Mars, We Love You (Pyramid Books, 1973) and its British reprint, The Book of Mars
(Orbit, 1976). Covers: unknown (left), and Patrick Woodroffe (right)
The 70s was the golden age of science fiction anthologies, and especially themed anthologies. You didn’t find a lot of books collecting SF cat tales, mermaid legends, or vampire love stories in those days (not that there’s anything wrong with those, I hasten to add).
But take Mars, We Love You, for example. Originally published in hardcover in 1971, the heyday of the Mariner program, it was an affectionate look back at classic SF about the Red Planet. It was a goodbye to the pulp dream of Mars, really, in the cold new age of space probes, which closed the door forever on the SFnal vision of a sister world of planet-spanning canals, ancient Martian civilizations, and alien wonder. Though tinged with pulp nostalgia, and a yearning for a time when many of us still dreamed of finding intelligent life right here in our own solar system, Mars, We Love You is nonetheless a fine anthology that makes enjoyable reading today.
Here’s an excerpt from the introduction by editors Jane Hipolito and Willis E. McNelly.
Canals. dead sea bottoms, dying civilizations, hurtling moons, desiccated polar caps, dust storms, unending vistas of sand…
Mars is not simply a planet… Mars is a symbol… the object of one of the biggest bodies of literature in all of science fiction. For hundreds of years the Red Planet has gripped the imagination of mankind. And… science fiction writers have produced a body of literature that would fill hundreds of books the size of this one…
It is our hope that this collection will show the chronological growth pf the dream of Mars and Martians over the last hundred years. We begin with Giovanni Schaiparelli’s misunderstood remarks about “channels” on that planet’s surface for which the Italian word was canali. The myth grew from the word and provided the mystique of Mars. We progress from Percival Lowell, H.G. Wells, Edgar Rice Burroughs, and a dozen other writers to several stories and poems written expressly for this book.
The Book of Mars is a hearty anthology, especially if you’re a fan of Mars (and who isn’t?). It contains the complete novel The War of the Worlds by H. G. Wells, and excerpts from two other classic featuring the red planet: A Princess of Mars by Edgar Rice Burroughs and Double Star by Robert A. Heinlein. There’s also a Venus Equilateral novelette by George O. Smith, a Federation novelette by H. Beam Piper, and stories by Ray Bradbury, Stanley Weinbaum, Harlan Ellison, P. Schuyler Miller, Arthur C. Clarke, Harry Harrison, Damon Knight, Lester del Rey, Anthony Boucher, and many others — plus original stories by Bruce McAllister and Barry N. Malzberg. Not to mention Giovanni Schiaparelli’s famed 1877 article on the canals of Mars, and essays by Isaac Asimov, Percival Lowell, and Willis E. McNelly.
Inside cover page for Mars, We Love You
Mars, We Love You makes a fine textbook for readers curious about how science fiction uses our current understanding to create intriguing story settings. In The War of the Worlds and “A Martian Odyssey,” Mars is a distant source of inscrutable alien threat; that image had softened considerably by the time Bradbury’s “The Lost City of Mars” appeared, replaced with a deepening sense of mystery.
The process continues even today. Science has told us the surface of Mars is a cold and lifeless desert, yet science fiction writers still find ways to tell thrilling tales of desperate life-or-death struggle on that pitiless landscape, like Ridley Scott’s superb 2015 film The Martian.
Matt Damon in Ridley Scott’s The Martian (2015)
Here’s the complete Table of Contents for Mars, We Love You.
Foreword by Jane Hipolito and Willis E. McNelly
The Romance of Mars, by Isaac Asimov
Report on Canali, by Giovanni Schiaparelli (1877)
Mars as the Abode of Life, Percival Lowell (1908)
The War of the Worlds by H. G. Wells (1898)
Excerpt from A Princess of Mars, by Edgar Rice Burroughs (1912)
“A Martian Odyssey” by Stanley G. Weinbaum (Wonder Stories, July 1934)
“The Embassy” by Donald A. Wollheim (Astounding Science-Fiction, March 1942)
“Dark Mission” by Lester del Rey (Astounding Science-Fiction, July 1940)
“Lost Art” by George O. Smith (Astounding Science Fiction, December 1943)
“The Cave” by P. Schuyler Miller (Astounding Science-Fiction, January 1943)
“Expedition” by Anthony Boucher (Thrilling Wonder Stories, August 1943)
“Loophole” by Arthur C. Clarke (Astounding Science Fiction, April 1946)
“Catch That Martian” by Damon Knight (Galaxy Science Fiction, March 1952)
“Omnilingual” by H. Beam Piper (Astounding Science Fiction, February 1957)
“The Lost City of Mars” by Ray Bradbury (Playboy, January 1967)
“One Step from Earth” by Harry Harrison (Analog Science Fiction/Science Fact, March 1970)
Carthage: Reflections of a Martian by Frank Herbert (1971) — poem
Soft Landing, by William Fox (1971) — poem
Earthbound, by Irene Jackson (1971) — poem
“In Lonely Lands” by Harlan Ellison (Fantastic Universe, January 1959)
“World of the Wars” by Bruce McAllister (1971)
“Exploration” by Barry N. Malzberg (1971)
Excerpt from Double Star by Robert A. Heinlein (1956)
Linguistic Relativity in Middle High Martian, by Willis E. McNelly (1970)
In the UK the book was reprinted five years after its original publication, under the title The Book of Mars.
Back covers for Mars, We Love You and The Book of Mars
This was the only SF anthology Jane Hipolito ever produced. Willis E. McNelly had a brief run as an anthologist in the mid-70s, co-editing Above the Human Landscape: A Social Science Fiction Anthology with Leon E. Stover (1972) and Science Fiction Novellas with Harry Harrison (1975).
Mars, We Love You was published by Pyramid Books in July 1973. It is 379 pages, priced at $1.25 in paperback. The cover artist is uncredited. It was reprinted in the UK by Orbit in 1976; that version is 332 pages, priced at £0.85. The UK cover is by Patrick Woodroffe
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