Space Opera universes, places where you could have a viable, ordinary, and decent life once the plot was through requiring you to battle for existence against some Dread Implacable Monster; Schmitz even has sympathy for the monsters, who are often seen in the end not to be monsters at all, but rather creatures with agendas and priorities and points-of-view of their own, from which perspectives their actions are justified and sometimes admirable — a tolerant attitude almost unique amidst the Space Adventure tales of the day, most of which were frothingly xenophobic.

“The Second Night of Summer” is a superb tale of an attack on the planet Noorhut by mysterious and deadly inter-dimensional invaders — an attack thwarted single-handedly by the coolly competent Granny Wannattel and her friendly alien companion. That single story sparked an enduring interest in Schmitz, and I’ve read and enjoyed a lot of his short fiction in the past few decades.

That in turn stirred an interest in those 70s novels that have been gathering dust on my shelves. I recently picked up the 1979 Ace Books edition of Legacy, set in Schmitz’s richly-imagined galactic federation of The Hub, and find myself much more interested in reading it than any of this month’s new SF releases.

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“Is There Anybody There?”: James Gunn’s The Listeners

“Is There Anybody There?”: James Gunn’s The Listeners

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The Listeners by James Gunn
First Edition: Scribner’s, October 1972, Jacket design Jerry Thorp
(Book Club edition shown)

The Listeners
by James Gunn
Scribner’s (275 pages, $6.95, Hardcover, October 1972)
Jacket design Jerry Thorp

The late James Gunn, who died just last year, became an SFWA Grand Master in 2007 and was inducted into the SF Hall of Fame in 2015, both recognizing his achievements in science fiction. His individual awards include an Eaton Award for lifetime achievement as a critic (1982), a Pilgrim Award for lifetime contribution to SF and fantasy scholarship (1976), and a Clareson Award from the Science Fiction Research Association (1997).

So while Gunn wrote a good amount of fiction, some fifteen novels and a similar number of story collections, it’s fair to say his profile was higher as a nonfiction writer and critic than for his fiction. His critical work includes Alternate Worlds: The Illustrated History of Science Fiction (1976), which presumably triggered the Pilgrim Award (but predated the Hugo category for nonfiction or related book), and Isaac Asimov: The Foundations of Science Fiction (1982, which did win a Hugo Award). He also edited the prominent series of anthologies The Road to Science Fiction (1977 to 1998), and was closely associated with the Campbell and Sturgeon awards organized at the Center for the Study of Science Fiction in Lawrence, Kansas, where spent most of his life in academia.

The closest he got to major awards recognition for his fiction was the novel considered here, The Listeners, from 1972. It came in second for the John W. Campbell Memorial Award, in that award’s first year, to Barry Malzberg’s Beyond Apollo, though it was not nominated for a Hugo or Nebula award. (Neither was the Malzberg.)
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